Director Of Photography
'Orange Is the New Black' Trapped in an Elevator (2019)
Directed by: Nick Sandow
Cinematography by: David M. Dunlap
Edited by: Shannon Mitchell
Director Of Photography
'Orange Is the New Black' Just Desserts (2019)
Directed by: Andrew McCarthy
Edited by: Liza Cardinale
Director Of Photography
'House of Cards' Chapter 72 (2018)
Directed by: Alik Sakharov
Cinematography by: David M. Dunlap
Edited by: Grant Surmi
Director Of Photography
'House of Cards' Chapter 70 (2018)
Directed by: Thomas Schlamme
Cinematography by: David M. Dunlap
Director Of Photography
'House of Cards' Chapter 68 (2018)
Directed by: Stacie Passon
Cinematography by: David M. Dunlap
Edited by: Yuka Shirasuna
Director Of Photography
'House of Cards' Chapter 66 (2018)
Directed by: Alik Sakharov
Cinematography by: David M. Dunlap
Edited by: Josh Beal
Director Of Photography
'House of Cards' Chapter 64 (2017)
Directed by: Robin Wright
Cinematography by: David M. Dunlap
Edited by: Michael Ruscio
Director Of Photography
'House of Cards' Chapter 53 (2017)
Directed by: Daniel Minahan
Cinematography by: David M. Dunlap
Edited by: Lisa Bromwell
Director Of Photography
'House of Cards' Chapter 65 (2017)
Directed by: Robin Wright
Cinematography by: David M. Dunlap
Edited by: Michael Ruscio
Director Of Photography
'House of Cards' Chapter 61 (2017)
Directed by: Roxann Dawson
Cinematography by: David M. Dunlap
Edited by: Katherine Skjerping
Director Of Photography
'House of Cards' Chapter 60 (2017)
Directed by: Roxann Dawson
Cinematography by: David M. Dunlap
Edited by: Katherine Skjerping
Director Of Photography
'House of Cards' Chapter 57 (2017)
Directed by: Michael Morris
Cinematography by: David M. Dunlap
Edited by: Lisa Bromwell
Director Of Photography
'House of Cards' Chapter 54 (2017)
Directed by: Daniel Minahan
Cinematography by: David M. Dunlap
Edited by: Lisa Bromwell
Director Of Photography
'House of Cards' Chapter 58 (2017)
Directed by: Michael Morris
Cinematography by: David M. Dunlap
Edited by: Lisa Bromwell
Cinematographer
'House of Cards' Chapter 47 (2016)
Directed by: Alex Graves
Cinematography by: David M. Dunlap
Edited by: Cindy Mollo
Cinematographer
'House of Cards' Chapter 50 (2016)
Directed by: Kari Skogland
Cinematography by: David M. Dunlap
Edited by: Lisa Bromwell
Cinematographer
'House of Cards' Chapter 45 (2016)
Directed by: Tom Shankland
Cinematography by: David M. Dunlap
Edited by: Byron Smith
Cinematographer
'House of Cards' Chapter 44 (2016)
Directed by: Tom Shankland
Cinematography by: David M. Dunlap
Edited by: Byron Smith
"b" Camera Operator
'House of Cards' Chapter 39 (2015)
Directed by: James Foley
Edited by: Lisa Bromwell
"b" Camera Operator
'House of Cards' Chapter 38 (2015)
Directed by: Robin Wright
Cinematography by: Peter Konczal
Edited by: Byron Smith
Cinematographer
'Royal Pains' False Start (2015)
Directed by: Joe Collins
Edited by: Charles McClelland
"b" Camera Operator
'House of Cards' Chapter 35 (2015)
Directed by: Robin Wright
Cinematography by: Peter Konczal
Edited by: Byron Smith
"b" Camera Operator
'House of Cards' Chapter 37 (2015)
Directed by: Agnieszka Holland
Cinematography by: Martin Ahlgren
