John Bruno

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Greyhound | ShotOnWhat?

Pre-visualization Supervisor

Greyhound (2020)

Directed by: Aaron Schneider

Cinematography by: Shelly Johnson

Edited by: Mark Czyzewski, Sidney Wolinsky

Cameras: Panavision Millennium DXL Camera

Lenses: Panavision Sphero 65 Series Lenses

Cleanin' Up the Town: Remembering Ghostbusters | ShotOnWhat?

Himself

Cleanin' Up the Town: Remembering Ghostbusters (2019)

Direct to Video

Directed by: Anthony Bueno

Cinematography by: Anthony Bueno

Edited by: Eastwood Allen, Anthony Bueno, Derek Osborn

Kingsman: The Secret Service | ShotOnWhat?

Additional Visual Effects Supervisor

Kingsman: The Secret Service (2014)

Directed by: Matthew Vaughn

Cinematography by: George Richmond

Edited by: Eddie Hamilton, Jon Harris

Cameras: ARRI ALEXA XT Plus Camera, Blackmagic Production 4K Camera, Phantom Flex Camera

Lenses: Angenieux Optimo Zoom Lenses, Hawk V-Lite Lenses

Editing System: Avid Editing System

Hercules | ShotOnWhat?

Visual Effects Supervisor

Hercules (2014)

Directed by: Brett Ratner

Cinematography by: Dante Spinotti

Edited by: Mark Helfrich, Julia Wong

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Movie 43 | ShotOnWhat?

Visual Effects Producer - Segment "Happy Birthday"

Movie 43 (2013)

Directed by: Elizabeth Banks, Steven Brill, Steve Carr, Rusty Cundieff, James Duffy, Griffin Dunne, Peter Farrelly, Patrik Forsberg, Will Graham, James Gunn, Brett Ratner, Jonathan van Tulleken, Bob Odenkirk

Cinematography by: Mattian Anderssonn Rudh, Frank G. DeMarco, Steve Gainer, Matthew F. Leonetti, Daryn Okada, William Rexer, Eric Scherbarth, Newton Thomas Sigel, Tim Suhrstedt

Edited by: Debra Chiate, Patrick J. Don Vito, Suzy Elmiger, Mark Helfrich, Craig Herring, Myron Kerstein, Jason Macdonald, Joe Randall-Cutler, Sam Seig, Cara Silverman, Sandy S. Solowitz, Jonathan van Tulleken, Håkan Wärn, Paul Zucker

Cameras: Red One MX Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

The Twilight Saga: Breaking Dawn - Part 2 | ShotOnWhat?

Visual Effects Supervisor

The Twilight Saga: Breaking Dawn - Part 2 (2012)

Directed by: Bill Condon

Cinematography by: Guillermo Navarro

Edited by: Virginia Katz, Ian Slater

Cameras: ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Editing System: Adobe Premiere Editing System, Avid Editing System

The Twilight Saga: Breaking Dawn - Part 1 | ShotOnWhat?

Visual Effects Supervisor

The Twilight Saga: Breaking Dawn - Part 1 (2011)

Directed by: Bill Condon

Cinematography by: Guillermo Navarro

Edited by: Virginia Katz

Cameras: ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Season of the Witch | ShotOnWhat?

Visual Effects Consultant: Additional Photography, Shreveport

Season of the Witch (2011)

Directed by: Dominic Sena

Cinematography by: Amir Mokri

Edited by: Bob Ducsay, Mark Helfrich, Dan Zimmerman

Visual Effects Supervisor

Avatar (2009)

Directed by: James Cameron

Cinematography by: Mauro Fiore

Edited by: James Cameron, John Refoua, Stephen E. Rivkin

Cameras: Sony CineAlta F23 Camera, Sony HDC-1500 Camera, Sony HDC-F950 Camera

Lenses: Canon Lenses, Fujinon HA16x6.3BE 6.3-101 mm T1.8 Lens, Fujinon HA5x7B-W50 7-35 mm Lens, Fujinon Lenses

Editing System: Adobe Premiere Editing System, Autodesk Smoke Editing System, Avid Editing System

Rush Hour 3 | ShotOnWhat?

