Steven Soderbergh

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Camera Operator, Director Of Photography (as Peter Andrews, Editor , Executive Producer

Magic Mike XXL (2015)

Motion Picture

| USA

Directed by: Gregory Jacobs

Cinematography by: Steven Soderbergh

Edited by: Steven Soderbergh

Cameras: Red Epic Dragon Camera

Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses

Executive Producer

Citizenfour (2014)

Documentary, Motion Picture

| USA, Germany, UK

Directed by: Laura Poitras

Cinematography by: Kirsten Johnson, Trevor Paglen, Laura Poitras, Katy Scoggin

Edited by: Mathilde Bonnefoy

Director, Director Of Photography (as Peter Andrews, Editor

Side Effects (2013)

Motion Picture

| USA

Directed by: Steven Soderbergh

Cinematography by: Steven Soderbergh

Edited by: Steven Soderbergh

Cameras: Red Epic Camera

Second Unit Director

The Hunger Games (2012)

Motion Picture

| USA

Directed by: Gary Ross

Cinematography by: Tom Stern

Edited by: Christopher S. Capp, Stephen Mirrione, Juliette Welfling

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo Zoom Lenses, Canon Lenses, Zeiss Ultra Prime Lenses

Director, Director Of Photography (as Peter Andrews, Editor

Magic Mike (2012)

Motion Picture

| USA

Directed by: Steven Soderbergh

Cinematography by: Steven Soderbergh

Edited by: Steven Soderbergh

Cameras: Red Epic Camera

Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses

Himself

Side by Side (2012)

Motion Picture

| USA

Directed by: Christopher Kenneally

Cinematography by: Chris Cassidy

Edited by: Malcolm Hearn, Mike Long

Director, Director Of Photography (as Peter Andrews, Editor

Haywire (2011)

Motion Picture

| Ireland, USA

Directed by: Steven Soderbergh

Cinematography by: Steven Soderbergh

Edited by: Steven Soderbergh

Cameras: Red One MX Camera

Lenses: Hawk V-Lite Lenses, Hawk V-Series Lenses

Executive Producer

We Need to Talk About Kevin (2011)

Motion Picture

| UK, USA

Directed by: Lynne Ramsay

Cinematography by: Seamus McGarvey

Edited by: Joe Bini

Cameras: Canon EOS-5D Mark II Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Director, Director Of Photography (as Peter Andrews, John Neal (voice) (uncredited)

Contagion (2011)

Motion Picture

| USA, United Arab Emirates

Directed by: Steven Soderbergh

Cinematography by: Steven Soderbergh

Edited by: Stephen Mirrione

Cameras: Red One MX Camera

Lenses: Red Pro Prime Lenses

Cinematographer , Director

The Informant! (2009)

Motion Picture

| USA

Directed by: Steven Soderbergh

Cinematography by: Steven Soderbergh

Edited by: Stephen Mirrione

Cameras: Red One Camera

Cinematographer , Director, Editor

The Girlfriend Experience (2009)

Motion Picture

| USA

Directed by: Steven Soderbergh

Cinematography by: Steven Soderbergh

Edited by: Steven Soderbergh

Cinematographer , Director

Che: Part Two (2008)

Motion Picture

| Spain, France, USA

Directed by: Steven Soderbergh

Cinematography by: Steven Soderbergh

Edited by: Pablo Zumárraga

Cameras: Red One Camera

Cinematographer , Director

Che: Part One (2008)

Motion Picture

| France, Spain, USA

Directed by: Steven Soderbergh

Cinematography by: Steven Soderbergh

Edited by: Pablo Zumárraga

Cinematographer , Director

Ocean's Thirteen (2007)

Motion Picture

| USA

Directed by: Steven Soderbergh

Cinematography by: Steven Soderbergh

Edited by: Stephen Mirrione

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Executive Producer

I'm Not There. (2007)

