Foley Artist
Moon (2009)
Directed by: Duncan Jones
Cinematography by: Gary Shaw
Edited by: Nicolas Gaster
Foley Artist
The Cottage (2008)
Directed by: Paul Andrew Williams
Cinematography by: Christopher Ross
Edited by: Tom Hemmings
Adr Mixer
Before the Devil Knows You're Dead (2007)
Directed by: Sidney Lumet
Cinematography by: Ron Fortunato
Edited by: Tom Swartwout
Cameras: Panavision Genesis Camera
Foley Re-recording Mixer
When Did You Last See Your Father? (2007)
Directed by: Anand Tucker
Cinematography by: Howard Atherton
Edited by: Trevor Waite
Lenses: Hawk V-Series Lenses
Adr Mixer / Foley Mixer
The Walker (2007)
Directed by: Paul Schrader
Cinematography by: Chris Seager
Edited by: Julian Rodd
Cameras: ARRI Cameras
Adr Mixer
Fugitive Pieces (2007)
Directed by: Jeremy Podeswa
Cinematography by: Gregory Middleton
Edited by: Wiebke von Carolsfeld
Adr Mixer
Across the Universe (2007)
Directed by: Julie Taymor
Cinematography by: Bruno Delbonnel
Edited by: Françoise Bonnot
Cameras: ARRI Cameras, Panavision Cameras
Lenses: Panavision Lenses
Adr Mixer
The Black Dahlia (2006)
Directed by: Brian De Palma
Cinematography by: Vilmos Zsigmond
Edited by: Bill Pankow
Lenses: Angenieux Optimo Zoom Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Adr Mixer
After... (2006)
Directed by: David L. Cunningham
Cinematography by: Haole Boy
Cameras: Sony HVR-Z1U Camera
Adr Mixer
Tirante el Blanco (2006)
Directed by: Vicente Aranda
Cinematography by: José Luis Alcaine
Edited by: Teresa Font
Adr Mixer
The Fountain (2006)
Directed by: Darren Aronofsky
Cinematography by: Matthew Libatique
Edited by: Jay Rabinowitz
Adr Mixer / Sound Mixer
The Kovak Box (2006)
Directed by: Daniel Monzón
Cinematography by: Carles Gusi
Edited by: Simon Cozens
Adr Mixer
Tristan + Isolde (2006)
Directed by: Kevin Reynolds
Cinematography by: Arthur Reinhart
Edited by: Peter Boyle
Adr Mixer
El camino de los ingleses (2006)
Directed by: Antonio Banderas
Cinematography by: Xavi Giménez
Edited by: Mercedes Alted
Adr Mixer
Penelope (2006)
Directed by: Mark Palansky
Cinematography by: Michel Amathieu
Edited by: Jon Gregory
Adr Mixer
True True Lie (2006)
Directed by: Eric Styles
Cinematography by: Ed Mash
Edited by: Danny Tull
Adr Mixer
Memoirs of a Geisha (2005)
Directed by: Rob Marshall
Cinematography by: Dion Beebe
Edited by: Pietro Scalia
Adr Mixer
Hellraiser: Deader (2005)
Directed by: Rick Bota
Cinematography by: Vivi Dragan Vasile
Edited by: Anthony Adler
Adr Mixer
The Exorcism of Emily Rose (2005)
Directed by: Scott Derrickson
Cinematography by: Tom Stern
Edited by: Jeff Betancourt
Adr Mixer
Harry Potter and the Goblet of Fire (2005)
Directed by: Mike Newell
Cinematography by: Roger Pratt
Edited by: Mick Audsley
Additional Adr Mixer
Aurora Borealis (2005)
Directed by: James C.E. Burke
Cinematography by: Alar Kivilo
Edited by: Richard Nord
Adr Mixer
The Hitchhiker's Guide to the Galaxy (2005)
Directed by: Garth Jennings
Cinematography by: Igor Jadue-Lillo
Edited by: Niven Howie
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Lightworks Editing System
Adr Mixer
The Brothers Grimm (2005)
