Jörg Widmer

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Director Of Photography

A Hidden Life (2019)

Motion Picture

| USA, UK, Germany

Directed by: Terrence Malick

Cinematography by: Jörg Widmer

Edited by: Rehman Nizar Ali, Joe Gleason, Sebastian Jones

Cameras: Red Epic Dragon Camera

Camera Operator

The Girl in the Spider's Web (2018)

Motion Picture

| Germany, Sweden, USA

Directed by: Fede Alvarez

Cinematography by: Pedro Luque

Edited by: Tatiana S. Riegel

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus

Lenses: ARRI Rental Prime DNA Lenses, Zeiss Master Prime Lenses

Camera Operator

Atomic Blonde (2017)

Motion Picture

| Germany, Sweden, USA, Hungary

Directed by: David Leitch

Cinematography by: Jonathan Sela

Edited by: Elísabet Ronaldsdóttir

Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Plus Camera

Lenses: Hawk V-Lite Vintage´74 Lens

Director Of Photography: Second Unit

'Dark' Lies (2017)

Television Episode

| Germany

Directed by: Baran bo Odar

Cinematography by: Nikolaus Summerer

Edited by: Denis Bachter

Director Of Photography: Second Unit

'Dark' Sic Mundus Creatus Est (2017)

Television Episode

| Germany

Directed by: Baran bo Odar

Cinematography by: Nikolaus Summerer

Edited by: Anja Siemens

Director Of Photography: Second Unit

'Dark' As You Sow, so You Shall Reap (2017)

Television Episode

| Germany

Directed by: Baran bo Odar

Cinematography by: Nikolaus Summerer

Edited by: Denis Bachter

Camera Operator

Song to Song (2017)

Motion Picture

| USA

Directed by: Terrence Malick

Cinematography by: Emmanuel Lubezki

Edited by: Rehman Nizar Ali, Hank Corwin, Keith Fraase

Cameras: ARRI ALEXA Camera, ARRI ALEXA M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Zeiss Master Prime Lenses

Director Of Photography: Second Unit

'Dark' Past and Present (2017)

Television Episode

| Germany

Directed by: Baran bo Odar

Cinematography by: Nikolaus Summerer

Edited by: Denis Bachter

Director Of Photography: Second Unit

'Dark' Secrets (2017)

Television Episode

| USA, Germany

Directed by: Baran bo Odar

Cinematography by: Nikolaus Summerer

Edited by: Robert Rzesacz

Director Of Photography: Second Unit

'Dark' Everything Is Now (2017)

Television Episode

| Germany

Directed by: Baran bo Odar

Cinematography by: Nikolaus Summerer

Edited by: Sven Budelmann, Robert Rzesacz

Director Of Photography: Second Unit

'Dark' Double Lives (2017)

Television Episode

| Germany

Directed by: Baran bo Odar

Cinematography by: Nikolaus Summerer

Edited by: Anja Siemens

Director Of Photography: Second Unit - 10 Episodes, 2017

Dark (2017)

Television Series

| Germany, USA

Directed by: Baran bo Odar

Cinematography by: Nikolaus Summerer

Edited by: Robert Rzesacz, Anja Siemens, Denis Bachter, Boris Gromatzki, Simon Gstöttmayr, Sven Budelmann, Roan Densimbor

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera

Lenses: Zeiss Ultra Prime Lenses

Director Of Photography: Second Unit

'Dark' Alpha and Omega (2017)

Television Episode

| Germany

Directed by: Baran bo Odar

Cinematography by: Nikolaus Summerer

Edited by: Anja Siemens

Director Of Photography: Second Unit

'Dark' Truths (2017)

Television Episode

| Germany

Directed by: Baran bo Odar

Cinematography by: Nikolaus Summerer

Edited by: Robert Rzesacz

Director Of Photography: Second Unit

'Dark' Crossroads (2017)

Television Episode

| Germany

Directed by: Baran bo Odar

Cinematography by: Nikolaus Summerer

Edited by: Robert Rzesacz

Camera Operator: "c" Camera, Germany

Captain America: Civil War (2016)

