Distributed Aspect Ratio » 1.85:1

1.85:1 | 1571 Titles

1.85:1 3.23/5 13 Votes

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Legends of the Fall (1994)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 133 Minutes

Directed by | Edward Zwick | Cinematography by | John Toll | Editing by | Steven Rosenblum

Starring | Brad Pitt, Anthony Hopkins, Aidan Quinn

Cameras | Panavision Panaflex Gold II Camera

Lenses | Canon Lenses, Panavision Lenses

A River Runs Through It (1992)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 123 Minutes

Directed by | Robert Redford | Cinematography by | Philippe Rousselot | Editing by | Robert Estrin, Lynzee Klingman

Starring | Craig Sheffer, Brad Pitt, Tom Skerritt

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Glory (1989)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 122 Minutes

Directed by | Edward Zwick | Cinematography by | Freddie Francis | Editing by | Steven Rosenblum

Starring | Matthew Broderick, Denzel Washington, Cary Elwes

Cameras | Panavision Panaflex Gold II Camera

Roman J. Israel, Esq. (2017)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 122 Minutes

Directed by | Dan Gilroy | Cinematography by | Robert Elswit | Editing by | John Gilroy

Starring | Denzel Washington, Colin Farrell, Carmen Ejogo

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Series Cameras, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses, Zeiss ARRI Macro Lenses

CODA (2021)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 111 Minutes

Directed by | Sian Heder | Cinematography by | Paula Huidobro | Editing by | Geraud Brisson

Starring | Emilia Jones, Marlee Matlin, Troy Kotsur

Cameras | Sony CineAlta VENICE Camera

Lenses | ARRI Signature Prime Lenses

The Shape of Water (2017)

Motion Picture | 2D | 2K Project | Black & White, Color | 1.85:1 | 123 Minutes

Directed by | Guillermo del Toro | Cinematography by | Dan Laustsen | Editing by | Sidney Wolinsky

Starring | Sally Hawkins, Octavia Spencer, Michael Shannon

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses | Zeiss Master Prime Lenses

Avatar: The Way of Water (2022)

Motion Picture | 3D | 4K Project | Color | 1.85:1, 2.39:1 | 192 Minutes

Directed by | James Cameron | Cinematography by | Russell Carpenter | Editing by | David Brenner, James Cameron, John Refoua, Stephen E. Rivkin

Starring | Sam Worthington, Zoe Saldaña, Sigourney Weaver

Cameras | Sony CineAlta VENICE Camera

Lenses | Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Fujinon MK 18-55mm T2.9 Lens, Fujinon MK 50-135mm T2.9 Lens

The Crow (1994)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 102 Minutes

Directed by | Alex Proyas | Cinematography by | Dariusz Wolski | Editing by | Dov Hoenig, M. Scott Smith

Starring | Brandon Lee, Michael Wincott, Rochelle Davis, Ernie Hudson

Cameras | ARRIFLEX 35 BL4 Camera

Lenses | Zeiss Lenses

Warlock: The Armageddon (1993)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 98 Minutes

Directed by | Anthony Hickox | Cinematography by | Gerry Lively | Editing by | Christopher Cibelli, James D.R. Hickox

Starring | Julian Sands, Chris Young, Paula Marshall, Joanna Pacula

Cameras | ARRIFLEX 35mm Cameras

Blonde (2022)

Motion Picture | 2D | 2K Project | Black & White, Color | 1.33:1 (4x3), 1.85:1, 2.39:1 | 167 Minutes

Directed by | Andrew Dominik | Cinematography by | Chayse Irvin | Editing by | Adam Robinson

Starring | Ana de Armas, Lily Fisher, Julianne Nicholson

Cameras | ARRI ALEXA XT Monochrome Camera, Sony CineAlta VENICE Camera

Lenses | ARRI Rental HEROES LOOK Lens, Panavision PVintage Prime Lenses, Panavision Ultra Speed MKII Lenses

Cobra Verde (1987)

Motion Picture | 2D | Color | 1.85:1 | 111 Minutes

Directed by | Werner Herzog | Cinematography by | Viktor Ruzicka | Editing by | Maximiliane Mainka

Starring | Klaus Kinski, King Ampaw, José Lewgoy

Cameras | ARRIFLEX 35 III Camera

French Story (2024)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 60 Minutes

Directed by | Sidney Berthier | Cinematography by | Sidney Berthier | Editing by | Sidney Berthier

Starring | Joshua Allsopp, Cal Duffy, Matthias Fettah

Lenses | Zeiss Jena Lens

Bad Lieutenant: Port of Call New Orleans (2009)

Motion Picture | 2K Project | Color | 1.85:1 | 122 Minutes

Directed by | Werner Herzog | Cinematography by | Peter Zeitlinger | Editing by | Joe Bini

Starring | Nicolas Cage, Eva Mendes, Russell M. Haeuser

Cameras | Moviecam Compact MK2 Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4/i Lenses

The Big Red One (1980)

Motion Picture | 2D | Black & White, Color | 1.85:1 | 113 Minutes

Directed by | Samuel Fuller | Cinematography by | Adam Greenberg | Editing by | Bryan McKenzie, Morton Tubor

Starring | Lee Marvin, Mark Hamill, Robert Carradine

Cameras | ARRIFLEX Camera

Problem Child (1990)

Motion Picture | 2D | Color | 1.85:1 | 81 Minutes

Directed by | Dennis Dugan | Cinematography by | Peter Lyons Collister | Editing by | Tom Finan, Daniel P. Hanley, Mike Hill

Starring | Michael Oliver, John Ritter, Jack Warden, Gilbert Gottfried

Cameras | Panavision Panaflex Camera

Hail, Caesar! (2016)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 106 Minutes

Directed by | Ethan Coen, Joel Coen | Cinematography by | Roger Deakins | Editing by | Ethan Coen, Joel Coen

Starring | Josh Brolin, George Clooney, Alden Ehrenreich, Ralph Fiennes

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera

Lenses | Zeiss Master Prime Lenses

Fitzcarraldo (1982)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 158 Minutes

Directed by | Werner Herzog | Cinematography by | Thomas Mauch | Editing by | Beate Mainka-Jellinghaus

Starring | Klaus Kinski, Claudia Cardinale, José Lewgoy

Cameras | ARRIFLEX 35 BL3 Camera, ARRIFLEX 35 IIC Camera

Home Alone 2: Lost in New York (1992)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 120 Minutes

Directed by | Chris Columbus | Cinematography by | Julio Macat | Editing by | Raja Gosnell

Starring | Macaulay Culkin, Joe Pesci, Daniel Stern, Catherine O'Hara

Cameras | Panavision Panaflex Platinum Camera

The Boy and the Heron (2023)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 124 Minutes

Directed by | Hayao Miyazaki | Cinematography by | Atsushi Okui | Editing by | Rie Matsubara, Takeshi Seyama, Akane Shiraishi

Starring | Soma Santoki, Masaki Suda, Kô Shibasaki

Marcel the Shell with Shoes On (2021)

Motion Picture | 2D | 4K Project | Color | 1.66:1, 1.85:1 | 90 Minutes

Directed by | Dean Fleischer Camp | Cinematography by | Eric Adkins, Bianca Cline | Editing by | Dean Fleischer Camp, Nick Paley

Starring | Jenny Slate, Dean Fleischer Camp, Isabella Rossellini

Cameras | ARRI ALEXA Mini Camera, Sony PMW-F5 Camera

Lenses | Fujinon XK Cabrio Series, Nikon - Nikkor Lenses, Panavision Primo Primes Spherical Lenses

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