"b" Camera Operator
'House of Cards' Chapter 36 (2015)
Directed by: Agnieszka Holland
Cinematography by: Martin Ahlgren
Director Of Photography: Additional Principal Photography
A Long Way Down (2014)
Directed by: Pascal Chaumeil
Cinematography by: Ben Davis
Cameras: ARRI ALEXA Camera
Camera Operator: "b" Camera, New York Second Unit
Teenage Mutant Ninja Turtles (2014)
Directed by: Jonathan Liebesman
Cinematography by: Lula Carvalho
Cameras: ARRI ALEXA Plus 4:3 Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Cinematographer
'Royal Pains' Good Air/Bad Air (2014)
Directed by: Jay Chandrasekhar
Cinematography by: David M. Dunlap
Edited by: Charles McClelland
Director Of Photography: Second Unit, Second Unit Director
Annie (2014)
Directed by: Will Gluck
Cinematography by: Michael Grady
Edited by: Tia Nolan
Cameras: Sony PMW-F55 Camera
Cinematographer
'Royal Pains' HankMed on the Half Shell (2014)
Directed by: Joe Collins
Cinematography by: David M. Dunlap
"b" Camera Operator - 5 Episodes, 2015, Cinematographer - 16 Episodes, 2016-2018
House of Cards (2013)
Directed by: James Foley, Robin Wright, John David Coles, Alik Sakharov, Carl Franklin, Agnieszka Holland, Tucker Gates, Tom Shankland, Allen Coulter, David Fincher, Charles McDougall, Joel Schumacher, John Dahl, Jakob Verbruggen, Roxann Dawson, Daniel Minahan, Michael Morris, Jodie Foster, Alex Graves, Kari Skogland, Ernest R. Dickerson, Louise Friedberg, Ami Canaan Mann, Stacie Passon, Thomas Schlamme
Cinematography by: David M. Dunlap, Igor Martinovic, Eigil Bryld, Peter Konczal, Martin Ahlgren, Tim Norman, Paul Elliott, Tim Ives
Camera Operator: "d" Camera
The Best Man Holiday (2013)
Directed by: Malcolm D. Lee
Cinematography by: Greg Gardiner
Edited by: Paul Millspaugh
Cameras: ARRI ALEXA Plus 4:3 Camera
Cinematographer - 2 Episodes, 2019
Orange Is the New Black (2013)
Directed by: Andrew McCarthy, Phil Abraham, Michael Trim, Constantine Makris, Mark A. Burley, Nick Sandow, Uta Briesewitz, Erin Feeley, Laura Prepon, Jodie Foster, Jesse Peretz, Ludovic Littee, Matthew Penn, Allison Anders, S.J. Clarkson, Jennifer Getzinger, Daisy von Scherler Mayer, Anthony Hemingway, Nicole Holofcener, Julie Anne Robinson, Adam Bernstein, Tricia Brock, Lev L. Spiro, Matthew Weiner, Wendey Stanzler, Sian Heder, Clark Johnson, Natasha Lyonne, Diego Velasco
Cinematography by: Ludovic Littee, Vanja Cernjul, Yaron Orbach, Manuel Billeter, Michael Trim, David M. Dunlap, Wylda Bayron, Andrew Voegeli, William Newell
Edited by: Bill Turro, Shannon Mitchell, Michael Stern, Amy M. Fleming, Tim Boettcher, W. Kale Whorton, Jennifer Hatton, James A. Brewer, Liza Cardinale, Rockie Stephens
Cameras: ARRI ALEXA Camera, Panasonic VariCam 35
Lenses: Cooke 5/i Lenses
Editing System: Avid Editing System
Director Of Photography: Visual Effects Unit, Second Unit Director: Lullaby Scene
The Smurfs (2011)
Directed by: Raja Gosnell
Cinematography by: Phil Meheux
Cameras: Panavision Genesis Camera
Editing System: Avid Editing System
Director Of Photography: Second Unit, New York
The Tempest (2010)
Directed by: Julie Taymor
Cinematography by: Stuart Dryburgh
Edited by: Françoise Bonnot
Cameras: ARRICAM Lite (LT) Camera
