Angenieux Lenses | 760 Titles
Cat and Mouse (2015)
Country | Netherlands, Belgium
Type | Motion Picture
Running Time | 90 Minutes
Aspect Ratio | 2.39:1
Capture Resolution | 4480x1920 - (2.33:1) Capture Resolution
Starring ~ Carlijn van Zijtveld,
Wilma Bakker,
Raymond Thiry
Directed by | Victor Nieuwenhuijs, Maartje Seyferth | Cinematography by | Victor Nieuwenhuijs | Editing by | Vima Kara, Tarek
Cameras | Red One Camera
Lenses | Angenieux HR 25-250mm T3.5 Lens, Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens, Cooke Speed Panchro (S3) 18mm T2.2 Lens, Cooke Speed Panchro (S3) 25mm T2.2 Lens
modified:
House of Lies (2012)
Country | USA
Type | Television Series
Running Time | 28 Minutes
Aspect Ratio | 1.78:1 (16x9)
Starring ~ Don Cheadle,
Kristen Bell,
Ben Schwartz
| Cinematography by | Peter Levy, Loren S. Yaconelli | Editing by | Tirsa Hackshaw, Tod Feuerman, Justin Bourret, Jonathan Schwartz, Myron I. Kerstein, John Axness, Aimee Durrant, John Smith, Pietro Cecchini
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
modified:
The Hollars (2016)
Country | USA
Type | Motion Picture
Running Time | 105 Minutes
Aspect Ratio | 1.85:1
Starring ~ Anna Kendrick,
Mary Elizabeth Winstead,
John Krasinski
Directed by | John Krasinski | Cinematography by | Eric Alan Edwards | Editing by | Heather Persons
Cameras | ARRI ALEXA Plus 4:3 Camera
modified:
Abduction (2011)
Country | USA
Type | Motion Picture
Running Time | 106 Minutes
Aspect Ratio | 2.39:1
Starring ~ Taylor Lautner,
Lily Collins,
Alfred Molina
Directed by | John Singleton | Cinematography by | Peter Menzies Jr. | Editing by | Bruce Cannon
Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
modified:
Capsule (2015)
Country | UK
Type | Motion Picture
Running Time | 91 Minutes
Aspect Ratio | 2.39:1
Capture Resolution | 5120x2134 - (2.40:1) Capture Resolution
Starring ~ Edmund Kingsley,
Lisa Greenwood,
David Wayman
Directed by | Andrew Martin | Cinematography by | Felix Forrest | Editing by | Jan Hillman
Lenses | Angenieux Optimo 45-120mm T2.8 Lens, Angenieux Optimo DP 16-42mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Cooke miniS4/i 100mm T2.8 Lens, Cooke miniS4/i 18mm T2.8 Lens, Cooke miniS4/i 25mm T2.8 Lens, Cooke miniS4/i 32mm T2.8 Lens, Cooke miniS4/i 50mm T2.8 Lens, Cooke miniS4/i 75mm T2.8 Lens, Cooke miniS4/i Lenses, Red Pro Zoom 17-50 mm T2.9 Lens, Red Pro Zoom Lenses, Tokina AT-X116 Pro DX 11-16 mm f2.8 Lens, Tokina Lenses
modified:
Jason Bourne (2016)
Country | USA
Type | Motion Picture
Running Time | 123 Minutes
Aspect Ratio | 2.39:1
Capture Resolution | 2880x2160 - (1.33:1) Capture Resolution, 4096x2160 - (1.90:1) Capture Resolution, 6144x3160 - (1.94:1) Capture Resolution
Starring ~ Matt Damon,
Tommy Lee Jones,
Alicia Vikander
Directed by | Paul Greengrass | Cinematography by | Barry Ackroyd | Editing by | Christopher RouseCamera Operator | Christopher TJ McGuire
Cameras | Aaton Penelope Camera, Aaton XTR Prod Camera, ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, Codex Action Cam, Red Epic Dragon Camera
Lenses | Angenieux Optimo Zoom Lenses, Canon Lenses, Fujinon Premier ZK Cabrio PL Compact Lenses, Kowa Cine Prominar Lenses, Panavision Lenses, Zeiss Super Speed Lenses, Zeiss Ultra Prime Lenses
