Angenieux Optimo Style Lenses | 7 Titles
Young Sheldon (2017)
  | Cinematography by | Buzz Feitshans IV, Neil Toussaint, Tim Suhrstedt | Editing by | David Helfand, Brian Merken, Steven Rasch, Jeff Seibenick 
 
  Cameras | ARRI ALEXA Mini Camera 
  Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Style Lenses, Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 18mm T2.0 Lens, Cooke S4 Prime 25mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens 
Some Kind of Heaven (2020)
 Directed by | Lance Oppenheim | Cinematography by | David Bolen | Editing by | Daniel Garber, Lance Oppenheim 
 
  Cameras | ARRI ALEXA Mini Camera 
  Lenses | Angenieux Optimo Style 16-40 mm T2.8 Lens, Angenieux Optimo Style 30-76 mm T2.8 Lens, Zeiss Super Speed Lenses 
Secuestro (2016)
 Directed by | Mar Targarona | Cinematography by | Sergi Bartrolí | Editing by | Joan Manel Vilaseca 
 
  Cameras | ARRI ALEXA XT Plus Camera 
 The Messenger (2009)
 Directed by | Oren Moverman | Cinematography by | Bobby Bukowski | Editing by | Alex Hall 
 
  Cameras | ARRICAM Lite (LT) Camera 
  Lenses | Angenieux Optimo Style Lenses, Cooke S4 Lenses 
Infinitely Polar Bear (2014)
 Directed by | Maya Forbes | Cinematography by | Bobby Bukowski | Editing by | Michael R. Miller 
 
  Cameras | ARRI ALEXA Camera 
  Lenses | Angenieux Optimo Style Lenses 
Get on Up (2014)
 Directed by | Tate Taylor | Cinematography by | Stephen Goldblatt | Editing by | Michael McCusker  
 
  Lenses | Angenieux Optimo Anamorphic Lenses, Angenieux Optimo Style Lenses, Angenieux Optimo Zoom Lenses, Bausch & Lomb Lenses, Canon EF Series Lenses, Panavision Primo Primes Spherical Lenses 
 
  
 





































