Cinematographer - 1 Episode, 2018
The Resident (2018)
| USA
Directed by: Rob Corn, David Crabtree, Bronwen Hughes, James Roday, Paul McCrane, Jann Turner, Phillip Noyce, Thomas Carter, Bill D'Elia, Rob Greenlea, Geary McLeod, David Rodriguez, Elizabeth Allen Rosenbaum, Nicole Rubio, James Whitmore Jr., Satya Bhabha, John Brawley, Timothy A. Good, Robert Duncan McNeill, Edward Ornelas, Valerie Weiss, Kelli Williams
Edited by: Timothy A. Good, William Paley, Nicole Vaskell, Greg Babor, Amanda Panella, Emily Mendez, Patrick McMahon
Cameras: ARRI ALEXA Mini Camera, Blackmagic Micro Cinema Camera, Blackmagic Pocket Cinema 4K Camera, Blackmagic URSA Mini Pro 4.6K G2 Camera, Blackmagic URSA Mini Pro Camera
Lenses: Leica Summicron-C 135 mm T2.0 Lens, Leica Summicron-C 18 mm T2.0 Lens, Leica Summicron-C 21 mm T2.0 Lens, Leica Summicron-C 25 mm T2.0 Lens, Leica Summicron-C 29 mm T2.0 Lens, Leica Summicron-C 35 mm T2.0 Lens, Leica Summicron-C 40 mm T2.0 Lens, Leica Summicron-C 50 mm T2.0 Lens, Leica Summicron-C 75 mm T2.0 Lens, Panavision Primo Primes Spherical Lenses, SLR Magic APO HyperPrime Cine 25mm T2.1 Lens, SLR Magic APO HyperPrime Cine 32mm T2.1 Lens, SLR Magic APO HyperPrime Cine 50mm T2.1 Lens, SLR Magic APO HyperPrime Cine 85mm T2.1 Lens, Zeiss Lenses
Editing System: Avid Editing System
Director Of Photography
'The Resident' Pilot (2018)
| USA
Directed by: Phillip Noyce
Cinematography by: Elliot Davis
Cinematographer - 1 Episode
Eye Candy (2015)
| USA
Directed by: Nathan Hope, Martha Mitchell, Russell Mulcahy, David Platt, Scott Speer, Catherine Hardwicke
Edited by: Edward R. Abroms, Imelda Betiong, Peter Gvozdas, Geoffrey O'Brien, Gregory Cusumano, Mark Manos, Terel Gibson
Cameras: Canon EOS-C300 Camera
Director Of Photography
The Iron Lady (2011)
| UK, France
Directed by: Phyllida Lloyd
Cinematography by: Elliot Davis
Edited by: Justine Wright
Camera Operator: "a" Camera, Co-producer, Director Of Photography
Personal Effects (2009)
| USA, Germany, Canada
Directed by: David Hollander
Cinematography by: Elliot Davis
Edited by: Lori Jane Coleman
Director Of Photography
Twilight (2008)
| USA
Directed by: Catherine Hardwicke
Cinematography by: Elliot Davis
Edited by: Nancy Richardson
Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Director Of Photography
Lords of Dogtown (2005)
| USA, Germany
Directed by: Catherine Hardwicke
Cinematography by: Elliot Davis
Edited by: Nancy Richardson
Director Of Photography
Thirteen (2003)
| USA, UK
Directed by: Catherine Hardwicke
Cinematography by: Elliot Davis
Edited by: Nancy Richardson
Cameras: Aaton XTR Prod Camera
Lenses: Canon Lenses
Director Of Photography
I Am Sam (2001)
| USA
Directed by: Jessie Nelson
Cinematography by: Elliot Davis
Edited by: Richard Chew
Director Of Photography
The Next Best Thing (2000)
| USA
Directed by: John Schlesinger
Cinematography by: Elliot Davis
Edited by: Peter Honess
Director Of Photography
Forces of Nature (1999)
| USA
Directed by: Bronwen Hughes
Edited by: Craig Wood
Cameras: Panavision Cameras
Camera Operator, Director Of Photography
