Paul Wheeldon

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Mission: Impossible - Dead Reckoning Part One | ShotOnWhat?

"a" First Assistant Photographer

Mission: Impossible - Dead Reckoning Part One (2023)

Directed by: Christopher McQuarrie

Cinematography by: Fraser Taggart

Edited by: Eddie Hamilton

Cameras: Sony CineAlta VENICE Camera

Doctor Strange | ShotOnWhat?

First Assistant Camera

Doctor Strange (2016)

Directed by: Scott Derrickson

Cinematography by: Ben Davis

Edited by: Sabrina Plisco, Wyatt Smith

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera

Lenses: Angenieux Optimo Zoom Lenses, Fujinon Premier Lenses, Panavision 65mm Prime Lenses, Panavision Primo 70 Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Star Wars: The Force Awakens | ShotOnWhat?

First Assistant Camera

Star Wars: Episode VII - The Force Awakens (2015)

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Mary Jo Markey

Cameras: ARRI ALEXA Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision Retro C 100mm T2.8 Lens, Panavision Retro C 35mm T2.8 Lens, Panavision Retro C 40mm T2.8 Lens, Panavision Retro C 50mm T2.8 Lens, Panavision Retro C 60mm T2.8 Lens, Panavision Retro C 75mm T2.8 Lens

Editing System: Avid Editing System

Avengers: Age of Ultron | ShotOnWhat?

First Assistant Camera

Avengers: Age of Ultron (2015)

Directed by: Joss Whedon

Cinematography by: Ben Davis

Edited by: Jeffrey Ford, Lisa Lassek

Cameras: ARRI ALEXA XT Studio Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera, Red One MX Camera

Lenses: Panavision Primo Anamorphic Lenses

Guardians of the Galaxy | ShotOnWhat?

First Assistant Camera

Guardians of the Galaxy (2014)

Directed by: James Gunn

Cinematography by: Ben Davis

Edited by: Fred Raskin, Hughes Winborne, Craig Wood

Cameras: ARRI ALEXA XT Plus Camera, Phantom Flex Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke Xtal Xpress 50mm T2.3 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL24-MS 24 mm T1.7 Lens, Panavision SL27 27 mm T1.9 Lens

Edge of Tomorrow | ShotOnWhat?

First Assistant Camera

Edge of Tomorrow (2014)

Directed by: Doug Liman

Cinematography by: Dion Beebe

Edited by: James Herbert, Laura Jennings

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Maleficent | ShotOnWhat?

Assistant Camera

Maleficent (2014)

Directed by: Robert Stromberg

Cinematography by: Dean Semler

Edited by: Chris Lebenzon, Richard Pearson

Cameras: ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera

Fury | ShotOnWhat?

First Assistant Camera

Fury (2014)

Directed by: David Ayer

Cinematography by: Roman Vasyanov

Edited by: Jay Cassidy, Dody Dorn

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C1000 1000 mm T5.6 Lens, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Kingsman: The Secret Service | ShotOnWhat?

First Assistant Camera

Kingsman: The Secret Service (2014)

Directed by: Matthew Vaughn

Cinematography by: George Richmond

Edited by: Eddie Hamilton, Jon Harris

Cameras: ARRI ALEXA XT Plus Camera, Blackmagic Production 4K Camera, Phantom Flex Camera

Lenses: Angenieux Optimo Zoom Lenses, Hawk V-Lite Lenses

Editing System: Avid Editing System

Calvary | ShotOnWhat?

First Assistant Camera: "a" Camera

Calvary (2014)

Directed by: John Michael McDonagh

Cinematography by: Larry Smith

Edited by: Chris Gill

Cameras: ARRI ALEXA Series Cameras

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo Zoom Lenses

Now You See Me | ShotOnWhat?

Second Assistant Camera: France

Now You See Me (2013)

Directed by: Louis Leterrier

Cinematography by: Mitchell Amundsen, Larry Fong

Edited by: Robert Leighton, Vincent Tabaillon

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision G Series Anamorphic Lenses

Thor: The Dark World | ShotOnWhat?