modified:
The Road (2009)
Country | USA
Type | Motion Picture
Running Time | 111 Minutes
Aspect Ratio | 2.35:1
Starring ~ Viggo Mortensen,
Charlize Theron,
Kodi Smit-McPhee
Directed by | John Hillcoat | Cinematography by | Javier Aguirresarobe | Editing by | Jon Gregory
Cameras | ARRICAM Lite (LT) Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
modified:
Furious 7 (2015)
Country | USA, Japan
Type | Motion Picture
Running Time | 137 Minutes
Capture Resolution | 2880x2160 - (1.33:1) Capture Resolution
Starring ~ Vin Diesel,
Paul Walker,
Dwayne Johnson
Directed by | James Wan | Cinematography by | Marc Spicer, Stephen F. Windon | Editing by | Leigh Folsom Boyd, Dylan Highsmith, Kirk M. Morri, Christian Wagner
Cameras | ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera
Lenses | Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 28-340mm T2.9 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Fujinon Alura Zoom 15.5-45mm T2.8 Lens, Fujinon Alura Zoom 30-80mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Nikon - Nikkor Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Lenses
modified:
Straw Dogs (2011)
Country | USA
Type | Motion Picture
Running Time | 110 Minutes
Aspect Ratio | 2.39:1
Starring ~ James Marsden,
Kate Bosworth,
Alexander Skarsgård
Directed by | Rod Lurie | Cinematography by | Alik Sakharov | Editing by | Sarah Boyd
Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses | Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Panavision Primo Primes Spherical Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
modified:
Need for Speed (2014)
Country | USA, UK, France, Philippines
Type | Motion Picture
Running Time | 132 Minutes
Aspect Ratio | 2.39:1
Starring ~ Aaron Paul,
Dominic Cooper,
Imogen Poots
Directed by | Scott Waugh | Cinematography by | Shane Hurlbut | Editing by | Paul Rubell, Scott Waugh
Lenses | Angenieux Optimo 17-80mm T2.2 Lens, Angenieux Optimo 19.5-94mm T2.4 Lens, Angenieux Optimo Anamorphic Lenses, Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 15.5-47 mm T2.8 Lens, Canon CN-E 30-105 mm T2.8 Lens, Canon CN-E 30-300 mm T2.95 Lens, Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens, Cooke S4/i Prime 12mm T2.0 Lens, Cooke S4/i Prime 135mm T2.0 Lens, Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 180mm T2.0 Lens, Cooke S4/i Prime 18mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 50mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0, Leica Elmarit-R II 28 mm f2.0, Leica Summicron-C 21 mm T2.0 Lens, Leica Super Angulon-R 21 mm f4.0, Leica Super-Elmarit-R 15 mm f2.8, Zeiss Distagon T* 15mm f2.8 ZE, Zeiss Distagon T* 18mm f3.5 ZE
modified:
No Good Deed (2014)
Country | USA
Type | Motion Picture
Running Time | 84 Minutes
Aspect Ratio | 2.39:1
Starring ~ Taraji P. Henson,
Idris Elba,
Leslie Bibb
Directed by | Sam Miller | Cinematography by | Michael Barrett | Editing by | Randy Bricker, Jim Page
Cameras | Sony CineAlta F65 Camera
modified:
Bahubali: The Beginning (2015)
Country | India
Type | Motion Picture
Running Time | 159 Minutes
Aspect Ratio | 1.85:1
Starring ~ Prabhas,
Rana Daggubati,
Anushka Shetty
