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Bill Pope

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| ShotOnWhat?

Director Of Photography

The Jungle Book (2016)

| UK, USA

Directed by: Jon Favreau

Cinematography by: Bill Pope

Edited by: Adam Gerstel, Mark Livolsi

Cameras: ARRI ALEXA XT M Camera

Lenses: Panavision Primo Primes Spherical Lenses

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Director Of Photography

The World's End (2013)

| UK, USA, Japan

Directed by: Edgar Wright

Cinematography by: Bill Pope

Edited by: Paul Machliss

Cameras: ARRIFLEX 16SR3 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision B Series Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision Primo Zooms Spherical Lenses

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Director Of Photography

Chasing Mavericks (2012)

| USA

Directed by: Michael Apted, Curtis Hanson

Cinematography by: Bill Pope

Edited by: John Gilbert

Cameras: ARRI ALEXA Camera, Red Epic Camera

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Director Of Photography

Men in Black 3 (2012)

| USA, United Arab Emirates

Directed by: Barry Sonnenfeld

Cinematography by: Bill Pope

Edited by: Don Zimmerman

Cameras: ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

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Director Of Photography

Scott Pilgrim vs. the World (2010)

| USA, UK, Canada, Japan

Directed by: Edgar Wright

Cinematography by: Bill Pope

Edited by: Jonathan Amos, Paul Machliss

Cameras: ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL2 Camera, Phantom HD Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

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Director Of Photography, Onlooker #2

The Spirit (2008)

| USA

Directed by: Frank Miller

Cinematography by: Bill Pope

Edited by: Gregory Nussbaum

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Director Of Photography

Spider-Man 3 (2007)

| USA

Directed by: Sam Raimi

Cinematography by: Bill Pope

Edited by: Bob Murawski

Cameras: ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

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Director Of Photography

Fur: An Imaginary Portrait of Diane Arbus (2006)

| USA

Directed by: Steven Shainberg

Cinematography by: Bill Pope

Edited by: Kristina Boden, Keiko Deguchi

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Himself

Cinematographer Style (2006)

| USA

Directed by: Jon Fauer

Cinematography by: Jon Fauer, Brian Heller, Jeffrey Laszlo, David Morgan

Edited by: Matthew R. Blute

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Director Of Photography

Spider-Man 2 (2004)

| USA

Directed by: Sam Raimi

Cinematography by: Bill Pope

Edited by: Bob Murawski

Cameras: ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision System 65 Camera

Lenses: Panavision Hylén System Lens, Panavision Primo Primes Spherical Lenses

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Director Of Photography

Team America: World Police (2004)

| USA, Germany

Directed by: Trey Parker

Cinematography by: Bill Pope

Edited by: Thomas M. Vogt

Cameras: ARRIFLEX 435 Camera, Pan-Arri 435 Camera

Lenses: Panavision Lenses, Panavision Primo Close Focus Spherical Lenses

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Director Of Photography

The Matrix Revolutions (2003)

| USA

Directed by: Lana Wachowski, Lilly Wachowski

Cinematography by: Bill Pope

Edited by: Zach Staenberg

Cameras: Pan-Arri 435es Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

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Director Of Photography

The Matrix Reloaded (2003)

| USA

Directed by: Lana Wachowski, Lilly Wachowski

Cinematography by: Bill Pope

Edited by: Zach Staenberg

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

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Director Of Photography

Bedazzled (2000)

| USA, Germany

Directed by: Harold Ramis

Cinematography by: Bill Pope

Edited by: Craig Herring

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Director Of Photography

The Matrix (1999)

| USA

Directed by: Lana Wachowski, Lilly Wachowski

Cinematography by: Bill Pope

Edited by: Zach Staenberg

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Photo-Sonics Cameras

Lenses: Panavision Lenses

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Director Of Photography: Second Unit

Wild Wild West (1999)

| USA

Directed by: Barry Sonnenfeld

Cinematography by: Michael Ballhaus

Edited by: Jim Miller

Cameras: ARRIFLEX 435 ES Camera, ARRIFLEX 535 B Camera, VistaVision Cameras

Lenses: Zeiss Variable Prime VP1 16-30 mm T2.2 Lens, Zeiss Variable Prime VP2 29-60 mm T2.2 Lens, Zeiss Variable Prime VP3 55-150 mm T2.2 Lens

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Director Of Photography

Zero Effect (1998)

| USA

Directed by: Jake Kasdan

Cinematography by: Bill Pope

Edited by: Tara Timpone

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Cinematographer

Gridlock'd (1997)

| USA

Directed by: Vondie Curtis-Hall

Cinematography by: Bill Pope

Edited by: Christopher Koefoed

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Cinematographer

Clueless (1995)

| USA

Directed by: Amy Heckerling

Cinematography by: Bill Pope

Edited by: Debra Chiate

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Director Of Photography

Blank Check (1994)

| USA

Directed by: Rupert Wainwright

Cinematography by: Bill Pope

Edited by: Hubert de La Bouillerie, Jill Savitt

Cameras: Panavision Cameras

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Director Of Photography

Fire in the Sky (1993)

| USA

Directed by: Robert Lieberman

Cinematography by: Bill Pope

Edited by: Steve Mirkovich

Cameras: Panavision Cameras

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Cinematographer

Army of Darkness (1992)

| USA

Directed by: Sam Raimi

Cinematography by: Bill Pope

Edited by: Bob Murawski, Sam Raimi

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Visual Effects Director Of Photography

The Addams Family (1991)

| USA

Directed by: Barry Sonnenfeld

Cinematography by: Owen Roizman

Edited by: Dede Allen, Jim Miller

Cameras: Panavision Cameras

Lenses: Panavision Lenses

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Director Of Photography

Darkman (1990)

| USA

Directed by: Sam Raimi

Cinematography by: Bill Pope

Edited by: Bud S. Smith, David Stiven

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Production Assistant

Galaxina (1980)

| USA

Directed by: William Sachs

Cinematography by: Dean Cundey

Edited by: George Berndt, George Bowers

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