Visual Effects Designer / Visual Effects Supervisor

Rush Hour 3 (2007)

Directed by: Brett Ratner

Cinematography by: James M. Muro

Edited by: Mark Helfrich, Dean Zimmerman, Don Zimmerman

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

X-Men: The Last Stand | ShotOnWhat?

Visual Effects Supervisor

X-Men: The Last Stand (2006)

Directed by: Brett Ratner

Cinematography by: Dante Spinotti

Edited by: Mark Goldblatt, Mark Helfrich, Julia Wong

Ghosts of the Abyss | ShotOnWhat?

Himself, Segment Producer

Ghosts of the Abyss (2003)

Directed by: James Cameron

Cinematography by: Vince Pace

Edited by: Ed W. Marsh, Sven Pape, John Refoua, David C. Cook

Virus | ShotOnWhat?

Director

Virus (1999)

Directed by: John Bruno

Cinematography by: David Eggby

Edited by: M. Scott Smith

Titanic | ShotOnWhat?

Visual Effects Consultant

Titanic (1997)

Directed by: James Cameron

Cinematography by: Russell Carpenter

Edited by: Conrad Buff IV, James Cameron, Richard A. Harris

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

True Lies | ShotOnWhat?

Custodian, Visual Effects Supervisor: Digital Domain

True Lies (1994)

Directed by: James Cameron

Cinematography by: Russell Carpenter

Edited by: Conrad Buff IV, Mark Goldblatt, Richard A. Harris, James Cameron

Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera, Beaumont Vista Vision Camera

Lenses: Cooke Varotal Lenses, Zeiss Super Speed Lenses

Cliffhanger | ShotOnWhat?

Visual Effects Supervisor

Cliffhanger (1993)

Directed by: Renny Harlin

Cinematography by: Alex Thomson

Edited by: Frank J. Urioste

Cameras: Panavision Cameras

Batman Returns | ShotOnWhat?

Visual Effects Supervisor: Boss Film Studios

Batman Returns (1992)

Directed by: Tim Burton

Cinematography by: Stefan Czapsky

Edited by: Bob Badami, Chris Lebenzon

Cameras: Panavision Panaflex Gold II Camera

Lenses: Panavision Primo Primes Spherical Lenses

Terminator 2: Judgment Day | ShotOnWhat?

Visual Effects Designer

Terminator 2: Judgment Day (1991)

Directed by: James Cameron

Cinematography by: Adam Greenberg

Edited by: Conrad Buff IV, Dody Dorn, Mark Goldblatt, Richard A. Harris

Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 IIC Camera

Lenses: Cooke Varotal Lenses, Zeiss Super Speed Lenses

The Abyss | ShotOnWhat?

Visual Effects Supervisor

The Abyss (1989)

Directed by: James Cameron

Cinematography by: Mikael Salomon

Edited by: Conrad Buff IV, Joel Goodman, Steven Quale, Howard E. Smith

Cameras: ARRIFLEX 35 BL3 Camera, Panavision System 65 Camera

Born in East L.A. | ShotOnWhat?

Title Sequence Designer

Born in East L.A. (1987)

Directed by: Cheech Marin

Cinematography by: Álex Phillips Jr.

Edited by: Don Brochu, Stephen Lovejoy, David Newhouse, Mike Sheridan

Cheech & Chong's The Corsican Brothers | ShotOnWhat?

Visual Consultant

Cheech & Chong's The Corsican Brothers (1984)

Directed by: Tommy Chong

Cinematography by: Harvey Harrison

Edited by: Thomas K. Avildsen

Ghostbusters | ShotOnWhat?

Visual Effects Art Director: EEG

Ghostbusters (1984)

Directed by: Ivan Reitman

Cinematography by: László Kovács

Edited by: David E. Blewitt, Sheldon Kahn

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Still Smokin | ShotOnWhat?

Title Designer

Still Smokin (1983)

Directed by: Tommy Chong

Cinematography by: Harvey Harrison

Edited by: James Coblentz, Ian Crafford, David Ramirez

Poltergeist | ShotOnWhat?

Animation Supervisor: ILM

Poltergeist (1982)

Directed by: Tobe Hooper

Cinematography by: Matthew F. Leonetti

Edited by: Michael Kahn

Cameras: Ultracam 35 Camera

Lenses: Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses

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