Head Of Music Preparation / Orchestrator
Come Away (2020)
Movie
| UK
Directed by: Brenda Chapman
Cinematography by: Jules O'Loughlin
Edited by: Dody Dorn
Editing System: Atlas Editing System, Autodesk Smoke Editing System
Orchestrator
The Witches (2020)
Movie
| USA, Mexico, UK
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Head Of Music Preparation
Dolittle (2020)
Movie
| USA, China, UK, Japan
Directed by: Stephen Gaghan
Cinematography by: Guillermo Navarro
Head Of Music Preparation / Orchestrator
The Irishman (2019)
| USA
Directed by: Martin Scorsese
Cinematography by: Rodrigo Prieto
Edited by: Thelma Schoonmaker
Head Of Music Preparation
A Beautiful Day in the Neighborhood (2019)
| China, USA
Directed by: Marielle Heller
Cinematography by: Jody Lee Lipes
Edited by: Anne McCabe
Conductor / Orchestrator
Avengers: Endgame (2019)
| USA
Cinematography by: Trent Opaloch
Cameras: ALEXA IMAX Camera
Head Of Music Preparation
Marriage Story (2019)
| UK, USA
Directed by: Noah Baumbach
Cinematography by: Robbie Ryan
Edited by: Jennifer Lame
Head Of Music Preparation
'Family Guy' Hefty Shades of Gray (2019)
Directed by: Joseph Lee
Edited by: Mike Elias
Orchestrator
The Art of Racing in the Rain (2019)
| USA
Directed by: Simon Curtis
Cinematography by: Ross Emery
Edited by: Adam Recht
Cameras: ARRI ALEXA SXT EV
Lenses: Angenieux Optimo 24-290mm T2.8 Lens, Hawk Vantage One 120mm T1 Lens, Hawk Vantage One 17.5mm T1 Lens, Hawk Vantage One 21mm T1 Lens, Hawk Vantage One 25mm T1 Lens, Hawk Vantage One 32mm T1 Lens, Hawk Vantage One 40mm T1 Lens, Hawk Vantage One 50mm T1 Lens, Hawk Vantage One 65mm T1 Lens, Hawk Vantage One 90mm T1 Lens
Conductor / Orchestrator
Doctor Sleep (2019)
Movie
| UK, Canada, USA
Directed by: Mike Flanagan
Cinematography by: Michael Fimognari
Edited by: Mike Flanagan
Cameras: ARRI ALEXA 65 Camera
Lenses: Hasselblad Lenses
Head Of Music Preparation
Gemini Man (2019)
| China, USA
Directed by: Ang Lee
Cinematography by: Dion Beebe
Edited by: Tim Squyres
Cameras: ARRI ALEXA XT M Camera, Phantom Flex4K Camera
Lenses: Leica Summilux-C Series Lenses
Head Of Music Preparation
Christopher Robin (2018)
| UK, USA
Directed by: Marc Forster
Cinematography by: Matthias Koenigswieser
Edited by: Matt Chesse
Head Of Music Preparation
'Family Guy' V is for Mystery (2018)
Head Of Music Preparation
'Empire' A Lean and Hungry Look (2018)
Directed by: Bille Woodruff
Edited by: Lauren A. Schaffer
Head Of Music Preparation
'Family Guy' Are You There God? It's Me, Peter (2018)
| USA
Edited by: Mike Elias
Head Of Music Preparation
'Empire' Love All, Trust a Few (2018)
| USA
Directed by: Mario Van Peebles
Cinematography by: Joe 'Jody' Williams
Edited by: Ishai Setton
Head Of Music Preparation
'Family Guy' Con Heiress (2018)
| USA
Directed by: Brian Iles
Edited by: Mike Elias
Head Of Music Preparation
'The Simpsons' 3 Scenes Plus a Tag from a Marriage (2018)
Music Librarian
First Man (2018)
| USA, Japan
Directed by: Damien Chazelle
Cinematography by: Linus Sandgren
Edited by: Tom Cross
Head Of Music Preparation
'Empire' The Empire Unpossess'd (2018)
Directed by: Craig Brewer
Edited by: Lauren A. Schaffer
Head Of Music Preparation
'Empire' Treasons, Stratagems, and Spoils (2018)
| USA
Directed by: Tamra Davis
Cinematography by: Joe 'Jody' Williams
Edited by: Ishai Setton
Head Of Music Preparation
'Family Guy' Pawtucket Pete (2018)
Directed by: John Holmquist
Edited by: Mike Elias
Head Of Music Preparation
'Family Guy' Veteran Guy (2018)
Head Of Music Preparation
'Empire' Pride (2018)
| USA
Directed by: Clement Virgo
Cinematography by: Joe 'Jody' Williams
Head Of Music Preparation
Mary Poppins Returns (2018)
| USA, UK
Directed by: Rob Marshall
Cinematography by: Dion Beebe
Edited by: Wyatt Smith
Lenses: Angenieux Optimo Anamorphic Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo V Lenses, Panavision Primo V PV21 21mm T1.9 Lens, Panavision Primo V PV27 27mm T1.9 Lens, Panavision Primo V PV50 50mm T1.9 Lens
Head Of Music Preparation
'Family Guy' The Woof of Wall Street (2018)
Head Of Music Preparation
'Empire' Bloody Noses and Crack'd Crowns (2018)
Directed by: Howard Deutch
Edited by: Ishai Setton
Head Of Music Preparation
'Empire' What Is Done (2018)
| USA
Directed by: Jussie Smollett
Cinematography by: Joe 'Jody' Williams
Head Of Music Preparation
'The Simpsons' Haw-Haw Land (2018)
Head Of Music Preparation
'Family Guy' Send in Stewie, Please (2018)
Head Of Music Preparation
'Empire' Without Apology (2018)
Directed by: Dianne Houston
Edited by: Ishai Setton
Head Of Music Preparation / Orchestrator
Ready Player One (2018)
| USA, India
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Head Of Music Preparation
'Empire' Pay for Their Presumptions (2018)
| USA
Directed by: John Krokidas
Cinematography by: Joe 'Jody' Williams
Edited by: Eli Nilsen
Head Of Music Preparation
'Family Guy' Stand by Meg (2018)
| USA
Directed by: Jerry Langford
Edited by: Mike Elias