Directed by: Terry Gilliam
Cinematography by: Newton Thomas Sigel
Edited by: Lesley Walker
Adr Mixer
The Proposition (2005)
Directed by: John Hillcoat
Cinematography by: Benoît Delhomme
Edited by: Jon Gregory
Adr Mixer
Conversations with Other Women (2005)
Directed by: Hans Canosa
Cinematography by: Steve Yedlin
Edited by: Hans Canosa
Adr Mixer
Doom (2005)
Directed by: Andrzej Bartkowiak
Cinematography by: Tony Pierce-Roberts
Edited by: Derek Brechin
Adr Mixer
Mrs Henderson Presents (2005)
Directed by: Stephen Frears
Cinematography by: Andrew Dunn
Edited by: Lucia Zucchetti
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Adr Mixer
Tristram Shandy: A Cock and Bull Story (2005)
Directed by: Michael Winterbottom
Cinematography by: Marcel Zyskind
Edited by: Peter Christelis
Cameras: Sony HDC-750 Camera
Adr Mixer
The Weather Man (2005)
Directed by: Gore Verbinski
Cinematography by: Phedon Papamichael
Edited by: Craig Wood
Adr Mixer
The Constant Gardener (2005)
Directed by: Fernando Meirelles
Cinematography by: César Charlone
Edited by: Claire Simpson
Cameras: Aaton A-Minima Camera, Aaton XTR Prod Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera
Lenses: Angenieux HR Zoom Lenses
Adr Mixer
Corpse Bride (2005)
Cinematography by: Pete Kozachik
Lenses: Zeiss Ultra Prime Lenses
Editing System: Final Cut Pro Editing System
Adr Mixer
Frágiles (2005)
Directed by: Jaume Balagueró
Cinematography by: Xavi Giménez
Edited by: Jaume Martí
Adr Mixer
La monja (2005)
Directed by: Luis de la Madrid
Cinematography by: David Carretero
Edited by: Bernat Vilaplana
Adr Mixer
Hidalgo (2004)
Directed by: Joe Johnston
Cinematography by: Shelly Johnson
Edited by: Robert Dalva
Adr Mixer
In My Father's Den (2004)
Directed by: Brad McGann
Cinematography by: Stuart Dryburgh
Edited by: Chris Plummer
Adr Mixer
Harry Potter and the Prisoner of Azkaban (2004)
Directed by: Alfonso Cuarón
Cinematography by: Michael Seresin
Edited by: Steven Weisberg
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System
Adr Mixer
Thunderbirds (2004)
Directed by: Jonathan Frakes
Cinematography by: Brendan Galvin
Edited by: Martin Walsh
Foley Recordist: Future Post
Resident Evil: Apocalypse (2004)
Directed by: Alexander Witt
Edited by: Eddie Hamilton
Adr Mixer
Bridget Jones: The Edge of Reason (2004)
Directed by: Beeban Kidron
Cinematography by: Adrian Biddle
Edited by: Greg Hayden
Adr Mixer
Agent Cody Banks 2: Destination London (2004)
Directed by: Kevin Allen
Cinematography by: Denis Crossan
Edited by: Andrew MacRitchie
Cameras: Panavision Cameras
Adr Mixer: UK
Being Julia (2004)
Directed by: István Szabó
Cinematography by: Lajos Koltai
Edited by: Susan Shipton
Cameras: ARRIFLEX 535 B Camera
Lenses: Cooke Varotal Lenses
Adr Recordist
Enduring Love (2004)
Directed by: Roger Michell
Cinematography by: Haris Zambarloukos
Edited by: Nicolas Gaster
Adr Mixer
Millions (2004)
Directed by: Danny Boyle
Cinematography by: Anthony Dod Mantle
Edited by: Chris Gill
Adr Mixer
Beyond the Sea (2004)
Directed by: Kevin Spacey
Cinematography by: Eduardo Serra
Edited by: Trevor Waite
Foley Mixer
Seed of Chucky (2004)
