Since its creation in 1935, the company has preserved its know-how and remains in the forefront of innovation, with the ability to find its customers the best professional optical solutions.
Angenieux Lenses | 860 Titles
Phone: +33 (0)4 77 90 78 30
Contact: Contact: Edith Bertrand
Thales Angenieux’s Optimo series of zooms have become the most sought after lenses all over the world.
The American (2010)
Directed by | Anton Corbijn | Cinematography by | Martin Ruhe | Editing by | Andrew Hulme
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Seeking a Friend for the End of the World (2012)
Directed by | Lorene Scafaria | Cinematography by | Tim Orr | Editing by | Zene Baker
Cameras | ARRI ALEXA Plus Camera
I Am Number Four (2011)
Directed by | D.J. Caruso | Cinematography by | Guillermo Navarro | Editing by | Vince Filippone, Jim Page
Jane Eyre (2011)
Directed by | Cary Joji Fukunaga | Cinematography by | Adriano Goldman | Editing by | Melanie Oliver
Cameras | ARRICAM Lite (LT) Camera
L’enfant d’en haut (2012)
Directed by | Ursula Meier | Cinematography by | Agnès Godard | Editing by | Nelly Quettier
Cameras | ARRI ALEXA Camera
New Year’s Eve (2011)
Directed by | Garry Marshall | Cinematography by | Charles Minsky | Editing by | Michael Tronick
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Ying xiong (2002)
Directed by | Yimou Zhang | Cinematography by | Christopher Doyle | Editing by | Angie Lam, Vincent Lee, Ru Zhai
Cameras | ARRIFLEX 435 ES Camera, ARRIFLEX 535 Camera
Lenses | Angenieux Lenses, Cooke Lenses
The Affair of the Necklace (2001)
Directed by | Charles Shyer | Cinematography by | Ashley Rowe | Editing by | David Moritz
Cameras | ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera
Struck by Lightning (2012)
Directed by | Brian Dannelly | Cinematography by | Bobby Bukowski | Editing by | Tia Nolan
Cameras | ARRI ALEXA Camera
Five (2011)
Directed by | Jennifer Aniston, Patty Jenkins, Alicia Keys, Demi Moore, Penelope Spheeris | Cinematography by | Eric Alan Edwards, Guy Livneh, Jim Orr, Christopher Popp, Tami Reiker | Editing by | Zene Baker, Adrienne Gits, Lynzee Klingman, Byron Smith, Tom Wilson
Cameras | ARRI ALEXA Camera, Red One Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Departures (2008)
Directed by | Yôjirô Takita | Cinematography by | Takeshi Hamada | Editing by | Akimasa Kawashima
Cameras | ARRI Cameras
Lenses | Angenieux Lenses, Zeiss Lenses
The Maiden Heist (2009)
Directed by | Peter Hewitt | Cinematography by | Ueli Steiger | Editing by | Carole Kravetz Aykanian
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses
Pirates of the Caribbean: On Stranger Tides (2011)
Directed by | Rob Marshall | Cinematography by | Dariusz Wolski | Editing by | David Brenner, Wyatt Smith
Cameras | Red Epic Camera, Red One MX Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses
I’m Not There. (2007)
Directed by | Todd Haynes | Cinematography by | Edward Lachman | Editing by | Jay Rabinowitz
Cameras | Aaton LTR Camera, Moviecam Compact Camera
Harry Potter and the Deathly Hallows: Part 1 (2010)
Angel-A (2005)
Directed by | Luc Besson | Cinematography by | Thierry Arbogast | Editing by | Christine Lucas Navarro, Frédéric Thoraval
Wild Bill (2011)
Directed by | Dexter Fletcher | Cinematography by | George Richmond | Editing by | Stuart Gazzard
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses
Pacific Rim (2013)
Directed by | Guillermo del Toro | Cinematography by | Guillermo Navarro | Editing by | Peter Amundson, John Gilroy
Cameras | Red Epic Camera
L’immortel (2010)
Precious (2009)
Directed by | Lee Daniels | Cinematography by | Andrew Dunn | Editing by | Joe Klotz
Lenses | Angenieux Lenses, Cooke S4 Lenses
