Distributed Aspect Ratio » 1.85:1

1.85:1 | 1571 Titles

1.85:1 3.23/5 13 Votes

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Mean Girls (2004)

Motion Picture | 2D | Color | 1.85:1 | 97 Minutes

Directed by | Mark Waters | Cinematography by | Daryn Okada | Editing by | Wendy Greene Bricmont

Starring | Lindsay Lohan, Jonathan Bennett, Rachel McAdams, Tina Fey

Cameras | Panavision Cameras

Elemental (2023)

Motion Picture | 3D | Color | 1.85:1 | 101 Minutes

Directed by | Peter Sohn | Cinematography by | David Juan Bianchi, Jean-Claude Kalache | Editing by | Stephen Schaffer

Starring | Leah Lewis, Mamoudou Athie, Ronnie Del Carmen

RRR (2022)

Movie | 2D | 4K Project | Black & White, Color | 1.85:1, 1.90:1, 2.39:1 | 187 Minutes

Directed by | S.S. Rajamouli | Cinematography by | KK Senthil Kumar | Editing by | A. Sreekar Prasad

Starring | N.T. Rama Rao Jr., Ram Charan, Ajay Devgn

Cameras | ARRI ALEXA LF Camera

Lenses | ARRI Signature Prime Lenses

Aftersun (2022)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 102 Minutes

Directed by | Charlotte Wells | Cinematography by | Gregory Oke | Editing by | Blair McClendon

Starring | Paul Mescal, Frankie Corio, Celia Rowlson-Hall

Cameras | ARRICAM Lite (LT) Camera

Lenses | Cooke S4/i Lenses

Fay Grim (2006)

Motion Picture | 2D | HD Project | Color | 1.85:1 | 118 Minutes

Directed by | Hal Hartley | Cinematography by | Sarah Cawley | Editing by | Hal Hartley

Starring | Parker Posey, Jeff Goldblum, Liam Aiken

Cameras | Sony HDW-F900 Camera

Lenses | Zeiss DigiPrime Lenses

Guillermo del Toro’s Pinocchio (2022)

Movie | 2D | Color | 1.85:1 | 117 Minutes

Directed by | Guillermo del Toro, Mark Gustafson | Cinematography by | Frank Passingham | Editing by | Holly Klein, Ken Schretzmann

Starring | Ewan McGregor, David Bradley, Gregory Mann

Cameras | Canon EOS-1D Mark IV Camera

The Fabelmans (2022)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 151 Minutes

Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Sarah Broshar, Michael Kahn

Starring | Michelle Williams, Gabriel LaBelle, Paul Dano

Cameras | ARRI ALEXA Mini LF Camera, ARRIFLEX 16ST Camera, ARRIFLEX 416 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Primo Primes Spherical Lenses, Panavision PVintage Prime Lenses

The Sea Beast (2022)

Motion Picture | 3D | Color | 1.85:1 | 115 Minutes

Directed by | Chris Williams | Editing by | Joyce Arrastia

Starring | Karl Urban, Zaris-Angel Hator, Jared Harris

Glass Onion (2022)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 139 Minutes

Glass Onion | ShotOnWhat?

Directed by | Rian Johnson | Cinematography by | Steve Yedlin | Editing by | Bob Ducsay

Starring | Daniel Craig, Edward Norton, Kate Hudson

Cameras | ARRI ALEXA Mini LF Camera

Lenses | Zeiss Supreme Prime Series Lenses

Turning Red (2022)

Motion Picture | 3D | 4K Project | Color | 1.85:1 | 100 Minutes

Directed by | Domee Shi | Cinematography by | Mahyar Abousaeedi, Jonathan Pytko | Editing by | Steve Bloom, Nicholas C. Smith

Starring | Rosalie Chiang, Sandra Oh, Ava Morse

Everything Everywhere All at Once (2022)

Motion Picture | 2D | 4K Project | Color | 1.33:1 (4x3), 1.85:1, 2.0:1, 2.39:1 | 139 Minutes

Directed by | Daniel Kwan, Daniel Scheinert | Cinematography by | Larkin Seiple | Editing by | Paul Rogers

Starring | Michelle Yeoh, Stephanie Hsu, Jamie Lee Curtis

Cameras | ARRI ALEXA Mini Camera

Lenses | Atlas Orion Anamorphic Series Lenses, Hawk V-Lite Lenses, Todd-AO Lenses, Zeiss Master Prime Lenses

Funny Games (1997)

Motion Picture | 2D | Color | 1.85:1 | 108 Minutes

Directed by | Michael Haneke | Cinematography by | Jürgen Jürges | Editing by | Andreas Prochaska

Starring | Susanne Lothar, Ulrich Mühe, Arno Frisch

Cameras | Moviecam Cameras

Maestro (2023)

Motion Picture | 2D | 4K Project | Black & White, Color | 1.33:1 (4x3), 1.85:1 | 129 Minutes

Directed by | Bradley Cooper | Cinematography by | Matthew Libatique | Editing by | Michelle Tesoro

Starring | Carey Mulligan, Bradley Cooper, Matt Bomer

Cameras | Panavision Panaflex Lightweight II Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision PVintage Prime Lenses

The Iron Claw (2023)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 132 Minutes

Directed by | Sean Durkin | Cinematography by | Mátyás Erdély | Editing by | Matthew Hannam

Starring | Zac Efron, Jeremy Allen White, Harris Dickinson

Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Primo Primes Spherical Lenses

Anatomy of a Fall (2023)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 151 Minutes

Directed by | Justine Triet | Cinematography by | Simon Beaufils | Editing by | Laurent Sénéchal

Starring | Sandra Hüller, Swann Arlaud, Milo Machado Graner

Cameras | ARRI ALEXA Mini LF Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Hawk V-Lite Lenses

May December (2023)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 117 Minutes

Directed by | Todd Haynes | Cinematography by | Christopher Blauvelt | Editing by | Affonso Gonçalves

Starring | Natalie Portman, Chris Tenzis, Charles Melton

Cameras | ARRI Alexa 35 Camera

Lenses | Kowa Cine Prominar Spherical Lenses

Past Lives (2023)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 105 Minutes

Directed by | Celine Song | Cinematography by | Shabier Kirchner | Editing by | Keith Fraase

Starring | Greta Lee, Teo Yoo, John Magaro

Cameras | Panavision Panaflex Millennium XL Camera

Lenses | Panavision Primo Zooms Spherical Lenses, Panavision PVintage Prime Lenses, Panavision Ultra Speed MKII Lenses

Io Capitano (2023)

Motion Picture | 2D | Color | 1.85:1 | 121 Minutes

Directed by | Matteo Garrone | Cinematography by | Paolo Carnera | Editing by | Marco Spoletini

Starring | Seydou Sarr, Moustapha Fall, Issaka Sawadogo

Cameras | ARRI ALEXA Mini LF Camera

Lenses | ARRI Signature Prime Lenses

Golda (2023)

Motion Picture | 2D | Black & White, Color | 1.85:1 | 100 Minutes

Directed by | Guy Nattiv | Cinematography by | Jasper Wolf | Editing by | Arik Lahav-Leibovich

Starring | Helen Mirren, Zed Josef, Henry Goodman

Good Boy! (2003)

Motion Picture | 2D | Color | 1.85:1 | 87 Minutes

Directed by | John Hoffman | Cinematography by | James Glennon | Editing by | Craig Herring

Starring | Liam Aiken, Matthew Broderick, Molly Shannon, Kevin Nealon

Cameras | Panavision Cameras

Lenses | Panavision Lenses

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