Director Of Photography: Second Unit / Director Of Photography: Time Lapse Photography, Splinter Unit
The Switch (2010)
Cinematography by: Jess Hall
Edited by: John Axelrad
Lenses: Cooke S4 Lenses
Director Of Photography: Second Unit, New York
Julie & Julia (2009)
Directed by: Nora Ephron
Cinematography by: Stephen Goldblatt
Edited by: Richard Marks
Director Of Photography: Second Unit
After.Life (2009)
Directed by: Agnieszka Wojtowicz-Vosloo
Cinematography by: Anastas N. Michos
Edited by: Niven Howie
Director Of Photography: Second Unit
Bride Wars (2009)
Directed by: Gary Winick
Cinematography by: Frederick Elmes
Edited by: Susan Littenberg
Cameras: ARRI Cameras
Director Of Photography: Second Unit
Ghosts of Girlfriends Past (2009)
Directed by: Mark Waters
Cinematography by: Daryn Okada
Edited by: Bruce Green
Director Of Photography: Second Unit
Confessions of a Shopaholic (2009)
Directed by: P.J. Hogan
Cinematography by: Jo Willems
Edited by: William Goldenberg
Cameras: Panavision Panaflex Platinum Camera
Cinematographer - 4 Episodes, 2014-2015
Royal Pains (2009)
Directed by: Michael Rauch, Matthew Penn, Jay Chandrasekhar, Emile B. Levisetti, Constantine Makris, Michael W. Watkins, Ed Fraiman, Mark Feuerstein, Allison Liddi-Brown, Don Scardino, Jace Alexander, Tawnia McKiernan, Janice Cooke, Paulo Costanzo, Joe Collins, Dennie Gordon, Ken Whittingham, Charles McClelland, Ken Girotti, Bronwen Hughes, Eric Laneuville, Dennis Smith, Wendey Stanzler, Tricia Brock, Kevin Dowling, Lara Shapiro, Michael B. Silver, Brendan Walsh
Cinematography by: Joe Collins, David S. Tuttman, Jim Denault, Michael Slovis, David M. Dunlap, Michael Caracciolo, Raphy Molinary
Edited by: Charles McClelland, Daniel A. Valverde, Gary Levy, Deborah Moran, Marnee Meyer, Arge O'Neal, Nancy Morrison, Gregory Perler, Matthew S. Nickelson, Michael Berenbaum, Elizabeth Merrick, Jeffrey Wolf, Thom Zimny, Robert Nassau
Cameras: Sony CineAlta F35 Camera
Lenses: Panavision Lenses
Camera Operator: Second Unit
Synecdoche, New York (2008)
Directed by: Charlie Kaufman
Cinematography by: Frederick Elmes
Edited by: Robert Frazen
Camera Operator
Shine a Light (2008)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: David Tedeschi
Director Of Photography: Visual Effects Unit
Meet Dave (2008)
Directed by: Brian Robbins
Cinematography by: Clark Mathis
Edited by: Ned Bastille
Camera Operator: "b" Camera
Honeydripper (2007)
Directed by: John Sayles
Cinematography by: Dick Pope
Edited by: John Sayles
Camera Operator: "b" Camera / Director Of Photography: Second Unit
August Rush (2007)
Directed by: Kirsten Sheridan
Cinematography by: John Mathieson
Edited by: William Steinkamp
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Camera Operator: "c" Camera
American Gangster (2007)
Directed by: Ridley Scott
Cinematography by: Harris Savides
Edited by: Pietro Scalia
Editing System: Avid Editing System
Director Of Photography: Second Unit
Enchanted (2007)
Directed by: Kevin Lima
Cinematography by: Don Burgess
Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Camera Operator
Zidane, un portrait du 21e siècle (2006)
Cinematography by: Darius Khondji
Edited by: Hervé Schneid