Out of Sight (1998)
| USA
Directed by: Steven Soderbergh
Cinematography by: Elliot Davis
Edited by: Anne V. Coates
Director Of Photography
Lawn Dogs (1997)
| UK
Directed by: John Duigan
Cinematography by: Elliot Davis
Edited by: Humphrey Dixon
Director Of Photography
Larger Than Life (1996)
| USA
Directed by: Howard Franklin
Cinematography by: Elliot Davis
Edited by: Sidney Levin
Director Of Photography
Get on the Bus (1996)
| USA
Directed by: Spike Lee
Cinematography by: Elliot Davis
Edited by: Leander T. Sales
Director Of Photography
Gray's Anatomy (1996)
| USA, UK
Directed by: Steven Soderbergh
Cinematography by: Elliot Davis
Edited by: Susan Littenberg
Director Of Photography
Things to Do in Denver When You're Dead (1995)
| USA
Directed by: Gary Fleder
Cinematography by: Elliot Davis
Edited by: Richard Marks
Director Of Photography
Mother's Boys (1993)
| USA
Directed by: Yves Simoneau
Cinematography by: Elliot Davis
Edited by: Michael D. Ornstein
Cinematographer - Camera
King of the Hill (1993)
| USA
Directed by: Steven Soderbergh
Cinematography by: Elliot Davis
Edited by: Steven Soderbergh
Cameras: Panavision Cameras
Director Of Photography
The Cutting Edge (1992)
| USA
Directed by: Paul Michael Glaser
Cinematography by: Elliot Davis
Edited by: Michael E. Polakow
Director Of Cinematography
Equinox (1992)
| USA, Canada
Directed by: Alan Rudolph
Cinematography by: Elliot Davis
Edited by: Michael Ruscio
Director Of Photography
Memphis (1992)
| USA
Directed by: Yves Simoneau
Cinematography by: Elliot Davis
Edited by: Debra Neil-Fisher
Director Of Photography
Mortal Thoughts (1991)
| USA
Directed by: Alan Rudolph
Cinematography by: Elliot Davis
Edited by: Tom Walls
Director Of Photography
Love at Large (1990)
| USA
Directed by: Alan Rudolph
Cinematography by: Elliot Davis
Edited by: Lisa Zeno Churgin
Camera Operator
8 Million Ways to Die (1986)
| USA
Directed by: Hal Ashby
Cinematography by: Stephen H. Burum
Cameras: Panavision Cameras
Camera Operator: Second Unit
Blue City (1986)
| USA
Directed by: Michelle Manning
Cinematography by: Steven Poster
Edited by: Ross Albert
Camera Operator
St. Elmo's Fire (1985)
| USA
Directed by: Joel Schumacher
Cinematography by: Stephen H. Burum
Edited by: Richard Marks
Camera Operator: Additional Photography
Racing with the Moon (1984)
| USA
Directed by: Richard Benjamin
Cinematography by: John Bailey
Camera Operator
Something Wicked This Way Comes (1983)
| USA
Directed by: Jack Clayton
Cinematography by: Stephen H. Burum
Cameras: Panavision Cameras
Camera Operator
The Outsiders (1983)
| USA, France
Directed by: Francis Ford Coppola
Cinematography by: Stephen H. Burum
Camera Operator
Used Cars (1980)
| USA
Directed by: Robert Zemeckis
Cinematography by: Donald M. Morgan
Edited by: Michael Kahn
Camera Operator
The Onion Field (1979)
| USA
Directed by: Harold Becker
Cinematography by: Charles Rosher Jr.
Director Of Photography
'Eye Candy' Unaired Original Pilot (0)
Directed by: Catherine Hardwicke
Cinematography by: Elliot Davis
Edited by: Terel Gibson
