"a" First Assistant Photographer
Mission: Impossible - Dead Reckoning Part One (2023)
Directed by: Christopher McQuarrie
Cinematography by: Fraser Taggart
Edited by: Eddie Hamilton
First Assistant Camera: "c" Camera
Star Wars: Episode IX - The Rise of Skywalker (2019)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
First Assistant Camera: "b" Camera, Main Unit
Darkest Hour (2017)
Directed by: Joe Wright
Cinematography by: Bruno Delbonnel
Edited by: Valerio Bonelli
Lenses: Angenieux Lenses, Cooke S4/i Lenses
First Assistant Camera
Doctor Strange (2016)
Directed by: Scott Derrickson
Cinematography by: Ben Davis
First Assistant Camera
Star Wars: Episode VII - The Force Awakens (2015)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Cameras: ARRI ALEXA Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Hasselblad Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Retro C 100mm T2.8 Lens, Panavision Retro C 35mm T2.8 Lens, Panavision Retro C 40mm T2.8 Lens, Panavision Retro C 50mm T2.8 Lens, Panavision Retro C 60mm T2.8 Lens, Panavision Retro C 75mm T2.8 Lens
Editing System: Avid Editing System
First Assistant Camera
Avengers: Age of Ultron (2015)
Directed by: Joss Whedon
Cinematography by: Ben Davis
First Assistant Camera
Kingsman: The Secret Service (2014)
Directed by: Matthew Vaughn
Cinematography by: George Richmond
Editing System: Avid Editing System
First Assistant Camera: "a" Camera
Calvary (2014)
Directed by: John Michael McDonagh
Cinematography by: Larry Smith
Edited by: Chris Gill
Cameras: ARRI ALEXA Series Cameras
First Assistant Camera
Fury (2014)
Directed by: David Ayer
Cinematography by: Roman Vasyanov
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C1000 1000 mm T5.6 Lens, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
First Assistant Camera
Guardians of the Galaxy (2014)
Directed by: James Gunn
Cinematography by: Ben Davis
Cameras: ARRI ALEXA XT Plus Camera, Phantom Flex Camera
First Assistant Camera
Edge of Tomorrow (2014)
Directed by: Doug Liman
Cinematography by: Dion Beebe
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
First Assistant Camera: "b" Camera, Second Unit
Thor: The Dark World (2013)
Directed by: Alan Taylor
Cinematography by: Kramer Morgenthau
Second Assistant Camera
Prometheus (2012)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Pietro Scalia
Cameras: ARRI ALEXA Camera, Red Epic Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Second Assistant Camera
John Carter (2012)
Directed by: Andrew Stanton
Cinematography by: Dan Mindel
Edited by: Eric Zumbrunnen
Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Apple Final Cut Pro 7
Second Assistant Camera: "b" Camera, Additional Photography
Wrath of the Titans (2012)
Directed by: Jonathan Liebesman
Cinematography by: Ben Davis
Edited by: Martin Walsh
Second Assistant Camera
Snow White and the Huntsman (2012)
Directed by: Rupert Sanders
Cinematography by: Greig Fraser
Second Assistant Camera
Skyfall (2012)
Directed by: Sam Mendes
Cinematography by: Roger Deakins
Edited by: Stuart Baird
Editing System: Avid Editing System
Assistant Camera
Pirates of the Caribbean: On Stranger Tides (2011)
Directed by: Rob Marshall
Cinematography by: Dariusz Wolski
Cameras: Red Epic Camera, Red One MX Camera
Second Assistant Camera: "b" Camera
The Wolfman (2010)
Directed by: Joe Johnston
Cinematography by: Shelly Johnson
Second Assistant Camera: "a" Camera
Gulliver's Travels (2010)
Directed by: Rob Letterman
Cinematography by: David Tattersall
Cameras: Canon EOS-1D Mark IV Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera
Editing System: Avid Editing System
Second Assistant Camera: UK
Alice in Wonderland (2010)
Directed by: Tim Burton
Cinematography by: Dariusz Wolski
Edited by: Chris Lebenzon
Cameras: Dalsa Evolution Camera, Panavision Genesis Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera
Editing System: Avid Editing System
Second Assistant Camera
Green Zone (2010)
Directed by: Paul Greengrass
Cinematography by: Barry Ackroyd
Edited by: Christopher Rouse
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Second Assistant Camera
Goal! III (2009)
Directed by: Andrew Morahan
Cinematography by: George Tiffin
Edited by: Giles Bury
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Second Assistant Camera: "a" Camera, London
The Imaginarium of Doctor Parnassus (2009)
Directed by: Terry Gilliam
Cinematography by: Nicola Pecorini
Edited by: Mick Audsley
Lenses: Zeiss Ultra Prime Lenses
Clapper Loader
Brideshead Revisited (2008)
Directed by: Julian Jarrold
Cinematography by: Jess Hall
Edited by: Chris Gill
Cameras: Panavision Cameras
Second Assistant Camera
Harry Potter and the Order of the Phoenix (2007)
Directed by: David Yates
Cinematography by: Slawomir Idziak
Edited by: Mark Day
Cameras: ARRI Cameras
Second Assistant Camera: Morocco
The Bourne Ultimatum (2007)
Directed by: Paul Greengrass
Cinematography by: Oliver Wood
Edited by: Christopher Rouse
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera
Additional Clapper Loader
Hot Fuzz (2007)
Directed by: Edgar Wright
Cinematography by: Jess Hall
Edited by: Chris Dickens
Second Assistant Camera: "b" Camera
Sweeney Todd: The Demon Barber of Fleet Street (2007)
Directed by: Tim Burton
Cinematography by: Dariusz Wolski
Edited by: Chris Lebenzon
Second Assistant Camera
Breaking and Entering (2006)
Directed by: Anthony Minghella
Cinematography by: Benoît Delhomme
Edited by: Lisa Gunning
Lenses: Zeiss Ultra Prime Lenses
Second Assistant Camera: Dailies
The Da Vinci Code (2006)
Directed by: Ron Howard
Cinematography by: Salvatore Totino
Second Assistant Camera
The Hitchhiker's Guide to the Galaxy (2005)
Directed by: Garth Jennings
Cinematography by: Igor Jadue-Lillo
Edited by: Niven Howie
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Lightworks Editing System
Clapper Loader
Gladiatress (2004)
Directed by: Brian Grant
Cinematography by: Witold Stok
Edited by: Fiona Colbeck
Second Assistant Camera
Harry Potter and the Prisoner of Azkaban (2004)
Directed by: Alfonso Cuarón
Cinematography by: Michael Seresin
Edited by: Steven Weisberg
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System
Loader
Die Another Day (2002)
Directed by: Lee Tamahori
Cinematography by: David Tattersall
Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Clapper Loader
Gosford Park (2001)
Directed by: Robert Altman
Cinematography by: Andrew Dunn
Edited by: Tim Squyres
Cameras: Panavision Panaflex Platinum Camera
Second Assistant Camera
Formula 51 (2001)
Directed by: Ronny Yu
Cinematography by: Hang-Sang Poon
Edited by: David Wu
Cameras: Moviecam Cameras
Second Unit: Second Assistant Camera
102 Dalmatians (2000)
Directed by: Kevin Lima
Edited by: Gregory Perler
Camera Trainee: Second Unit
Entrapment (1999)
Directed by: Jon Amiel
Cinematography by: Phil Meheux
Edited by: Terry Rawlings
Camera Loader
The World Is Not Enough (1999)
Directed by: Michael Apted
Cinematography by: Adrian Biddle
Edited by: Jim Clark