Camera Operator: "b" Camera
The Pink Panther (2006)
Directed by: Shawn Levy
Cinematography by: Jonathan Brown
Camera Operator: "b" Camera / Director Of Photography: Second Unit, Second Unit Director
The Interpreter (2005)
Directed by: Sydney Pollack
Cinematography by: Darius Khondji
Edited by: William Steinkamp
Camera Operator: "a" Camera, New York
Two for the Money (2005)
Directed by: D.J. Caruso
Cinematography by: Conrad W. Hall
Edited by: Glen Scantlebury
Camera Operator
'Law & Order' License to Kill (2005)
Directed by: Constantine Makris
Cinematography by: John Beymer
Edited by: Chris Brookshire
Camera Operator
'Law & Order' Red Ball (2005)
Directed by: Matthew Penn
Cinematography by: David S. Tuttman
Edited by: David Post
Director Of Photography
The Calcium Kid (2004)
Directed by: Alex De Rakoff
Cinematography by: David M. Dunlap
Director Of Photography: Second Unit
The Forgotten (2004)
Directed by: Joseph Ruben
Cinematography by: Anastas N. Michos
Edited by: Richard Francis-Bruce
Director Of Photography
Shaun of the Dead (2004)
Directed by: Edgar Wright
Cinematography by: David M. Dunlap
Edited by: Chris Dickens
Cameras: ARRI Cameras
Camera Operator
'Law & Order' Gunplay (2004)
Directed by: Constantine Makris
Cinematography by: William Klayer
Edited by: Chris Brookshire
Director Of Photography: Second Unit
The Stepford Wives (2004)
Directed by: Frank Oz
Cinematography by: Rob Hahn
Edited by: Jay Rabinowitz
Director Of Photography: New York, Second Unit
How to Lose a Guy in 10 Days (2003)
Directed by: Donald Petrie
Cinematography by: John Bailey
Edited by: Debra Neil-Fisher
Camera Operator
'Law & Order' Suicide Box (2003)
Directed by: Matthew Penn
Cinematography by: David S. Tuttman
Edited by: Chris Brookshire
Camera Operator: Second Unit, New York
A Mighty Wind (2003)
Directed by: Christopher Guest
Cinematography by: Arlene Nelson
Edited by: Robert Leighton
Director Of Photography: Second Unit
Analyze That (2002)
Directed by: Harold Ramis
Cinematography by: Ellen Kuras
Edited by: Andrew Mondshein
Director Of Photography: Second Unit
Changing Lanes (2002)
Directed by: Roger Michell
Cinematography by: Salvatore Totino
Edited by: Christopher Tellefsen
Camera Operator: "b" Camera
Hannibal (2001)
Directed by: Ridley Scott
Cinematography by: John Mathieson
Edited by: Pietro Scalia
Camera Operator: "b" Camera, Director Of Photography: Second Unit
K-PAX (2001)
Directed by: Iain Softley
Cinematography by: John Mathieson
Edited by: Craig McKay
Camera Operator: "a" Camera
The Royal Tenenbaums (2001)
Directed by: Wes Anderson
Cinematography by: Robert D. Yeoman
Edited by: Dylan Tichenor
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Director Of Photography: Second Unit
A Beautiful Mind (2001)
Directed by: Ron Howard
Cinematography by: Roger Deakins
Cameras: ARRIFLEX 435 ES Camera, ARRIFLEX 535 B Camera
Editing System: Avid Editing System
Director Of Photography: Second Unit
Shaft (2000)
Directed by: John Singleton
Cinematography by: Donald E. Thorin
Director Of Photography: Second Unit
The Flintstones in Viva Rock Vegas (2000)
Directed by: Brian Levant
Cinematography by: Jamie Anderson
Edited by: Kent Beyda
Director Of Photography: Second Unit
