Enlargement - UpRes - Blow-up | 175 Titles
Spider-Man 3 (2007)
Country | USA
Type | Motion Picture
Running Time | 139 Minutes
Aspect Ratio | 2.39:1
Directed by | Sam Raimi | Cinematography by | Bill Pope | Editing by | Bob Murawski
Lenses | Panavision Primo Anamorphic Lenses
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Clerks (1994)
Country | USA
Type | Motion Picture
Running Time | 92 Minutes
Aspect Ratio | 1.85:1
Directed by | Kevin Smith | Cinematography by | David Klein | Editing by | Scott Mosier, Kevin Smith
Cameras | ARRIFLEX 16SR Camera
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Bolivia (1999)
Country | Argentina, Netherlands
Type | Motion Picture
Running Time | 75 Minutes
Aspect Ratio | 1.66:1
Directed by | Israel Adrián Caetano | Cinematography by | Julián Apezteguia | Editing by | Santiago Ricci, Lucas Scavino
Cameras | Éclair ACL II Camera
Lenses | Optar Illumina S16 Lenses
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Transformers (2007)
Country | USA
Type | Motion Picture
Running Time | 144 Minutes
Aspect Ratio | 2.39:1
Directed by | Michael Bay | Cinematography by | Mitchell Amundsen | Editing by | Tom Muldoon, Paul Rubell, Glen Scantlebury
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses | Angenieux HR 25-250mm T3.5 Lens, Cooke Varotal Lenses, Panavision C Series Anamorphic Lenses, Panavision C60 60 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens
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Key of Brown (2013)
Country | USA
Type | Motion Picture
Running Time | 95 Minutes
Aspect Ratio | 2.39:1
Capture Resolution | 1920x1080 - (1.78:1) Capture Resolution
Directed by | Vaughn Christion | Cinematography by | Oscar Patino | Editing by | Vaughn Christion
Cameras | Sony PMW-F3 Camera
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Ulee’s Gold (1997)
Country | USA
Type | Motion Picture
Running Time | 113 Minutes
Aspect Ratio | 1.66:1
Directed by | Victor Nunez | Cinematography by | Virgil Mirano | Editing by | Victor Nunezmodified:
Mrs Brown (1997)
Country | UK, Ireland, USA
Type | Motion Picture
Running Time | 101 Minutes
Aspect Ratio | 1.85:1
Directed by | John Madden | Cinematography by | Richard Greatrex | Editing by | Robin Salesmodified:
Carol (2015)
Country | UK, USA
Type | Motion Picture
Running Time | 118 Minutes
Aspect Ratio | 1.85:1
Directed by | Todd Haynes | Cinematography by | Edward Lachman | Editing by | Affonso Gonçalves
Cameras | ARRIFLEX 416 Camera
Lenses | Angenieux HR Zoom Lenses, Cooke S4/i Lenses, Cooke Speed Panchro Lenses, Cooke Varopanchro Lenses, Zeiss Master Zoom 16.5–110mm T2.6 Lens
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Squash (2002)
Country | France
Type | Motion Picture, Short Film
Running Time | 27 Minutes
Aspect Ratio | 1.85:1
Directed by | Lionel Bailliu | Cinematography by | Thierry Deschamp | Editing by | Vincent Tabaillonmodified:
La fille du 14 juillet (2013)
Country | France
Type | Motion Picture
Running Time | 88 Minutes
Aspect Ratio | 1.85:1
Directed by | Antonin Peretjatko | Cinematography by | Simon Roca | Editing by | Carole Le Page, Antonin Peretjatko
Cameras | ARRIFLEX 16SR3 Camera
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Inherent Vice (2014)
Country | USA
Type | Motion Picture
Running Time | 148 Minutes
Aspect Ratio | 1.85:1
Directed by | Paul Thomas Anderson | Cinematography by | Robert Elswit | Editing by | Leslie Jones
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Star Wars: The Force Awakens (2015)
Country | USA
Type | Motion Picture
Running Time | 136 Minutes
Aspect Ratio | 2.39:1
Directed by | J.J. Abrams | Cinematography by | Dan Mindel | Editing by | Maryann Brandon, Mary Jo Markey
Cameras | ARRI ALEXA Camera, Imax MKIII Reflex Camera, Imax MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision Retro C 100mm T2.8 Lens, Panavision Retro C 35mm T2.8 Lens, Panavision Retro C 40mm T2.8 Lens, Panavision Retro C 50mm T2.8 Lens, Panavision Retro C 60mm T2.8 Lens, Panavision Retro C 75mm T2.8 Lens
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Combat Shock (1984)
Country | USA
Type | Motion Picture
Running Time | 91 Minutes
Directed by | Buddy Giovinazzo | Cinematography by | Stella Varveris | Editing by | Buddy Giovinazzomodified:
Primer (2004)
Country | USA
Type | Motion Picture
Running Time | 77 Minutes
Aspect Ratio | 1.85:1
Directed by | Shane Carruth | Cinematography by | Troy Dick | Editing by | Shane Carruth
Cameras | ARRIFLEX 16SR Camera
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Le dernier des injustes (2013)
Country | France, Austria
Type | Motion Picture
Running Time | 220 Minutes
Aspect Ratio | 1.85:1
Directed by | Claude Lanzmann | Cinematography by | Caroline Champetier, William Lubtchansky | Editing by | Chantal Hymans
Cameras | Aaton Penelope Camera, Aaton Xterà Camera
Lenses | Angenieux Optimo 17-80mm T2.2 Lens
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Interstellar (2014)
Country | USA, UK, Canada
Type | Motion Picture
Running Time | 169 Minutes
Directed by | Christopher Nolan | Cinematography by | Hoyte Van Hoytema | Editing by | Lee Smith
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Skate or Die (2008)
Country | France
Type | Motion Picture
Running Time | 92 Minutes
Aspect Ratio | 2.39:1
Directed by | Miguel Courtois
Cameras | ARRIFLEX 16SR2 Camera
Lenses | Angenieux Optimo 24-290mm T2.8 Lens
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American Hustle (2013)
Country | USA
Type | Motion Picture
Running Time | 138 Minutes
Aspect Ratio | 2.39:1
Directed by | David O. Russell | Cinematography by | Linus Sandgren | Editing by | Alan Baumgarten, Jay Cassidy, Crispin Struthers
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Oldboy (2013)
Country | USA
Type | Motion Picture
Running Time | 104 Minutes
Aspect Ratio | 2.39:1
Directed by | Spike Lee | Cinematography by | Sean Bobbitt | Editing by | Barry Alexander Brown
Lenses | ARRI / Fujinon Lenses, Cooke 5/i Lenses
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The World’s End (2013)
Country | UK, USA, Japan
Type | Motion Picture
Running Time | 109 Minutes
Aspect Ratio | 2.39:1
Directed by | Edgar Wright | Cinematography by | Bill Pope | Editing by | Paul Machliss
Lenses | Panavision B Series Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision Primo Zooms Spherical Lenses
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