Anthony Mackie

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Takeshi Kovacs

'Altered Carbon' Episode #2.3 (2019)

Television Episode

Directed by: M.J. Bassett

Cinematography by: Bernard Couture, Corey Robson

Edited by: Geoff Ashenhurst

Takeshi Kovacs

'Altered Carbon' Episode #2.7 (2019)

Television Episode

Cinematography by: Bernard Couture, Corey Robson

Takeshi Kovacs

'Altered Carbon' Episode #2.4 (2019)

Television Episode

Directed by: M.J. Bassett

Cinematography by: Bernard Couture, Corey Robson

Edited by: Jay Prychidny

Takeshi Kovacs

'Altered Carbon' Episode #2.8 (2019)

Television Episode

Cinematography by: Bernard Couture, Corey Robson

Takeshi Kovacs

'Altered Carbon' Episode #2.1 (2019)

Television Episode

Directed by: Ciaran Donnelly

Cinematography by: P.J. Dillon, Corey Robson

Edited by: Stephen Philipson

Takeshi Kovacs

'Altered Carbon' Episode #2.5 (2019)

Television Episode

Directed by: Jeremy Webb

Cinematography by: P.J. Dillon, Corey Robson

Edited by: Erin Deck

Takeshi Kovacs

'Altered Carbon' Episode #2.2 (2019)

Television Episode

Directed by: Ciaran Donnelly

Cinematography by: P.J. Dillon, Corey Robson

Edited by: Erin Deck

Sam Wilson / Falcon

Avengers: Endgame (2019)

Motion Picture

| USA

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera

Lenses: Panavision APO Panatar Lenses, Panavision Sphero 65 Series Lenses

Takeshi Kovacs

'Altered Carbon' Episode #2.6 (2019)

Television Episode

Directed by: Jeremy Webb

Cinematography by: Corey Robson

Takeshi Kovacs

Altered Carbon (2018)

Television Series

| USA

Directed by: Uta Briesewitz, Alex Graves, Peter Hoar, Nick Hurran, M.J. Bassett, Ciaran Donnelly, Jeremy Webb, Andy Goddard, Miguel Sapochnik

Cinematography by: Corey Robson, Martin Ahlgren, Neville Kidd, Bernard Couture, P.J. Dillon

Edited by: Amy M. Fleming, Byron Smith, Erin Deck, Barry Alexander Brown, Jonathan Chibnall, Julian Clarke, Michael Ruscio, Geoff Ashenhurst, Stephen Philipson, Jay Prychidny

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera

Lenses: Canon Lenses, Cooke 5/i Lenses, Cooke S4/i Lenses, Hawk 150-450 mm T2.8 Lens, Zeiss Compact Prime Lenses

Sam Wilson / Falcon

Avengers: Infinity War (2018)

Motion Picture

| USA

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera, Red Helium (Weapon) 8K, Red Weapon Dragon Camera

Lenses: Angenieux Lenses, Leica Summilux-C Series Lenses, Panavision APO Panatar Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

Sam Wilson / Falcon

Captain America: Civil War (2016)

Motion Picture

| USA

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera, ARRI ALEXA 65 Camera, ARRI ALEXA XT Plus Camera, GoPro HERO4 Black, Red Epic Dragon Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo 70 Lenses, Panavision T Series Anamorphic Lenses

Himself

'The Daily Show' Anthony Mackie (2016)

Television Episode

| USA

Directed by: Chuck O'Neil

Edited by: Eric Davies, Einar Westerlund

Marcus Belmont

Triple 9 (2016)

Motion Picture

| USA

Directed by: John Hillcoat

Cinematography by: Nicolas Karakatsanis

Edited by: Dylan Tichenor

Cameras: ARRI ALEXA XT M Camera, ARRI ALEXA XT Plus Camera, ARRI ALEXA XT Studio Camera

Lenses: Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Sam Wilson / Falcon

Avengers: Age of Ultron (2015)

Motion Picture

| USA

Directed by: Joss Whedon

Cinematography by: Ben Davis

Edited by: Jeffrey Ford, Lisa Lassek

Cameras: ARRI ALEXA XT Studio Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera, Red One MX Camera

Lenses: Panavision Primo Anamorphic Lenses

Ben

Our Brand Is Crisis (2015)

