Visual Effects: Digital Symphony
'Game of Thrones' No One (2016)
Directed by: Mark Mylod
Cinematography by: P.J. Dillon
Edited by: Katie Weiland
Visual Effects: Digital Symphony
'Game of Thrones' The Broken Man (2016)
Directed by: Mark Mylod
Cinematography by: P.J. Dillon
Edited by: Jesse Parker
Visual Effects: Digital Symphony
'Game of Thrones' The Door (2016)
Directed by: Jack Bender
Cinematography by: Jonathan Freeman
Edited by: Crispin Green
Production Designer
The BFG (2016)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: ARRI ALEXA XT Series Cameras
Additional Visual Effects / Visual Effects: Rodeo FX
'Game of Thrones' The Children (2014)
Directed by: Alex Graves
Cinematography by: Anette Haellmigk
Edited by: Tim Porter
Additional Visual Effects
'Game of Thrones' The Watchers on the Wall (2014)
Directed by: Neil Marshall
Cinematography by: David Franco
Edited by: Katie Weiland
Disgruntled Kansas Man, Production Designer
Oz the Great and Powerful (2013)
Directed by: Sam Raimi
Cinematography by: Peter Deming
Edited by: Bob Murawski
Cameras: Red Epic Camera
Editing System: Avid Editing System
Visual Effects: Crazy Horse Effects
Life of Pi (2012)
Directed by: Ang Lee
Cinematography by: Claudio Miranda
Edited by: Tim Squyres
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System
Concept Artist
The Hunger Games (2012)
Directed by: Gary Ross
Cinematography by: Tom Stern
Editing System: Avid Editing System
Visual Effects Designer: Digital Symphony
'Boardwalk Empire' Gimcrack and Bunkum (2011)
Directed by: Timothy Van Patten
Cinematography by: Jonathan Freeman
Edited by: Kate Sanford
Visual Effects Designer: Digital Symphony
'Boardwalk Empire' The Age of Reason (2011)
Directed by: Jeremy Podeswa
Cinematography by: David Franco
Edited by: Tim Streeto
Matte Painter: Crazy Horse Effects
Water for Elephants (2011)
Directed by: Francis Lawrence
Cinematography by: Rodrigo Prieto
Edited by: Alan Edward Bell
Editing System: Avid Editing System
Visual Effects Designer: Digital Symphony
'Boardwalk Empire' Battle of the Century (2011)
Directed by: Brad Anderson
Cinematography by: William Coleman
Edited by: Kate Sanford
Visual Effects: Digital Symphony / Additional Visual Effects / Visual Effects: Rodeo FX - 5 Episodes, 2014-2016
Game of Thrones (2011)
Directed by: David Nutter, Alan Taylor, Alex Graves, Miguel Sapochnik, Mark Mylod, Jeremy Podeswa, Daniel Minahan, Alik Sakharov, Michelle MacLaren, Brian Kirk, David Benioff, D.B. Weiss, Timothy Van Patten, Neil Marshall, David Petrarca, Michael Slovis, Jack Bender, Daniel Sackheim, Matt Shakman
Cinematography by: Anette Haellmigk, Jonathan Freeman, Robert McLachlan, Fabian Wagner, David Franco, Gregory Middleton, P.J. Dillon, Matthew Jensen, Alik Sakharov, Martin Kenzie, Marco Pontecorvo, Kramer Morgenthau, Chris Seager, Sam McCurdy, David Katznelson
Edited by: Katie Weiland, Frances Parker, Crispin Green, Tim Porter, Oral Norrie Ottey, Martin Nicholson, Jesse Parker, Yan Miles
Editing System: Avid Editing System
Visual Effects Designer: Digital Symphony
'Boardwalk Empire' A Dangerous Maid (2011)
Directed by: Susanna White
Cinematography by: Jonathan Freeman
Edited by: Kate Sanford
Visual Effects Designer: Digital Symphony
'Boardwalk Empire' 21 (2011)
Directed by: Timothy Van Patten
Cinematography by: Jonathan Freeman
Edited by: Kate Sanford
Visual Effects Supervisor
'Boardwalk Empire' A Return to Normalcy (2010)
Directed by: Timothy Van Patten
Cinematography by: Kramer Morgenthau
Edited by: Tim Streeto
Visual Effects Supervisor
'Boardwalk Empire' Hold Me in Paradise (2010)
Directed by: Brian Kirk
Cinematography by: Kramer Morgenthau
Edited by: Tim Streeto
Visual Effects Designer: Visual Symphony
The Way Back (2010)
Directed by: Peter Weir
Cinematography by: Russell Boyd
Edited by: Lee Smith
Visual Effects Supervisor
Angel Camouflaged (2010)
Directed by: R. Michael Givens
Cinematography by: R. Michael Givens
Visual Effects Supervisor / Visual Effects Designer: Digital Symphony / Visual Effects Designer: Digital Symphony / Visual Effects Designer - 17 Episodes, 2010-2011
Boardwalk Empire (2010)
