Adr Editor / Dialogue Editor
An Inconvenient Truth (2006)
Directed by: Davis Guggenheim
Cameras: Sony HDC-F950 Camera
Supervising Adr Editor
The Big Bounce (2004)
Directed by: George Armitage
Cinematography by: Jeffrey L. Kimball
Additional Adr Editor
Lost in Translation (2003)
Directed by: Sofia Coppola
Cinematography by: Lance Acord
Edited by: Sarah Flack
Cameras: Aaton 35-III Camera, Moviecam Compact Camera
Lenses: Angenieux Lenses, Zeiss Super Speed Lenses
Adr Supervisor
House of Sand and Fog (2003)
Directed by: Vadim Perelman
Cinematography by: Roger Deakins
Edited by: Lisa Zeno Churgin
Lenses: Cooke S4 Lenses
Foley Editor
Maid in Manhattan (2002)
Directed by: Wayne Wang
Cinematography by: Karl Walter Lindenlaub
Edited by: Craig McKay
Adr Editor
Frida (2002)
Directed by: Julie Taymor
Cinematography by: Rodrigo Prieto
Edited by: Françoise Bonnot
Cameras: ARRIFLEX 435 Camera, Moviecam Compact Camera
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Adr Supervisor
My First Mister (2001)
Directed by: Christine Lahti
Cinematography by: Jeffrey Jur
Edited by: Wendy Greene Bricmont
Foley Editor
The Shipping News (2001)
Directed by: Lasse Hallström
Cinematography by: Oliver Stapleton
Edited by: Andrew Mondshein
Adr Supervisor
The Way of the Gun (2000)
Directed by: Christopher McQuarrie
Cinematography by: Dick Pope
Edited by: Stephen Semel
Adr Supervisor
Apt Pupil (1998)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Edited by: John Ottman
Adr Supervisor
Shadow Conspiracy (1997)
Directed by: George P. Cosmatos
Cinematography by: Buzz Feitshans IV
Edited by: Robert A. Ferretti
Adr Supervisor
The Truth About Cats & Dogs (1996)
Directed by: Michael Lehmann
Cinematography by: Robert Brinkmann
Edited by: Stephen Semel
Cameras: ARRIFLEX 535 Camera
Adr Supervisor
The Usual Suspects (1995)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Edited by: John Ottman
Cameras: Panavision Panaflex Platinum Camera
Adr Supervisor
Léon: The Professional (1994)
Directed by: Luc Besson
Cinematography by: Thierry Arbogast
Edited by: Sylvie Landra
Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera
Adr Supervisor
The Long Walk Home (1990)
Directed by: Richard Pearce
Cinematography by: Roger Deakins
Edited by: Bill Yahraus
Adr Supervisor
Johnny Handsome (1989)
Directed by: Walter Hill
Cinematography by: Matthew F. Leonetti
Adr Editor
Heathers (1988)
Directed by: Michael Lehmann
Cinematography by: Francis Kenny
Edited by: Norman Hollyn
Editing System: Moviola Editing System
Adr Editor, Editor
Bright Lights, Big City (1988)
Directed by: James Bridges
Cinematography by: Gordon Willis
Adr Supervisor
Masters of the Universe (1987)
Directed by: Gary Goddard
Cinematography by: Hanania Baer
Edited by: Anne V. Coates
Adr Editor
Jumpin' Jack Flash (1986)
Directed by: Penny Marshall
Cinematography by: Matthew F. Leonetti
Edited by: Mark Goldblatt
Adr Supervisor / Sound Editor
The Big Easy (1986)
Directed by: Jim McBride
Cinematography by: Affonso Beato
Edited by: Mia Goldman
Adr Editor
Children of a Lesser God (1986)
Directed by: Randa Haines
Cinematography by: John Seale
Edited by: Lisa Fruchtman
Adr Editor
The Goonies (1985)
Directed by: Richard Donner
Cinematography by: Nick McLean
Cameras: ARRIFLEX 35 III Camera
Editing System: Steenbeck Editing System
Editor
Meatballs Part II (1984)
Directed by: Ken Wiederhorn
Cinematography by: Donald M. Morgan
Edited by: George Berndt
Editor
St. Helens (1981)
Directed by: Ernest Pintoff
Cinematography by: Jacques Haitkin
Edited by: George Berndt
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editor, Unit Supervising Director: Special Effects Unit
Galaxina (1980)
Directed by: William Sachs
Cinematography by: Dean Cundey
Adr Editor: Redux Version, Associate Editor
Apocalypse Now (1979)
Directed by: Francis Ford Coppola
Cinematography by: Vittorio Storaro
Lenses: Technovision Lenses, Todd-AO Lenses
Editing System: K.E.M. Editing System, Moviola Editing System
Assistant Editor
The Godfather: Part II (1974)
Directed by: Francis Ford Coppola
Cinematography by: Gordon Willis
Cameras: Mitchell BNCR Camera