Motion Picture

| USA

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera, ARRI ALEXA 65 Camera, ARRI ALEXA XT Plus Camera, GoPro HERO4 Black, Red Epic Dragon Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo 70 Lenses, Panavision T Series Anamorphic Lenses

Camera Operator, Photographer

Knight of Cups (2015)

Movie

| USA

Directed by: Terrence Malick

Cinematography by: Emmanuel Lubezki

Edited by: A.J. Edwards, Keith Fraase, Geoffrey Richman, Mark Yoshikawa

Camera Operator

The Monuments Men (2014)

Motion Picture

| USA, Germany

Directed by: George Clooney

Cinematography by: Phedon Papamichael

Edited by: Stephen Mirrione

Cameras: ARRI ALEXA Plus 4:3 Camera, ARRICAM Lite (LT) Camera

Lenses: Angenieux Optimo 24-290mm T2.8 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens

Editing System: Avid Editing System

Dailies Operator

The Book Thief (2013)

Motion Picture

| USA, Germany

Directed by: Brian Percival

Cinematography by: Florian Ballhaus

Edited by: John Wilson

Cameras: ARRI ALEXA Camera, ARRI ALEXA XT Plus Camera

Lenses: Angenieux Optimo Zoom Lenses, Leica Summilux-C Series Lenses

Editing System: Avid Editing System

Camera Operator: Second Unit

Hansel & Gretel: Witch Hunters (2013)

Motion Picture

| Germany, USA

Directed by: Tommy Wirkola

Cinematography by: Michael Bonvillain

Edited by: Jim Page

Cameras: ARRI ALEXA Camera, ARRI ALEXA Plus Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Master Prime Lenses

Camera Operator

To the Wonder (2012)

Motion Picture

| USA

Directed by: Terrence Malick

Cinematography by: Emmanuel Lubezki

Edited by: A.J. Edwards, Keith Fraase, Shane Hazen, Christopher Roldan, Mark Yoshikawa

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, Panavision Cameras, Red One MX Camera

Lenses: Zeiss Master Prime Lenses

Editing System: Avid Editing System

Camera

Amour (2012)

Motion Picture

| Austria, France, Germany

Directed by: Michael Haneke

Cinematography by: Darius Khondji

Edited by: Nadine Muse, Monika Willi

Cameras: ARRI ALEXA Camera

Lenses: Cooke 5/i Lenses, Cooke S4 Lenses

Steadicam Operator

Poulet aux prunes (2011)

Motion Picture

| France, Germany, Belgium

Directed by: Vincent Paronnaud, Marjane Satrapi

Cinematography by: Christophe Beaucarne

Edited by: Stéphane Roche

Camera Operator

The Tree of Life (2011)

Motion Picture

| USA

Directed by: Terrence Malick

Cinematography by: Emmanuel Lubezki

Edited by: Hank Corwin, Jay Rabinowitz, Daniel Rezende, Billy Weber, Mark Yoshikawa

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Dalsa Evolution Camera, Imax Cameras, Panavision System 65 Camera, Phantom HD Gold Camera, Red One Camera

Lenses: Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

"a" Camera Operator / Steadicam Operator

Hanna (2011)

Motion Picture

| USA, UK, Germany

Directed by: Joe Wright

Cinematography by: Alwin H. Küchler

Edited by: Paul Tothill

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Sony Other Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Zeiss Master Prime Lenses

Editing System: Lightworks Editing System

Director Of Photography, Steadicam Operator

Pina (2011)

Motion Picture

| Germany, France, UK, USA

Directed by: Wim Wenders

Cinematography by: Hélène Louvart, Jörg Widmer

Edited by: Toni Froschhammer

Cameras: Sony HDC-1500 Camera, Sony HDC-P1 Camera, Sony PMW-EX3 Camera

Lenses: Zeiss DigiPrime Lenses

Steadicam Operator

The White Ribbon (2009)

Motion Picture

| Germany, Austria, France, Italy, Canada

Directed by: Michael Haneke

Cinematography by: Christian Berger

Edited by: Monika Willi

Cameras: Moviecam Compact Camera

Lenses: Cooke S4 Lenses

Director Of Photography: Splinter Unit

Inglourious Basterds (2009)

