Compositing Lead : Scanline VFX
Nyad (2023)
Cinematography by: Claudio Miranda
Edited by: Christopher Tellefsen
Lenses: Fujinon Lenses, Zeiss Master Prime Lenses
Compositing Artist: Visual Effects
The Batman (2022)
Directed by: Matt Reeves
Cinematography by: Greig Fraser
Visual Effects Supervisor: BlueBolt
Mission: Impossible - Fallout (2018)
Directed by: Christopher McQuarrie
Cinematography by: Rob Hardy
Edited by: Eddie Hamilton
Compositor: Image Engine
Kin (2018)
Cinematography by: Larkin Seiple
Edited by: Mark Day
Cameras: ARRI ALEXA Mini Camera
Senior Compositor: Image Engine
The Meg (2018)
Directed by: Jon Turteltaub
Cinematography by: Tom Stern
Senior Compositor: Image Engine
Tully (2018)
Directed by: Jason Reitman
Cinematography by: Eric Steelberg
Edited by: Stefan Grube
Cameras: ARRI ALEXA Mini Camera
Compositing Artist: Cinesite
Gods of Egypt (2016)
Directed by: Alex Proyas
Cinematography by: Peter Menzies Jr.
Edited by: Richard Learoyd
Cameras: Red Epic Dragon Camera
Lenses: Panavision Primo 70 Lenses
Compositor: Cinesite
The Revenant (2015)
Directed by: Alejandro G. Iñárritu
Cinematography by: Emmanuel Lubezki
Edited by: Stephen Mirrione
Lenses: Leitz Summilux-C Series Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Senior Compositor: Double Negative
Thor: The Dark World (2013)
Directed by: Alan Taylor
Cinematography by: Kramer Morgenthau
Senior Compositor: Double Negative
Furious 6 (2013)
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Lead Compositor: Vine
'Merlin' The Diamond of the Day: Part Two (2012)
Directed by: Justin Molotnikov
Cinematography by: Sam McCurdy
Edited by: Simon Reglar
Lead Compositor: Vine
'Merlin' The Diamond of the Day: Part One (2012)
Directed by: Justin Molotnikov
Cinematography by: Sam McCurdy
Edited by: Simon Reglar
Lead Compositor: Vine
'Merlin' The Drawing of the Dark (2012)
Directed by: Declan O'Dwyer
Cinematography by: Ashley Rowe
Edited by: Mark Thornton
Lead Compositor: Vine
'Merlin' The Kindness of Strangers (2012)
Directed by: Declan O'Dwyer
Cinematography by: Ashley Rowe
Edited by: Mark Thornton
Lead Compositor: Vine
'Merlin' With All My Heart (2012)
Directed by: Alice Troughton
Cinematography by: Ashley Rowe
Edited by: Tom White
Lead Compositor: Vine
'Merlin' The Hollow Queen (2012)
Directed by: Alice Troughton
Cinematography by: Ashley Rowe
Edited by: Tom White
Lead Compositor: Vine
'Merlin' A Lesson in Vengeance (2012)
Directed by: Alice Troughton
Cinematography by: Ashley Rowe
Edited by: Belinda Cottrell
Lead Compositor: Vine
'Merlin' The Dark Tower (2012)
Directed by: Ashley Way
Cinematography by: Ashley Rowe
Edited by: Elen Pierce Lewis
Lead Compositor: Vine
'Merlin' The Disir (2012)
Directed by: Ashley Way
Cinematography by: Ashley Rowe
Edited by: Elen Pierce Lewis
Lead Compositor: Vine
'Merlin' Another's Sorrow (2012)
Directed by: Ashley Way
Cinematography by: Ashley Rowe
Edited by: Elen Pierce Lewis
Lead Compositor: Vine
'Merlin' The Death Song of Uther Pendragon (2012)
Directed by: Justin Molotnikov
Cinematography by: Dale McCready
Edited by: Jeremy Strachan
Lead Compositor: Vine
'Merlin' Arthur's Bane: Part Two (2012)
Directed by: Justin Molotnikov
Cinematography by: Dale McCready
Edited by: Simon Reglar
Lead Compositor: Vine
'Merlin' Arthur's Bane: Part One (2012)
Directed by: Justin Molotnikov
Cinematography by: Dale McCready
Edited by: Simon Reglar
Compositor: Double Negative
John Carter (2012)
Directed by: Andrew Stanton
Cinematography by: Dan Mindel
Edited by: Eric Zumbrunnen
Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Apple Final Cut Pro 7
Digital Compositor: Lip Sync Post
Jane Eyre (2011)
Directed by: Cary Joji Fukunaga
Cinematography by: Adriano Goldman
Edited by: Melanie Oliver
Cameras: ARRICAM Lite (LT) Camera
Compositor: Lipsync Post
Unknown (2011)
Directed by: Jaume Collet-Serra
Cinematography by: Flavio Martínez Labiano
Edited by: Timothy Alverson
Digital Compositor: LipSync Post
Coriolanus (2011)
Directed by: Ralph Fiennes
