Plate Photography: Iceland - Credit Only
'Game of Thrones' Mother's Mercy (2015)
Directed by: David Nutter
Cinematography by: Robert McLachlan
Edited by: Tim Porter
Additional Photography - Credit Only
'Game of Thrones' Hardhome (2015)
Directed by: Miguel Sapochnik
Cinematography by: Fabian Wagner
Edited by: Tim Porter
Additional Photography
'Game of Thrones' Second Sons (2013)
| USA
Directed by: Michelle MacLaren
Cinematography by: Chris Seager
Edited by: Frances Parker
Director Of Photography
'Game of Thrones' The Old Gods and the New (2012)
| USA
Directed by: David Nutter
Cinematography by: Martin Kenzie
Edited by: Oral Norrie Ottey
Director Of Photography
'Game of Thrones' A Man Without Honor (2012)
| USA
Directed by: David Nutter
Cinematography by: Martin Kenzie
Edited by: Oral Norrie Ottey
Additional Photography
'Game of Thrones' Blackwater (2012)
Directed by: Neil Marshall
Cinematography by: Sam McCurdy
Edited by: Oral Norrie Ottey
Director Of Photography
'Game of Thrones' The Ghost of Harrenhal (2012)
| USA
Directed by: David Petrarca
Cinematography by: Martin Kenzie
Edited by: Katie Weiland
Additional Photography
'Game of Thrones' Valar Morghulis (2012)
Directed by: Alan Taylor
Cinematography by: Jonathan Freeman
Edited by: Frances Parker
Director Of Photography
'Game of Thrones' Garden of Bones (2012)
| USA
Directed by: David Petrarca
Cinematography by: Martin Kenzie
Edited by: Katie Weiland
Camera Operator: Second Unit / Director Of Photography: Second Unit
The Iron Lady (2011)
| UK, France
Directed by: Phyllida Lloyd
Cinematography by: Elliot Davis
Edited by: Justine Wright
Second Unit Director Of Photography
Hanna (2011)
| USA, UK, Germany
Directed by: Joe Wright
Cinematography by: Alwin H. Küchler
Edited by: Paul Tothill
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Sony Other Camera
Editing System: Lightworks Editing System
Director Of Photography: Second Unit, Second Unit Director
Johnny English Reborn (2011)
| USA, France, UK
Directed by: Oliver Parker
Cinematography by: Danny Cohen
Edited by: Guy Bensley
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Phantom Flex Camera, Phantom HD Gold Camera
Lenses: Zeiss Master Prime Lenses
Additional Photography - 4 Episodes, 2012-2015, Cinematographer - 4 Episodes, 2012, Plate Photography: Iceland - 1 Episode, 2015
Game of Thrones (2011)
| USA, UK
Directed by: David Nutter, Alan Taylor, Alex Graves, Miguel Sapochnik, Mark Mylod, Jeremy Podeswa, Daniel Minahan, Alik Sakharov, Michelle MacLaren, Brian Kirk, David Benioff, D.B. Weiss, Timothy Van Patten, Neil Marshall, David Petrarca, Michael Slovis, Jack Bender, Daniel Sackheim, Matt Shakman
Cinematography by: Anette Haellmigk, Jonathan Freeman, Robert McLachlan, Fabian Wagner, David Franco, Gregory Middleton, P.J. Dillon, Matthew Jensen, Alik Sakharov, Martin Kenzie, Marco Pontecorvo, Kramer Morgenthau, Chris Seager, Sam McCurdy, David Katznelson
Edited by: Katie Weiland, Frances Parker, Crispin Green, Tim Porter, Oral Norrie Ottey, Martin Nicholson, Jesse Parker, Yan Miles
Editing System: Avid Editing System
Director Of Photography: Second Unit, Second Unit Director
Clash of the Titans (2010)
| USA, UK, Australia
Directed by: Louis Leterrier
Cinematography by: Peter Menzies Jr.