Random Hearts (1999)
Directed by: Sydney Pollack
Cinematography by: Philippe Rousselot
Edited by: William Steinkamp
Director Of Photography: Virginia Second Unit
Virus (1999)
Directed by: John Bruno
Cinematography by: David Eggby
Edited by: M. Scott Smith
Director Of Photography: Second Unit
Wild Wild West (1999)
Directed by: Barry Sonnenfeld
Cinematography by: Michael Ballhaus
Edited by: Jim Miller
Director Of Photography: Second Unit
Edtv (1999)
Directed by: Ron Howard
Cinematography by: John Schwartzman
Director Of Photography: Second Unit
Vampires (1998)
Directed by: John Carpenter
Cinematography by: Gary B. Kibbe
Edited by: Edward A. Warschilka
Camera Operator: "b" Camera
Hope Floats (1998)
Directed by: Forest Whitaker
Cinematography by: Caleb Deschanel
Edited by: Richard Chew
Cameras: Panavision Cameras
Director Of Photography: Additional Principal Photography
The Object of My Affection (1998)
Directed by: Nicholas Hytner
Cinematography by: Oliver Stapleton
Edited by: Tariq Anwar
Director Of Photography: Second Unit , Second Unit Director
Air Force One (1997)
Directed by: Wolfgang Petersen
Cinematography by: Michael Ballhaus
Edited by: Richard Francis-Bruce
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Lenses: Zeiss Variable Prime Lenses
Director Of Photography: Second Unit
Men in Black (1997)
Directed by: Barry Sonnenfeld
Cinematography by: Donald Peterman
Edited by: Jim Miller
Camera Operator
The Craft (1996)
Directed by: Andrew Fleming
Cinematography by: Alexander Gruszynski
Edited by: Jeff Freeman
Cameras: Moviecam Compact Camera
Lenses: Zeiss Lenses
Director Of Photography: Second Unit
My Fellow Americans (1996)
Directed by: Peter Segal
Cinematography by: Julio Macat
Edited by: William Kerr
Director Of Photography: Second Unit
Ransom (1996)
Directed by: Ron Howard
Cinematography by: Piotr Sobocinski
Additional Photographer , Second Unit Director
Boys on the Side (1995)
Directed by: Herbert Ross
Cinematography by: Donald E. Thorin
Edited by: Michael R. Miller
Cameras: Panavision Cameras
Director Of Photography: Second Unit
Outbreak (1995)
Directed by: Wolfgang Petersen
Cinematography by: Michael Ballhaus
Camera Operator
The Client (1994)
Directed by: Joel Schumacher
Cinematography by: Tony Pierce-Roberts
Edited by: Robert Brown
Director Of Photography: Second Unit
Forrest Gump (1994)
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Arthur Schmidt
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Camera Operator: "a" Camera
Ri¢hie Ri¢h (1994)
Directed by: Donald Petrie
Cinematography by: Don Burgess
Edited by: Malcolm Campbell
Camera Operator
The Age of Innocence (1993)
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Edited by: Thelma Schoonmaker
Camera Operator
Demolition Man (1993)
Directed by: Marco Brambilla
Cinematography by: Alex Thomson
Edited by: Stuart Baird
Camera Operator
Dracula (1992)
Directed by: Francis Ford Coppola
Cinematography by: Michael Ballhaus
Cameras: ARRIFLEX 535 Camera
Camera Operator
Guilty by Suspicion (1991)
Directed by: Irwin Winkler
Cinematography by: Michael Ballhaus
Edited by: Priscilla Nedd-Friendly
Camera Operator
Goodfellas (1990)