Directed by: Timothy Van Patten, Allen Coulter, Jeremy Podeswa, Ed Bianchi, Brad Anderson, Alik Sakharov, Jake Paltrow, Simon Cellan Jones, Brian Kirk, Martin Scorsese, Alan Taylor, David Petrarca, Susanna White, Kari Skogland
Cinematography by: William Coleman, David Franco, Jonathan Freeman, Kramer Morgenthau, Stuart Dryburgh, Eric Moynier
Matte Painter: Crazy Horse Effects
Wall Street: Money Never Sleeps (2010)
Directed by: Oliver Stone
Cinematography by: Rodrigo Prieto
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Zeiss Master Prime Lenses
Production Designer
Alice in Wonderland (2010)
Directed by: Tim Burton
Cinematography by: Dariusz Wolski
Edited by: Chris Lebenzon
Cameras: Dalsa Evolution Camera, Panavision Genesis Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera
Editing System: Avid Editing System
Visual Effects Designer: Digital Symphony / Visual Effects Supervisor
'Boardwalk Empire' Boardwalk Empire (2010)
Directed by: Martin Scorsese
Cinematography by: Stuart Dryburgh
Edited by: Sidney Wolinsky
Visual Effects Supervisor
'Boardwalk Empire' Belle Femme (2010)
Directed by: Brad Anderson
Cinematography by: Jonathan Freeman
Edited by: Kate Sanford
Visual Effects Supervisor
'Boardwalk Empire' The Ivory Tower (2010)
Directed by: Timothy Van Patten
Cinematography by: Jonathan Freeman
Edited by: Kate Sanford
Visual Effects Supervisor
'Boardwalk Empire' Home (2010)
Directed by: Allen Coulter
Cinematography by: Jonathan Freeman
Edited by: Kate Sanford
Visual Effects Designer
'Boardwalk Empire' Broadway Limited (2010)
Directed by: Timothy Van Patten
Cinematography by: Jonathan Freeman
Edited by: Kate Sanford
Visual Effects Designer
Shutter Island (2010)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Cameras: ARRIFLEX 765 Camera, ARRIFLEX D-21 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Editing System: Lightworks Editing System
Visual Effects Supervisor
'Boardwalk Empire' The Emerald City (2010)
Directed by: Simon Cellan Jones
Cinematography by: Kramer Morgenthau
Edited by: Tim Streeto
Visual Effects Designer: Digital Symphony
'Boardwalk Empire' Anastasia (2010)
Directed by: Jeremy Podeswa
Cinematography by: Kramer Morgenthau
Edited by: Tim Streeto
Visual Effects Supervisor
'Boardwalk Empire' Nights in Ballygran (2010)
Directed by: Alan Taylor
Cinematography by: Jonathan Freeman
Edited by: Kate Sanford
Visual Effects Supervisor
'Boardwalk Empire' Family Limitation (2010)
Directed by: Timothy Van Patten
Cinematography by: Kramer Morgenthau
Edited by: Tim Streeto
Visual Effects Supervisor
'Boardwalk Empire' Paris Green (2010)
Directed by: Allen Coulter
Cinematography by: Jonathan Freeman
Edited by: Kate Sanford
Production Designer
Avatar (2009)
Directed by: James Cameron
Cinematography by: Mauro Fiore
Digital Matte Artist: CIS Hollywood
G.I. Joe: The Rise of Cobra (2009)
Directed by: Stephen Sommers
Cinematography by: Mitchell Amundsen
Visual Effects Design Consultant: Crazy Horse Effects
The Road (2009)
Directed by: John Hillcoat
Cinematography by: Javier Aguirresarobe
Edited by: Jon Gregory
Cameras: ARRICAM Lite (LT) Camera
Aerial Matte Painting Supervisor: Digital Backlot
Grey Gardens (2009)
Directed by: Michael Sucsy
Cinematography by: Mike Eley
Matte Artist
2012 (2009)
Directed by: Roland Emmerich
Cinematography by: Dean Semler
Cameras: Panavision Cameras, Panavision Genesis Camera
Editing System: Avid Editing System
Visual Effects Designer: Digital Backlot
Four Christmases (2008)
Directed by: Seth Gordon
Cinematography by: Jeffrey L. Kimball
Visual Effects Designer: Digital Backlot
Tropic Thunder (2008)
Directed by: Ben Stiller
Cinematography by: John Toll
Edited by: Greg Hayden
Visual Effects Designer: Digital Backlot
There Will Be Blood (2007)
Directed by: Paul Thomas Anderson
Cinematography by: Robert Elswit
Edited by: Dylan Tichenor
Matte Painting Supervisor: Digital Backlot
Evan Almighty (2007)
Directed by: Tom Shadyac
Cinematography by: Ian Baker
Edited by: Scott Hill
Cameras: Panavision Cameras
Editing System: Lightworks Editing System
Visual Effects Supervisor: Digital Backlot
3:10 to Yuma (2007)
Directed by: James Mangold
Cinematography by: Phedon Papamichael
Edited by: Michael McCusker
Editing System: Avid Editing System
