Distributed Aspect Ratio » 1.85:1

1.85:1 | 1510 Titles

1.85:1 3.45/5 11 Votes

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Clockers (1995)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 128 Minutes

Directed by | Spike Lee | Cinematography by | Malik Hassan Sayeed | Editing by | Sam Pollard

Starring | Harvey Keitel, John Turturro, Delroy Lindo

Cameras | ARRIFLEX 535 Camera, Moviecam Compact Camera

Lenses | Angenieux HR Zoom Lenses, Zeiss Super Speed Lenses

Minding the Gap (2018)

Documentary | 2D | Color | 1.33:1 (4x3), 1.85:1 | 93 Minutes

Directed by | Bing Liu | Cinematography by | Bing Liu | Editing by | Joshua Altman, Bing Liu

Starring | Kent Abernathy, Mengyue Bolen, Nina Bowgren

Requiem for a Dream (2000)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 102 Minutes

Directed by | Darren Aronofsky | Cinematography by | Matthew Libatique | Editing by | Jay Rabinowitz

Starring | Ellen Burstyn, Jared Leto, Jennifer Connelly

Cameras | Bell & Howell Eyemo Camera, Pan-Arri III Camera, Panavision Panaflex Gold II Camera, Panavision Panastar Camera, Sony Betacam (Unknown) Camera

Lenses | Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Ultra Speed MKII Lenses

Mirai (2018)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 98 Minutes

Directed by | Mamoru Hosoda | Editing by | Shigeru Nishiyama

Starring | Rebecca Hall, Daniel Dae Kim, John Cho

Of Fathers and Sons (2017)

Documentary | 2D | Color | 1.85:1 | 99 Minutes

Directed by | Talal Derki | Cinematography by | Kahtan Hassoun | Editing by | Anne Fabini, Abd-Elhamed Emad Taha

Starring | Tia Alkerdi, Yara Ibrahim, Abu Osama

A Beautiful Day in the Neighborhood (2019)

Motion Picture | 2D | 4K Project | Color | 1.33:1 (4x3), 1.85:1 | 109 Minutes

Directed by | Marielle Heller | Cinematography by | Jody Lee Lipes | Editing by | Anne McCabe

Starring | Matthew Rhys, Tom Hanks, Chris Cooper

Cameras | ARRI ALEXA Mini Camera, ARRIFLEX 416 Camera, Ikegami Cameras, Ikegami HL-79EAL Camera

Lenses | Angenieux Optimo Anamorphic Lenses, Canon Lenses, Zeiss Master Prime Lenses

Shine (1996)

Motion Picture | 2D | Color | 1.85:1 | 105 Minutes

Directed by | Scott Hicks | Cinematography by | Geoffrey Simpson | Editing by | Pip Karmel

Starring | Geoffrey Rush, Armin Mueller-Stahl, Justin Braine

Cameras | ARRIFLEX 35 BL4s Camera, ARRIFLEX 535 Camera

Lenses | Canon Lenses, Cooke Varotal Lenses, Zeiss Standard Speed Prime Lenses

Die Geschichte vom weinenden Kamel (2003)

Documentary | 2D | Color | 1.85:1 | 93 Minutes

Directed by | Byambasuren Davaa, Luigi Falorni | Cinematography by | Luigi Falorni | Editing by | Anja Pohl

Starring | Janchiv Ayurzana, Chimed Ohin, Amgaabazar Gonson

Cameras | ARRIFLEX Camera

One True Thing (1998)

Motion Picture | 2D | Color | 1.85:1 | 127 Minutes

Directed by | Carl Franklin | Cinematography by | Declan Quinn | Editing by | Carole Kravetz Aykanian

Starring | Meryl Streep, Renée Zellweger, William Hurt

Cameras | Moviecam Compact Camera, Panavision Cameras

Lenses | Panavision Lenses

Before Sunset (2004)