First Assistant Camera: "b" Camera, Second Unit

Thor: The Dark World (2013)

Directed by: Alan Taylor

Cinematography by: Kramer Morgenthau

Edited by: Dan Lebental, Wyatt Smith

Cameras: ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, Phantom Flex Camera, Red Epic Camera

Lenses: Panavision G Series Anamorphic Lenses

Prometheus | ShotOnWhat?

Second Assistant Camera

Prometheus (2012)

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Pietro Scalia

Cameras: ARRI ALEXA Camera, Red Epic Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Skyfall | ShotOnWhat?

Second Assistant Camera

Skyfall (2012)

Directed by: Sam Mendes

Cinematography by: Roger Deakins

Edited by: Stuart Baird

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, Red Epic Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Snow White and the Huntsman | ShotOnWhat?

Second Assistant Camera

Snow White and the Huntsman (2012)

Directed by: Rupert Sanders

Cinematography by: Greig Fraser

Edited by: Conrad Buff IV, Neil Smith

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera

Lenses: Panavision 65mm Prime Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Wrath of the Titans | ShotOnWhat?

Second Assistant Camera: "b" Camera, Additional Photography

Wrath of the Titans (2012)

Directed by: Jonathan Liebesman

Cinematography by: Ben Davis

Edited by: Martin Walsh

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Primo Anamorphic Lenses

John Carter | ShotOnWhat?

Second Assistant Camera

John Carter (2012)

Directed by: Andrew Stanton

Cinematography by: Dan Mindel

Edited by: Eric Zumbrunnen

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Apple Final Cut Pro 7

Pirates of the Caribbean: On Stranger Tides | ShotOnWhat?

Assistant Camera

Pirates of the Caribbean: On Stranger Tides (2011)

Directed by: Rob Marshall

Cinematography by: Dariusz Wolski

Edited by: David Brenner, Wyatt Smith

Cameras: Red Epic Camera, Red One MX Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses

Gulliver's Travels | ShotOnWhat?

Second Assistant Camera: "a" Camera

Gulliver's Travels (2010)

Directed by: Rob Letterman

Cinematography by: David Tattersall

Edited by: Alan Edward Bell, Nicolas De Toth, Dean Zimmerman

Cameras: Canon EOS-1D Mark IV Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Alice in Wonderland | ShotOnWhat?

Second Assistant Camera: UK

Alice in Wonderland (2010)

Directed by: Tim Burton

Cinematography by: Dariusz Wolski

Edited by: Chris Lebenzon

Cameras: Dalsa Evolution Camera, Panavision Genesis Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

The Wolfman | ShotOnWhat?

Second Assistant Camera: "b" Camera

The Wolfman (2010)

Directed by: Joe Johnston

Cinematography by: Shelly Johnson

Edited by: Walter Murch, Dennis Virkler, Mark Goldblatt

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

Green Zone | ShotOnWhat?

Second Assistant Camera

Green Zone (2010)

Directed by: Paul Greengrass

Cinematography by: Barry Ackroyd

Edited by: Christopher Rouse

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Ultra Prime Lenses

The Imaginarium of Doctor Parnassus | ShotOnWhat?

Second Assistant Camera: "a" Camera, London

The Imaginarium of Doctor Parnassus (2009)

Directed by: Terry Gilliam

Cinematography by: Nicola Pecorini

Edited by: Mick Audsley

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 35 BL3 Camera, ARRIFLEX 435 Xtreme Camera

Lenses: Zeiss Ultra Prime Lenses

Goal! III | ShotOnWhat?

Second Assistant Camera

Goal! III (2009)

Direct to Video

Directed by: Andrew Morahan

Cinematography by: George Tiffin

Edited by: Giles Bury

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Brideshead Revisited | ShotOnWhat?

Clapper Loader

Brideshead Revisited (2008)

Directed by: Julian Jarrold

Cinematography by: Jess Hall

Edited by: Chris Gill

Cameras: Panavision Cameras

The Bourne Ultimatum | ShotOnWhat?

