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Terrence Malick

12 Titles

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| ShotOnWhat?

Director, Written By

A Hidden Life (2019)

| USA, UK, Germany

Directed by: Terrence Malick

Cinematography by: Jörg Widmer

Edited by: Rehman Nizar Ali, Joe Gleason, Sebastian Jones

Cameras: Red Epic Dragon Camera

Lenses: Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Ultra Prime 8R 8 mm T.2.8 Lens

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Directed By, Written By

Song to Song (2017)

| USA

Directed by: Terrence Malick

Cinematography by: Emmanuel Lubezki

Edited by: Rehman Nizar Ali, Hank Corwin, Keith Fraase

Cameras: ARRI ALEXA Camera, ARRI ALEXA M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Zeiss Master Prime Lenses

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Director, Written By

Knight of Cups (2015)

Movie

| USA

Directed by: Terrence Malick

Cinematography by: Emmanuel Lubezki

Edited by: A.J. Edwards, Keith Fraase, Geoffrey Richman, Mark Yoshikawa

| ShotOnWhat?

Director, Written By

To the Wonder (2012)

| USA

Directed by: Terrence Malick

Cinematography by: Emmanuel Lubezki

Edited by: A.J. Edwards, Keith Fraase, Shane Hazen, Christopher Roldan, Mark Yoshikawa

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, Panavision Cameras, Red One MX Camera

Lenses: Zeiss Master Prime Lenses

Editing System: Avid Editing System

| ShotOnWhat?

Director, Written By

The Tree of Life (2011)

| USA

Directed by: Terrence Malick

Cinematography by: Emmanuel Lubezki

Edited by: Hank Corwin, Jay Rabinowitz, Daniel Rezende, Billy Weber, Mark Yoshikawa

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Dalsa Evolution Camera, Imax Cameras, Panavision System 65 Camera, Phantom HD Gold Camera, Red One Camera

Lenses: Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

| ShotOnWhat?

Executive Producer

The Unforeseen (2007)

| USA

Directed by: Laura Dunn

Cinematography by: Lee Daniel

Edited by: Laura Dunn, Emily Morris

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Producer

Amazing Grace (2006)

| USA, UK

Directed by: Michael Apted

Cinematography by: Remi Adefarasin

Edited by: Rick Shaine

Cameras: ARRI Cameras

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Director, Written By

The New World (2005)

| USA, UK

Directed by: Terrence Malick

Cinematography by: Emmanuel Lubezki

Edited by: Richard Chew, Hank Corwin, Saar Klein, Mark Yoshikawa

Cameras: Aaton 35-III Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision System 65 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

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Producer

Undertow (2004)

| USA

Directed by: David Gordon Green

Cinematography by: Tim Orr

Edited by: Zene Baker, Steven Gonzales

| ShotOnWhat?

Idea, Producer

The Beautiful Country (2004)

| Norway, USA

Directed by: Hans Petter Moland

Cinematography by: Stuart Dryburgh

Edited by: Wibecke Rønseth

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Director, Screenplay

The Thin Red Line (1998)

| USA

Directed by: Terrence Malick

Cinematography by: John Toll

Edited by: Leslie Jones, Saar Klein, Billy Weber

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision C100 100 mm T2.8 Lens, Panavision C40 40 mm T2.8 Lens, Panavision C50 50 mm T2.3 Lens, Panavision C75 75 mm T2.5 Lens, Panavision Primo AL100 100 mm T2.0 Lens, Panavision Primo AL40 40 mm T2.0 Lens, Panavision Primo AL50 50 mm T2.0 Lens, Panavision Primo AL75 75 mm T2.0 Lens

Editing System: Avid Editing System

| ShotOnWhat?

Director, Mill Worker, Written By

Days of Heaven (1978)

| USA

Directed by: Terrence Malick

Cinematography by: Néstor Almendros

Edited by: Billy Weber

Cameras: Panavision Cameras

Lenses: Panavision Lenses

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