Head Of Music Preparation / Orchestrator
A Quiet Place (2018)
| USA
Directed by: John Krasinski
Cinematography by: Charlotte Bruus Christensen
Edited by: Christopher Tellefsen
Lenses: Angenieux Optimo Anamorphic Lenses, Panavision Anamorphic Macro Panatar Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision Super Speed Lenses, Panavision T Series Anamorphic Lenses
Head Of Music Preparation
'Family Guy' Big Trouble in Little Quahog (2018)
| USA
Edited by: Mike Elias
Head Of Music Preparation
'Empire' The Depth of Grief (2018)
| USA
Directed by: Elizabeth Allen Rosenbaum
Cinematography by: Joe 'Jody' Williams
Edited by: Eli Nilsen
Head Of Music Preparation
'The Simpsons' Frink Gets Testy (2018)
Head Of Music Preparation
'Family Guy' Boy (Dog) Meets Girl (Dog) (2018)
Head Of Music Preparation
'Empire' Sweet Sorrow (2018)
Directed by: Eric Haywood
Edited by: Lauren A. Schaffer
Conductor / Orchestrator
Avengers: Infinity War (2018)
| USA
Cinematography by: Trent Opaloch
Lenses: Angenieux Lenses, Leica Summilux-C Series Lenses, Panavision APO Panatar Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses
Editing System: Avid Editing System
Head Of Music Preparation / Music Librarian / Orchestrator
Solo: A Star Wars Story (2018)
| USA
Directed by: Ron Howard
Cinematography by: Bradford Young
Edited by: Pietro Scalia
Head Of Music Preparation
'Empire' Steal from the Thief (2018)
| USA
Directed by: Sanaa Hamri
Cinematography by: Joe 'Jody' Williams
Edited by: Ishai Setton
Head Of Music Preparation
'Empire' Full Circle (2017)
| USA
Directed by: Craig Brewer
Cinematography by: Paul M. Sommers
Edited by: Ishai Setton
Head Of Music Preparation
'The Simpsons' Mr. Lisa's Opus (2017)
Head Of Music Preparation
'Empire' Cupid Painted Blind (2017)
| USA
Directed by: Elizabeth Allen Rosenbaum
Edited by: Ishai Setton
Head Of Music Preparation
'The Simpsons' The Serfsons (2017)
Head Of Music Preparation
'Empire' Sound & Fury (2017)
| USA
Directed by: Craig Brewer
Edited by: Ishai Setton
Head Of Music Preparation
'Empire' Bleeding War (2017)
| USA
Directed by: Sanaa Hamri
Edited by: Eli Nilsen
Head Of Music Preparation
'The Simpsons' Grampy Can Ya Hear Me (2017)
Head Of Music Preparation
'The Simpsons' Gone Boy (2017)
Head Of Music Preparation
'Empire' The Lady Doth Protest (2017)
| USA
Directed by: Karen Gaviola
Cinematography by: Paul M. Sommers
Head Of Music Preparation
'The Simpsons' Springfield Splendor (2017)
Head Of Music Preparation
'Empire' Absent Child (2017)
| USA
Directed by: Millicent Shelton
Edited by: Ishai Setton
Head Of Music Preparation
'Empire' Evil Manners (2017)
| USA
Directed by: Bille Woodruff
Edited by: Lauren A. Schaffer
Head Of Music Preparation
'The Simpsons' The Old Blue Mayor She Ain't What She Used To Be (2017)
Head Of Music Preparation
'Empire' Strange Bedfellows (2017)
| USA
Directed by: Bille Woodruff
Edited by: Eli Nilsen
Head Of Music Preparation
'Empire' Fortune Be Not Crost (2017)
| USA
Directed by: Sanaa Hamri
Edited by: Lauren A. Schaffer
Head Of Music Preparation
'The Simpsons' Whistler's Father (2017)
Head Of Music Preparation
'Empire' Noble Memory (2017)
| USA
Directed by: Sanaa Hamri
Edited by: Eli Nilsen
Head Of Music Preparation
'The Simpsons' Singin' in the Lane (2017)
Head Of Music Preparation
'Empire' Slave to Memory (2017)
| USA
Directed by: Sanaa Hamri
Edited by: Lauren A. Schaffer
Head Of Music Preparation
'Family Guy' Saturated Fat Guy (2017)
Head Of Music Preparation
'Empire' Toil and Trouble, Part 2 (2017)
| USA
Directed by: Sanaa Hamri
Cinematography by: Paul M. Sommers
Edited by: Eli Nilsen
Head Of Music Preparation
'Empire' The Fool (2017)
| USA
Directed by: Howard Deutch
Edited by: Ishai Setton
Head Of Music Preparation / Orchestrator
'The Simpsons' Treehouse of Horror XXVIII (2017)
Head Of Music Preparation / Orchestrator
Logan (2017)
| USA
Directed by: James Mangold
Cinematography by: John Mathieson
Head Of Music Preparation
'Empire' Love Is a Smoke (2017)
| USA
Directed by: Tricia Brock
Edited by: David Greenspan
Orchestrator
Florence Foster Jenkins (2016)
| UK, France
Directed by: Stephen Frears
Cinematography by: Danny Cohen
Edited by: Valerio Bonelli
Cameras: ARRI ALEXA XT Camera
Conductor / Head Of Music Preparation / Orchestrator
Zoolander 2 (2016)
| USA, Italy
Directed by: Ben Stiller
Cinematography by: Dan Mindel
Edited by: Greg Hayden
Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Plus Camera
Editing System: Avid Editing System
Head Of Music Preparation
The Huntsman: Winter's War (2016)
| USA, China
Directed by: Cedric Nicolas-Troyan
Cinematography by: Phedon Papamichael
Edited by: Conrad Buff IV
Head Of Music Preparation
'Empire' The Tameness of a Wolf (2016)
| USA
Directed by: Paris Barclay
Cinematography by: Paul M. Sommers
Edited by: Matt Barber
Head Of Music Preparation
'Empire' What Remains Is Bestial (2016)
| USA
Directed by: Millicent Shelton
Edited by: Eli Nilsen
Conductor / Orchestrator