Second Assistant Camera: Morocco

The Bourne Ultimatum (2007)

Directed by: Paul Greengrass

Cinematography by: Oliver Wood

Edited by: Christopher Rouse

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera

Lenses: Cooke S4 Lenses, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens

Editing System: Avid Editing System, Final Cut Pro Editing System, Lightworks Editing System

Harry Potter and the Order of the Phoenix | ShotOnWhat?

Second Assistant Camera

Harry Potter and the Order of the Phoenix (2007)

Directed by: David Yates

Cinematography by: Slawomir Idziak

Edited by: Mark Day

Cameras: ARRI Cameras

Sweeney Todd: The Demon Barber of Fleet Street | ShotOnWhat?

Second Assistant Camera: "b" Camera

Sweeney Todd: The Demon Barber of Fleet Street (2007)

Directed by: Tim Burton

Cinematography by: Dariusz Wolski

Edited by: Chris Lebenzon

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Hot Fuzz | ShotOnWhat?

Additional Clapper Loader

Hot Fuzz (2007)

Directed by: Edgar Wright

Cinematography by: Jess Hall

Edited by: Chris Dickens

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Breaking and Entering | ShotOnWhat?

Second Assistant Camera

Breaking and Entering (2006)

Directed by: Anthony Minghella

Cinematography by: Benoît Delhomme

Edited by: Lisa Gunning

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Zeiss Ultra Prime Lenses

The Da Vinci Code | ShotOnWhat?

Second Assistant Camera: Dailies

The Da Vinci Code (2006)

Directed by: Ron Howard

Cinematography by: Salvatore Totino

Edited by: Daniel P. Hanley, Mike Hill

Eragon | ShotOnWhat?

Second Assistant Camera

Eragon (2006)

Directed by: Stefen Fangmeier

Cinematography by: Hugh Johnson

Edited by: Roger Barton, Masahiro Hirakubo, Chris Lebenzon

The Hitchhiker's Guide to the Galaxy | ShotOnWhat?

Second Assistant Camera

The Hitchhiker's Guide to the Galaxy (2005)

Directed by: Garth Jennings

Cinematography by: Igor Jadue-Lillo

Edited by: Niven Howie

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Editing System: Lightworks Editing System

Gladiatress | ShotOnWhat?

Clapper Loader

Gladiatress (2004)

Directed by: Brian Grant

Cinematography by: Witold Stok

Edited by: Fiona Colbeck

Harry Potter and the Prisoner of Azkaban | ShotOnWhat?

Second Assistant Camera

Harry Potter and the Prisoner of Azkaban (2004)

Directed by: Alfonso Cuarón

Cinematography by: Michael Seresin

Edited by: Steven Weisberg

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Advanced Camera

Lenses: Cooke S4 Lenses

Editing System: Avid Editing System

Die Another Day | ShotOnWhat?

Loader

Die Another Day (2002)

Directed by: Lee Tamahori

Cinematography by: David Tattersall

Edited by: Andrew MacRitchie, Christian Wagner

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Formula 51 | ShotOnWhat?

Second Assistant Camera

Formula 51 (2001)

Directed by: Ronny Yu

Cinematography by: Hang-Sang Poon

Edited by: David Wu

Cameras: Moviecam Cameras

Gosford Park | ShotOnWhat?

Clapper Loader

Gosford Park (2001)

Directed by: Robert Altman

Cinematography by: Andrew Dunn

Edited by: Tim Squyres

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

102 Dalmatians | ShotOnWhat?

Second Unit: Second Assistant Camera

102 Dalmatians (2000)

Directed by: Kevin Lima

Cinematography by: Adrian Biddle, Roger Pratt

Edited by: Gregory Perler

The World Is Not Enough | ShotOnWhat?

Camera Loader

The World Is Not Enough (1999)

Directed by: Michael Apted

Cinematography by: Adrian Biddle

Edited by: Jim Clark

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Gold Camera

Lenses: Panavision C Series Anamorphic Lenses

Entrapment | ShotOnWhat?

Camera Trainee: Second Unit

Entrapment (1999)

Directed by: Jon Amiel

Cinematography by: Phil Meheux

Edited by: Terry Rawlings

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