Motion Picture

| USA, Germany, Canada

Directed by: Todd Haynes

Cinematography by: Edward Lachman

Edited by: Jay Rabinowitz

Cameras: Aaton LTR Camera, Moviecam Compact Camera

Lenses: Angenieux Lenses, Canon Lenses, Cooke Lenses

Executive Producer

Wind Chill (2007)

Motion Picture

| USA, UK

Directed by: Gregory Jacobs

Cinematography by: Dan Laustsen

Edited by: Lee Percy

Executive Producer

Michael Clayton (2007)

Motion Picture

| USA

Directed by: Tony Gilroy

Cinematography by: Robert Elswit

Edited by: John Gilroy

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Cinematographer , Director, Editor

The Good German (2006)

Motion Picture

| USA

Directed by: Steven Soderbergh

Cinematography by: Steven Soderbergh

Edited by: Steven Soderbergh

Cameras: Panavision Panaflex Millennium XL2 Camera

Executive Producer

Rumor Has It... (2005)

Motion Picture

| USA, Germany, Australia

Directed by: Rob Reiner

Cinematography by: Peter Deming

Edited by: Robert Leighton

Executive Producer

Syriana (2005)

Motion Picture

| USA, United Arab Emirates

Directed by: Stephen Gaghan

Cinematography by: Robert Elswit

Edited by: Tim Squyres

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

Executive Producer

The Big Empty (2005)

Motion Picture

| USA

Directed by: Lisa Chang, Newton Thomas Sigel

Cinematography by: Newton Thomas Sigel

Edited by: Maureen O'Keefe

Cameras: Panavision Panaflex Millennium Camera

Lenses: Panavision Primo Anamorphic Lenses

Executive Producer

Good Night, and Good Luck. (2005)

Motion Picture

| USA, France, UK, Japan

Directed by: George Clooney

Cinematography by: Robert Elswit

Edited by: Stephen Mirrione

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

Cinematographer , Director

Ocean's Twelve (2004)

Motion Picture

| USA

Directed by: Steven Soderbergh

Cinematography by: Steven Soderbergh

Edited by: Stephen Mirrione

Cinematographer , Director , Editor , Written By

Eros (2004)

Motion Picture

| USA, Italy, Hong Kong, France, Luxembourg, UK

Directed by: Michelangelo Antonioni, Steven Soderbergh, Kar-Wai Wong

Cinematography by: Christopher Doyle, Marco Pontecorvo, Steven Soderbergh

Edited by: William Chang, Claudio Di Mauro, Steven Soderbergh

Producer, Screenplay

Criminal (2004)

Motion Picture

| USA

Directed by: Gregory Jacobs

Cinematography by: Chris Menges

Edited by: Douglas Crise, Stephen Mirrione

Executive Producer

Keane (2004)

Motion Picture

| USA

Directed by: Lodge Kerrigan

Cinematography by: John Foster

Edited by: Andrew Hafitz

Cinematographer , Director, Editor , Screenplay

Solaris (2002)

Motion Picture

| USA

Directed by: Steven Soderbergh

Cinematography by: Steven Soderbergh

Edited by: Steven Soderbergh

Executive Producer

Far from Heaven (2002)

Motion Picture

| USA, France

Directed by: Todd Haynes

Cinematography by: Edward Lachman

Edited by: James Lyons

Cameras: Moviecam Compact Camera

Lenses: Cooke S4 Lenses, Cooke Speed Panchro Lenses

Cinematographer , Director, Himself (uncredited)

Full Frontal (2002)

Motion Picture

| USA

Directed by: Steven Soderbergh

Cinematography by: Steven Soderbergh

Edited by: Sarah Flack

Cameras: Canon XL1S Camera

Editing System: Final Cut Pro Editing System

Executive Producer

Insomnia (2002)

Motion Picture

| USA, Canada

Directed by: Christopher Nolan

Cinematography by: Wally Pfister

Edited by: Dody Dorn

Cameras: Aaton 35-III Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Interviewed On Television

Waking Life (2001)

