Takeshi Kovacs
'Altered Carbon' Episode #2.2 (2019)
Directed by: Ciaran Donnelly
Edited by: Erin Deck
Takeshi Kovacs
'Altered Carbon' Episode #2.6 (2019)
Directed by: Jeremy Webb
Cinematography by: Corey Robson
Takeshi Kovacs
'Altered Carbon' Episode #2.3 (2019)
Directed by: M.J. Bassett
Edited by: Geoff Ashenhurst
Takeshi Kovacs
'Altered Carbon' Episode #2.7 (2019)
Takeshi Kovacs
'Altered Carbon' Episode #2.4 (2019)
Directed by: M.J. Bassett
Edited by: Jay Prychidny
Takeshi Kovacs
'Altered Carbon' Episode #2.8 (2019)
Takeshi Kovacs
'Altered Carbon' Episode #2.1 (2019)
Directed by: Ciaran Donnelly
Edited by: Stephen Philipson
Sam Wilson / Falcon
Avengers: Infinity War (2018)
| USA
Cinematography by: Trent Opaloch
Lenses: Angenieux Lenses, Leica Summilux-C Series Lenses, Panavision APO Panatar Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses
Editing System: Avid Editing System
Takeshi Kovacs
Altered Carbon (2018)
| USA
Directed by: Uta Briesewitz, Alex Graves, Peter Hoar, Nick Hurran, M.J. Bassett, Ciaran Donnelly, Jeremy Webb, Andy Goddard, Miguel Sapochnik
Edited by: Amy M. Fleming, Byron Smith, Erin Deck, Barry Alexander Brown, Jonathan Chibnall, Julian Clarke, Michael Ruscio, Geoff Ashenhurst, Stephen Philipson, Jay Prychidny
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera
Sam Wilson / Falcon
Captain America: Civil War (2016)
| USA
Cinematography by: Trent Opaloch
Marcus Belmont
Triple 9 (2016)
| USA
Directed by: John Hillcoat
Cinematography by: Nicolas Karakatsanis
Edited by: Dylan Tichenor
Ben
Our Brand Is Crisis (2015)
| USA
Directed by: David Gordon Green
Cinematography by: Tim Orr
Edited by: Colin Patton
Sam Wilson / Falcon
Avengers: Age of Ultron (2015)
| USA
Directed by: Joss Whedon
Cinematography by: Ben Davis
Sam Wilson / Falcon
Captain America: The Winter Soldier (2014)
| USA
Cinematography by: Trent Opaloch
Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens, Panavision C60 60 mm T2.8 Lens, Panavision E100 100 mm T2.3 Lens, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E35 35 mm T2.0 Lens, Panavision E40 40 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens, Panavision G100 100 mm T2.6 Lens, Panavision G25 25 mm T2.6 Lens, Panavision G30 30 mm T2.6 Lens, Panavision G40 40 mm T2.6 Lens, Panavision G50 50 mm T2.6 Lens, Panavision G60 60 mm T2.6 Lens, Panavision G75 75 mm T2.6 Lens
Agent Shavers
Runner Runner (2013)
| USA
Directed by: Brad Furman
Cinematography by: Mauro Fiore
Edited by: Jeff McEvoy
Officer Coleman Harris
Gangster Squad (2013)
| USA
Directed by: Ruben Fleischer
Cinematography by: Dion Beebe
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Editing System: Avid Editing System
Sam Coulson
The Fifth Estate (2013)
| USA, India, Belgium
Directed by: Bill Condon
Cinematography by: Tobias A. Schliessler
Edited by: Virginia Katz
Adrian Doorbal
Pain & Gain (2013)
| USA
Directed by: Michael Bay
Cinematography by: Ben Seresin
Cameras: Canon EOS-7D Camera, GoPro HD Hero3 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom HD Gold Camera, Red Epic Camera
Editing System: Avid Editing System
Mike Ackerman
Man on a Ledge (2012)
| USA
Directed by: Asger Leth
Cinematography by: Paul Cameron
Edited by: Kevin Stitt
Will Johnson
Abraham Lincoln: Vampire Hunter (2012)
| USA, Russia
Directed by: Timur Bekmambetov
Cinematography by: Caleb Deschanel
Edited by: William Hoy
Himself - Guest
'Chelsea Lately' Episode #5.140 (2011)
Finn
Real Steel (2011)
| USA, India
Directed by: Shawn Levy
Cinematography by: Mauro Fiore
Edited by: Dean Zimmerman
Cameras: Sony CineAlta F35 Camera
Lenses: Cooke Lenses, Cooke S4 Lenses
Editing System: Avid Editing System
Harry Mitchell
The Adjustment Bureau (2011)
| USA
Directed by: George Nolfi
Cinematography by: John Toll
Edited by: Jay Rabinowitz
Tom Piper
What's Your Number? (2011)
| USA
Directed by: Mark Mylod
Cinematography by: James M. Muro
Edited by: Julie Monroe
Sergeant JT Sanborn
The Hurt Locker (2008)
| USA
Directed by: Kathryn Bigelow
Cinematography by: Barry Ackroyd
Editing System: Avid Editing System
Major William Bowman
Eagle Eye (2008)
| USA, Germany
Directed by: D.J. Caruso
Cinematography by: Dariusz Wolski
Edited by: Jim Page
Himself - Guest
Chelsea Lately (2007)
| USA
Cinematography by: Lee Rose
Edited by: Philip D. Favre, Ignacio Pinerua, Michelle Gevoian, Jason Gill, Kurt Heydle, Jason Wood, Josh Belson, Xiao Niu, Dave Wilson, Sean Hubbert, Karl Kimbrough, Gasper Chiaramonte, Phil Favre, Don Misraje
Lenses: Fujinon Lenses
Editing System: Avid Editing System
Billy Williams
Freedomland (2006)
| USA
Directed by: Joe Roth
Cinematography by: Anastas N. Michos
Edited by: Nick Moore
William Lee
Heavens Fall (2006)
| USA
Directed by: Terry Green
Cinematography by: Paul Sanchez
Edited by: Suzy Elmiger
Frank
Half Nelson (2006)
| USA
Directed by: Ryan Fleck
Cinematography by: Andrij Parekh
Edited by: Anna Boden
Cameras: ARRIFLEX 16SR3 Camera
Lenses: Canon Lenses, Zeiss Super Speed Lenses
Perry
Brother to Brother (2004)
| USA
Directed by: Rodney Evans
Cinematography by: Harlan Bosmajian
Edited by: Sabine Hoffman
Robert Baker
The Manchurian Candidate (2004)
| USA
Directed by: Jonathan Demme
Cinematography by: Tak Fujimoto
Shawrelle Berry
Million Dollar Baby (2004)
| USA
Directed by: Clint Eastwood
Cinematography by: Tom Stern
Edited by: Joel Cox
Cameras: Panavision Panaflex Platinum Camera
John Henry 'Jack' Armstrong
She Hate Me (2004)
| USA
Directed by: Spike Lee
Cinematography by: Matthew Libatique
Edited by: Barry Alexander Brown
Cameras: Aaton A-Minima Camera, ARRI Cameras
Killer 'Joker'
Hollywood Homicide (2003)
| USA
Directed by: Ron Shelton
Cinematography by: Barry Peterson
Edited by: Paul Seydor
Cameras: Panavision Panaflex Camera
Papa Doc
8 Mile (2002)
| USA, Germany
Directed by: Curtis Hanson
Cinematography by: Rodrigo Prieto
Lenses: Zeiss Ultra Prime Lenses
