Director, Producer, Pygmy Hog (voice)
The Jungle Book (2016)
| USA, UK
Directed by: Jon Favreau
Cinematography by: Bill Pope
Cameras: ARRI ALEXA XT M Camera
Jimmy Lincoln
Term Life (2016)
| USA
Directed by: Peter Billingsley
Cinematography by: Roberto Schaefer
Cameras: ARRI ALEXA Camera, Red Epic Dragon Camera
Jon Favreau
Entourage (2015)
| USA
Directed by: Doug Ellin
Cinematography by: Steven Fierberg
Edited by: Jeff Groth
Cameras: ARRICAM Lite (LT) Camera
Executive Producer
Avengers: Age of Ultron (2015)
| USA
Directed by: Joss Whedon
Cinematography by: Ben Davis
Manny Riskin
The Wolf of Wall Street (2013)
| USA
Directed by: Martin Scorsese
Cinematography by: Rodrigo Prieto
Edited by: Thelma Schoonmaker
Cameras: ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, ARRICAM Lite (LT) Camera, Canon EOS-C500 Camera
Lenses: Angenieux Optimo 24-290mm T2.8 Lens, Hawk V-Lite 110 mm T3.0 Lens, Hawk V-Lite 140 mm T3.5 Lens, Hawk V-Lite 28 mm T2.2 Lens, Hawk V-Lite 35 mm T2.2 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 65 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens, Hawk V-Plus 135 mm T3.0 Lens, Hawk V-Plus 45-90 mm T2.8 Lens, Hawk V-Plus 80-180 mm T2.8 Lens, Hawk V-Series 180 mm T3.0 Lens, Zeiss Master Prime Lenses
Director
'The Office' Moving On (2013)
Directed by: Jon Favreau
Cinematography by: Matt Sohn
Edited by: Claire Scanlon
Executive Producer, Happy Hogan
Iron Man Three (2013)
| USA, China
Directed by: Shane Black
Cinematography by: John Toll
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Lenses: Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Leica Summilux-C 100 mm T1.4 Lens, Leica Summilux-C 16 mm T1.4 Lens, Leica Summilux-C 18 mm T1.4 Lens, Leica Summilux-C 21 mm T1.4 Lens, Leica Summilux-C 25 mm T1.4 Lens, Leica Summilux-C 29 mm T1.4 Lens, Leica Summilux-C 35 mm T1.4 Lens, Leica Summilux-C 40 mm T1.4 Lens, Leica Summilux-C 50 mm T1.4 Lens, Leica Summilux-C 65 mm T1.4 Lens, Leica Summilux-C 75 mm T1.4 Lens
Harold Cornish
Identity Thief (2013)
| USA
Directed by: Seth Gordon
Cinematography by: Javier Aguirresarobe
Edited by: Peter Teschner
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Master Prime Lenses
Richards
People Like Us (2012)
| USA
Directed by: Alex Kurtzman
Cinematography by: Salvatore Totino
Edited by: Robert Leighton
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System
Executive Producer
The Avengers (2012)
| USA
Directed by: Joss Whedon
Cinematography by: Seamus McGarvey
Thark Bookie
John Carter (2012)
| USA
Directed by: Andrew Stanton
Cinematography by: Daniel Mindel
Edited by: Eric Zumbrunnen
Director, Executive Producer
Cowboys & Aliens (2011)
| USA
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System
Jerome The Bear (voice)
Zookeeper (2011)
| USA
Directed by: Frank Coraci
Cinematography by: Michael Barrett
Edited by: Scott Hill
Cameras: Panavision Genesis Camera
Director, Executive Producer, Happy Hogan
Iron Man 2 (2010)
| USA
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Editing System: Avid Editing System
Barry
I Love You, Man (2009)
| USA
Directed by: John Hamburg
Cinematography by: Lawrence Sher
Edited by: William Kerr
Joey, Written By
Couples Retreat (2009)
| USA
Directed by: Peter Billingsley
Cinematography by: Eric Alan Edwards
Edited by: Dan Lebental
Editing System: Final Cut Pro Editing System
Director, Executive Producer, Hogan
Iron Man (2008)
| USA
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Edited by: Dan Lebental
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses: Angenieux Optimo 17-80mm T2.2 Lens, Angenieux Optimo 24-290mm T2.8 Lens, Cooke CXX 15-40mm T2.0 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System, Final Cut Pro Editing System
Denver
Four Christmases (2008)
| Germany, USA
Directed by: Seth Gordon
Cinematography by: Jeffrey L. Kimball
Franklin 'Foggy' Nelson
Daredevil (2003)
| USA
Directed by: Mark Steven Johnson
Cinematography by: Ericson Core
Director, Doctor
Elf (2003)
| USA, Germany
Directed by: Jon Favreau
Cinematography by: Greg Gardiner
Edited by: Dan Lebental
Leo
Something's Gotta Give (2003)
| USA
Directed by: Nancy Meyers
Cinematography by: Michael Ballhaus
Edited by: Joe Hutshing
Cameras: ARRICAM Studio (ST) Camera
Lenses: Angenieux Lenses, Zeiss Lenses
Daniel Bateman
The Replacements (2000)
| USA
Directed by: Howard Deutch
Cinematography by: Tak Fujimoto
Kyle Fisher
Very Bad Things (1998)
| USA
Directed by: Peter Berg
Cinematography by: David Hennings
Edited by: Dan Lebental
Co-producer, Mike, Written By
Swingers (1996)
| USA
Directed by: Doug Liman
Cinematography by: Doug Liman
Edited by: Stephen Mirrione
Assistant
Batman Forever (1995)
| USA, UK
Directed by: Joel Schumacher
Cinematography by: Stephen Goldblatt
Cameras: Panavision Panaflex Platinum Camera
Editing System: Lightworks Editing System
Debate Control Room Operator (uncredited)
Speechless (1994)
| USA
Directed by: Ron Underwood
Cinematography by: Donald Peterman
Edited by: Richard Francis-Bruce
Gutter
PCU (1994)
| USA
Directed by: Hart Bochner
Cinematography by: Reynaldo Villalobos
Edited by: Nicholas C. Smith
Elmer Rice (as John Favreau)
Mrs. Parker and the Vicious Circle (1994)
| USA, Canada
Directed by: Alan Rudolph
Cinematography by: Jan Kiesser
Edited by: Suzy Elmiger
D-Bob
Rudy (1993)
| USA
Directed by: David Anspaugh
Cinematography by: Oliver Wood
Edited by: David Rosenbloom
Chicago Taxi Driver
Folks! (1992)
| USA
Directed by: Ted Kotcheff
Cinematography by: Larry Pizer
Edited by: Joan E. Chapman
