Visual Effects Producer: MPC
Fred Claus (2007)
Directed by: David Dobkin
Cinematography by: Remi Adefarasin
Edited by: Mark Livolsi
Lenses: Zeiss Ultra Prime Lenses
Visual Effects Producer: MPC
1408 (2007)
Directed by: Mikael Håfström
Cinematography by: Benoît Delhomme
Edited by: Peter Boyle
Visual Effects Producer: MPC
X-Men: The Last Stand (2006)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Visual Effects Producer: MPC
Harry Potter and the Goblet of Fire (2005)
Directed by: Mike Newell
Cinematography by: Roger Pratt
Edited by: Mick Audsley
Visual Effects Producer: MPC
Harry Potter and the Prisoner of Azkaban (2004)
Directed by: Alfonso Cuarón
Cinematography by: Michael Seresin
Edited by: Steven Weisberg
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System
Digital Lab: CFC
The Affair of the Necklace (2001)
Directed by: Charles Shyer
Cinematography by: Ashley Rowe
Edited by: David Moritz
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera
Digital Lab: CFC
Enemy at the Gates (2001)
Directed by: Jean-Jacques Annaud
Cinematography by: Robert Fraisse
Visual Effects: MPC
Lara Croft: Tomb Raider (2001)
Directed by: Simon West
Cinematography by: Peter Menzies Jr.
Digital Lab: CFC
Bridget Jones's Diary (2001)
Directed by: Sharon Maguire
Cinematography by: Stuart Dryburgh
Edited by: Martin Walsh
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Digital Lab Operator: CFC
Harry Potter and the Sorcerer's Stone (2001)
Directed by: Chris Columbus
Cinematography by: John Seale
Edited by: Richard Francis-Bruce
Digital Lab: CFC
The Mummy Returns (2001)
Directed by: Stephen Sommers
Cinematography by: Adrian Biddle
Scanning And Recording: CFC
Chicken Run (2000)
Cinematography by: Simon Jacobs, Andy MacCormack, Tristan Oliver, Frank Passingham, Dave Alex Riddett, Paul Smith
Digital Lab I/O: CFC
Mission: Impossible II (2000)
Directed by: John Woo
Cinematography by: Jeffrey L. Kimball
Digital Lab: CFC
Sexy Beast (2000)
Directed by: Jonathan Glazer
Cinematography by: Ivan Bird
Cameras: ARRI ARRIFLEX Series Cameras
Lenses: ARRI Lenses
Technical Coordinator
The Matrix (1999)
Cinematography by: Bill Pope
Edited by: Zach Staenberg
