Lenses » Zeiss Lenses

Carl Zeiss Planar 50 mm f0.7 Lens (Modifie... : 2Carl Zeiss Planar 50mm with Kollmorgen Ada... : 2Zeiss Compact Prime Lenses : 23Zeiss DigiPrime Lenses : 22Zeiss Jena Lens : 3Zeiss Supreme Prime Series Lenses : 8Zeiss ZE Prime Lenses : 6Zeiss ZF.2 Prime Lenses : 2Zeiss Zoom Lenses : 9

Zeiss Lenses | 179 Titles

Zeiss Lenses 5.00/5 3 Votes

« Previous 1 2 3 4 5 6 … 9 Next »

LessUpdatedTitleYear

I, Timon (2017)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 78 Minutes

Directed by | Bramwell Noah, Dan Noah | Cinematography by | David Baldini

Starring | Kylie Azzopardi, Kain Baigent, Melissa Barlas, Tiannah Clark

Cameras | Canon EOS-C300 Mark II Camera

Lenses | Zeiss Compact Prime CP.2 Distagon 18 mm T3.6 Lens, Zeiss Compact Prime CP.2 Distagon 21 mm T2.9 Lens, Zeiss Compact Prime CP.2 Distagon 28 mm T2.1 Lens, Zeiss Compact Prime CP.2 Distagon 35 mm T2.1 Lens, Zeiss Compact Prime CP.2 Planar 50 mm T2.1 Macro Lens, Zeiss Compact Prime CP.2 Planar 85 mm T2.1 Lens

Rock N Love (2015)

Motion Picture | 2D | 2K Project | Color | 92 Minutes

Directed by | Hedy Suryawan | Cinematography by | Tono Wisnu

Starring | Axel Andaviar, Vino G. Bastian, Ganindra Bimo, Tantri Syalindri Ichlasari

Cameras | Fastec Imaging TS3Cine Camera, Red Digital Cinema Cameras

Lenses | Zeiss Lenses

The Father and the Bear (2016)

Motion Picture | 2D | HD Project | Color | 1.78:1 (16x9) | 85 Minutes

Directed by | John Putch | Cinematography by | Keith J. Duggan | Editing by | John Putch

Starring | Wil Love, David DeLuise, Dendrie Taylor, Charity Farrell

Cameras | Blackmagic Pocket Cinema Camera, Canon EOS-C300 Camera

Lenses | Zeiss Lenses, Zeiss ZE Prime Lenses

The Mutineer (2017)

Motion Picture | 2D | Black & White | 1.66:1 | 92 Minutes

Directed by | John Jaquish | Cinematography by | John Jaquish | Editing by | John Jaquish

Starring | Rachel McKeon, Rick Montgomery Jr., Michael Barra, Harris Doran

Cameras | ARRIFLEX 35 BL3 Camera, ARRIFLEX 35 IIC Camera

Lenses | Angenieux Retrofocus 14.5 mm f3.5 Lens, Cooke Speed Panchro (S3) 18mm T2.2 Lens, Kinoptik Tégéa 9.8mm f1.8 Lens, Schneider Lenses, Zeiss Jena Lens, Zeiss Standard Prime MKII 16 mm T2.1 Lens, Zeiss Standard Prime MKII 24 mm T2.1 Lens

The Visitor (2007)

Motion Picture | 2D | Color | 1.85:1 | 104 Minutes

Directed by | Tom McCarthy | Cinematography by | Oliver Bokelberg | Editing by | Tom McArdle

Starring | Richard Jenkins, Haaz Sleiman, Danai Gurira, Hiam Abbass

Cameras | ARRICAM Lite (LT) Camera

Lenses | Angenieux HR Zoom Lenses, Zeiss DigiPrime Lenses

Steve Jobs (2015)

Motion Picture | 2D | Color | 2.39:1 | 122 Minutes

Directed by | Danny Boyle | Cinematography by | Alwin H. Küchler | Editing by | Elliot Graham

Starring | Michael Fassbender, Kate Winslet, Seth Rogen, Jeff Daniels

Cameras | ARRI ALEXA XT Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 416 Plus Camera, Red Epic Dragon Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke Speed Panchro Lenses, Zeiss Compact Prime Lenses, Zeiss Master Prime Lenses, Zeiss Standard Speed Prime Lenses

Hard Core Logo (1996)

Motion Picture | 2D | Color | 92 Minutes

Directed by | Bruce McDonald | Cinematography by | Danny Nowak | Editing by | Reginald Harkema

Starring | Hugh Dillon, Callum Keith Rennie, John Pyper-Ferguson, Bernie Coulson

Cameras | ARRIFLEX Camera

Lenses | Zeiss Lenses, Zeiss Zoom Lenses

Annabelle Hooper and the Ghosts of Nantucket (2016)

Motion Picture, Television Movie | 4K Project, UHD Project | Color | 92 Minutes

Directed by | Paul Serafini | Cinematography by | Ryan Patrick Dean

Starring | Bailee Madison, Robert Capron, Rachel Resheff, Mavrick Moreno

Cameras | Sony PXW-FS7 Camera, Sony α7R II Camera

Lenses | Zeiss Compact Prime Lenses

Filly Brown (2012)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 80 Minutes