Collateral Beauty (2016)
| USA
Directed by: David Frankel
Cinematography by: Maryse Alberti
Edited by: Andrew Marcus
Cameras: ARRI ALEXA XT Plus Camera
Head Of Music Preparation
'Empire' Rise by Sin (2016)
| USA
Directed by: Paul McCrane
Cinematography by: Paul M. Sommers
Orchestrator - 3 Episodes, 2016
11.22.63 (2016)
| USA
Directed by: James Strong, Frederick E.O. Toye, John David Coles, James Franco, James Kent, Kevin Macdonald
Cameras: Red Epic Dragon Camera
Head Of Music Preparation
'Family Guy' Inside Family Guy (2016)
Head Of Music Preparation
'Empire' The Unkindest Cut (2016)
| USA
Directed by: Dennie Gordon
Cinematography by: Paul M. Sommers
Edited by: Raúl Dávalos
Conductor / Head Of Music Preparation
Ghostbusters (2016)
| USA, Australia
Directed by: Paul Feig
Cinematography by: Robert D. Yeoman
Cameras: ARRI ALEXA XT Camera
Head Of Music Preparation
Southside with You (2016)
| USA
Directed by: Richard Tanne
Cinematography by: Patrick Scola
Edited by: Evan Schiff
Conducted By / Orchestrator
Ben-Hur (2016)
| USA
Directed by: Timur Bekmambetov
Cinematography by: Oliver Wood
Editing System: Avid Editing System
Head Of Music Preparation/ Orchestrator
Gods of Egypt (2016)
| USA, Australia, China
Directed by: Alex Proyas
Cinematography by: Peter Menzies Jr.
Edited by: Richard Learoyd
Cameras: Red Epic Dragon Camera
Lenses: Panavision Primo 70 Lenses
Head Of Music Preparation
'Empire' Time Shall Unfold (2016)
| USA
Directed by: Cherien Dabis
Cinematography by: Paul M. Sommers
Edited by: Raúl Dávalos
Head Of Music Preparation
'Family Guy' Road to India (2016)
Head Of Music Preparation
'Empire' Sin That Amends (2016)
| USA
Directed by: Craig Brewer
Cinematography by: Paul M. Sommers
Edited by: Raúl Dávalos
Head Of Music Preparation
Hail, Caesar! (2016)
| UK, Japan, USA
Cinematography by: Roger Deakins
Lenses: Zeiss Master Prime Lenses
Editing System: Adobe Premiere Editing System
Head Of Music Preparation
'Empire' A Furnace for Your Foe (2016)
| USA
Directed by: Sanaa Hamri
Edited by: Eli Nilsen
Head Of Music Preparation
La La Land (2016)
| USA, Hong Kong
Directed by: Damien Chazelle
Cinematography by: Linus Sandgren
Edited by: Tom Cross
Head Of Music Preparation
Jason Bourne (2016)
| USA, China
Directed by: Paul Greengrass
Cinematography by: Barry Ackroyd
Edited by: Christopher Rouse
Head Of Music Preparation
'Empire' Past Is Prologue (2016)
| USA
Directed by: Sanaa Hamri
Edited by: Raúl Dávalos
Head Of Music Preparation
The Jungle Book (2016)
| UK, USA
Directed by: Jon Favreau
Cinematography by: Bill Pope
Cameras: ARRI ALEXA XT M Camera
Head Of Music Preparation
'Empire' Death Will Have His Day (2016)
| USA
Directed by: Danny Strong
Cinematography by: Paul M. Sommers
Edited by: Raúl Dávalos
Head Of Music Preparation
'Family Guy' Chris Has Got a Date, Date, Date, Date, Date (2016)
Edited by: Mike Elias
Head Of Music Preparation
How to Be Single (2016)
| USA
Directed by: Christian Ditter
Cinematography by: Christian Rein
Edited by: Tia Nolan
Head Of Music Preparation
'Empire' Cupid Kills (2016)
| USA
Directed by: Hanelle M. Culpepper
Edited by: Ishai Setton
Conductor / Orchestrator
Why Him? (2016)
| USA, Cambodia
Directed by: John Hamburg
Cinematography by: Kris Kachikis
Edited by: William Kerr
Head Of Music Preparation
'Empire' More Than Kin (2016)
| USA
Directed by: Sanaa Hamri
Cinematography by: Paul M. Sommers
Head Of Music Preparation
'The Simpsons' The Nightmare After Krustmas (2016)
| USA
Directed by: Rob Oliver
Head Of Music Preparation
The Finest Hours (2016)
| USA
Directed by: Craig Gillespie
Cinematography by: Javier Aguirresarobe
Edited by: Tatiana S. Riegel
Cameras: ARRI ALEXA XT Plus Camera
Lenses: Leica Summilux-C Series Lenses
Head Of Music Preparation
'Empire' Chimes at Midnight (2016)
| USA
Directed by: Sanaa Hamri
Edited by: Eli Nilsen
Head Of Music Preparation / Orchestrator
The Secret Life of Pets (2016)
| Japan, USA, France
Edited by: Ken Schretzmann
Head Of Music Preparation
'Empire' Light in Darkness (2016)
| USA
Directed by: Sanaa Hamri
Cinematography by: Paul M. Sommers
Edited by: Ishai Setton
Head Of Music Preparation
X-Men: Apocalypse (2016)
| USA
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Cameras: Phantom Flex4K Camera, Red Epic Dragon Camera
Lenses: Leica Summilux-C Series Lenses
Head Of Music Preparation
'Empire' A Rose by Any Other Name (2016)
| USA
Directed by: Michael Engler
Cinematography by: Paul M. Sommers
Edited by: Zack Arnold
Head Of Music Preparation
'Family Guy' American Gigg-olo (2016)
Head Of Music Preparation
'Empire' One Before Another (2016)
| USA
Directed by: Mario Van Peebles
Edited by: Raúl Dávalos
Head Of Music Preparation
Fantastic Beasts and Where to Find Them (2016)
| UK, USA
Directed by: David Yates
Cinematography by: Philippe Rousselot
Edited by: Mark Day
Cameras: ARRI ALEXA XT Camera
Head Of Music Preparation
'Empire' The Lyon Who Cried Wolf (2016)
| USA
Directed by: Millicent Shelton
