Cinematographer
'House of Cards' Chapter 45 (2016)
Directed by: Tom Shankland
Cinematography by: David M. Dunlap
Edited by: Byron Smith
Cinematographer
'House of Cards' Chapter 47 (2016)
Directed by: Alex Graves
Cinematography by: David M. Dunlap
Cinematographer
'House of Cards' Chapter 50 (2016)
Directed by: Kari Skogland
Cinematography by: David M. Dunlap
Cinematographer
'House of Cards' Chapter 44 (2016)
Directed by: Tom Shankland
Cinematography by: David M. Dunlap
Edited by: Byron Smith
"b" Camera Operator
'House of Cards' Chapter 37 (2015)
| USA
Directed by: Agnieszka Holland
Cinematography by: Martin Ahlgren
"b" Camera Operator
'House of Cards' Chapter 38 (2015)
| USA
Directed by: Robin Wright
Cinematography by: Peter Konczal
Edited by: Byron Smith
"b" Camera Operator
'House of Cards' Chapter 35 (2015)
| USA
Directed by: Robin Wright
Cinematography by: Peter Konczal
Edited by: Byron Smith
"b" Camera Operator
'House of Cards' Chapter 39 (2015)
| USA
Directed by: James Foley
Edited by: Lisa Bromwell
"b" Camera Operator
'House of Cards' Chapter 36 (2015)
| USA
Directed by: Agnieszka Holland
Cinematography by: Martin Ahlgren
Cinematographer
'Royal Pains' False Start (2015)
Directed by: Joe Collins
Edited by: Charles McClelland
Director Of Photography: Second Unit, Second Unit Director
Annie (2014)
| USA
Directed by: Will Gluck
Cinematography by: Michael Grady
Edited by: Tia Nolan
Cameras: Sony PMW-F55 Camera
Cinematographer
'Royal Pains' Good Air/Bad Air (2014)
| USA
Directed by: Jay Chandrasekhar
Cinematography by: David M. Dunlap
Edited by: Charles McClelland
Director Of Photography: Additional Principal Photography
A Long Way Down (2014)
| UK, Germany
Directed by: Pascal Chaumeil
Cinematography by: Ben Davis
Cameras: ARRI ALEXA Camera
Cinematographer
'Royal Pains' HankMed on the Half Shell (2014)
| USA
Directed by: Joe Collins
Cinematography by: David M. Dunlap
Camera Operator: "b" Camera, New York Second Unit
Teenage Mutant Ninja Turtles (2014)
| USA
Directed by: Jonathan Liebesman
Cinematography by: Lula Carvalho
Cameras: ARRI ALEXA Plus 4:3 Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
"b" Camera Operator (5 Episodes, 2015), Cinematographer
House of Cards (2013)
| USA
Cameras: Red Epic Camera
Camera Operator: "d" Camera
The Best Man Holiday (2013)
| USA
Directed by: Malcolm D. Lee
Cinematography by: Greg Gardiner
Edited by: Paul Millspaugh
Cameras: ARRI ALEXA Plus 4:3 Camera
Director Of Photography: Visual Effects Unit, Second Unit Director: Lullaby Scene (uncredited)
The Smurfs (2011)
| USA
Directed by: Raja Gosnell
Cinematography by: Phil Meheux
Edited by: Sabrina Plisco
Cameras: Panavision Genesis Camera
Editing System: Avid Editing System
Camera Operator (4 Episodes, 2003-2005)
Law & Order (2010)
| USA
Directed by: Constantine Makris, Edwin Sherin, Jace Alexander, David Platt, Richard Dobbs, Matthew Penn, Don Scardino, Martha Mitchell, Christopher Misiano, James Quinn, Jean de Segonzac, Arthur W. Forney, Lewis Gould, E.W. Swackhamer, Michael Pressman, Daniel Sackheim, Alex Chapple, Jim McKay, Fred Gerber, Gloria Muzio, Fred Berner, James Frawley, Vincent Misiano, Darnell Martin, Michael W. Watkins, Vern Gillum, Stephen Wertimer, John Whitesell, Steven Robman, Dann Florek, Brian Mertes, Marc Levin, Marisol Adler, Mario Van Peebles, Charles Correll, Gwen Arner, James Hayman, Gilbert M. Shilton, Steve Shill, Tim Hunter, Michael Dinner, William Klayer, Rose Troche, Roger Young, Martin Davidson, Michael Fresco, John Patterson, Steve Cohen, Aaron Lipstadt, Kristoffer Tabori, Bill D'Elia, Peter Levin, Gilbert Moses, Gabrielle Beaumont, Bruce Seth Green, Helaine Head, Marc Laub, Dan Karlok, Adam Davidson, J. Ranelli, Paris Barclay, Rosemary Rodriguez, Eric Stoltz, Rick Wallace, Adam Bernstein, Tony Goldwyn, Joan Stein, Karen Gaviola, Sam Weisman, John David Coles, Allen Coulter, Alan Taylor, Dean White, Christopher Zalla, Norberto Barba, Ernest R. Dickerson, Joshua Marston, Rene Balcer