Motion Picture

| USA

Directed by: David Gordon Green

Cinematography by: Tim Orr

Edited by: Colin Patton

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Sam Wilson / Falcon

Captain America: The Winter Soldier (2014)

Motion Picture

| USA

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens, Panavision C60 60 mm T2.8 Lens, Panavision E100 100 mm T2.3 Lens, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E35 35 mm T2.0 Lens, Panavision E40 40 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens, Panavision G100 100 mm T2.6 Lens, Panavision G25 25 mm T2.6 Lens, Panavision G30 30 mm T2.6 Lens, Panavision G40 40 mm T2.6 Lens, Panavision G50 50 mm T2.6 Lens, Panavision G60 60 mm T2.6 Lens, Panavision G75 75 mm T2.6 Lens

Officer Coleman Harris

Gangster Squad (2013)

Motion Picture

| USA

Directed by: Ruben Fleischer

Cinematography by: Dion Beebe

Edited by: Alan Baumgarten, James Herbert

Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera

Lenses: Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Sam Coulson

The Fifth Estate (2013)

Motion Picture

| USA, India, Belgium

Directed by: Bill Condon

Cinematography by: Tobias A. Schliessler

Edited by: Virginia Katz

Cameras: ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera

Lenses: Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 24-290mm T2.8 Lens, Angenieux Optimo 45-120mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Fujinon Cabrio (ZK4.7x19) 19-90 mm T2.9 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Zeiss Master Prime Lenses

Adrian Doorbal

Pain & Gain (2013)

Motion Picture

| USA

Directed by: Michael Bay

Cinematography by: Ben Seresin

Edited by: Tom Muldoon, Joel Negron

Cameras: Canon EOS-7D Camera, GoPro HD Hero3 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom HD Gold Camera, Red Epic Camera

Lenses: Panavision C Series Anamorphic Lenses

Editing System: Avid Editing System

Agent Shavers

Runner Runner (2013)

Motion Picture

| USA

Directed by: Brad Furman

Cinematography by: Mauro Fiore

Edited by: Jeff McEvoy

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Panavision Primo Primes Spherical Lenses, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens

Mike Ackerman

Man on a Ledge (2012)

Motion Picture

| USA

Directed by: Asger Leth

Cinematography by: Paul Cameron

Edited by: Kevin Stitt

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Anamorphic Lenses, Panavision Standard Primes (SP) Lenses

Will Johnson

Abraham Lincoln: Vampire Hunter (2012)

Motion Picture

| USA, Russia

Directed by: Timur Bekmambetov

Cinematography by: Caleb Deschanel

Edited by: William Hoy

Cameras: ARRI ALEXA Camera, ARRIFLEX 435 Camera, Phantom Flex Camera

Lenses: ARRI / Fujinon Lenses, Zeiss Ultra Prime Lenses

Finn

Real Steel (2011)

Motion Picture

| USA, India

Directed by: Shawn Levy

Cinematography by: Mauro Fiore

Edited by: Dean Zimmerman

Cameras: Sony CineAlta F35 Camera

Lenses: Cooke Lenses, Cooke S4 Lenses

Editing System: Avid Editing System

Harry Mitchell

The Adjustment Bureau (2011)

Motion Picture

| USA

Directed by: George Nolfi

Cinematography by: John Toll

Edited by: Jay Rabinowitz

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo 15-40mm T2.6 Lens, Panavision Primo Primes Spherical Lenses

Tom Piper

What's Your Number? (2011)

Motion Picture

| USA

Directed by: Mark Mylod

Cinematography by: James M. Muro

Edited by: Julie Monroe

Himself - Guest

'Chelsea Lately' Episode #5.140 (2011)

Television Episode

Edited by: Philip D. Favre, Michelle Gevoian, Ignacio Pinerua

Tupac Shakur

Notorious (2009)

Motion Picture

| USA

Directed by: George Tillman Jr.