Cinematography by: Paul M. Sommers
Edited by: Matt Barber
Head Of Music Preparation
'Family Guy' Run, Chris, Run (2016)
Head Of Music Preparation
'Empire' What We May Be (2016)
| USA
Directed by: Kevin Bray
Edited by: Ishai Setton
Head Of Music Preparation
'Empire' A High Hope for a Low Heaven (2015)
| USA
Directed by: Mario Van Peebles
Cinematography by: Paul M. Sommers
Edited by: Zack Arnold
Head Of Music Preparation
'Empire' Die but Once (2015)
| USA
Directed by: Mario Van Peebles
Cinematography by: Sidney Sidell
Head Of Music Preparation
Pan (2015)
| USA, UK, Australia
Directed by: Joe Wright
Cameras: ARRI ALEXA XT Camera, Phantom Flex Camera
Head Of Music Preparation
'Empire' False Imposition (2015)
| USA
Directed by: Rosemary Rodriguez
Cinematography by: Sidney Sidell
Head Of Music Preparation - 73 Episodes, 2015-2018
Empire (2015)
| USA
Directed by: Sanaa Hamri, Craig Brewer, Mario Van Peebles, Millicent Shelton, Paul McCrane, Danny Strong, Lee Daniels, Howard Deutch, Bille Woodruff, Dianne Houston, Kevin Bray, Michael Engler, Cherien Dabis, Elizabeth Allen Rosenbaum, Clement Virgo, Jussie Smollett, Debbie Allen, Rob Hardy, Anthony Hemingway, Dee Rees, Rosemary Rodriguez, John Singleton, Sylvain White, Paris Barclay, Hanelle M. Culpepper, Dennie Gordon, Benny Boom, Tricia Brock, Karen Gaviola, Tamra Davis, Eric Haywood, John Krokidas, Michael Goi, Darren Grant, Gabourey Sidibe, Dawn Wilkinson
Edited by: Ishai Setton, Eli Nilsen, Raúl Dávalos, Zack Arnold, Joe Leonard, Lauren A. Schaffer, Stefanie Visser, Evonne Moritz, James Stanton, Matt Barber, David Greenspan, Sharidan Williams-Sotelo
Cameras: ARRI ALEXA Camera, Digital Bolex D16
Head Of Music Preparation / Orchestrator
The Gunman (2015)
| USA, Spain, UK, France
Directed by: Pierre Morel
Cinematography by: Flavio MartÃnez Labiano
Edited by: Frédéric Thoraval
Cameras: ARRI ALEXA XT Camera, Red Epic Camera
Lenses: Kowa Cine Prominar Spherical Lenses, Nippon Scope Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Head Of Music Preparation
'Empire' Et Tu, Brute? (2015)
| USA
Directed by: Sanaa Hamri
Cinematography by: Paul M. Sommers
Head Of Music Preparation
'Empire' Fires of Heaven (2015)
| USA
Directed by: Craig Brewer
Cinematography by: Paul M. Sommers
Edited by: Zack Arnold
Head Of Music Preparation , Orchestrator
Trumbo (2015)
| USA
Directed by: Jay Roach
Cinematography by: Jim Denault
Edited by: Alan Baumgarten
Cameras: ARRI ALEXA XT Camera
Head Of Music Preparation
'Empire' The Lyon's Roar (2015)
| USA
Directed by: Danny Strong
Cinematography by: Sidney Sidell
Edited by: Joe Leonard
Head Of Music Preparation
'Empire' True Love Never (2015)
| USA
Directed by: Sylvain White
Cinematography by: Paul M. Sommers
Edited by: Joe Leonard
Head Of Music Preparation
'Empire' Who I Am (2015)
| USA
Directed by: Debbie Allen
Cinematography by: Sidney Sidell
Edited by: Zack Arnold
Head Of Music Preparation
The SpongeBob Movie: Sponge Out of Water (2015)
| USA, South Korea, Australia
Cinematography by: Phil Meheux
Edited by: David Ian Salter
Cameras: ARRI ALEXA Camera
Head Of Music Preparation
'Empire' Dangerous Bonds (2015)
| USA
Directed by: John Singleton
Cinematography by: Sidney Sidell
Edited by: Joe Leonard
Head Of Music Preparation
'Empire' Poor Yorick (2015)
| USA
Directed by: Danny Strong
Cinematography by: Paul M. Sommers
Head Of Music Preparation
Creed (2015)
| USA
Directed by: Ryan Coogler
Cinematography by: Maryse Alberti
Editing System: Avid Editing System
Head Of Music Preparation
'Empire' Unto the Breach (2015)
| USA
Directed by: Anthony Hemingway
Cinematography by: Sidney Sidell
Edited by: Zack Arnold
Head Of Music Preparation / Orchestrator
The Intern (2015)
| USA
Directed by: Nancy Meyers
Cinematography by: Stephen Goldblatt
Edited by: Robert Leighton
Cameras: ARRI ALEXA XT Camera
Head Of Music Preparation
'Empire' The Outspoken King (2015)
| USA
Directed by: Lee Daniels
Cinematography by: Sidney Sidell
Edited by: Joe Leonard
Head Of Music Preparation
'Empire' My Bad Parts (2015)
| USA
Directed by: Sanaa Hamri
Cinematography by: Paul M. Sommers
Edited by: Raúl Dávalos
Head Of Music Preparation
'Empire' The Devils Are Here (2015)
| USA
Directed by: Lee Daniels
Cinematography by: Paul M. Sommers
Edited by: Joe Leonard
Head Of Music Preparation
'Empire' Out, Damned Spot (2015)
| USA
Directed by: Michael Engler
Cinematography by: Sidney Sidell
Edited by: Zack Arnold
Head Of Music Preparation
Focus (2015)
| USA, Argentina
Cinematography by: Xavier Grobet
Edited by: Jan Kovac
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Editing System: Final Cut Pro Editing System
Head Of Music Preparation
'The Simpsons' Halloween of Horror (2015)
| USA
Directed by: Mike B. Anderson
Head Of Music Preparation
Spy (2015)
| USA, UK, France, Hungary, Germany
Directed by: Paul Feig
Cinematography by: Robert D. Yeoman
Cameras: ARRI ALEXA XT Camera
Head Of Music Preparation
'Empire' Be True (2015)
| USA
Directed by: Kevin Bray
