Visual Effects Executive: Netflix
Guillermo del Toro's Pinocchio (2022)
Movie
Cinematography by: Frank Passingham
Cameras: Canon EOS-1D Mark IV Camera
Visual Effects Executive: Netflix
Glass Onion (2022)
Directed by: Rian Johnson
Cinematography by: Steve Yedlin
Edited by: Bob Ducsay
Cameras: ARRI ALEXA Mini LF Camera
Vfx Production Manager: Double Negative
The Fate of the Furious (2017)
Directed by: F. Gary Gray
Cinematography by: Stephen F. Windon
Cameras: ARRI ALEXA XT Camera, Red Epic Camera
Vfx Production Manager: Double Negative
The Huntsman: Winter's War (2016)
Directed by: Cedric Nicolas-Troyan
Cinematography by: Phedon Papamichael
Edited by: Conrad Buff IV
Vfx Producer: Bluebolt
'Game of Thrones' Baelor (2011)
Directed by: Alan Taylor
Cinematography by: Alik Sakharov
Edited by: Frances Parker
Visual Effects Producer: BlueBolt
Jane Eyre (2011)
Directed by: Cary Joji Fukunaga
Cinematography by: Adriano Goldman
Edited by: Melanie Oliver
Cameras: ARRICAM Lite (LT) Camera
Additional Sound Mixer, Visual Effects Producer: BlueBolt
'Game of Thrones' Winter Is Coming (2011)
Directed by: Timothy Van Patten
Cinematography by: Alik Sakharov
Edited by: Oral Norrie Ottey
Vfx Producer: BlueBolt
'Game of Thrones' Lord Snow (2011)
Directed by: Brian Kirk
Cinematography by: Marco Pontecorvo
Edited by: Frances Parker
Vfx Producer: BlueBolt
'Game of Thrones' The Kingsroad (2011)
Directed by: Timothy Van Patten
Cinematography by: Alik Sakharov
Edited by: Oral Norrie Ottey
Visual Effects Producer: Bluebolt
'Game of Thrones' Cripples, Bastards, and Broken Things (2011)
Directed by: Brian Kirk
Cinematography by: Marco Pontecorvo
Edited by: Frances Parker
Vfx Producer: Bluebolt
'Game of Thrones' The Wolf and the Lion (2011)
Directed by: Brian Kirk
Cinematography by: Marco Pontecorvo
Edited by: Frances Parker
Vfx Producer: Bluebolt
'Game of Thrones' A Golden Crown (2011)
Directed by: Daniel Minahan
Cinematography by: Matthew Jensen
Edited by: Martin Nicholson
Vfx Producer: Bluebolt
'Game of Thrones' You Win or You Die (2011)
Directed by: Daniel Minahan
Cinematography by: Matthew Jensen
Edited by: Martin Nicholson
Vfx Producer: Bluebolt
'Game of Thrones' The Pointy End (2011)
Directed by: Daniel Minahan
Cinematography by: Matthew Jensen
Edited by: Martin Nicholson
Vfx Producer: Bluebolt
'Game of Thrones' Fire and Blood (2011)
Directed by: Alan Taylor
Cinematography by: Alik Sakharov
Edited by: Frances Parker
Additional Sound Mixer - 1 Episode, 2011, Vfx Producer: Bluebolt / Vfx Producer: BlueBolt / Visual Effects Producer: BlueBolt / Visual Effects Producer: Bluebolt - 10 Episodes, 2011
Game of Thrones (2011)
Directed by: David Nutter, Alan Taylor, Alex Graves, Miguel Sapochnik, Mark Mylod, Jeremy Podeswa, Daniel Minahan, Alik Sakharov, Michelle MacLaren, Brian Kirk, David Benioff, D.B. Weiss, Timothy Van Patten, Neil Marshall, David Petrarca, Michael Slovis, Jack Bender, Daniel Sackheim, Matt Shakman
Cinematography by: Anette Haellmigk, Jonathan Freeman, Robert McLachlan, Fabian Wagner, David Franco, Gregory Middleton, P.J. Dillon, Matthew Jensen, Alik Sakharov, Martin Kenzie, Marco Pontecorvo, Kramer Morgenthau, Chris Seager, Sam McCurdy, David Katznelson
Edited by: Katie Weiland, Frances Parker, Crispin Green, Tim Porter, Oral Norrie Ottey, Martin Nicholson, Jesse Parker, Yan Miles
Editing System: Avid Editing System
Vfx Producer: Bluebolt
Sherlock Holmes: A Game of Shadows (2011)
Directed by: Guy Ritchie
Cinematography by: Philippe Rousselot
Edited by: James Herbert
Visual Effects Producer
The Iron Lady (2011)
Directed by: Phyllida Lloyd
Cinematography by: Elliot Davis
Edited by: Justine Wright
Visual Effects Plate Coordinator: Universal
The Wolfman (2010)
Directed by: Joe Johnston
Cinematography by: Shelly Johnson
Sequence Production Manager: Weta Digital
Avatar (2009)
Directed by: James Cameron
Cinematography by: Mauro Fiore
Visual Effects Coordinator: New Line
The Golden Compass (2007)
Directed by: Chris Weitz
Cinematography by: Henry Braham
Visual Effects Plate Data Coordinator
Eragon (2006)
Directed by: Stefen Fangmeier
Cinematography by: Hugh Johnson
Visual Effects Matchmove Technician
Harry Potter and the Goblet of Fire (2005)
Directed by: Mike Newell
Cinematography by: Roger Pratt
Edited by: Mick Audsley
Visual Effects Matchmove Technician
Harry Potter and the Prisoner of Azkaban (2004)
Directed by: Alfonso Cuarón
Cinematography by: Michael Seresin
Edited by: Steven Weisberg
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System
Visual Effects Production Coordinator
The Medallion (2003)
Directed by: Gordon Chan
Cinematography by: Arthur Wong
Visual Effects Production Assistant: MPC
Harry Potter and the Chamber of Secrets (2002)
Directed by: Chris Columbus
Cinematography by: Roger Pratt
Edited by: Peter Honess
Visual Effects Production Assistant: MPC
Die Another Day (2002)
Directed by: Lee Tamahori
Cinematography by: David Tattersall
Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