Matte Painting Supervisor: Digital Backlot / Visual Effects Supervisor: Digital Backlot
The Golden Compass (2007)
Directed by: Chris Weitz
Cinematography by: Henry Braham
Matte Painter: CafeFX
Ghost Rider (2007)
Directed by: Mark Steven Johnson
Cinematography by: Russell Boyd
Edited by: Richard Francis-Bruce
Cameras: Panavision Cameras
Visual Effects Conceptual Consultant: Digital Domain / Visual Effects Design
Pirates of the Caribbean: At World's End (2007)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL24-CF 24 mm T1.8 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL30-CF 30 mm T1.8 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Editing System: Avid Editing System
Matte Painting Supervisor
Pan's Labyrinth (2006)
Directed by: Guillermo del Toro
Cinematography by: Guillermo Navarro
Edited by: Bernat Vilaplana
Matte Painting Supervisor: CIS Hollywood
The Good German (2006)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Steven Soderbergh
Matte Painting Supervisor
The Good Shepherd (2006)
Directed by: Robert De Niro
Cinematography by: Robert Richardson
Edited by: Tariq Anwar
Cameras: Panavision Panaflex Platinum Camera
Editing System: Lightworks Editing System
Visual Effects Supervisor: Digital Backlot
The Fast and the Furious: Tokyo Drift (2006)
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Visual Effects Supervisor
Walk the Line (2005)
Directed by: James Mangold
Cinematography by: Phedon Papamichael
Edited by: Michael McCusker
Visual Effects Supervisor
Memoirs of a Geisha (2005)
Directed by: Rob Marshall
Cinematography by: Dion Beebe
Edited by: Pietro Scalia
Visual Effects Supervisor: Digital Backlot
Sky Captain and the World of Tomorrow (2004)
Directed by: Kerry Conran
Cinematography by: Eric Adkins
Edited by: Sabrina Plisco
Cameras: Sony HDW-F900 Camera
Editing System: Final Cut Pro Editing System
Digital Matte Painting Supervisor
The Chronicles of Riddick (2004)
Directed by: David Twohy
Cinematography by: Hugh Johnson
Matte Artist
The Forgotten (2004)
Directed by: Joseph Ruben
Cinematography by: Anastas N. Michos
Edited by: Richard Francis-Bruce
Visual Effects Supervisor: Digital Backlot
The Terminal (2004)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Visual Effect Supervisor: Digital Backlot
The Aviator (2004)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Editing System: Lightworks Editing System
Visual Effects Supervisor: Digital Backlot
Identity (2003)
Directed by: James Mangold
Cinematography by: Phedon Papamichael
Edited by: David Brenner
Digital Matte Artist
The Order (2003)
Directed by: Brian Helgeland
Cinematography by: Nicola Pecorini
Edited by: Kevin Stitt
Matte Painting Supervisor: Main Titles
The League of Extraordinary Gentlemen (2003)
Directed by: Stephen Norrington
Cinematography by: Dan Laustsen
Edited by: Paul Rubell
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Digital Matte Painter
Seabiscuit (2003)
Directed by: Gary Ross
Cinematography by: John Schwartzman
Edited by: William Goldenberg
Editing System: Avid Editing System
Digital Matte Artist
Bad Boys II (2003)
Directed by: Michael Bay
Cinematography by: Amir Mokri
Cameras: Bell & Howell Eyemo Camera, Cine SL-35 Camera, Pan-Arri 435es Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Digital Matte Painter: SPI
Hollywood Homicide (2003)
Directed by: Ron Shelton
Cinematography by: Barry Peterson
Edited by: Paul Seydor
Cameras: Panavision Panaflex Camera
Visual Effects Designer
Master and Commander: The Far Side of the World (2003)
Directed by: Peter Weir
Cinematography by: Russell Boyd
Edited by: Lee Smith
Matte Painter
About Schmidt (2002)
Directed by: Alexander Payne
Cinematography by: James Glennon
Edited by: Kevin Tent
Cameras: Panavision Panaflex Gold II Camera
Digital Matte Painter: Digital Backlot
I Spy (2002)
Directed by: Betty Thomas
Cinematography by: Oliver Wood
Edited by: Peter Teschner
Matte Painter: Asylum Visual Effects
Catch Me If You Can (2002)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Matte Artist: SPI
Men in Black II (2002)
Directed by: Barry Sonnenfeld
Cinematography by: Greg Gardiner
Planet Designer: Rhythm & Hues