Cinematography by: Constantine Makris, William Klayer, John Beymer, David S. Tuttman, Christopher Misiano, Richard Dobbs, Manuel Billeter, Ernest R. Dickerson, John Thomas, Peter Reniers, Michael F. Barrow, Geoffrey Erb, Alec Hirschfeld
Edited by: Michael Schweitzer, Chris Brookshire, Neil Felder, David Post, Monty DeGraff, Toni Morgan, Michael Kewley, Billy Fox, David Siegel, Mark Newman, Leon Ortiz-Gil, Drake Silliman, Randy Jon Morgan, Kevin Krasny, Laurie Grotstein, Micky Blythe, Kurt Courtland, Michael D. Ornstein, Scott Vickrey, Leslie Gaulin, Janice Hampton, Arthur W. Forney, Devon Greene, Douglas Ibold, Edward R. Abroms, Adam Wolfe, Eric A. Sears, John Refoua, Jim Stewart
Director Of Photography: Second Unit, New York
The Tempest (2010)
| USA
Directed by: Julie Taymor
Cinematography by: Stuart Dryburgh
Edited by: Françoise Bonnot
Cameras: ARRICAM Lite (LT) Camera
Director Of Photography: Second Unit / Director Of Photography: Time Lapse Photography, Splinter Unit
The Switch (2010)
| USA
Cinematography by: Jess Hall
Edited by: John Axelrad
Lenses: Cooke S4 Lenses
Director Of Photography: Second Unit
Confessions of a Shopaholic (2009)
| USA
Directed by: P.J. Hogan
Cinematography by: Jo Willems
Edited by: William Goldenberg
Cameras: Panavision Panaflex Platinum Camera
Director Of Photography: Second Unit
Bride Wars (2009)
| USA
Directed by: Gary Winick
Cinematography by: Frederick Elmes
Edited by: Susan Littenberg
Cameras: ARRI Cameras
Director Of Photography: Second Unit
Ghosts of Girlfriends Past (2009)
| USA
Directed by: Mark Waters
Cinematography by: Daryn Okada
Edited by: Bruce Green
Director Of Photography: Second Unit
After.Life (2009)
| USA
Directed by: Agnieszka Wojtowicz-Vosloo
Cinematography by: Anastas N. Michos
Edited by: Niven Howie
Director Of Photography: Second Unit, New York
Julie & Julia (2009)
| USA
Directed by: Nora Ephron
Cinematography by: Stephen Goldblatt
Edited by: Richard Marks
Director Of Photography: Visual Effects Unit
Meet Dave (2008)
| USA
Directed by: Brian Robbins
Cinematography by: Clark Mathis
Edited by: Ned Bastille
Camera Operator: Second Unit (as David Dunlap) / Director Of Photography: Second Unit (as David Dunlap)
Synecdoche, New York (2008)
| USA
Directed by: Charlie Kaufman
Cinematography by: Frederick Elmes
Edited by: Robert Frazen
Camera Operator (as David Dunlap)
Shine a Light (2008)
| USA
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: David Tedeschi
Director Of Photography: Second Unit
Enchanted (2007)
| USA
Directed by: Kevin Lima
Cinematography by: Don Burgess
Camera Operator: "c" Camera
American Gangster (2007)
| USA, UK
Directed by: Ridley Scott
Cinematography by: Harris Savides
Edited by: Pietro Scalia
Editing System: Avid Editing System
Camera Operator: "b" Camera / Director Of Photography: Second Unit (as David Dunlap)
August Rush (2007)
| USA
Directed by: Kirsten Sheridan
Cinematography by: John Mathieson
Edited by: William Steinkamp
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Camera Operator: "b" Camera
Honeydripper (2007)
| USA
Directed by: John Sayles
Cinematography by: Dick Pope
Edited by: John Sayles
Camera Operator: "b" Camera
The Pink Panther (2006)
| USA, Czech Republic
Directed by: Shawn Levy
Cinematography by: Jonathan Brown
Camera Operator
Zidane, un portrait du 21e siècle (2006)
| France, Iceland