Motion Picture

| Germany, USA

Directed by: Quentin Tarantino

Cinematography by: Robert Richardson

Edited by: Sally Menke

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera

Lenses: Cooke Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Steadicam Operator / Camera Operator: "b" Camera

The Ruins (2008)

Motion Picture

| USA, Germany, Australia

Directed by: Carter Smith

Cinematography by: Darius Khondji

Edited by: Jeff Betancourt

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Steadicam Operator

Trilogia II: I skoni tou hronou (2008)

Motion Picture

| Greece, Italy, Germany, Russia, France

Directed by: Theodoros Angelopoulos

Cinematography by: Andreas Sinanos

Edited by: Giorgos Helidonidis, Yannis Tsitsopoulos

Cameras: ARRIFLEX 535 Camera

Lenses: Angenieux Optimo 24-290mm T2.8 Lens

Steadicam Operator

The Diving Bell and the Butterfly (2007)

Motion Picture

| France, USA

Directed by: Julian Schnabel

Cinematography by: Janusz Kaminski

Edited by: Juliette Welfling

Cameras: ARRIFLEX 435 Camera

Lenses: ARRI Shift & Tilt System Lens, Zeiss Super Speed Lenses

Additional Camera Operator: Morocco / Steadicam Operator: Morocco, Aerial Cinematographer: Morocco

Babel (2006)

Motion Picture

| France, USA, Mexico

Directed by: Alejandro G. Iñárritu

Cinematography by: Rodrigo Prieto

Edited by: Douglas Crise, Stephen Mirrione

Cameras: ARRICAM Lite (LT) Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Steadicam Operator

Perfume: The Story of a Murderer (2006)

Motion Picture

| Germany, France, Spain, USA, Czech Republic, Belgium, Netherlands, Luxembourg, Latvia, UK

Directed by: Tom Tykwer

Cinematography by: Frank Griebe

Edited by: Alexander Berner

Director Of Photography: Second Unit, Germany

Mission: Impossible III (2006)

Motion Picture

| USA, Germany, China, Italy

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Nick Gibbs, Mary Jo Markey

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Zoom Lenses

Steadicam Operator / Camera Operator

A Good Year (2006)

Motion Picture

| USA, UK

Directed by: Ridley Scott

Cinematography by: Philippe Le Sourd

Edited by: Dody Dorn, Robb Sullivan

Cameras: ARRICAM Lite (LT) Camera

Lenses: Panavision Primo Primes Spherical Lenses

Director Of Photography: Second Unit , Steadicam Operator / Camera Operator

The New World (2005)

Motion Picture

| USA, UK

Directed by: Terrence Malick

Cinematography by: Emmanuel Lubezki

Edited by: Richard Chew, Hank Corwin, Saar Klein, Mark Yoshikawa

Cameras: Aaton 35-III Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision System 65 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Director Of Photography: Germany , Director Of Photography: Plates, Germany, Steadicam Operator: Germany

Flightplan (2005)

Motion Picture

| USA

Directed by: Robert Schwentke

Cinematography by: Florian Ballhaus

Edited by: Thom Noble

Additional Cinematographer: Second Unit / Camera Operator: "b" Camera

V for Vendetta (2005)

Motion Picture

| USA, UK, Germany

Directed by: James McTeigue

Cinematography by: Adrian Biddle

Edited by: Martin Walsh

Camera Operator

King Arthur (2004)

Motion Picture

| USA, UK, Ireland

Directed by: Antoine Fuqua

Cinematography by: Slawomir Idziak

Edited by: Conrad Buff IV, Jamie Pearson

Steadicam Operator

The Pianist (2002)

Motion Picture

| UK, France, Poland, Germany

Directed by: Roman Polanski

Cinematography by: Pawel Edelman

Edited by: Hervé de Luze

Cameras: Moviecam Compact Camera, Moviecam Superlight Camera

Steadicam Operator

Taking Sides (2001)

Motion Picture

| France, UK, Germany, Austria

Directed by: István Szabó

Cinematography by: Lajos Koltai

Edited by: Sylvie Landra

Steadicam Operator

Amélie (2001)

