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ARRI ALEXA XT Plus Camera | 74 Titles

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True Detective (2014)

Television Series | 2D | 2K Project | Color | 1.78:1 (16x9) | 55 Minutes

Never Look Away (2018)

Motion Picture | 2D | Color | 1.85:1 | 189 Minutes

Directed by | Florian Henckel von Donnersmarck | Cinematography by | Caleb Deschanel | Editing by | Patricia Rommel, Patrick Sanchez Smith

Starring | Tom Schilling, Sebastian Koch, Paula Beer

Cameras | ARRI ALEXA XT Plus Camera

Lenses | Zeiss Master Prime Lenses

Arrival (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 116 Minutes

Directed by | Denis Villeneuve | Cinematography by | Bradford Young | Editing by | Joe Walker

Starring | Amy Adams, Jeremy Renner, Forest Whitaker

Cameras | ARRI ALEXA XT M Camera, ARRI ALEXA XT Plus Camera

Lenses | CamTec Vintage Series Ultra Prime Lenses, Kowa Cine Prominar Spherical Lenses, Zeiss Super Speed Lenses

Spider-Man: Homecoming (2017)

Motion Picture | 2D | 2.8K Project | Color | 1.33:1 (4x3), 2.39:1 | 133 Minutes

Directed by | Jon Watts | Cinematography by | Salvatore Totino | Editing by | Debbie Berman, Dan Lebental

Starring | Tom Holland, Michael Keaton, Robert Downey Jr.

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Blackmagic Pocket Cinema Camera

Lenses | Angenieux Lenses, Cooke S4/i Lenses

The Veil (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 93 Minutes

Directed by | Phil Joanou | Cinematography by | Steeven Petitteville | Editing by | Paul Norling

Starring | Jessica Alba, Thomas Jane, Lily Rabe

Cameras | ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Plus Camera, Bolex H16 Camera, Phantom Flex Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Anamorphic Lenses, CamTec Lenses, Cineovision Lenses, Kowa Cine Prominar Anamorphic 100mm T3.4 Lens, Kowa Cine Prominar Anamorphic 40mm T2.3 Lens, Kowa Cine Prominar Anamorphic 50mm T2.3 Lens, Kowa Cine Prominar Anamorphic 75mm T2.8 Lens

Sonic the Hedgehog (2020)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 99 Minutes

Directed by | Jeff Fowler | Cinematography by | Stephen F. Windon

Starring | Ben Schwartz, James Marsden, Jim Carrey

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses | Leitz Summilux-C Series Lenses

A.I. Rising (2018)

Motion Picture | 2D | 3.4K Project | Color | 2.66:1 | 85 Minutes

Directed by | Lazar Bodroza | Cinematography by | Kosta Glusica | Editing by | Milena Z. Petrovic

Starring | Sebastian Cavazza, Stoya, Marusa Majer, Kirsty Besterman

Cameras | ARRI ALEXA XT Plus Camera

Lenses | ARRI Lenses

Baby Driver (2017)

Motion Picture | 2D | 2K Project | Black & White, Color | 2.39:1 | 113 Minutes

Directed by | Edgar Wright | Cinematography by | Bill Pope | Editing by | Jonathan Amos, Paul Machliss

Starring | Ansel Elgort, Jon Bernthal, Jon Hamm, Eiza González

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA Studio Camera, ARRI ALEXA XT Plus Camera, ARRICAM Lite (LT) Camera, Panavision Panaflex Millennium XL2 Camera

Vikings (2013)

Television Series | 2D | 2K Project | Color | 1.78:1 (16x9) | 44 Minutes

| Cinematography by | P.J. Dillon, Peter Robertson, Owen McPolin, John S. Bartley, Suzie Lavelle | Editing by | Aaron Marshall, Tad Seaborn, Don Cassidy, Dan Briceno, Michele Conroy, Christopher Donaldson

Starring | Katheryn Winnick, Gustaf Skarsgård, Alexander Ludwig, Georgia Hirst

Cameras | ARRI ALEXA Plus Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT Plus Camera

Lenses | Panavision Lenses

Solo: A Star Wars Story (2018)