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Cameras: ARRIFLEX 35 BL4s Camera
Lenses: Zeiss Lenses
Editing System: Lightworks Editing System
Camera Operator - 4 Episodes, 2003-2005
Law & Order (1990)
Directed by: Constantine Makris, Edwin Sherin, Jace Alexander, David Platt, Richard Dobbs, Matthew Penn, Martha Mitchell, Don Scardino, Christopher Misiano, Jean de Segonzac, James Quinn, Arthur W. Forney, Lewis Gould, Michael Pressman, E.W. Swackhamer, Alex Hall, Daniel Sackheim, Alex Chapple, Jim McKay, Fred Gerber, Gloria Muzio, Fred Berner, James Frawley, Vincent Misiano, Darnell Martin, Michael W. Watkins, Vern Gillum, Stephen Wertimer, John Whitesell, Steven Robman, Dann Florek, Brian Mertes, Marc Levin, Marisol Adler, Mario Van Peebles, Milena Govich, Charles Correll, Gwen Arner, James Hayman, Gilbert M. Shilton, Steve Shill, Tim Hunter, Michael Dinner, William Klayer, Rose Troche, Roger Young, Yangzom Brauen, Bethany Rooney, Martin Davidson, Michael Fresco, John Patterson, Steve Cohen, Aaron Lipstadt, Kristoffer Tabori, Bill D'Elia, Peter Levin, Gilbert Moses, Gabrielle Beaumont, Bruce Seth Green, Helaine Head, Marc Laub, Dan Karlok, Adam Davidson, J. Ranelli, Paris Barclay, Rosemary Rodriguez, Eric Stoltz, Rick Wallace, Adam Bernstein, Tony Goldwyn, Joan Stein Schimke, Karen Gaviola, Sam Weisman, John David Coles, Allen Coulter, Alan Taylor, Dean White, Christopher Zalla, Norberto Barba, Ernest R. Dickerson, Joshua Marston, Rene Balcer, John Behring, Carlos Bernard, Sarah Boyd, Heather Cappiello, David Grossman, Eriq La Salle, Elisabeth Röhm, Carl Weathers, Timothy Busfield, Nestor Carbonell, Joy Lane, Rachel Leiterman
Cinematography by: Constantine Makris, William Klayer, John Beymer, David S. Tuttman, Christopher Misiano, Richard Dobbs, Manuel Billeter, Ernest R. Dickerson, John Thomas, Peter Reniers, Michael F. Barrow, Craig DiBona, Geoffrey Erb, Alec Hirschfeld
Edited by: Michael Schweitzer, Chris Brookshire, Neil Felder, David Post, Monty DeGraff, Toni Morgan, Michael Kewley, Billy Fox, David Siegel, Mark Newman, Leon Ortiz-Gil, Drake Silliman, Randy Jon Morgan, Kevin Krasny, Laurie Grotstein, Micky Blythe, Kurt Courtland, Michael D. Ornstein, Scott Vickrey, Leslie Gaulin, Janice Hampton, Philip Carr Neel, Arthur W. Forney, Devon Greene, Douglas Ibold, Jim Stewart, Edward R. Abroms, Adam Wolfe, Eric A. Sears, John Refoua, John A. Keris
Second Camera Operator
The Last Temptation of Christ (1988)
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Edited by: Thelma Schoonmaker
Cameras: ARRIFLEX Camera
Camera Operator
Raising Arizona (1987)
Cinematography by: Barry Sonnenfeld
Edited by: Michael R. Miller
Focus Puller
The House on Carroll Street (1987)
Directed by: Peter Yates
Cinematography by: Michael Ballhaus
Edited by: Ray Lovejoy
Cameras: ARRI Cameras
Lenses: Zeiss Lenses
First Assistant Camera
After Hours (1985)
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Edited by: Thelma Schoonmaker
Focus Puller
Death of a Salesman (1985)
Directed by: Volker Schlöndorff
Cinematography by: Michael Ballhaus
First Assistant Camera
C.H.U.D. (1984)
Directed by: Douglas Cheek
Cinematography by: Peter Stein
Edited by: Claire Simpson
Cameras: Panavision Cameras