Cinematography by: Darius Khondji
Edited by: Hervé Schneid
Camera Operator: "a" Camera, New York (as David Dunlap)
Two for the Money (2005)
| USA
Directed by: D.J. Caruso
Cinematography by: Conrad W. Hall
Edited by: Glen Scantlebury
Camera Operator: "b" Camera / Director Of Photography: Second Unit, Second Unit Director
The Interpreter (2005)
| UK, France, Germany, USA
Directed by: Sydney Pollack
Cinematography by: Darius Khondji
Edited by: William Steinkamp
Director Of Photography
Shaun of the Dead (2004)
| UK, France
Directed by: Edgar Wright
Cinematography by: David M. Dunlap
Edited by: Chris Dickens
Cameras: ARRI Cameras
Director Of Photography
The Calcium Kid (2004)
| UK
Directed by: Alex De Rakoff
Cinematography by: David M. Dunlap
Director Of Photography: Second Unit
The Forgotten (2004)
| USA
Directed by: Joseph Ruben
Cinematography by: Anastas N. Michos
Edited by: Richard Francis-Bruce
Director Of Photography: Second Unit (as David Dunlap)
The Stepford Wives (2004)
| USA
Directed by: Frank Oz
Cinematography by: Rob Hahn
Edited by: Jay Rabinowitz
Camera Operator: New York
A Mighty Wind (2003)
| USA
Directed by: Christopher Guest
Cinematography by: Arlene Nelson
Edited by: Robert Leighton
Director Of Photography: New York, Second Unit (as Dave Dunlap)
How to Lose a Guy in 10 Days (2003)
| USA, Germany
Directed by: Donald Petrie
Cinematography by: John Bailey
Edited by: Debra Neil-Fisher
Director Of Photography: Second Unit
Analyze That (2002)
| USA
Directed by: Harold Ramis
Cinematography by: Ellen Kuras
Edited by: Andrew Mondshein
Director Of Photography: Second Unit (as David Dunlap)
Changing Lanes (2002)
| USA
Directed by: Roger Michell
Cinematography by: Salvatore Totino
Edited by: Christopher Tellefsen
Camera Operator: "b" Camera, Director Of Photography: Second Unit (uncredited)
K-PAX (2001)
| USA, Germany
Directed by: Iain Softley
Cinematography by: John Mathieson
Edited by: Craig McKay
Director Of Photography: Second Unit (as Dave Dunlap)
A Beautiful Mind (2001)
| USA
Directed by: Ron Howard
Cinematography by: Roger Deakins
Cameras: ARRIFLEX 435 ES Camera, ARRIFLEX 535 B Camera
Camera Operator: "a" Camera
The Royal Tenenbaums (2001)
| USA
Directed by: Wes Anderson
Cinematography by: Robert D. Yeoman
Edited by: Dylan Tichenor
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Camera Operator: "b" Camera (as Dave Dunlap)
Hannibal (2001)
| USA, UK
Directed by: Ridley Scott
Cinematography by: John Mathieson
Edited by: Pietro Scalia
Director Of Photography: Second Unit
Shaft (2000)
| Germany, USA
Directed by: John Singleton
Cinematography by: Donald E. Thorin
Director Of Photography: Second Unit
The Flintstones in Viva Rock Vegas (2000)
| USA
Directed by: Brian Levant
Cinematography by: Jamie Anderson
Edited by: Kent Beyda
Director Of Photography: Second Unit
Random Hearts (1999)
| USA
Directed by: Sydney Pollack
Cinematography by: Philippe Rousselot
Edited by: William Steinkamp
Director Of Photography: Second Unit (as David Dunlop)
Edtv (1999)
| USA
Directed by: Ron Howard
Cinematography by: John Schwartzman
Director Of Photography: Virginia Second Unit
Virus (1999)
| USA, UK, Germany, Japan, France
Directed by: John Bruno
Cinematography by: David Eggby
Edited by: M. Scott Smith
Director Of Photography: Second Unit
Wild Wild West (1999)
| USA
Directed by: Barry Sonnenfeld
Cinematography by: Michael Ballhaus
Edited by: Jim Miller
Director Of Photography: Additional Principal Photography (as David Dunlap)
The Object of My Affection (1998)
| USA
Directed by: Nicholas Hytner
Cinematography by: Oliver Stapleton
Edited by: Tariq Anwar
Camera Operator: "b" Camera
Hope Floats (1998)
| USA
Directed by: Forest Whitaker