Motion Picture | 2D | Color | 1.85:1 | 80 Minutes

Directed by | Richard Linklater | Cinematography by | Lee Daniel | Editing by | Sandra Adair

Starring | Ethan Hawke, Julie Delpy, Vernon Dobtcheff

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Barely Legal (2011)

Direct to Video | 2D | 2K Project | Color | 1.85:1 | 89 Minutes

Directed by | Jose Montesinos | Cinematography by | Ben Demaree | Editing by | Rob Pallatina

Starring | Jeneta St. Clair, Lisa Younger, Melissa Johnston

Cameras | Red One MX Camera

Flipped (2010)

Motion Picture | 2D | Color | 1.85:1 | 90 Minutes

Directed by | Rob Reiner | Cinematography by | Thomas Del Ruth | Editing by | Robert Leighton

Starring | Madeline Carroll, Callan McAuliffe, Rebecca De Mornay

Cameras | Panavision Panaflex Millennium Camera

Lenses | Panavision Primo Classic Spherical Lenses

Platoon (1986)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 120 Minutes

Directed by | Oliver Stone | Cinematography by | Robert Richardson | Editing by | Claire Simpson

Starring | Charlie Sheen, Tom Berenger, Willem Dafoe

Cameras | ARRIFLEX 35 BL3 Camera

Lenses | JDC (Joe Dunton Camera) Lenses

Never Look Away (2018)

Motion Picture | 2D | Color | 1.85:1 | 189 Minutes

Directed by | Florian Henckel von Donnersmarck | Cinematography by | Caleb Deschanel | Editing by | Patricia Rommel, Patrick Sanchez Smith

Starring | Tom Schilling, Sebastian Koch, Paula Beer

Cameras | ARRI ALEXA XT Plus Camera

Lenses | Zeiss Master Prime Lenses

Lay the Favorite (2012)

Motion Picture | 2D | Color | 1.85:1, 2.39:1 | 94 Minutes

Directed by | Stephen Frears | Cinematography by | Michael McDonough | Editing by | Mick Audsley

Starring | Rebecca Hall, Bruce Willis, Vince Vaughn

Cameras | Sony CineAlta F35 Camera

Lenses | Panavision Primo Primes Spherical Lenses

As Good as It Gets (1997)

Motion Picture | 2D | Color | 1.85:1 | 139 Minutes

Directed by | James L. Brooks | Cinematography by | John Bailey | Editing by | Richard Marks

Starring | Jack Nicholson, Helen Hunt, Greg Kinnear

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Miracles from Heaven (2016)

Motion Picture | 2D | Color | 1.85:1 | 109 Minutes

Directed by | Patricia Riggen | Cinematography by | Checco Varese | Editing by | Emma E. Hickox

Starring | Jennifer Garner, Kylie Rogers, Martin Henderson

Cameras | ARRI Cameras

Lenses | ARRI Lenses

The Squid and the Whale (2005)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 81 Minutes

Directed by | Noah Baumbach | Cinematography by | Robert D. Yeoman | Editing by | Tim Streeto

Starring | Owen Kline, Jeff Daniels, Laura Linney

Cameras | ARRIFLEX 16SR3 Camera

Lenses | Zeiss Super Speed Lenses

Primal Fear (1996)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 129 Minutes

Directed by | Gregory Hoblit | Cinematography by | Michael Chapman | Editing by | David Rosenbloom

Starring | Richard Gere, Laura Linney, Edward Norton

Cameras | Panavision Panaflex Gold II Camera

Lenses | Panavision Ultra Speed MKII Lenses

Emma (1996)

Motion Picture | 2D | Color | 1.85:1 | 120 Minutes

Directed by | Douglas McGrath | Cinematography by | Ian Wilson | Editing by | Lesley Walker

Starring | Gwyneth Paltrow, James Cosmo, Greta Scacchi, Alan Cumming

Cameras | Moviecam Compact Camera

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