Cinematography by: Paul M. Sommers
Edited by: Raúl Dávalos
Head Of Music Preparation
'Empire' Sins of the Father (2015)
| USA
Directed by: Rob Hardy
Cinematography by: Sidney Sidell
Edited by: Raúl Dávalos
Music Preparation
Crimson Peak (2015)
| Canada, USA
Directed by: Guillermo del Toro
Cinematography by: Dan Laustsen
Edited by: Bernat Vilaplana
Cameras: ARRI ALEXA XT Camera
Head Of Music Preparation
'Empire' The Devil Quotes Scripture (2015)
| USA
Directed by: Sanaa Hamri
Cinematography by: Sidney Sidell
Edited by: Zack Arnold
Head Of Music Preparation
Get Hard (2015)
| USA
Directed by: Etan Cohen
Cinematography by: Tim Suhrstedt
Edited by: Michael L. Sale
Cameras: ARRI ALEXA XT Plus Camera
Head Of Music Preparation
'Empire' Sinned Against (2015)
| USA
Directed by: Paul McCrane
Cinematography by: Paul M. Sommers
Edited by: Zack Arnold
Head Of Music Preparation
Ted 2 (2015)
| USA
Directed by: Seth MacFarlane
Cinematography by: Michael Barrett
Edited by: Jeff Freeman
Cameras: Sony CineAlta F65 Camera
Head Of Music Preparation
'Empire' Without a Country (2015)
| USA
Directed by: Dee Rees
Cinematography by: Paul M. Sommers
Edited by: Raúl Dávalos
Head Of Music Preparation
Star Wars: Episode VII - The Force Awakens (2015)
| USA
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Cameras: ARRI ALEXA Camera, Imax MKIII Reflex Camera, Imax MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision Retro C 100mm T2.8 Lens, Panavision Retro C 35mm T2.8 Lens, Panavision Retro C 40mm T2.8 Lens, Panavision Retro C 50mm T2.8 Lens, Panavision Retro C 60mm T2.8 Lens, Panavision Retro C 75mm T2.8 Lens
Editing System: Avid Editing System
Head Of Music Preparation / Orchestrator
The Walk (2015)
| USA
Directed by: Robert Zemeckis
Cinematography by: Dariusz Wolski
Edited by: Jeremiah O'Driscoll
Cameras: Red Epic Dragon Camera
Head Of Music Preparation
'Empire' Our Dancing Days (2015)
| USA
Directed by: Sanaa Hamri
Cinematography by: Sidney Sidell
Edited by: Raúl Dávalos
Head Of Music Preparation
The Hunger Games: Mockingjay - Part 1 (2014)
| USA
Directed by: Francis Lawrence
Cinematography by: Jo Willems
Cameras: ARRI ALEXA XT Camera
Music Preparation
A Million Ways to Die in the West (2014)
| USA
Directed by: Seth MacFarlane
Cinematography by: Michael Barrett
Edited by: Jeff Freeman
Cameras: Sony PMW-F55 Camera
Editing System: Avid Editing System
Orchestrator
Night at the Museum: Secret of the Tomb (2014)
| UK, USA
Directed by: Shawn Levy
Cinematography by: Guillermo Navarro
Edited by: Dean Zimmerman
Cameras: Red Epic Dragon Camera
Editing System: Avid Editing System
Music Preparation And Copying: Strings, JoAnn Kane Music Service
The Fault in Our Stars (2014)
| USA
Directed by: Josh Boone
Cinematography by: Ben Richardson
Edited by: Robb Sullivan
Cameras: ARRI ALEXA XT Camera
Head Of Music Preparation
The Homesman (2014)
| USA, France
Directed by: Tommy Lee Jones
Cinematography by: Rodrigo Prieto
Edited by: Roberto Silvi
Cameras: ARRICAM Lite (LT) Camera, Sony PMW-F55 Camera
Head Of Music Preparation
Get on Up (2014)
| UK, USA
Directed by: Tate Taylor
Cinematography by: Stephen Goldblatt
Edited by: Michael McCusker
Conductor / Orchestrator
The Grand Budapest Hotel (2014)
| Germany, USA
Directed by: Wes Anderson
Cinematography by: Robert D. Yeoman
Edited by: Barney Pilling
Cameras: ARRICAM Studio (ST) Camera
Editing System: Avid Editing System
Head Of Music Preparation
Maleficent (2014)
| USA
Directed by: Robert Stromberg
Cinematography by: Dean Semler
Head Of Music Preparation
Nightcrawler (2014)
| USA
Directed by: Dan Gilroy
Cinematography by: Robert Elswit
Edited by: John Gilroy
Head Of Music Preparation
Rio 2 (2014)
| USA
Directed by: Carlos Saldanha
Cinematography by: Renato Falcão
Head Of Music Preparation
22 Jump Street (2014)
| USA
Cinematography by: Barry Peterson
Cameras: ARRI ALEXA XT Camera
Head Of Music Preparation
The Book of Life (2014)
| USA
Directed by: Jorge R. Gutiérrez
Edited by: Ahren Shaw
Head Of Music Preparation
Let's Be Cops (2014)
| USA
Directed by: Luke Greenfield
Cinematography by: Daryn Okada
Cameras: Sony CineAlta F65 Camera, Sony PMW-F55 Camera
Music Preparation
The Monuments Men (2014)
| USA, Germany
Directed by: George Clooney
Cinematography by: Phedon Papamichael
Edited by: Stephen Mirrione
Lenses: Angenieux Optimo 24-290mm T2.8 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens
Editing System: Avid Editing System
Head Of Music Preparation
X-Men: Days of Future Past (2014)
| USA, UK, Canada
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Camera
Music Preparation
The Maze Runner (2014)
| USA, UK
Directed by: Wes Ball
Cinematography by: Enrique Chediak
Edited by: Dan Zimmerman
Head Of Music Preparation
How to Train Your Dragon 2 (2014)
| USA
Directed by: Dean DeBlois
Cinematography by: Gil Zimmerman
Edited by: John K. Carr
Music Preparation
Unbroken (2014)
| USA
Directed by: Angelina Jolie
Cinematography by: Roger Deakins
