Distributed Aspect Ratio » 1.85:1

1.85:1 | 1571 Titles

1.85:1 3.23/5 13 Votes

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Live and Let Die (1973)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 121 Minutes

Directed by | Guy Hamilton | Cinematography by | Ted Moore | Editing by | Bert Bates, Raymond Poulton, John Shirley

Starring | Roger Moore, Yaphet Kotto, Jane Seymour, Clifton James

Cameras | ARRIFLEX 35 IIC Camera, Panavision Super PSR R-200

Lenses | Panavision Super Speed Lenses

The Man with the Golden Gun (1974)

Motion Picture | 2D | Film Project | Color | 1.66:1, 1.85:1 | 125 Minutes

Directed by | Guy Hamilton | Cinematography by | Ted Moore, Oswald Morris | Editing by | Raymond Poulton, John Shirley

Starring | Roger Moore, Christopher Lee, Britt Ekland, Maud Adams

Cameras | ARRIFLEX 35 IIC Camera, Panavision Panaflex Camera, Panavision Super PSR R-200

Lenses | Panavision Super Speed Lenses

Dr. No (1962)

Motion Picture | 2D | Film Project | Color | 1.66:1, 1.85:1 | 110 Minutes

Directed by | Terence Young | Cinematography by | Ted Moore | Editing by | Peter R. Hunt

Starring | Sean Connery, Ursula Andress, Bernard Lee, Joseph Wiseman

Cameras | Mitchell BNC Camera

Ratcatcher (1999)

Motion Picture | 2D | Color | 1.85:1 | 94 Minutes

Directed by | Lynne Ramsay | Cinematography by | Alwin H. Küchler | Editing by | Lucia Zucchetti

Starring | Tommy Flanagan, Mandy Matthews, William Eadie, Michelle Stewart

Cameras | ARRIFLEX 16mm Cameras, ARRIFLEX 35mm Cameras

Lenses | Zeiss Lenses, Zeiss Variable Prime Lenses

Joan of Arc (1948)

Motion Picture | 2D | Film Project | Color | 1.37:1, 1.85:1 | 145 Minutes

Directed by | Victor Fleming | Cinematography by | Winton C. Hoch, William V. Skall, Joseph A. Valentine | Editing by | Frank Sullivan

Starring | Ingrid Bergman, José Ferrer, Selena Royle

Cameras | Technicolor 3-Strip Camera

Portrait of a Lady on Fire (2019)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 122 Minutes

Directed by | Céline Sciamma | Cinematography by | Claire Mathon | Editing by | Julien Lacheray

Starring | Noémie Merlant, Adèle Haenel, Luàna Bajrami, Valeria Golino

Cameras | Red Monstro 8K Camera

Lenses | Leitz THALIA Series Lenses

Badlands (1973)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 94 Minutes

Directed by | Terrence Malick | Cinematography by | Tak Fujimoto, Stevan Larner, Brian Probyn | Editing by | Robert Estrin, Billy Weber

Starring | Martin Sheen, Sissy Spacek, Warren Oates

Cameras | Mitchell BNCR Camera

Broken Eyes (2023)

Motion Picture | 2D | Color | 1.85:1 | 114 Minutes

Directed by | Eveshka Ghost

Starring | Sally Jane Hannam, Caroline Gilbert, Simon Brodrick-Ward

Cameras | Sony α7S Camera

Lenses | KMZ Helio 44-2 58 mm f2 Lens, Samyang Lenses

Blindspotting (2018)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 95 Minutes

Directed by | Carlos López Estrada | Cinematography by | Robby Baumgartner | Editing by | Gabriel Fleming

Starring | Daveed Diggs, Rafael Casal, Janina Gavankar

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras

Lenses | Panavision Primo Primes Spherical Lenses

Mean Streets (1973)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 112 Minutes

Directed by | Martin Scorsese | Cinematography by | Kent L. Wakeford | Editing by | Sidney Levin

Starring | Robert De Niro, Harvey Keitel, David Proval, Amy Robinson

Cameras | ARRIFLEX 35 BL Camera

Bound for Glory (1976)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 147 Minutes

Directed by | Hal Ashby | Cinematography by | Haskell Wexler | Editing by | Pembroke J. Herring, Robert C. Jones

Starring | David Carradine, Ronny Cox, Melinda Dillon, Gail Strickland

Cameras | ARRIFLEX 35 BL Camera, Éclair Caméflex Camera, Panavision Panaflex Camera

Lenses | Panavision Lenses

Reds (1981)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 195 Minutes

Directed by | Warren Beatty | Cinematography by | Vittorio Storaro | Editing by | Dede Allen, Craig McKay

Starring | Warren Beatty, Diane Keaton, Edward Herrmann, Jerzy Kosinski

Cameras | Technovision Cameras

Lenses | Technovision Lenses

Cabaret (1972)

Motion Picture | 2D | Color | 1.85:1 | 124 Minutes

Directed by | Bob Fosse | Cinematography by | Geoffrey Unsworth | Editing by | David Bretherton

Starring | Liza Minnelli, Michael York, Helmut Griem, Joel Grey

Days of Heaven (1978)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 94 Minutes

Directed by | Terrence Malick | Cinematography by | Néstor Almendros | Editing by | Billy Weber

Starring | Richard Gere, Brooke Adams, Sam Shepard, Linda Manz

Cameras | Panavision Panaflex Camera

Lenses | Canon FD 55mm f1.2 AL, Panavision Lenses

Mississippi Burning (1988)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 128 Minutes

Directed by | Alan Parker | Cinematography by | Peter Biziou | Editing by | Gerry Hambling

Starring | Gene Hackman, Willem Dafoe, Frances McDormand, Brad Dourif

Cameras | Panavision Panaflex Gold Camera

Lenses | Cooke Varotal Lenses, Panavision Ultra Speed MKII Lenses

Suspiria (2018)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 152 Minutes

Directed by | Luca Guadagnino | Cinematography by | Sayombhu Mukdeeprom | Editing by | Walter Fasano

Starring | Chloë Grace Moretz, Tilda Swinton, Doris Hick

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 435 ES Camera, ARRIFLEX 535 Camera

Lenses | Angenieux Lenses, Cooke Speed Panchro Lenses, Zeiss Super Speed Lenses

Bonnie and Clyde (1967)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 111 Minutes

Directed by | Arthur Penn | Cinematography by | Burnett Guffey | Editing by | Dede Allen

Starring | Warren Beatty, Faye Dunaway, Michael J. Pollard

Cameras | Mitchell BNCR Camera

To Catch a Thief (1955)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 106 Minutes

Directed by | Alfred Hitchcock | Cinematography by | Robert Burks | Editing by | George Tomasini

Starring | Cary Grant, Grace Kelly, Jessie Royce Landis, John Williams

Cameras | VistaVision Cameras

She’s So Cold (2016)

Short Film | 2D | HD Project | Color | 1.85:1 | 7 Minutes

Directed by | Sidney Berthier | Cinematography by | Sidney Berthier | Editing by | Sidney Berthier

Starring | Muinat Abdul, Jerry Belavista, Sidney Berthier

Cameras | Blackmagic Pocket Cinema Camera

The Post (2017)

Motion Picture | 2D | Color | 1.85:1 | 116 Minutes

Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Sarah Broshar, Michael Kahn

Starring | Meryl Streep, Tom Hanks, Sarah Paulson

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Compact Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision PVintage Prime Lenses

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