Solaris (2002)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Steven Soderbergh
Matte Painting
I Am Sam (2001)
Directed by: Jessie Nelson
Cinematography by: Elliot Davis
Edited by: Richard Chew
Visual Effects Supervisor
Kate & Leopold (2001)
Directed by: James Mangold
Cinematography by: Stuart Dryburgh
Edited by: David Brenner
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Additional Footage, Matte Painting Supervisor: Digital Backlot
15 Minutes (2001)
Directed by: John Herzfeld
Cinematography by: Jean-Yves Escoffier
Edited by: Steven Cohen
Cameras: Panavision Cameras
Additional Paintings: SPI
Cast Away (2000)
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Arthur Schmidt
Matte Painting Supervisor: Digital Backlot
Battlefield Earth (2000)
Directed by: Roger Christian
Cinematography by: Giles Nuttgens
Edited by: Robin Russell
Matte Painting Artist: SPI
What Lies Beneath (2000)
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Arthur Schmidt
Cameras: Panavision Panaflex Platinum Camera
Visual Effects Supervisor
Dangerous Beauty (1998)
Directed by: Marshall Herskovitz
Cinematography by: Bojan Bazelli
Digital Matte Painter: SPI
Patch Adams (1998)
Directed by: Tom Shadyac
Cinematography by: Phedon Papamichael
Edited by: Don Zimmerman
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Matte Paintings: Illusion Arts
8 Heads in a Duffel Bag (1997)
Directed by: Tom Schulman
Cinematography by: Adam Holender
Edited by: David Holden
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Matte Paintings
DragonHeart (1996)
Directed by: Rob Cohen
Cinematography by: David Eggby
Edited by: Peter Amundson
Matte Artist: Illusion Arts
Daylight (1996)
Directed by: Rob Cohen
Cinematography by: David Eggby
Edited by: Peter Amundson
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Lenses: Zeiss Lenses
Matte Artist
The Birdcage (1996)
Directed by: Mike Nichols
Cinematography by: Emmanuel Lubezki
Edited by: Arthur Schmidt
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Matte Artist: Illusion Art
Star Trek: First Contact (1996)
Directed by: Jonathan Frakes
Cinematography by: Matthew F. Leonetti
Edited by: John W. Wheeler
Digital Matte Artist
High School High (1996)
Directed by: Hart Bochner
Cinematography by: Vernon Layton
Edited by: James R. Symons
Matte Artist: Illusion Arts
Courage Under Fire (1996)
Directed by: Edward Zwick
Cinematography by: Roger Deakins
Edited by: Steven Rosenblum
Visual Effects Supervisor
A Walk in the Clouds (1995)
Directed by: Alfonso Arau
Cinematography by: Emmanuel Lubezki
Edited by: Don Zimmerman
Visual Effects: Illusion Arts, Inc.
Four Rooms (1995)
Digital Matte Paintings: Illusion Arts / Visual Effects Supervisor: Illusion Arts
Fatherland (1994)
Directed by: Christopher Menaul
Cinematography by: Peter Sova
Edited by: Tariq Anwar
Matte Artist
Naked Gun 33 1/3: The Final Insult (1994)
Directed by: Peter Segal
Cinematography by: Robert M. Stevens
Edited by: James R. Symons
Cameras: Panavision Cameras
Matte Artist
The Shadow (1994)
Directed by: Russell Mulcahy
Cinematography by: Stephen H. Burum
Edited by: Peter Honess
Matte Artist: Illusion Arts
Speechless (1994)
Directed by: Ron Underwood
Cinematography by: Donald Peterman
Edited by: Richard Francis-Bruce
Additional Visual Effects
A Far Off Place (1993)
Directed by: Mikael Salomon
Cinematography by: Juan Ruiz Anchía
Edited by: Ray Lovejoy
Cameras: Panavision Panaflex Camera
Matte Artist: Illusion Arts Inc.
The Age of Innocence (1993)
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Edited by: Thelma Schoonmaker
Matte Artist: Illusion Arts
Addams Family Values (1993)
Directed by: Barry Sonnenfeld
Cinematography by: Donald Peterman
Matte Artist
Fortress (1992)
Directed by: Stuart Gordon
Cinematography by: David Eggby
Edited by: Tim Wellburn
Matte Shots
A Few Good Men (1992)
Directed by: Rob Reiner
Cinematography by: Robert Richardson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Matte Artist
The Butcher's Wife (1991)
Directed by: Terry Hughes
Cinematography by: Frank Tidy
Edited by: Donn Cambern
Digital Matte Artist
Tremors (1990)
Directed by: Ron Underwood
Cinematography by: Alexander Gruszynski
Edited by: O. Nicholas Brown
