Cinematographer - Co-cinematographer
'House of Cards' Chapter 40 (2016)
| USA
Directed by: Tucker Gates
Edited by: Lisa Bromwell
Cinematographer - Co-cinematographer
'House of Cards' Chapter 41 (2016)
| USA
Directed by: Tucker Gates
Edited by: Lisa Bromwell
2nd Unit Cinematographer / 2nd Unit Cinematographer: Second Unit
The Ridiculous 6 (2015)
| USA
Directed by: Frank Coraci
Cinematography by: Dean Semler
Edited by: Tom Costain
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Director Of Photography
'House of Cards' Chapter 39 (2015)
| USA
Directed by: James Foley
Edited by: Lisa Bromwell
Camera Operator: "b" Camera / Director Of Photography: Second Unit
A Million Ways to Die in the West (2014)
| USA
Directed by: Seth MacFarlane
Cinematography by: Michael Barrett
Edited by: Jeff Freeman
Cameras: Sony PMW-F55 Camera
Editing System: Avid Editing System
Additional Director Of Photography: New Mexico
The Host (2013)
| USA, Switzerland
Directed by: Andrew Niccol
Cinematography by: Roberto Schaefer
Edited by: Thomas J. Nordberg
Cameras: ARRI ALEXA Camera
Cinematographer - 3 Episodes, 2015-2016
House of Cards (2013)
| USA
Directed by: James Foley, Robin Wright, John David Coles, Alik Sakharov, Carl Franklin, Agnieszka Holland, Tucker Gates, Tom Shankland, Allen Coulter, David Fincher, Charles McDougall, Joel Schumacher, John Dahl, Jakob Verbruggen, Roxann Dawson, Daniel Minahan, Michael Morris, Jodie Foster, Alex Graves, Kari Skogland, Ernest R. Dickerson, Louise Friedberg, Ami Canaan Mann, Stacie Passon, Thomas Schlamme
Cinematography by: David M. Dunlap, Igor Martinovic, Eigil Bryld, Peter Konczal, Martin Ahlgren, Tim Norman, Paul Elliott, Tim Ives
Cinematographer
The Sunset Limited (2011)
| USA
Directed by: Tommy Lee Jones
Cinematography by: Paul Elliott
Camera Operator: Splinter Unit, Austin / Director Of Photography: Splinter Unit, Austin
True Grit (2010)
| USA
Cinematography by: Roger Deakins
Lenses: Zeiss Master Prime Lenses
Editing System: Final Cut Pro Editing System
Cinematographer
Deadly Impact (2010)
| USA
Directed by: Robert Kurtzman
Cinematography by: Paul Elliott
Edited by: Andrew Sagar
Director Of Photography: Second Unit
The Company Men (2010)
| USA
Directed by: John Wells
Cinematography by: Roger Deakins
Edited by: Robert Frazen
Director Of Photography
Georgia O'Keeffe (2009)
| USA
Directed by: Bob Balaban
Cinematography by: Paul Elliott
Edited by: Kathryn Himoff
Director Of Photography
Love Lies Bleeding (2008)
| USA
Directed by: Keith Samples
Cinematography by: Paul Elliott
Edited by: Peter Devaney Flanagan
Director Of Photography: Second Unit
No Country for Old Men (2007)
| USA
Cinematography by: Roger Deakins
Lenses: Cooke S4 Lenses, Zeiss Master Prime Lenses
Editing System: Final Cut Pro Editing System
Cinematographer
Elvis Has Left the Building (2004)
| USA, UK, Germany
Directed by: Joel Zwick
Cinematography by: Paul Elliott
Edited by: Heather Persons
Director Of Photography: Additional Photography
The Good Girl (2002)
| USA, Germany, Netherlands
Directed by: Miguel Arteta
Cinematography by: Enrique Chediak
Edited by: Jeff Betancourt
Director Of Photography
Soul Food (1997)
| USA
Directed by: George Tillman Jr.
Cinematography by: Paul Elliott
Edited by: John Carter
Cinematographer
Leave of Absence (1994)
| USA
Directed by: Tom McLoughlin
Cinematography by: Paul Elliott
Edited by: Charles Bornstein
Director Of Photography
My Girl 2 (1994)
| USA
Directed by: Howard Zieff
Cinematography by: Paul Elliott
Edited by: Wendy Greene Bricmont
Director Of Photography: Second Unit
The Hudsucker Proxy (1994)
| UK, Germany, USA
Cinematography by: Roger Deakins
Edited by: Thom Noble
Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 535 Camera
Lenses: Zeiss Lenses
Cinematographer
And the Band Played On (1993)
| USA
Directed by: Roger Spottiswoode
Cinematography by: Paul Elliott
Edited by: Lois Freeman-Fox
Director Of Photography
My Girl (1991)
| USA
Directed by: Howard Zieff
Cinematography by: Paul Elliott
Edited by: Wendy Greene Bricmont
Cinematographer
Welcome Home, Roxy Carmichael (1990)
| UK, USA
Directed by: Jim Abrahams
Cinematography by: Paul Elliott
Edited by: Bruce Green
Additional Camera Operator
The Longshot (1986)
| USA
Directed by: Paul Bartel
Cinematography by: Robby Müller
Edited by: Alan Toomayan
Cameras: ARRI Cameras
Director Of Photography
Armed Response (1986)
| USA
Directed by: Fred Olen Ray
Cinematography by: Paul Elliott
Edited by: Miriam L. Preissel
First Assistant Camera
The Philadelphia Experiment (1984)
| USA
Directed by: Stewart Raffill
Cinematography by: Dick Bush
Edited by: Neil Travis
Assistant Camera: Second Unit
The Sword and the Sorcerer (1982)
| USA
Directed by: Albert Pyun
Cinematography by: Joseph Mangine
Edited by: Marshall Harvey
First Assistant Camera
The Unseen (1980)
| USA
Directed by: Danny Steinmann
Cinematography by: Roberto A. Quezada
Edited by: Jonathon Braun