Directed by: Don Mancini
Cinematography by: Vernon Layton
Edited by: Chris Dickens
Adr Mixer
De-Lovely (2004)
Directed by: Irwin Winkler
Cinematography by: Tony Pierce-Roberts
Edited by: Julie Monroe
Adr Mixer
Sky Captain and the World of Tomorrow (2004)
Directed by: Kerry Conran
Cinematography by: Eric Adkins
Edited by: Sabrina Plisco
Cameras: Sony HDW-F900 Camera
Editing System: Final Cut Pro Editing System
Adr Mixer
The Phantom of the Opera (2004)
Directed by: Joel Schumacher
Cinematography by: John Mathieson
Edited by: Terry Rawlings
Adr Mixer
Hotel Rwanda (2004)
Directed by: Terry George
Cinematography by: Robert Fraisse
Edited by: Naomi Geraghty
Adr Recordist
The Dreamers (2003)
Directed by: Bernardo Bertolucci
Cinematography by: Fabio Cianchetti
Edited by: Jacopo Quadri
Adr Mixer
To Kill a King (2003)
Directed by: Mike Barker
Cinematography by: Eigil Bryld
Edited by: Guy Bensley
Cameras: Panavision Cameras
Adr Mixer
Cold Mountain (2003)
Directed by: Anthony Minghella
Cinematography by: John Seale
Edited by: Walter Murch
Editing System: Final Cut Pro Editing System
Adr Mixer
The Lord of the Rings: The Return of the King (2003)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Jamie Selkirk
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX 535 B Camera, Mitchell Cameras, Moviecam Superlight Camera
Editing System: Avid Editing System
Adr Mixer
Pirates of the Caribbean: The Curse of the Black Pearl (2003)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Adr Mixer
About a Boy (2002)
Cinematography by: Remi Adefarasin
Edited by: Nick Moore
Cameras: ARRIFLEX 35mm Cameras
Lenses: ARRI Lenses
Editing System: Avid Editing System
Adr Mixer
The Wire (2002)
Directed by: Joe Chappelle, Ernest R. Dickerson, Clark Johnson, Ed Bianchi, Steve Shill, Daniel Attias, Timothy Van Patten, Agnieszka Holland, Brad Anderson, Clement Virgo, Rob Bailey, Elodie Keene, Christine Moore, Alex Zakrzewski, Anthony Hemingway, Seith Mann, Milcho Manchevski, Peter Medak, Gloria Muzio, Robert F. Colesberry, Thomas J. Wright, Leslie Libman, Jim McKay, David Platt, Joy Kecken, Scott Kecken, Dominic West
Edited by: Kate Sanford, Thom Zimny, Geraldine Peroni, Alex Hall, John Chimples, Michael Berenbaum, Meg Reticker, Allyson C. Johnson, Deborah Moran
Lenses: Panavision Lenses
Adr Mixer
The Bourne Identity (2002)
Directed by: Doug Liman
Cinematography by: Oliver Wood
Edited by: Saar Klein
Adr Mixer
The Importance of Being Earnest (2002)
Directed by: Oliver Parker
Cinematography by: Tony Pierce-Roberts
Edited by: Guy Bensley
Adr Mixer / Foley Mixer
Feardotcom (2002)
Directed by: William Malone
Cinematography by: Christian Sebaldt
Edited by: Alan Strachan
Adr Mixer
28 Days Later... (2002)
Directed by: Danny Boyle
Cinematography by: Anthony Dod Mantle
Edited by: Chris Gill
Cameras: ARRI Cameras, Canon XL1 Camera
Editing System: Lightworks Editing System
Adr Mixer / Foley Mixer
Last Orders (2001)
Directed by: Fred Schepisi
Cinematography by: Brian Tufano
Edited by: Kate Williams
Adr Recordist / Foley Recordist
Billy Elliot (2000)
Directed by: Stephen Daldry
Cinematography by: Brian Tufano
