Greig Fraser

17 Titles

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The Creator | ShotOnWhat?

Co-producer, Director Of Photography

The Creator (2023)

Directed by: Gareth Edwards

Cinematography by: Greig Fraser, Oren Soffer

Edited by: Hank Corwin, Scott Morris, Joe Walker

Cameras: Sony ILME-FX3 Camera

Lenses: Atlas Mercury 42 mm T2.2 Lens, P+S Technik Kowa Cine Prominar Anamorphic 75mm T2.8 Lens (rehoused)

The Batman | ShotOnWhat?

Director Of Photography

The Batman (2022)

Directed by: Matt Reeves

Cinematography by: Greig Fraser

Edited by: William Hoy, Tyler Nelson

Cameras: ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera, ARRI ALEXA Plus 4:3 Camera

Lenses: ARRI Rental ALFA Lenses, ARRI Rental Prime DNA Lenses, Atlas Orion Anamorphic Series Lenses, Cooke Xtal Express Lenses

Dune | ShotOnWhat?

Director Of Photography

Dune (2021)

Directed by: Denis Villeneuve

Cinematography by: Greig Fraser

Edited by: Joe Walker

Cameras: ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera

Lenses: Panavision H Series Lenses, Panavision Ultra Vista Series Lenses

Vice | ShotOnWhat?

Cinematographer

Vice (2018)

Directed by: Adam McKay

Cinematography by: Greig Fraser

Edited by: Hank Corwin

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 416 Camera, ARRIFLEX 435 Camera, Bolex Cameras

Lenses: Angenieux HR Zoom Lenses, Cooke Anamorphic/i Prime Lenses

Rogue One: A Star Wars Story | ShotOnWhat?

Director Of Photography

Rogue One (2016)

Directed by: Gareth Edwards

Cinematography by: Greig Fraser

Edited by: John Gilroy, Colin Goudie, Jabez Olssen

Cameras: ARRI ALEXA 65 Camera

Lenses: Panavision APO Panatar Lenses

Editing System: Avid Editing System

Foxcatcher | ShotOnWhat?

Cinematographer

Foxcatcher (2014)

Directed by: Bennett Miller

Cinematography by: Greig Fraser

Edited by: Jay Cassidy, Stuart Levy, Conor O'Neill

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Ultra Speed MKII Lenses

Editing System: Avid Editing System

The Gambler | ShotOnWhat?

Cinematographer

The Gambler (2014)

Directed by: Rupert Wyatt

Cinematography by: Greig Fraser

Edited by: Pete Beaudreau

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Killing Them Softly | ShotOnWhat?

Director Of Photography

Killing Them Softly (2012)

Directed by: Andrew Dominik

Cinematography by: Greig Fraser

Edited by: John Paul Horstmann, Brian A. Kates

Cameras: Pan-Arri 235 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision HS50 50 mm T1.1 Lens

Snow White and the Huntsman | ShotOnWhat?

Cinematographer

Snow White and the Huntsman (2012)

Directed by: Rupert Sanders

Cinematography by: Greig Fraser

Edited by: Conrad Buff IV, Neil Smith

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera

Lenses: Panavision 65mm Prime Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Zero Dark Thirty | ShotOnWhat?

Director Of Photography

Zero Dark Thirty (2012)

Directed by: Kathryn Bigelow

Cinematography by: Greig Fraser

Edited by: William Goldenberg, Dylan Tichenor

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera

Lenses: Angenieux HP Zoom Lenses, Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Optica Elite Lenses

Editing System: Avid Editing System

Lore | ShotOnWhat?

Camera Operator

Lore (2012)

Directed by: Cate Shortland

Cinematography by: Adam Arkapaw

Edited by: Veronika Jenet

Cameras: ARRIFLEX 16SR3 Camera, ARRIFLEX 416 Plus Camera

Lenses: Canon Lenses, Zeiss Ultra 16 Lenses

Let Me In | ShotOnWhat?

Director Of Photography

Let Me In (2010)

Directed by: Matt Reeves

Cinematography by: Greig Fraser

Edited by: Stan Salfas

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Standard Primes (SP) Lenses

The Boys Are Back | ShotOnWhat?

Cinematographer

The Boys Are Back (2009)

Directed by: Scott Hicks

Cinematography by: Greig Fraser

Edited by: Scott Gray

Bright Star | ShotOnWhat?

Director Of Photography

Bright Star (2009)

Directed by: Jane Campion

Cinematography by: Greig Fraser

Edited by: Alexandre de Franceschi

Cameras: ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Cooke S4 Lenses, Optica Elite Lenses

Australia | ShotOnWhat?

Director Of Photography: Second Unit

Australia (2008)

Directed by: Baz Luhrmann

Cinematography by: Mandy Walker

Edited by: Dody Dorn, Michael McCusker

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses

Chacun son cinéma ou Ce petit coup au coeur quand la lumière s'éteint et que le film commence | ShotOnWhat?

Cinematographer - Segment "the Lady Bug"

Chacun son cinéma ou Ce petit coup au coeur quand la lumière s'éteint et que le film commence (2007)

Edited by: Luc Barnier, William Chang, Long Cheng, Alexandre de Franceschi, Marie-Hélène Dozo, Olga Grinshpun, François Gédigier, Takeshi Kitano, Bodil Kjærhauge, Véronique Lange, Giuseppe Leonetti, Valérie Loiseleux, Stephen Mirrione, Gabriel Reed, Susan Shipton, Yannis Tsitsopoulos

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens

Caterpillar Wish | ShotOnWhat?

Cinematographer

Caterpillar Wish (2006)

Directed by: Sandra Sciberras

Cinematography by: Greig Fraser

Edited by: Jason Ballantine

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