Director Of Photography
Insidious: Chapter 3 (2015)
Directed by: Leigh Whannell
Cinematography by: Brian Pearson
Edited by: Timothy Alverson
Cameras: Sony PMW-F55 Camera
Cinematographer
Into the Storm (2014)
Directed by: Steven Quale
Cinematography by: Brian Pearson
Edited by: Eric A. Sears
Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, GoPro HD Hero2 Camera, Nikon D800 Camera, Red Epic Camera
Lenses: Fujinon Alura Zoom 15.5-45mm T2.8 Lens, Fujinon Alura Zoom 18-80mm T2.6 Lens, Fujinon Alura Zoom 30-80mm T2.8 Lens, Fujinon Alura Zoom 45-250mm T2.8 Lens, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Director Of Photography: Second Unit
Seventh Son (2014)
Directed by: Sergei Bodrov
Cinematography by: Newton Thomas Sigel
Cameras: ARRI ALEXA Camera
Cinematographer
American Mary (2012)
Cinematography by: Brian Pearson
Edited by: Bruce MacKinnon
Cameras: Red Epic Camera
Director Of Photography: Additional Action Unit
Total Recall (2012)
Directed by: Len Wiseman
Cinematography by: Paul Cameron
Edited by: Christian Wagner
Cinematographer
Final Destination 5 (2011)
Directed by: Steven Quale
Cinematography by: Brian Pearson
Edited by: Eric A. Sears
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System
Cinematographer
Digital Darkroom: The Art of 3D (2011)
Directed by: Steven Kochones
Edited by: James Pendorf
Director Of Photography
Drive Angry (2011)
Directed by: Patrick Lussier
Cinematography by: Brian Pearson
Director Of Photography: Second Unit
Hot Tub Time Machine (2010)
Directed by: Steve Pink
Cinematography by: Jack N. Green
Cameras: Panavision Cameras
Director Of Photography: Second Unit
Charlie St. Cloud (2010)
Directed by: Burr Steers
Cinematography by: Enrique Chediak
Edited by: Padraic McKinley
Lenses: Hawk V-Series Lenses
Cinematographer
My Bloody Valentine (2009)
Directed by: Patrick Lussier
Cinematography by: Brian Pearson
Cameras: Red One Camera, Silicon Imaging SI-2K Camera
Director Of Photography: Action Unit
Meet Dave (2008)
Directed by: Brian Robbins
Cinematography by: Clark Mathis
Edited by: Ned Bastille
Director Of Photography: Additional Photography
The Eye (2008)
Cinematography by: Jeffrey Jur
Edited by: Patrick Lussier
Director Of Photography: Action Unit
I Am Legend (2007)
Directed by: Francis Lawrence
Cinematography by: Andrew Lesnie
Edited by: Wayne Wahrman
Cameras: Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses: Angenieux Lenses
Director Of Photography
White Noise 2: The Light (2007)
Directed by: Patrick Lussier
Cinematography by: Brian Pearson
Director Of Photography
The Long Weekend (2005)
Directed by: Pat Holden
Cinematography by: Brian Pearson
Edited by: Martin Brinkler
Camera Operator: "b" Camera
Fierce People (2005)
Directed by: Griffin Dunne
Cinematography by: William Rexer
Edited by: Allyson C. Johnson
Camera Operator: "b" Camera
Two for the Money (2005)
Directed by: D.J. Caruso
Cinematography by: Conrad W. Hall
Edited by: Glen Scantlebury
Director Of Photography: Additional Action Unit / Director Of Photography: Strike Force Unit
I, Robot (2004)
Directed by: Alex Proyas
Cinematography by: Simon Duggan
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Cooke S4 Lenses, Zeiss Ultra Prime Lenses
Camera Operator: Second Unit / Director Of Photography: Second Unit
My Boss's Daughter (2003)
Directed by: David Zucker
Cinematography by: Martin McGrath
Director Of Photography
Stealing Sinatra (2003)
Directed by: Ron Underwood
Cinematography by: Brian Pearson
Edited by: Tina Hirsch
Camera Operator: Second Unit / Director Of Photography: Second Unit
Replicant (2001)
Directed by: Ringo Lam
Cinematography by: Mike Southon
Edited by: David M. Richardson
Director Of Photography: Additional Photography
Suspicious River (2000)
Directed by: Lynne Stopkewich
Cinematography by: Gregory Middleton
Director Of Photography
Urban Legends: Final Cut (2000)
Directed by: John Ottman
Cinematography by: Brian Pearson
Director Of Photography
Tail Lights Fade (1999)
Directed by: Malcolm Ingram
Cinematography by: Brian Pearson
Edited by: Reginald Harkema
Additional Photographer: Second Unit
Wounded (1997)
Directed by: Richard Martin
Cinematography by: Gregory Middleton
Edited by: Kerry Uchida
Camera Operator: "b" Camera
Hard Core Logo (1996)
Directed by: Bruce McDonald
Cinematography by: Danny Nowak
Edited by: Reginald Harkema
Cameras: ARRIFLEX Camera
Lenses: Zeiss Lenses, Zeiss Zoom Lenses