Cinematography by: Barry Ackroyd
Edited by: Nicolas Gaster
Cameras: Aaton Penelope Camera
Lenses: Angenieux Optimo Zoom Lenses
Digital Compositor
The Great Ghost Rescue (2011)
Directed by: Yann Samuell
Cinematography by: Antoine Roch
Compositor: Cinesite
Battle Los Angeles (2011)
Directed by: Jonathan Liebesman
Cinematography by: Lukas Ettlin
Edited by: Christian Wagner
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony PMW-EX3 Camera
Lenses: Panavision Compact Zoom Lenses, Panavision Lightweight Zoom Lenses, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Compositor: Cinesite
Marmaduke (2010)
Directed by: Tom Dey
Cinematography by: Greg Gardiner
Edited by: Don Zimmerman
Compositor: Cinesite
Prince of Persia: The Sands of Time (2010)
Directed by: Mike Newell
Cinematography by: John Seale
Cameras: Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Editing System: Final Cut Pro Editing System
Compositor: Cinesite
Moon (2009)
Directed by: Duncan Jones
Cinematography by: Gary Shaw
Edited by: Nicolas Gaster
Lead Compositor: Vine - 13 Episodes, 2012
Merlin (2008)
Directed by: Jeremy Webb, Alice Troughton, David Moore, Justin Molotnikov, Ashley Way, Ed Fraiman, James Hawes, Metin Hüseyin, Alex Pillai, Stuart Orme, Declan O'Dwyer
Cinematography by: Dale McCready, Ashley Rowe, Sam McCurdy, Geoffrey Wharton, Peter Greenhalgh, Jim O'Donnell
Edited by: Simon Reglar, Elen Pierce Lewis, Jeremy Strachan, Fiona Colbeck, Tom White, Mark Eckersley, Crispin Green, Mark Thornton, Bjorn Johnson, Andrew McClelland, Jackie Ophir, Belinda Cottrell, Tim Marchant, Annie Kocur, William Webb
Lenses: Cooke Lenses, Cooke S4 Lenses
Editing System: Avid Editing System
Digital Artist: Men From Mars
Mutant Chronicles (2008)
Directed by: Simon Hunter
Cinematography by: Geoff Boyle
Digital Compositor: Cinesite
Inkheart (2008)
Directed by: Iain Softley
Cinematography by: Roger Pratt
Edited by: Martin Walsh
Cameras: Panavision Panaflex Platinum Camera
Digital Compositor: Cinesite
Fred Claus (2007)
Directed by: David Dobkin
Cinematography by: Remi Adefarasin
Edited by: Mark Livolsi
Lenses: Zeiss Ultra Prime Lenses
2D Compositor: Cinesite
Harry Potter and the Order of the Phoenix (2007)
Directed by: David Yates
Cinematography by: Slawomir Idziak
Edited by: Mark Day
Cameras: ARRI Cameras
Senior Roto/prep Artist: Framestore CFC
Goal II: Living the Dream (2007)
Directed by: Jaume Collet-Serra
Cinematography by: Flavio Martínez Labiano
Edited by: Niven Howie
Senior Paint Artist: Framestore CFC
Children of Men (2006)
Directed by: Alfonso Cuarón
Cinematography by: Emmanuel Lubezki
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Lenses: Zeiss Master Prime Lenses
Lead Rotoscope Artist: Weta Digital
King Kong (2005)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Jamie Selkirk
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, Mitchell Cameras
Editing System: Avid Editing System
Roto Artist: Cinesite
Sahara (2005)
Directed by: Breck Eisner
Cinematography by: Seamus McGarvey
Edited by: Andrew MacRitchie
Roto Artist: Cinesite
V for Vendetta (2005)
Directed by: James McTeigue
Cinematography by: Adrian Biddle
Edited by: Martin Walsh
2D Digital Artist: Cinesite
Harry Potter and the Goblet of Fire (2005)
Directed by: Mike Newell
Cinematography by: Roger Pratt
Edited by: Mick Audsley
Roto/prep Artist: Cinesite
Charlie and the Chocolate Factory (2005)
Directed by: Tim Burton
Cinematography by: Philippe Rousselot
Edited by: Chris Lebenzon
Rotoscoper: Cinesite
The Hitchhiker's Guide to the Galaxy (2005)
Directed by: Garth Jennings
Cinematography by: Igor Jadue-Lillo
Edited by: Niven Howie
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Lightworks Editing System
Rotoscoper: Cinesite
Harry Potter and the Prisoner of Azkaban (2004)
Directed by: Alfonso Cuarón
Cinematography by: Michael Seresin
Edited by: Steven Weisberg
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System
Rotoscoper: Cinesite
King Arthur (2004)
Directed by: Antoine Fuqua
Cinematography by: Slawomir Idziak