Edited by: John Wilson
Cameras: Aaton 35-III Camera, ARRIFLEX 35 BL4 Camera
Lenses: Zeiss Lenses
Adr Mixer / Foley Mixer
The House of Mirth (2000)
Directed by: Terence Davies
Cinematography by: Remi Adefarasin
Edited by: Michael Parker
Foley Recording Mixer
Chicken Run (2000)
Cinematography by: Simon Jacobs, Andy MacCormack, Tristan Oliver, Frank Passingham, Dave Alex Riddett, Paul Smith
Adr Mixer
The Mummy (1999)
Directed by: Stephen Sommers
Cinematography by: Adrian Biddle
Edited by: Bob Ducsay
Cameras: Panavision Panaflex Platinum Camera
Adr Mixer: De Lane Lea Studios
Sunshine (1999)
Directed by: István Szabó
Cinematography by: Lajos Koltai
Adr Mixer
Sleepy Hollow (1999)
Directed by: Tim Burton
Cinematography by: Emmanuel Lubezki
Cameras: Panavision Panaflex Platinum Camera
Foley Mixer
RKO 281 (1999)
Directed by: Benjamin Ross
Cinematography by: Mike Southon
Edited by: Alex Mackie
Adr Mixer
Topsy-Turvy (1999)
Directed by: Mike Leigh
Cinematography by: Dick Pope
Edited by: Robin Sales
Adr Mixer: London
It All Came True (1998)
Directed by: Peter Yates
Cinematography by: Sven Nykvist
Edited by: Hughes Winborne
Adr Recordist
Lost in Space (1998)
Directed by: Stephen Hopkins
Cinematography by: Peter Levy
Edited by: Ray Lovejoy
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Adr Mixer / Adr Recordist
Oscar and Lucinda (1997)
Directed by: Gillian Armstrong
Cinematography by: Geoffrey Simpson
Edited by: Nicholas Beauman
Cameras: Panavision Panaflex Gold II Camera
Adr Re-recordist / Foley Re-recordist
The Full Monty (1997)
Directed by: Peter Cattaneo
Cinematography by: John de Borman
Cameras: Moviecam Cameras
Foley Mixer
FairyTale: A True Story (1997)
Directed by: Charles Sturridge
Cinematography by: Michael Coulter
Edited by: Peter Coulson
Adr Mixer
Evita (1996)
Directed by: Alan Parker
Cinematography by: Darius Khondji
Edited by: Gerry Hambling
Cameras: Moviecam Compact Camera
Lenses: Cooke Xtal Express Lenses
Adr Mixer / Foley Mixer
Secrets & Lies (1996)
Directed by: Mike Leigh
Cinematography by: Dick Pope
Edited by: Jon Gregory
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Adr Mixer
Carrington (1995)
Directed by: Christopher Hampton
Cinematography by: Denis Lenoir
Edited by: George Akers
Foley Recordist
Twelve Monkeys (1995)
Directed by: Terry Gilliam
Cinematography by: Roger Pratt
Edited by: Mick Audsley
Cameras: Moviecam Cameras
Lenses: Cooke Lenses
Adr Mixer
The Specialist (1994)
Directed by: Luis Llosa
Cinematography by: Jeffrey L. Kimball
Edited by: Jack Hofstra
Adr Recordist
The Commitments (1991)
Directed by: Alan Parker
Cinematography by: Gale Tattersall
Edited by: Gerry Hambling
Cameras: Panavision Cameras
Footsteps Mixer
The Cook, the Thief, His Wife & Her Lover (1989)
Directed by: Peter Greenaway
Cinematography by: Sacha Vierny
Edited by: John Wilson
Re-recording Mixer
The Fruit Machine (1988)
Directed by: Philip Saville
Cinematography by: Dick Pope
Edited by: Richard Bedford
Footsteps
Caravaggio (1986)
Directed by: Derek Jarman
Cinematography by: Gabriel Beristain
Edited by: George Akers
Cameras: Moviecam Cameras