Lenses: Zeiss Master Prime Lenses
Head Of Music Preparation
Godzilla (2014)
| USA, Japan
Directed by: Gareth Edwards
Cinematography by: Seamus McGarvey
Edited by: Bob Ducsay
Cameras: ARRI ALEXA Plus Camera, Phantom Flex Camera
Head Of Music Preparation
The Hobbit: The Battle of the Five Armies (2014)
| New Zealand, USA
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Jabez Olssen
Cameras: Red Epic Camera, Red One MX Camera
Lenses: Zeiss Ultra Prime Lenses
Conductor
The Secret Life of Walter Mitty (2013)
| USA, UK
Directed by: Ben Stiller
Cinematography by: Stuart Dryburgh
Edited by: Greg Hayden
Cameras: ARRICAM Lite (LT) Camera
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Head Of Music Preparation
The Incredible Burt Wonderstone (2013)
| USA
Directed by: Don Scardino
Cinematography by: Matthew Clark
Edited by: Lee Haxall
Head Of Music Preparation
After Earth (2013)
| USA
Directed by: M. Night Shyamalan
Cinematography by: Peter Suschitzky
Edited by: Steven Rosenblum
Head Of Music Preparation
We're the Millers (2013)
| USA, UK
Directed by: Rawson Marshall Thurber
Cinematography by: Barry Peterson
Edited by: Michael L. Sale
Cameras: ARRI ALEXA Camera
Music Preparation: Joann Kane Music Services
42 (2013)
| USA
Directed by: Brian Helgeland
Cinematography by: Don Burgess
Cameras: Red Epic Camera
Editing System: Avid Editing System
Head Of Music Preparation
The Wolverine (2013)
| USA, UK
Directed by: James Mangold
Cinematography by: Ross Emery
Edited by: Michael McCusker
Cameras: ARRI ALEXA Camera
Music Preparation And Librarian / Orchestrator
The Croods (2013)
| USA
Cinematography by: Yong Duk Jhun
Edited by: Darren T. Holmes
Head Of Music Preparation
R.I.P.D. (2013)
| USA
Directed by: Robert Schwentke
Cinematography by: Alwin H. Küchler
Edited by: Mark Helfrich
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Master Prime Lenses
Head Of Music Preparation
The Hobbit: The Desolation of Smaug (2013)
| USA, New Zealand
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Jabez Olssen
Cameras: GoPro HD Hero3 Camera, Red Epic Camera
Lenses: Angenieux Optimo DP 16-42mm T2.8 Lens, Angenieux Optimo DP 30-80mm T2.8 Lens, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Head Of Music Preparation
The Internship (2013)
| USA
Directed by: Shawn Levy
Cinematography by: Jonathan Brown
Edited by: Dean Zimmerman
Cameras: ARRI ALEXA Plus Camera
Head Of Music Preparation
The Book Thief (2013)
| USA, Germany
Directed by: Brian Percival
Cinematography by: Florian Ballhaus
Edited by: John Wilson
Cameras: ARRI ALEXA Camera, ARRI ALEXA XT Plus Camera
Editing System: Avid Editing System
Head Of Music Preparation
Percy Jackson: Sea of Monsters (2013)
| USA
Directed by: Thor Freudenthal
Cinematography by: Shelly Johnson
Edited by: Mark Goldblatt
Head Of Music Preparation
Jack the Giant Slayer (2013)
| USA
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Head Of Music Preparation
A Good Day to Die Hard (2013)
| USA, Russia
Directed by: John Moore
Cinematography by: Jonathan Sela
Edited by: Dan Zimmerman
Music Preparation / Orchestration
RED 2 (2013)
| USA, France, Canada
Directed by: Dean Parisot
Cinematography by: Enrique Chediak
Edited by: Don Zimmerman
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Hawk V-Lite Lenses
Head Of Music Preparation
The Hangover Part III (2013)
| USA
Directed by: Todd Phillips
Cinematography by: Lawrence Sher
Head Of Music Preparation
This Is the End (2013)
| USA
Cinematography by: Brandon Trost
Edited by: Zene Baker
Cameras: Panavision Cameras, Red Epic Camera
Head Of Music Preparation
Monsters University (2013)
| USA
Directed by: Dan Scanlon
Edited by: Greg Snyder
Head Of Music Preparation
People Like Us (2012)
| USA
Directed by: Alex Kurtzman
Cinematography by: Salvatore Totino
Edited by: Robert Leighton
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System
Head Of Music Preparation
21 Jump Street (2012)
| USA
Cinematography by: Barry Peterson
Edited by: Joel Negron
Cameras: ARRI ALEXA Camera, ARRIFLEX 435 Camera
Head Of Music Preparation
American Reunion (2012)
| USA
Cinematography by: Daryn Okada
Edited by: Jeff Betancourt
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Music Preparation
The Pirates! Band of Misfits (2012)
| UK, USA
Cinematography by: Frank Passingham
Edited by: Justin Krish
Cameras: Canon EOS-5D Mark II Camera
Head Of Music Preparation
Joyful Noise (2012)
| USA
Directed by: Todd Graff
Cinematography by: David Boyd
Edited by: Kathryn Himoff
Head Of Music Preparation
Lincoln (2012)
| USA, India
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Editing System: Avid Editing System
Music Preparation: Joann Kane Music Service
Darling Companion (2012)
| USA
Directed by: Lawrence Kasdan
Cinematography by: Michael McDonough
Edited by: Carol Littleton
Music Preparation
This Means War (2012)
| USA
Directed by: McG
Cinematography by: Russell Carpenter
Edited by: Nicolas De Toth
Music Librarian / Music Preparation