Director Of Photography: Additional Photography, London
The Special Relationship (2010)
| UK, USA
Directed by: Richard Loncraine
Cinematography by: Barry Ackroyd
Edited by: Melanie Oliver
Cameras: ARRICAM Lite (LT) Camera
Director Of Photography: Second Unit
The King's Speech (2010)
| UK, USA, Australia
Directed by: Tom Hooper
Cinematography by: Danny Cohen
Edited by: Tariq Anwar
Lenses: Zeiss Master Prime Lenses
Editing System: Lightworks Editing System
Director Of Photography: Second Unit, Second Unit Director
Pirate Radio (2009)
| UK, France, Germany
Directed by: Richard Curtis
Cinematography by: Danny Cohen
Edited by: Emma E. Hickox
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera
Director Of Photography: Second Unit
Dorian Gray (2009)
| UK
Directed by: Oliver Parker
Cinematography by: Roger Pratt
Edited by: Guy Bensley
Lenses: Angenieux Lenses, Cooke S4 Lenses
Camera Operator: "c" Camera
Mamma Mia! (2008)
| USA, UK, Germany
Directed by: Phyllida Lloyd
Cinematography by: Haris Zambarloukos
Edited by: Lesley Walker
Editing System: Lightworks Editing System
Director Of Photography: Brooklyn Square, Second Unit
Babylon A.D. (2008)
| France, UK
Directed by: Mathieu Kassovitz
Cinematography by: Thierry Arbogast
Edited by: Benjamin Weill
Cinematographer
Easy Virtue (2008)
| UK, Canada
Directed by: Stephan Elliott
Cinematography by: Martin Kenzie
Edited by: Sue Blainey
Director Of Photography: Second Unit, Second Unit Director
St. Trinian's (2007)
| UK
Cinematography by: Gavin Finney
Edited by: Alex Mackie
Director Of Photography: Second Unit
Amazing Grace (2006)
| USA, UK
Directed by: Michael Apted
Cinematography by: Remi Adefarasin
Edited by: Rick Shaine
Cameras: ARRI Cameras
Director Of Photography: Second Unit
Alex Rider: Operation Stormbreaker (2006)
| UK, USA, Germany
Directed by: Geoffrey Sax
Cinematography by: Chris Seager
Edited by: Andrew MacRitchie
Cameras: ARRIFLEX 435 Camera
Lenses: Angenieux Lenses, ARRI / Zeiss Lenses
Director Of Photography: Second Aerial Unit, Director: Second Aerial Unit
Syriana (2005)
| USA, United Arab Emirates
Directed by: Stephen Gaghan
Cinematography by: Robert Elswit
Edited by: Tim Squyres
Additional Cinematographer: Second Unit
The Phantom of the Opera (2004)
| UK, USA
Directed by: Joel Schumacher
Cinematography by: John Mathieson
Edited by: Terry Rawlings
Camera Operator
The Four Feathers (2002)
| UK, USA
Directed by: Shekhar Kapur
Cinematography by: Robert Richardson
Edited by: Steven Rosenblum
Camera Operator
Black Hawk Down (2001)
| USA, UK
Directed by: Ridley Scott
Cinematography by: Slawomir Idziak
Edited by: Pietro Scalia
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 ES Camera, Moviecam Compact Camera, Moviecam Superlight Camera
Editing System: Avid Editing System
Camera Operator
Vatel (2000)
| France, UK, Belgium
Directed by: Roland Joffé
Cinematography by: Robert Fraisse
Edited by: Noëlle Boisson
Additional Photographer
The World Is Not Enough (1999)
| UK, USA
Directed by: Michael Apted
Cinematography by: Adrian Biddle
Edited by: Jim Clark
Camera Operator: Car Chase Unit
The Avengers (1998)
| USA
Directed by: Jeremiah S. Chechik
Cinematography by: Roger Pratt
Edited by: Mick Audsley
Camera Operator
Seven Years in Tibet (1997)
| USA, UK