Cinematography by: Caleb Deschanel
Edited by: Richard Chew
Cameras: Panavision Cameras
Director Of Photography: Second Unit
Vampires (1998)
| USA, Japan
Directed by: John Carpenter
Cinematography by: Gary B. Kibbe
Edited by: Edward A. Warschilka
Director Of Photography: Second Unit
Men in Black (1997)
| USA
Directed by: Barry Sonnenfeld
Cinematography by: Donald Peterman
Edited by: Jim Miller
Director Of Photography: Second Unit (as David Dunlap), Second Unit Director
Air Force One (1997)
| USA, Germany
Directed by: Wolfgang Petersen
Cinematography by: Michael Ballhaus
Edited by: Richard Francis-Bruce
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Lenses: Zeiss Variable Prime Lenses
Director Of Photography: Second Unit
Ransom (1996)
| USA
Directed by: Ron Howard
Cinematography by: Piotr Sobocinski
Camera Operator
The Craft (1996)
| USA
Directed by: Andrew Fleming
Cinematography by: Alexander Gruszynski
Edited by: Jeff Freeman
Cameras: Moviecam Compact Camera
Lenses: Zeiss Lenses
Director Of Photography: Second Unit (as David Dunlap)
My Fellow Americans (1996)
| USA
Directed by: Peter Segal
Cinematography by: Julio Macat
Edited by: William Kerr
Additional Photographer (as David Dunlap) / Camera Operator: New York And Pittsburgh, Second Unit Director
Boys on the Side (1995)
| USA, France
Directed by: Herbert Ross
Cinematography by: Donald E. Thorin
Edited by: Michael R. Miller
Cameras: Panavision Cameras
Director Of Photography: Second Unit
Outbreak (1995)
| USA
Directed by: Wolfgang Petersen
Cinematography by: Michael Ballhaus
Director Of Photography: Second Unit
Forrest Gump (1994)
| USA
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Arthur Schmidt
Cameras: Panavision Panaflex Platinum Camera
Camera Operator
The Client (1994)
| USA
Directed by: Joel Schumacher
Cinematography by: Tony Pierce-Roberts
Edited by: Robert Brown
Camera Operator: "a" Camera (as Dave Dunlap)
Ri¢hie Ri¢h (1994)
| USA
Directed by: Donald Petrie
Cinematography by: Don Burgess
Edited by: Malcolm Campbell
Camera Operator
The Age of Innocence (1993)
| USA
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Edited by: Thelma Schoonmaker
Camera Operator
Demolition Man (1993)
| USA
Directed by: Marco Brambilla
Cinematography by: Alex Thomson
Edited by: Stuart Baird
Camera Operator
Dracula (1992)
| USA
Directed by: Francis Ford Coppola
Cinematography by: Michael Ballhaus
Cameras: ARRIFLEX 535 Camera
Camera Operator
Guilty by Suspicion (1991)
| USA
Directed by: Irwin Winkler
Cinematography by: Michael Ballhaus
Edited by: Priscilla Nedd-Friendly
Camera Operator (as David Dunlap)
Goodfellas (1990)
| USA
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Cameras: ARRIFLEX 35 BL4s Camera
Lenses: Zeiss Lenses
Editing System: Lightworks Editing System
Focus Puller
The House on Carroll Street (1988)
| USA
Directed by: Peter Yates
Cinematography by: Michael Ballhaus
Edited by: Ray Lovejoy
Cameras: ARRI Cameras
Lenses: Zeiss Lenses
Second Camera Operator (as David Dunlap)
The Last Temptation of Christ (1988)
| USA, Canada
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Edited by: Thelma Schoonmaker
Camera Operator
Raising Arizona (1987)
| USA
Cinematography by: Barry Sonnenfeld
Edited by: Michael R. Miller
Focus Puller
Death of a Salesman (1985)
| USA
Directed by: Volker Schlöndorff
Cinematography by: Michael Ballhaus
First Assistant Camera
After Hours (1985)
| USA
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Edited by: Thelma Schoonmaker
First Assistant Camera (as David Dunlap)
C.H.U.D. (1984)
| USA
Directed by: Douglas Cheek
Cinematography by: Peter Stein
Edited by: Claire Simpson
Cameras: Panavision Cameras