Rise of the Guardians (2012)
| USA
Directed by: Peter Ramsey
Edited by: Joyce Arrastia
Head Of Music Preparation
A Thousand Words (2012)
| USA
Directed by: Brian Robbins
Cinematography by: Clark Mathis
Edited by: Ned Bastille
Head Of Music Preparation
Emperor (2012)
| Japan, USA
Directed by: Peter Webber
Cinematography by: Stuart Dryburgh
Edited by: Chris Plummer
Lenses: Hawk V-Lite Lenses
Head Of Music Preparation
Moonrise Kingdom (2012)
| USA
Directed by: Wes Anderson
Cinematography by: Robert D. Yeoman
Edited by: Andrew Weisblum
Cameras: Aaton A-Minima Camera, Aaton Xterà Camera
Lenses: Canon Lenses, Zeiss Super Speed Lenses
Conductor
Hope Springs (2012)
| USA
Directed by: David Frankel
Cinematography by: Florian Ballhaus
Edited by: Steven Weisberg
Cameras: ARRI ALEXA Camera
Music Preparation / Music Preparation: Joann Kane Music Service
Flight (2012)
| USA, United Arab Emirates
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Jeremiah O'Driscoll
Cameras: Red Epic Camera
Lenses: Zeiss Master Prime Lenses
Editing System: Avid Editing System
Music Preparation: Joann Kane Music Service
Life of Pi (2012)
| USA, Taiwan, UK, Canada
Directed by: Ang Lee
Cinematography by: Claudio Miranda
Edited by: Tim Squyres
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System
Head Of Music Preparation
Parental Guidance (2012)
| USA
Directed by: Andy Fickman
Cinematography by: Dean Semler
Edited by: Kent Beyda
Cameras: Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Music Librarian
The Bourne Legacy (2012)
| USA, Japan
Directed by: Tony Gilroy
Cinematography by: Robert Elswit
Edited by: John Gilroy
Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Canon EOS-5D Mark II Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Head Of Music Preparation
The Lucky One (2012)
| USA
Directed by: Scott Hicks
Cinematography by: Alar Kivilo
Edited by: Scott Gray
Head Of Music Preparation
War Horse (2011)
| USA, India
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Editing System: Avid Editing System
Head Of Music Preparation
The Rite (2011)
| USA, Hungary, Italy
Directed by: Mikael Håfström
Cinematography by: Ben Davis
Edited by: David Rosenbloom
Head Of Music Preparation
The Muppets (2011)
| USA
Directed by: James Bobin
Cinematography by: Don Burgess
Edited by: James Thomas
Cameras: Red Epic Camera, Red One MX Camera
Head Of Music Preparation
We Bought a Zoo (2011)
| USA
Directed by: Cameron Crowe
Cinematography by: Rodrigo Prieto
Edited by: Mark Livolsi
Cameras: ARRICAM Lite (LT) Camera
Lenses: Zeiss Ultra Prime Lenses
Head Of Music Preparation
The Big Year (2011)
| USA, Canada
Directed by: David Frankel
Cinematography by: Lawrence Sher
Edited by: Mark Livolsi
Score Librarian
Source Code (2011)
| USA, Canada
Directed by: Duncan Jones
Cinematography by: Don Burgess
Edited by: Paul Hirsch
Head Of Music Preparation
Harry Potter and the Deathly Hallows: Part 2 (2011)
| USA, UK
Directed by: David Yates
Cinematography by: Eduardo Serra
Edited by: Mark Day
Lenses: Cooke S4 Lenses
Head Of Music Preparation
Red Riding Hood (2011)
| USA, Canada
Directed by: Catherine Hardwicke
Cinematography by: Mandy Walker
Head Of Music Preparation
Rio (2011)
| USA, Brazil
Directed by: Carlos Saldanha
Cinematography by: Renato Falcão
Edited by: Harry Hitner
Head Of Music Preparation
Green Lantern (2011)
| USA
Directed by: Martin Campbell
Cinematography by: Dion Beebe
Edited by: Stuart Baird
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Angenieux Optimo Zoom Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System
Head Of Music Preparation
Moneyball (2011)
| USA
Directed by: Bennett Miller
Cinematography by: Wally Pfister
Edited by: Christopher Tellefsen
Orchestrator
Captain America: The First Avenger (2011)
| USA
Directed by: Joe Johnston
Cinematography by: Shelly Johnson
Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera
Editing System: Avid Editing System
Music Preparation
Crazy, Stupid, Love. (2011)
| USA
Cinematography by: Andrew Dunn
Edited by: Lee Haxall
Cameras: Panavision Panaflex Platinum Camera
Head Of Music Preparation
New Year's Eve (2011)
| USA
Directed by: Garry Marshall
Cinematography by: Charles Minsky
Edited by: Michael Tronick
Cameras: ARRI ALEXA Camera
Head Of Music Preparation
The Green Hornet (2011)
| USA
Directed by: Michel Gondry
Cinematography by: John Schwartzman
Edited by: Michael Tronick
Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Phantom HD Camera, Red One MX Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Music Preparation: JoAnn Kane Music Service
Water for Elephants (2011)
| USA
Directed by: Francis Lawrence
Cinematography by: Rodrigo Prieto
Edited by: Alan Edward Bell
Editing System: Avid Editing System
Music Preparation
The Sunset Limited (2011)
| USA
Directed by: Tommy Lee Jones
Cinematography by: Paul Elliott
Music Preparation
Extremely Loud & Incredibly Close (2011)
| USA
Directed by: Stephen Daldry