Motion Picture

| USA

Directed by: Richard Linklater

Cinematography by: Richard Linklater, Tommy Pallotta

Edited by: Sandra Adair

Cinematographer , Director, Vault-Bombing Thief (uncredited)

Ocean's Eleven (2001)

Motion Picture

| USA

Directed by: Steven Soderbergh

Cinematography by: Steven Soderbergh

Edited by: Stephen Mirrione

Director

Erin Brockovich (2000)

Motion Picture

| USA

Directed by: Steven Soderbergh

Cinematography by: Edward Lachman

Edited by: Anne V. Coates

Cameras: Moviecam Compact Camera

Lenses: Cooke S4 Lenses

Cinematographer , Director

Traffic (2000)

Motion Picture

| USA, Germany

Directed by: Steven Soderbergh

Cinematography by: Steven Soderbergh

Edited by: Stephen Mirrione

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

Director

The Limey (1999)

Motion Picture

| USA

Directed by: Steven Soderbergh

Cinematography by: Edward Lachman

Edited by: Sarah Flack

Producer

Pleasantville (1998)

Motion Picture

| USA

Directed by: Gary Ross

Cinematography by: John Lindley

Edited by: William Goldenberg

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Director

Out of Sight (1998)

Motion Picture

| USA

Directed by: Steven Soderbergh

Cinematography by: Elliot Davis

Edited by: Anne V. Coates

Director

Gray's Anatomy (1996)

Motion Picture

| UK, USA

Directed by: Steven Soderbergh

Cinematography by: Elliot Davis

Edited by: Susan Littenberg

Producer

The Daytrippers (1996)

Motion Picture

| Canada, USA

Directed by: Greg Mottola

Cinematography by: John Inwood

Edited by: Anne McCabe

Director, Editor, Screenplay

King of the Hill (1993)

Motion Picture

| USA

Directed by: Steven Soderbergh

Cinematography by: Elliot Davis

Edited by: Steven Soderbergh

Cameras: Panavision Cameras

Executive Producer

Suture (1993)

Motion Picture

| USA

Directed by: Scott McGehee, David Siegel

Cinematography by: Greg Gardiner

Edited by: Lauren Zuckerman

Director, Editor

Kafka (1991)

Motion Picture

| France, USA

Directed by: Steven Soderbergh

Cinematography by: Walt Lloyd

Edited by: Steven Soderbergh

Director, Editor, Sound Editor (uncredited) / Sound Re-recordist (uncredited), Written By

Sex, Lies, and Videotape (1989)

Motion Picture

| USA

Directed by: Steven Soderbergh

Cinematography by: Walt Lloyd

Edited by: Steven Soderbergh

20204.20

Steven Soderbergh

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Camera Operator, Director Of Photography (as Peter Andrews, Editor , Executive Producer

Executive Producer

Director, Director Of Photography (as Peter Andrews, Editor

Second Unit Director

Director, Director Of Photography (as Peter Andrews, Editor

Himself

Director, Director Of Photography (as Peter Andrews, Editor

Executive Producer

Director, Director Of Photography (as Peter Andrews, John Neal (voice) (uncredited)

Cinematographer , Director

Cinematographer , Director, Editor

Cinematographer , Director

Cinematographer , Director

Cinematographer , Director

Executive Producer

Executive Producer

Executive Producer

Cinematographer , Director, Editor

Executive Producer

Executive Producer

Executive Producer

Executive Producer

Cinematographer , Director

Cinematographer , Director , Editor , Written By

Producer, Screenplay

Executive Producer

Cinematographer , Director, Editor , Screenplay

Executive Producer

Cinematographer , Director, Himself (uncredited)

Executive Producer

Interviewed On Television

Cinematographer , Director, Vault-Bombing Thief (uncredited)

Director

Cinematographer , Director

Director

Producer

Director

Director

Producer

Director, Editor, Screenplay

Executive Producer

Director, Editor

Director, Editor, Sound Editor (uncredited) / Sound Re-recordist (uncredited), Written By