Camera Operator
Dragged Across Concrete (2018)
| Canada, USA
Directed by: S. Craig Zahler
Cinematography by: Benji Bakshi
Edited by: Greg D'Auria
Cameras: Red Helium (Weapon) 8K
Lenses: Zeiss Master Anamorphic 100mm T1.9 Lens, Zeiss Master Anamorphic 135mm T1.9 Lens, Zeiss Master Anamorphic 28mm T1.9 Lens, Zeiss Master Anamorphic 35mm T1.9 Lens, Zeiss Master Anamorphic 40mm T1.9 Lens, Zeiss Master Anamorphic 50mm T1.9 Lens, Zeiss Master Anamorphic 60mm T1.9 Lens, Zeiss Master Anamorphic 75mm T1.9 Lens
Director Of Photography: Second Unit
Far Cry (2008)
| Germany, Canada
Directed by: Uwe Boll
Cinematography by: Mathias Neumann
Edited by: Karen Porter
Director Of Photography: Second Unit
Passchendaele (2008)
| Canada
Directed by: Paul Gross
Cinematography by: Gregory Middleton
Edited by: David Wharnsby
Director Of Photography: Second Unit
War (2007)
| USA, Canada
Directed by: Philip G. Atwell
Cinematography by: Pierre Morel
Edited by: Scott Richter
Director Of Photography: Second Unit
In the Name of the King: A Dungeon Siege Tale (2007)
| Germany, Canada, USA
Directed by: Uwe Boll
Cinematography by: Mathias Neumann
Edited by: David M. Richardson
Director Of Photography
Belly of the Beast (2003)
| Canada, Hong Kong, UK
Directed by: Siu-Tung Ching
Cinematography by: Danny Nowak
Edited by: David M. Richardson
Director Of Photography: Second Unit
Romeo Must Die (2000)
| USA
Directed by: Andrzej Bartkowiak
Cinematography by: Glen MacPherson
Edited by: Derek Brechin
Director Of Photography
The Big Hit (1998)
| USA
Directed by: Kirk Wong
Cinematography by: Danny Nowak
Cameras: Panavision Panaflex Platinum Camera
Director Of Photography
Bone Daddy (1998)
| Canada, USA
Directed by: Mario Azzopardi
Cinematography by: Danny Nowak
Edited by: Dean Balser
Director Of Photography, Documentary Cameraman
Hard Core Logo (1996)
| Canada
Directed by: Bruce McDonald
Cinematography by: Danny Nowak
Edited by: Reginald Harkema
Cameras: ARRIFLEX Camera
Lenses: Zeiss Lenses, Zeiss Zoom Lenses
