Hawk Anamorphic Lenses | 108 Titles
Transformers: The Last Knight (2017)
 Directed by | Michael Bay | Cinematography by | Jonathan Sela | Editing by | Roger Barton, Adam Gerstel, Debra Neil-Fisher, John Refoua, Mark Sanger, Calvin Wimmer  
 
  Lenses | ARRI Rental Prime 65 Lenses, Hawk Hawk65 Series Lenses, Hawk V-Lite 16 Lens, Hawk Vantage One Lenses, Leitz Summilux-C Series Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses 
John Wick (2014)
 Directed by | Chad Stahelski, David Leitch | Cinematography by | Jonathan Sela | Editing by | Elísabet Ronaldsdóttir 
 
  Cameras | ARRI ALEXA M Camera, ARRI ALEXA XT Camera 
  Lenses | Cooke S4 Lenses, Hawk V-Lite Vintage´74 Lens 
The King Tide (2023)
 Directed by | Christian Sparkes | Cinematography by | Mike McLaughlin | Editing by | Justin Oakey 
 
  Cameras | ARRI ALEXA Mini Camera 
  Lenses | Hawk V-Lite 110 mm T3.0 Lens, Hawk V-Lite 35 mm T2.2 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 65 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens 
The Sisters Brothers (2018)
 Directed by | Jacques Audiard | Cinematography by | Benoît Debie | Editing by | Juliette Welfling 
 
  Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera 
  Lenses | Hawk C-Series Lenses, Hawk V-Series Lenses 
Hold the Dark (2018)
 Directed by | Jeremy Saulnier | Cinematography by | Magnus Nordenhof Jønck | Editing by | Julia Bloch 
 
  Cameras | Red Epic Dragon Camera 
  Lenses | Hawk V-Plus Lenses 
Star Wars: Episode I – The Phantom Menace (1999)
 Directed by | George Lucas | Cinematography by | David Tattersall | Editing by | Ben Burtt, Paul Martin Smith  
 
  Lenses | Hawk C-Series Lenses 
The Hummingbird Project (2018)
 Directed by | Kim Nguyen | Cinematography by | Nicolas Bolduc | Editing by | Nicolas Chaudeurge, Arthur Tarnowski 
 
  Cameras | ARRI ALEXA Mini Camera 
  Lenses | Hawk V-Lite Lenses 
Slender Man (2018)
 Directed by | Sylvain White | Cinematography by | Luca Del Puppo | Editing by | Jake York 
 
  Cameras | Sony PMW-F55 Camera, Sony α7S II Camera 
  Lenses | Hawk Hawk65 Series Lenses, Hawk V-Lite Lenses 
The Hitman’s Bodyguard (2017)
 Directed by | Patrick Hughes | Cinematography by | Jules O'Loughlin | Editing by | Jake Roberts 
 
  Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT Plus Camera, GoPro HERO4 Black, Red Epic Dragon Camera 
  Lenses | Angenieux Lenses, Hawk V-Lite Vintage´74 Lens 
  Moonlight   (2016)  
 
   Directed by | Barry Jenkins | Cinematography by | James Laxton | Editing by | Joi McMillon, Nat Sanders 
 
  Cameras | ARRI ALEXA XT Plus Camera 
  Lenses | Angenieux Optimo Anamorphic Lenses, Hawk V-Lite Lenses, Kowa Cine Prominar Anamorphic Lenses 
Pearl (2022)
 Directed by | Ti West | Cinematography by | Eliot Rockett | Editing by | Ti West 
 
  Cameras | Sony CineAlta VENICE Camera 
   Everything Everywhere All at Once   (2022)  
 
    Directed by | Daniel Kwan, Daniel Scheinert | Cinematography by | Larkin Seiple | Editing by | Paul Rogers 
 
  Cameras | ARRI ALEXA Mini Camera 
  Lenses | Atlas Orion Anamorphic Series Lenses, Hawk V-Lite Lenses, Todd-AO Lenses, Zeiss Master Prime Lenses 
Anatomy of a Fall (2023)
 Directed by | Justine Triet | Cinematography by | Simon Beaufils | Editing by | Laurent Sénéchal 
 
  Cameras | ARRI ALEXA Mini LF Camera 
 The Handmaiden (2016)
 Directed by | Park Chan-wook | Cinematography by | Chung-hoon Chung | Editing by | Kim Jae-bum, Kim Sang-beom 
 
  Cameras | ARRI ALEXA XT Camera 
 Sløborn (2020)
  | Cinematography by | Christian Alvart, Christian Huck | Editing by | Marc Hofmeister, William James, Zoë Dahmen, Robert Sterna 
 
  Cameras | ARRI ALEXA Mini Camera 
  Lenses | Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite Lenses, Hawk V-Lite Vintage´74 Lens, Hawk V-Plus Vintage ´74, Hawk Vantage One Lenses 
Resident Evil: Welcome to Raccoon City (2021)
 Directed by | Johannes Roberts | Cinematography by | Maxime Alexandre | Editing by | Dev Singh  
 
  Lenses | Hawk V-Lite Lenses 
Ophelia (2018)
 Directed by | Claire McCarthy | Cinematography by | Denson Baker | Editing by | Luke Dunkley 
 
  Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus Camera 
  Lenses | Angenieux Optimo Anamorphic 44-440 mm A2S T4.5 Lens, Hawk C-Series 100 mm T3.0 Lens, Hawk C-Series 40 mm T2.2 Lens, Hawk C-Series 50 mm T2.2 Lens, Hawk C-Series 75 mm T2.2 Lens, Hawk Super Wide Angle Zoom 10-24 mm T2.5 Lens, Hawk V-Lite 110 mm T3.0 Lens, Hawk V-Lite 28 mm T2.2 Lens, Hawk V-Lite 35 mm T2.2 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 65 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens, Hawk V-Series 180 mm T3.0 Lens, Hawk V-Series 250 mm T3.0 Lens 
Ava (2017)
 Directed by | Léa Mysius | Cinematography by | Paul Guilhaume | Editing by | Pierre Deschamps 
 
  Cameras | ARRICAM Lite (LT) Camera 
  Lenses | Hawk V-Lite Lenses 
13 Reasons Why (2017)
  | Cinematography by | Ivan Strasburg, Kevin Thompson, Cameron Duncan, Tommy Lohmann, Andrij Parekh, Marshall Adams | Editing by | Matthew Ramsey, Leo Trombetta, Philip Harrison, Jacques Gravett, Daniel Gabbe, Sue Blainey, Rich Fox 
 
  Cameras | Panasonic VariCam 35 
 Jojo Rabbit (2019)
 Directed by | Taika Waititi | Cinematography by | Mihai Malaimare Jr. | Editing by | Tom Eagles, Yana Gorskaya 
 
  Cameras | ARRI ALEXA SXT Plus Camera 
  Lenses | Hawk V-Lite Lenses, Hawk Vantage One Lenses 
 
  
 
























