Directed by | Youssef Delara, Michael D. Olmos | Cinematography by | Ben Kufrin | Editing by | Eric R. Brodeur, Youssef Delara

Starring | Gina Rodriguez, Jenni Rivera, Lou Diamond Phillips, Edward James Olmos

Cameras | Red One MX Camera

Lenses | Zeiss Lenses

Premaya Nam (2017)

Motion Picture | 2D | HD Project | Color | 95 Minutes

Cineastes (2014)

Motion Picture | 2D | 4K Project | Black & White | 21 Minutes

Directed by | Alexander Vo | Cinematography by | John Lazear | Editing by | Alexander Vo

Starring | Yorgos Karamihos, Lydia Muijen, Scarlett Redmond, Masha Arielle

Cameras | ARRI ALEXA Series Cameras

Lenses | Zeiss Lenses

The Apostate: Call of the Revenant (2015)

Direct to Video | 2D | Color | 1.78:1 (16x9), 2.40:1 | 82 Minutes

Directed by | Andy Dodd | Cinematography by | Andy Dodd, Catherine Kerr-Phillips | Editing by | Andy Dodd

Starring | James Bryhan, Terri Dwyer, Anthony Webster, Bob Sanderson

Cameras | Panasonic Lumix DMC-GH2 Camera

Lenses | Zeiss DigiZoom Vario-Sonnar 17–112 mm T1.9 Lens

RED (2010)

Motion Picture | 2D | Color | 111 Minutes

Directed by | Robert Schwentke | Cinematography by | Florian Ballhaus | Editing by | Thom Noble

Starring | Bruce Willis, Helen Mirren, Morgan Freeman, Mary-Louise Parker

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Lenses

Recien cazado (2009)

Motion Picture | 2D | Color | 1.85:1 | 110 Minutes

Directed by | Rene Bueno | Cinematography by | Alberto Lee | Editing by | Rene Bueno, Zeiddy Silva-Rios Viggiano

Starring | Jaime Camil, Gabriela Vergara, Ruben Zamora, Dino García

Cameras | ARRIFLEX Camera

Lenses | Zeiss Lenses

Fuga de cerebros 2 (2011)

Motion Picture | 2D | Color | 106 Minutes

Directed by | Carlos Therón | Cinematography by | Antonio J. García | Editing by | Verónica Callón

Starring | Adrián Lastra, Alberto Amarilla, Hannah New, David Hasselhoff

Cameras | ARRI ALEXA Camera

Lenses | Fujinon Alura Zoom 18-80 mm T2.6 Lens, Fujinon Alura Zoom 45-250 mm T2.8 Lens, Zeiss Compact Prime Lenses

The Heart Machine (2014)

Motion Picture | 2D | Color | 85 Minutes

Directed by | Zachary Wigon | Cinematography by | Robert Leitzell | Editing by | Ron Dulin, Louise Ford

Starring | John Gallagher Jr., Kate Lyn Sheil, Louisa Krause, David Call

Cameras | ARRI ALEXA Camera

Lenses | Cooke Varotal Lenses, Zeiss Lenses

Concussion (2013)

Motion Picture | 2D | Color | 96 Minutes

Directed by | Stacie Passon | Cinematography by | David Kruta | Editing by | Anthony Cupo

Starring | Robin Weigert, Maggie Siff, Johnathan Tchaikovsky, Ben Shenkman

Cameras | Red Epic Camera

Lenses | Zeiss Lenses

Collision (2013)

Motion Picture | 2D | Color | 2.39:1 | 101 Minutes

Directed by | David Marconi | Cinematography by | Thomas Hardmeier | Editing by | Julien Rey

Starring | Frank Grillo, Jaimie Alexander, Roschdy Zem, Marie-Josée Croze

Cameras | ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, GoPro HD Hero2 Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Leitz Summilux-C Series Lenses, Zeiss Compact Prime Lenses

Poison Sky (0)

Direct to Video | 2D | Color | 1.78:1 (16x9) | 120 Minutes

Directed by | Steve Wargo | Cinematography by | Dustinn Craig, Jay Lee, Steve Wargo | Editing by | Steve Wargo

Starring | Tyler Gallant, Kevin Sorbo, Nicole A. Randall, Greg Joseph

Cameras | Sony PMW-F3 Camera, Sony PMW-F55 Camera

Lenses | Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Red Digital Cinema Lenses, Zeiss ZE Prime Lenses

Her (2013)

Motion Picture | 2D | Color | 1.85:1 | 126 Minutes

Directed by | Spike Jonze | Cinematography by | Hoyte Van Hoytema | Editing by | Jeff Buchanan, Eric Zumbrunnen

Starring | Joaquin Phoenix, Amy Adams, Scarlett Johansson, Rooney Mara

Cameras | ARRI ALEXA M Camera, ARRI ALEXA Studio Camera, Canon EOS-C300 Camera

Lenses | Canon Lenses, Cooke Lenses, Zeiss Lenses

« Previous 1 2 3 4 5 6 … 9 Next »

©2012 - 2024 ShotOnWhat?

20254.20