Jonny Weston

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Allegiant | ShotOnWhat?

Edgar

Allegiant (2016)

Directed by: Robert Schwentke

Cinematography by: Florian Ballhaus

Edited by: Stuart Levy

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera

Lenses: Angenieux Optimo Zoom Lenses, ARRI / Zeiss Master Anamorphic Lenses, ARRI Anamorphic Ultra Wide Zoom 19-36mm T4.2 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Leitz Summilux-C Series Lenses

We Are Your Friends | ShotOnWhat?

Mason

We Are Your Friends (2015)

Directed by: Max Joseph

Cinematography by: Brett Pawlak

Edited by: David Diliberto, Terel Gibson

Cameras: Red Epic Dragon Camera

Kelly & Cal | ShotOnWhat?

Cal

Kelly & Cal (2014)

Directed by: Jen McGowan

Cinematography by: Philip Lott

Edited by: David Hopper

Cameras: ARRI ALEXA Plus 4:3 Camera

Lenses: Hawk V-Series Lenses

Editing System: Final Cut Pro Editing System

Taken 3 | ShotOnWhat?

Jimy

Taken 3 (2014)

Directed by: Olivier Megaton

Cinematography by: Eric Kress

Edited by: Audrey Simonaud, Nicolas Trembasiewicz

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses

Caroline and Jackie | ShotOnWhat?

Jack

Caroline and Jackie (2012)

Directed by: Adam Christian Clark

Cinematography by: Christian Swegal

Edited by: Adam Christian Clark, Lisa Hendricks

Cameras: Red One MX Camera

Chasing Mavericks | ShotOnWhat?

Jay Moriarity

Chasing Mavericks (2012)

Directed by: Michael Apted, Curtis Hanson

Cinematography by: Bill Pope

Edited by: John Gilbert

Cameras: ARRI ALEXA Camera, Red Epic Camera

John Dies at the End | ShotOnWhat?

Justin White

John Dies at the End (2012)

Directed by: Don Coscarelli

Cinematography by: Mike Gioulakis

Cameras: Aaton XTR Plus Camera, ARRI ALEXA XT M Camera

Someday This Pain Will Be Useful to You | ShotOnWhat?

Thom

Someday This Pain Will Be Useful to You (2011)

Directed by: Roberto Faenza

Cinematography by: Maurizio Calvesi

Edited by: Massimo Fiocchi

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