Directed by | S.S. Rajamouli | Cinematography by | Senthil Kumar | Editing by | Venkateswara Rao Kotagiri
Cameras | ARRI ALEXA XT Camera
modified:
The Nice Guys (2016)
Country | USA
Type | Motion Picture
Running Time | 116 Minutes
Aspect Ratio | 2.39:1
Starring ~ Russell Crowe,
Ryan Gosling,
Angourie Rice
Directed by | Shane Black | Cinematography by | Philippe Rousselot | Editing by | Joel Negron
Cameras | ARRI ALEXA XT Camera
modified:
Criminal (2016)
Country | UK, USA
Type | Motion Picture
Running Time | 113 Minutes
Aspect Ratio | 2.39:1
Starring ~ Kevin Costner,
Ryan Reynolds,
Gal Gadot
Directed by | Ariel Vromen | Cinematography by | Dana Gonzales | Editing by | Danny Rafic
Cameras | ARRI ALEXA XT Camera, Red Epic Dragon Camera
modified:
The Wedding Ringer (2015)
Country | USA
Type | Motion Picture
Running Time | 101 Minutes
Aspect Ratio | 2.39:1
Starring ~ Kevin Hart,
Josh Gad,
Kaley Cuoco
Directed by | Jeremy Garelick | Cinematography by | Bradford Lipson | Editing by | Jeff Groth, Shelly Westerman, Byron Wong
Cameras | Sony CineAlta F65 Camera, Sony PMW-F55 Camera
modified:
Kilo Two Bravo (2014)
Country | UK
Type | Motion Picture
Running Time | 108 Minutes
Aspect Ratio | 2.39:1
Capture Resolution | 2880x1620 - (1.78:1) Capture Resolution
Starring ~ David Elliot,
Mark Stanley,
Scott Kyle
Directed by | Paul Katis | Cinematography by | Chris Goodger | Editing by | Brin
Cameras | ARRI ALEXA XT Camera, Blackmagic Cinema Camera
Lenses | Angenieux Lenses, Red Pro Prime Lenses
modified:
Camino a La Paz (2015)
Country | Argentina
Type | Motion Picture
Aspect Ratio | 2.39:1
Capture Resolution | 1920x1080 - (1.78:1) Capture Resolution
Starring ~ Rodrigo De la Serna,
Ernesto Suarez,
Elisa Carricajo
Directed by | Francisco Varone | Cinematography by | Christian Cottet | Editing by | Javier Peretti, Andrés Tambornino
Cameras | Canon EOS-C500 Camera
modified:
Tenemos que hablar (2016)
Country | Spain
Type | Motion Picture
Running Time | 91 Minutes
Starring ~ Hugo Silva,
Michelle Jenner,
Ernesto Sevilla
Directed by | David Serrano | Cinematography by | Juan Carlos Gómez | Editing by | Alberto de Toro
Cameras | ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA Plus Camera
Lenses | Angenieux Optimo 45-120mm T2.8 Lens, Angenieux Optimo DP 16-42mm T2.8 Lens, Angenieux Optimo DP 30-80mm T2.8 Lens, Cooke S4/i Lenses
modified:
The Mutineer (2015)
Country | USA
Type | Motion Picture
Running Time | 92 Minutes
Aspect Ratio | 1.66:1
Starring ~ Michael Barra,
Mike Walker,
Harris Doran
Directed by | John Jaquish | Cinematography by | John Jaquish | Editing by | John Jaquish
Cameras | ARRIFLEX 35 BL3 Camera, ARRIFLEX 35 IIC Camera
Lenses | Angenieux Retrofocus 14.5mm f3.5 Lens, Cooke Speed Panchro (S3) 18mm T2.2 Lens, Kinoptik Tégéa 9.8mm f1.8 Lens, Schneider Lenses, Zeiss Jena Lens, Zeiss Standard Prime MKII 16 mm T2.1 Lens, Zeiss Standard Prime MKII 24 mm T2.1 Lens
modified:
Taken 3 (2014)
Country | France
Type | Motion Picture
Running Time | 109 Minutes
Starring ~ Liam Neeson,
Forest Whitaker,
Maggie Grace
Directed by | Olivier Megaton | Cinematography by | Eric Kress | Editing by | Audrey Simonaud, Nicolas Trembasiewicz
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses
modified:
