Director, Producer, Pygmy Hog
The Jungle Book (2016)
| UK, USA
Directed by: Jon Favreau
Cinematography by: Bill Pope
Cameras: ARRI ALEXA XT M Camera
Jimmy Lincoln
Term Life (2016)
| USA
Directed by: Peter Billingsley
Cinematography by: Roberto Schaefer
Cameras: ARRI ALEXA Camera, Red Epic Dragon Camera
Jon Favreau
Entourage (2015)
| USA
Directed by: Doug Ellin
Cinematography by: Steven Fierberg
Edited by: Jeff Groth
Cameras: ARRICAM Lite (LT) Camera
Executive Producer
Avengers: Age of Ultron (2015)
| USA
Directed by: Joss Whedon
Cinematography by: Ben Davis
Manny Riskin
The Wolf of Wall Street (2013)
| USA
Directed by: Martin Scorsese
Cinematography by: Rodrigo Prieto
Edited by: Thelma Schoonmaker
Cameras: ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, ARRICAM Lite (LT) Camera, Canon EOS-C500 Camera
Lenses: Angenieux Optimo 24-290mm T2.8 Lens, Hawk V-Lite 110 mm T3.0 Lens, Hawk V-Lite 140 mm T3.5 Lens, Hawk V-Lite 28 mm T2.2 Lens, Hawk V-Lite 35 mm T2.2 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 65 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens, Hawk V-Plus 135 mm T3.0 Lens, Hawk V-Plus 45-90 mm T2.8 Lens, Hawk V-Plus 80-180 mm T2.8 Lens, Hawk V-Series 180 mm T3.0 Lens, Zeiss Master Prime Lenses
Editing System: Lightworks Editing System
Director
'The Office' Moving On (2013)
Directed by: Jon Favreau
Cinematography by: Matt Sohn
Edited by: Claire Scanlon
Executive Producer, Happy Hogan
Iron Man Three (2013)
| USA
Directed by: Shane Black
Cinematography by: John Toll
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Lenses: Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Leica Summilux-C 100 mm T1.4 Lens, Leica Summilux-C 16 mm T1.4 Lens, Leica Summilux-C 18 mm T1.4 Lens, Leica Summilux-C 21 mm T1.4 Lens, Leica Summilux-C 25 mm T1.4 Lens, Leica Summilux-C 29 mm T1.4 Lens, Leica Summilux-C 35 mm T1.4 Lens, Leica Summilux-C 40 mm T1.4 Lens, Leica Summilux-C 50 mm T1.4 Lens, Leica Summilux-C 65 mm T1.4 Lens, Leica Summilux-C 75 mm T1.4 Lens
Harold Cornish
Identity Thief (2013)
| USA
Directed by: Seth Gordon
Cinematography by: Javier Aguirresarobe
Edited by: Peter Teschner
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Master Prime Lenses
Executive Producer
The Avengers (2012)
| USA
Directed by: Joss Whedon
Cinematography by: Seamus McGarvey
Editing System: Avid Editing System
Richards
People Like Us (2012)
| USA
Directed by: Alex Kurtzman
Cinematography by: Salvatore Totino
Edited by: Robert Leighton
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System
Thark Bookie
John Carter (2012)
| USA
Directed by: Andrew Stanton
Cinematography by: Dan Mindel
Edited by: Eric Zumbrunnen
Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Apple Final Cut Pro 7
Jerome The Bear
Zookeeper (2011)
| USA
Directed by: Frank Coraci
Cinematography by: Michael Barrett
Edited by: Scott Hill
Cameras: Panavision Genesis Camera
Director, Executive Producer
Cowboys & Aliens (2011)
| USA, India
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System
Director, Executive Producer, Happy Hogan
Iron Man 2 (2010)
| USA
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Lenses: Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Joey, Written By
Couples Retreat (2009)
| USA
Directed by: Peter Billingsley
Cinematography by: Eric Alan Edwards
Edited by: Dan Lebental
Editing System: Final Cut Pro Editing System
Barry
I Love You, Man (2009)
| USA
Directed by: John Hamburg
Cinematography by: Lawrence Sher
Edited by: William Kerr
Director, Executive Producer, Hogan
Iron Man (2008)
| USA
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Edited by: Dan Lebental
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses: Angenieux Optimo 17-80mm T2.2 Lens, Angenieux Optimo 24-290mm T2.8 Lens, Cooke CXX 15-40mm T2.0 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System, Final Cut Pro Editing System
Denver
Four Christmases (2008)
| Germany, USA
Directed by: Seth Gordon
Cinematography by: Jeffrey L. Kimball
Script Revisions
I Now Pronounce You Chuck & Larry (2007)
| USA
Directed by: Dennis Dugan
Cinematography by: Dean Semler
Edited by: Jeff Gourson
Cameras: Panavision Genesis Camera
Director - 1 Episode, 2013
The Office (2005)
| USA
Directed by: Paul Feig, Randall Einhorn, Ken Kwapis, Greg Daniels, Jeffrey Blitz, Ken Whittingham, David Rogers, Charles McDougall, Matt Sohn, Paul Lieberstein, B.J. Novak, Tucker Gates, Harold Ramis, Brent Forrester, Jennifer Celotta, Steve Carell, John Krasinski, Rainn Wilson, Troy Miller, Bryan Gordon, Dennie Gordon, Victor Nelli Jr., Jason Reitman, Julian Farino, Joss Whedon, Seth Gordon, Dean Holland, Lee Eisenberg, Gene Stupnitsky, Mindy Kaling, Ed Helms, Rodman Flender, Claire Scanlon, Amy Heckerling, Miguel Arteta, Roger Nygard, J.J. Abrams, Craig Zisk, Stephen Merchant, Reginald Hudlin, Asaad Kelada, Alex Hardcastle, Danny Leiner, John Scott, Marc Webb, Charlie Grandy, Michael Spiller, Eric Appel, Brian Baumgartner, Daniel Chun, Bryan Cranston, Kelly Cantley-Kashima, Jon Favreau, Lee Kirk, Jesse Peretz
Edited by: David Rogers, Dean Holland, Claire Scanlon, Rob Burnett, Stuart Bass, Rick Weis, Michael Zurer, Gary Levy, Josh Belson, Colin Johnson, Curtis Thurber, Kathryn Himoff, Richie Edelson, Grady Cooper
Cameras: Sony HDW-F900 Camera
Director, Doctor
Elf (2003)
| USA
Directed by: Jon Favreau
Cinematography by: Greg Gardiner
Edited by: Dan Lebental
Cameras: Panavision Cameras
Leo
Something's Gotta Give (2003)
| USA
Directed by: Nancy Meyers
Cinematography by: Michael Ballhaus
Edited by: Joe Hutshing
Cameras: ARRICAM Studio (ST) Camera
Lenses: Angenieux Lenses, Zeiss Lenses
Franklin 'Foggy' Nelson
Daredevil (2003)
| USA
Directed by: Mark Steven Johnson
Cinematography by: Ericson Core
Kyle Fisher
Very Bad Things (1998)
| USA
Directed by: Peter Berg
Cinematography by: David Hennings
Edited by: Dan Lebental
Co-producer, Mike, Written By
Swingers (1996)
| USA
Directed by: Doug Liman
Cinematography by: Doug Liman
Edited by: Stephen Mirrione
Assistant
Batman Forever (1995)
| USA, UK
Directed by: Joel Schumacher
Cinematography by: Stephen Goldblatt
Cameras: Panavision Panaflex Platinum Camera
Editing System: Lightworks Editing System
Debate Control Room Operator
Speechless (1994)
| USA
Directed by: Ron Underwood
Cinematography by: Donald Peterman
Edited by: Richard Francis-Bruce
Gutter
PCU (1994)
| USA
Directed by: Hart Bochner
Cinematography by: Reynaldo Villalobos
Edited by: Nicholas C. Smith
Elmer Rice
Mrs. Parker and the Vicious Circle (1994)
| USA, Canada
Directed by: Alan Rudolph
Cinematography by: Jan Kiesser
Edited by: Suzy Elmiger
D-Bob
Rudy (1993)
| USA
Directed by: David Anspaugh
Cinematography by: Oliver Wood
Edited by: David Rosenbloom
Chicago Taxi Driver
Folks! (1992)
| USA
Directed by: Ted Kotcheff
Cinematography by: Larry Pizer
Edited by: Joan E. Chapman