Motion Picture

| France, Germany

Directed by: Jean-Pierre Jeunet

Cinematography by: Bruno Delbonnel

Edited by: Hervé Schneid

Cameras: ARRIFLEX 435 ES Camera, ARRIFLEX 535 Camera, Iwerks Cameras

Lenses: Zeiss Ultra Prime Lenses

Steadicam Operator

The Piano Teacher (2001)

Motion Picture

| Austria, France, Germany

Directed by: Michael Haneke

Cinematography by: Christian Berger

Edited by: Nadine Muse, Monika Willi

Cameras: Moviecam Compact Camera

Lenses: Cooke S4 Lenses, Cooke Varotal Lenses

Steadicam Operator

The Princess and the Warrior (2000)

Motion Picture

| Germany

Directed by: Tom Tykwer

Cinematography by: Frank Griebe

Edited by: Mathilde Bonnefoy

Steadicam Operator

The Ninth Gate (1999)

Motion Picture

| France, Spain, USA

Directed by: Roman Polanski

Cinematography by: Darius Khondji

Edited by: Hervé de Luze

Director Of Photography, Steadicam Operator / Director Of Photography: Cuban Crew / Steadicam Operator: Amsterdam Crew / Steadicam Operator: Cuban Crew

Buena Vista Social Club (1999)

Documentary

| Germany, USA, UK, France, Cuba

Directed by: Wim Wenders

Cinematography by: Jörg Widmer

Edited by: Brian Johnson

Cameras: Sony Betacam (Unknown) Camera

Steadicam Operator: Berlin

Sunshine (1999)

Motion Picture

| Germany, Austria, Canada, Hungary, France, UK, USA

Directed by: István Szabó

Cinematography by: Lajos Koltai

Edited by: Michel Arcand, Dominique Fortin

Steadicam Operator

The Horseman on the Roof (1995)

Motion Picture

| France

Directed by: Jean-Paul Rappeneau

Cinematography by: Thierry Arbogast

Edited by: Noëlle Boisson

Steadicam Operator

Kaspar Hauser (1993)

Motion Picture

| Germany, Austria, Sweden

Directed by: Peter Sehr

Cinematography by: Gernot Roll

Edited by: Heidi Handorf

Steadicam Operator

Making Up! (1993)

Motion Picture

| Germany

Directed by: Katja von Garnier

Cinematography by: Torsten Breuer

Edited by: Katja von Garnier

Cameras: ARRIFLEX 16SR3 Camera

20224.20

Jörg Widmer

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Director Of Photography

Camera Operator

Camera Operator

Director Of Photography: Second Unit

Director Of Photography: Second Unit

Director Of Photography: Second Unit

Camera Operator

Director Of Photography: Second Unit

Director Of Photography: Second Unit

Director Of Photography: Second Unit

Director Of Photography: Second Unit

Director Of Photography: Second Unit - 10 Episodes, 2017

Director Of Photography: Second Unit

Director Of Photography: Second Unit

Director Of Photography: Second Unit

Camera Operator: "c" Camera, Germany

Camera Operator, Photographer

Camera Operator

Dailies Operator

Camera Operator: Second Unit

Camera Operator

Camera

Steadicam Operator

Camera Operator

"a" Camera Operator / Steadicam Operator

Director Of Photography, Steadicam Operator

Steadicam Operator

Director Of Photography: Splinter Unit

Steadicam Operator / Camera Operator: "b" Camera

Steadicam Operator

Steadicam Operator

Additional Camera Operator: Morocco / Steadicam Operator: Morocco, Aerial Cinematographer: Morocco

Steadicam Operator

Director Of Photography: Second Unit, Germany

Steadicam Operator / Camera Operator

Director Of Photography: Second Unit , Steadicam Operator / Camera Operator

Director Of Photography: Germany , Director Of Photography: Plates, Germany, Steadicam Operator: Germany

Additional Cinematographer: Second Unit / Camera Operator: "b" Camera

Camera Operator

Steadicam Operator

Steadicam Operator

Steadicam Operator

Steadicam Operator

Steadicam Operator

Steadicam Operator

Director Of Photography, Steadicam Operator / Director Of Photography: Cuban Crew / Steadicam Operator: Amsterdam Crew / Steadicam Operator: Cuban Crew

Steadicam Operator: Berlin

Steadicam Operator

Steadicam Operator

Steadicam Operator