Cinematography by: Michael Grady

Edited by: Steven Rosenblum, Dirk Westervelt

Sergeant JT Sanborn

The Hurt Locker (2008)

Motion Picture

| USA

Directed by: Kathryn Bigelow

Cinematography by: Barry Ackroyd

Edited by: Chris Innis, Bob Murawski

Cameras: Aaton A-Minima Camera, Aaton XTR Prod Camera, IDT / Redlake Cameras

Editing System: Avid Editing System

Major William Bowman

Eagle Eye (2008)

Motion Picture

| USA, Germany

Directed by: D.J. Caruso

Cinematography by: Dariusz Wolski

Edited by: Jim Page

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Himself - Guest

Chelsea Lately (2007)

Television Series

| USA

Directed by: James Yukich, Alek Keshishian, Bob McKinnon

Cinematography by: Lee Rose

Edited by: Philip D. Favre, Ignacio Pinerua, Michelle Gevoian, Jason Gill, Kurt Heydle, Jason Wood, Josh Belson, Xiao Niu, Dave Wilson, Sean Hubbert, Karl Kimbrough, Gasper Chiaramonte, Phil Favre, Don Misraje

Cameras: Sony Cameras, Sony HDC-1500 Camera, Sony HDC-2500s

Lenses: Fujinon Lenses

Editing System: Avid Editing System

Billy Williams

Freedomland (2006)

Motion Picture

| USA

Directed by: Joe Roth

Cinematography by: Anastas N. Michos

Edited by: Nick Moore

William Lee

Heavens Fall (2006)

Motion Picture

| USA

Directed by: Terry Green

Cinematography by: Paul Sanchez

Edited by: Suzy Elmiger

Nate Ruffin

We Are Marshall (2006)

Motion Picture

| USA

Directed by: McG

Cinematography by: Shane Hurlbut

Edited by: Gregg London, Priscilla Nedd-Friendly

Frank

Half Nelson (2006)

Motion Picture

| USA

Directed by: Ryan Fleck

Cinematography by: Andrij Parekh

Edited by: Anna Boden

Cameras: ARRIFLEX 16SR3 Camera

Lenses: Canon Lenses, Zeiss Super Speed Lenses

Tech

Crossover (2006)

Motion Picture

| USA

Directed by: Preston A. Whitmore II

Cinematography by: Christian Sebaldt

Edited by: Stuart Acher, Anthony Adler

Shawrelle Berry

Million Dollar Baby (2004)

Motion Picture

| USA

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses

John Henry 'Jack' Armstrong

She Hate Me (2004)

Motion Picture

| USA

Directed by: Spike Lee

Cinematography by: Matthew Libatique

Edited by: Barry Alexander Brown

Cameras: Aaton A-Minima Camera, ARRI Cameras

Perry

Brother to Brother (2004)

Motion Picture

| USA

Directed by: Rodney Evans

Cinematography by: Harlan Bosmajian

Edited by: Sabine Hoffman

Robert Baker

The Manchurian Candidate (2004)

Motion Picture

| USA

Directed by: Jonathan Demme

Cinematography by: Tak Fujimoto

Edited by: Carol Littleton, Craig McKay

Killer 'Joker'

Hollywood Homicide (2003)

Motion Picture

| USA

Directed by: Ron Shelton

Cinematography by: Barry Peterson

Edited by: Paul Seydor

Cameras: Panavision Panaflex Camera

Papa Doc

8 Mile (2002)

Motion Picture

| USA, Germany

Directed by: Curtis Hanson

Cinematography by: Rodrigo Prieto

Edited by: Craig Kitson, Jay Rabinowitz

Cameras: Moviecam Compact Camera, Moviecam Superlight Camera

Lenses: Zeiss Ultra Prime Lenses

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Anthony Mackie

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Takeshi Kovacs

Takeshi Kovacs

Takeshi Kovacs

Takeshi Kovacs

Takeshi Kovacs

Takeshi Kovacs

Takeshi Kovacs

Sam Wilson / Falcon

Takeshi Kovacs

Takeshi Kovacs

Sam Wilson / Falcon

Sam Wilson / Falcon

Himself

Marcus Belmont

Sam Wilson / Falcon

Ben

Sam Wilson / Falcon

Officer Coleman Harris

Sam Coulson

Adrian Doorbal

Agent Shavers

Mike Ackerman

Will Johnson

Finn

Harry Mitchell

Tom Piper

Himself - Guest

Tupac Shakur

Sergeant JT Sanborn

Major William Bowman

Himself - Guest

Billy Williams

William Lee

Nate Ruffin

Frank

Tech

Shawrelle Berry

John Henry 'Jack' Armstrong

Perry

Robert Baker

Killer 'Joker'

Papa Doc

Himself