Motion Picture | 2D, 3D | 4K Project | Color | 2.39:1 | 135 Minutes

Directed by | Ron Howard | Cinematography by | Bradford Young | Editing by | Pietro Scalia

Starring | Alden Ehrenreich, Woody Harrelson, Emilia Clarke, Donald Glover

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses | ARRI Rental Prime DNA Lenses, CamTec Falcon Full Frame Lenses, Zeiss Super Speed Lenses

Malaria (2016)

Motion Picture | 2D | 2.8K Project | Color | 2.39:1 | 86 Minutes

Directed by | Parviz Shahbazi | Cinematography by | Hooman Behmanesh | Editing by | Parviz Shahbazi

Starring | Saed Soheili, Saghar Ghanaat, Azarakhsh Farahani, Azade Namdari

Cameras | ARRI ALEXA XT Plus Camera

Lenses | ARRI / Zeiss Master Anamorphic Lenses

Sleepless (2017)

Motion Picture | 2D | 2.8K Project | Color | 95 Minutes

Directed by | Baran bo Odar | Cinematography by | Mihai Malaimare Jr. | Editing by | Robert Rzesacz

Starring | Jamie Foxx, Michelle Monaghan, Dermot Mulroney, Gabrielle Union

Cameras | ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Plus Camera, Red Epic Camera

Lenses | Panavision B Series Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Super Speed Lenses

Hotel Mumbai (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 123 Minutes

Directed by | Anthony Maras | Cinematography by | Nick Remy Matthews | Editing by | Anthony Maras, Peter McNulty

Starring | Dev Patel, Armie Hammer, Nazanin Boniadi, Anupam Kher

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses | Panavision G Series Anamorphic Lenses

Secuestro (2016)

Motion Picture | 2D | Color | 105 Minutes

Directed by | Mar Targarona | Cinematography by | Sergi Bartrolí | Editing by | Joan Manel Vilaseca

Starring | Blanca Portillo, Antonio Dechent, Vicente Romero, Marc Domènech

Cameras | ARRI ALEXA XT Plus Camera

Lenses | Angenieux Optimo Style 25-250 mm T3.5 Lens, Cooke 5/i Lenses

Atomic Blonde (2017)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 115 Minutes

Directed by | David Leitch | Cinematography by | Jonathan Sela | Editing by | Elísabet Ronaldsdóttir

Starring | Charlize Theron, James McAvoy, John Goodman, Eddie Marsan

Cameras | ARRI ALEXA M Camera, ARRI ALEXA XT Plus Camera

Lenses | Hawk V-Lite Vintage´74 Lens

Logan (2017)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 137 Minutes

Directed by | James Mangold | Cinematography by | John Mathieson | Editing by | Michael McCusker, Dirk Westervelt

Starring | Hugh Jackman, Patrick Stewart, Dafne Keen, Boyd Holbrook

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Blackmagic Pocket Cinema Camera, Sony α7S II Camera

Lenses | Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Ice (2016)

Television Series | 2D | Color | 1.78:1 (16x9) | 60 Minutes

Collateral Beauty (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 97 Minutes

Directed by | David Frankel | Cinematography by | Maryse Alberti | Editing by | Andrew Marcus

Starring | Will Smith, Edward Norton, Kate Winslet, Michael Peña

Cameras | ARRI ALEXA XT Plus Camera

Lenses | ARRI / Zeiss Master Anamorphic Lenses

Flock of Four (2017)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 80 Minutes

Directed by | Gregory Caruso | Cinematography by | Gus Bendinelli | Editing by | Vic Brown

Starring | Braeden Lemasters, Uriah Shelton, Isaac Jay, Dylan Riley Snyder

Cameras | ARRI ALEXA XT Plus Camera

Lenses | Panavision B Series Anamorphic Lenses

The Bookshop (2017)

Motion Picture | 2D | Color | 113 Minutes

Directed by | Isabel Coixet | Cinematography by | Jean-Claude Larrieu | Editing by | Bernat Aragonés

Starring | Emily Mortimer, Bill Nighy, Hunter Tremayne, Honor Kneafsey

Cameras | ARRI ALEXA XT Plus Camera

Lenses | Angenieux Optimo DP 30-80 mm T2.8 Lens, Cooke S4/i Lenses, Zeiss Ultra Prime Lenses

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