Directed by: Jean-Jacques Annaud
Cinematography by: Robert Fraisse
Edited by: Noëlle Boisson
Camera Operator
Tomorrow Never Dies (1997)
| UK, USA
Directed by: Roger Spottiswoode
Cinematography by: Robert Elswit
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Camera Operator
Hamlet (1996)
| UK, USA
Directed by: Kenneth Branagh
Cinematography by: Alex Thomson
Edited by: Neil Farrell
Camera Operator: Second Unit
Shadowlands (1993)
| UK
Directed by: Richard Attenborough
Cinematography by: Roger Pratt
Edited by: Lesley Walker
Camera Operator
The Power of One (1992)
| Australia, France, USA
Directed by: John G. Avildsen
Cinematography by: Dean Semler
Camera Operator
1492: Conquest of Paradise (1992)
| France, Spain
Directed by: Ridley Scott
Cinematography by: Adrian Biddle
First Assistant Camera: Italy
The Godfather Part III (1990)
| USA
Directed by: Francis Ford Coppola
Cinematography by: Gordon Willis
Focus Puller
White Hunter Black Heart (1990)
| USA
Directed by: Clint Eastwood
Cinematography by: Jack N. Green
Edited by: Joel Cox
Assistant Cameraman
Indiana Jones and the Last Crusade (1989)
| USA
Directed by: Steven Spielberg
Cinematography by: Douglas Slocombe
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Focus Puller: UK
Great Balls of Fire! (1989)
| USA
Directed by: Jim McBride
Cinematography by: Affonso Beato
Cameras: Panavision Cameras
Focus Puller: UK
Who Framed Roger Rabbit (1988)
| USA
Directed by: Robert Zemeckis
Cinematography by: Dean Cundey
Edited by: Arthur Schmidt
Lenses: Panavision Lenses
First Assistant Camera
Willow (1988)
| USA
Directed by: Ron Howard
Cinematography by: Adrian Biddle
Cameras: Panavision Panaflex Gold Camera
First Assistant Camera: Second Camera
Club Paradise (1986)
| USA
Directed by: Harold Ramis
Cinematography by: Peter Hannan
Edited by: Marion Rothman
Camera Focus
Aliens (1986)
| USA
Directed by: James Cameron
Cinematography by: Adrian Biddle
Edited by: Ray Lovejoy
Lenses: Canon K35 Prime Lenses
Focus Puller: Kenya
The Color Purple (1985)
| USA
Directed by: Steven Spielberg
Cinematography by: Allen Daviau
Edited by: Michael Kahn
Clapper
A Passage to India (1984)
| UK, USA
Directed by: David Lean
Cinematography by: Ernest Day
Edited by: David Lean
Cameras: Panavision Cameras
Second Assistant Cameraman: London
Indiana Jones and the Temple of Doom (1984)
| USA
Directed by: Steven Spielberg
Cinematography by: Douglas Slocombe
Cameras: Panavision Panaflex Gold Camera
Second Assistant Cameraman
Star Wars: Episode VI - Return of the Jedi (1983)
| USA
Directed by: Richard Marquand
Cameras: ARRIFLEX 35 BL3 Camera, ARRIFLEX 35 IIC Camera
Second Assistant Camera: Second Unit
Five Days One Summer (1982)
| USA
Directed by: Fred Zinnemann
Cinematography by: Giuseppe Rotunno
Edited by: Stuart Baird
Cameras: Panavision Cameras
Second Assistant Camera
Loophole (1981)
| UK
Directed by: John Quested
Cinematography by: Michael Reed
Edited by: Ralph Sheldon
Second Assistant Camera: Second Camera
Star Wars: Episode V - The Empire Strikes Back (1980)
| USA
Directed by: Irvin Kershner
Cinematography by: Peter Suschitzky
Assistant Camera
The Shining (1980)
| UK, USA
Directed by: Stanley Kubrick
Cinematography by: John Alcott
Edited by: Ray Lovejoy
Cameras: ARRIFLEX 35 BL Camera