Cinematography by: Chris Menges
Edited by: Claire Simpson
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System, Final Cut Pro Editing System
Head Of Music Preparation
The Cabin in the Woods (2011)
| USA
Directed by: Drew Goddard
Cinematography by: Peter Deming
Edited by: Lisa Lassek
Head Of Music Preparation
The Adventures of Tintin (2011)
| USA, New Zealand, UK
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: Panavision Cameras
Editing System: Avid Editing System
Head Of Music Preparation
Alvin and the Chipmunks: Chipwrecked (2011)
| USA
Directed by: Mike Mitchell
Cinematography by: Thomas E. Ackerman
Edited by: Peter Amundson
Midi Transcriptions
Tower Heist (2011)
| USA
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Edited by: Mark Helfrich
Head Of Music Preparation
Larry Crowne (2011)
| USA
Directed by: Tom Hanks
Cinematography by: Philippe Rousselot
Edited by: Alan Cody
Head Of Music Preparation
Dinner for Schmucks (2010)
| USA
Directed by: Jay Roach
Cinematography by: Jim Denault
Editing System: Avid Editing System
Head Of Music Preparation
Harry Potter and the Deathly Hallows: Part 1 (2010)
| UK, USA
Directed by: David Yates
Cinematography by: Eduardo Serra
Edited by: Mark Day
Head Of Music Preparation
The Last Airbender (2010)
| USA
Directed by: M. Night Shyamalan
Cinematography by: Andrew Lesnie
Edited by: Conrad Buff IV
Head Of Music Preparation
Yogi Bear (2010)
| USA, New Zealand
Directed by: Eric Brevig
Cinematography by: Peter James
Edited by: Kent Beyda
Music Preparation
Date Night (2010)
| USA
Directed by: Shawn Levy
Cinematography by: Dean Semler
Edited by: Dean Zimmerman
Cameras: Panavision Genesis Camera
Head Of Music Preparation
Salt (2010)
| USA
Directed by: Phillip Noyce
Cinematography by: Robert Elswit
Music Preparation: JoAnn Kane Music Services
Ramona and Beezus (2010)
| USA
Directed by: Elizabeth Allen Rosenbaum
Cinematography by: John Bailey
Edited by: Jane Moran
Head Of Music Preparation
The A-Team (2010)
| USA, UK
Directed by: Joe Carnahan
Cinematography by: Mauro Fiore
Music Preparation
Burlesque (2010)
| USA
Directed by: Steve Antin
Cinematography by: Bojan Bazelli
Edited by: Virginia Katz
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Head Of Music Preparation
Nanny McPhee Returns (2010)
| UK, France, USA
Directed by: Susanna White
Cinematography by: Mike Eley
Edited by: Sim Evan-Jones
Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Master Zoom 16.5–110mm T2.6 Lens
Editing System: Avid Editing System
Head Of Music Preparation
Flipped (2010)
| USA
Directed by: Rob Reiner
Cinematography by: Thomas Del Ruth
Edited by: Robert Leighton
Head Of Music Preparation
Knight and Day (2010)
| USA
Directed by: James Mangold
Cinematography by: Phedon Papamichael
Music Librarian
Love & Other Drugs (2010)
| USA
Directed by: Edward Zwick
Cinematography by: Steven Fierberg
Edited by: Steven Rosenblum
Music Librarian
The Book of Eli (2010)
| USA
Cinematography by: Don Burgess
Edited by: Cindy Mollo
Cameras: Red One Camera
Music Copyist / Music Librarian
The Wolfman (2010)
| USA
Directed by: Joe Johnston
Cinematography by: Shelly Johnson
Head Of Music Preparation
Going the Distance (2010)
| USA
Directed by: Nanette Burstein
Cinematography by: Eric Steelberg
Edited by: Peter Teschner
Head Of Music Preparation
Toy Story 3 (2010)
| USA
Directed by: Lee Unkrich
Cinematography by: Jeremy Lasky
Edited by: Ken Schretzmann
Head Of Music Preparation
Predators (2010)
| USA
Directed by: Nimród Antal
Cinematography by: Gyula Pados
Edited by: Dan Zimmerman
Cameras: Panavision Genesis Camera
Editing System: Avid Editing System
Music Preparation: JoAnn Kane Music Services
The Tourist (2010)
| USA, France, Italy, UK
Directed by: Florian Henckel von Donnersmarck
Cinematography by: John Seale
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Head Of Music Preparation
Percy Jackson & the Olympians: The Lightning Thief (2010)
| UK, Canada, USA
Directed by: Chris Columbus
Cinematography by: Stephen Goldblatt
Edited by: Peter Honess
Head Of Music Preparation
Hot Tub Time Machine (2010)
| USA
Directed by: Steve Pink
Cinematography by: Jack N. Green
Cameras: Panavision Cameras
Orchestrator
G.I. Joe: The Rise of Cobra (2009)
| USA, Czech Republic
Directed by: Stephen Sommers
Cinematography by: Mitchell Amundsen
Music Librarian
Duplicity (2009)
| USA, Germany
Directed by: Tony Gilroy
Cinematography by: Robert Elswit
Edited by: John Gilroy
Cameras: Panavision Panaflex Platinum Camera
Head Of Music Preparation
Did You Hear About the Morgans? (2009)
| USA
Directed by: Marc Lawrence
Cinematography by: Florian Ballhaus
Edited by: Susan E. Morse
Cameras: ARRICAM Studio (ST) Camera
Lenses: Hawk V-Series Lenses
Conductor: Choir
Night at the Museum: Battle of the Smithsonian (2009)
| USA, Canada
Directed by: Shawn Levy
Cinematography by: John Schwartzman
Head Of Music Preparation
Knowing (2009)
| USA, UK, Australia
Directed by: Alex Proyas
Cinematography by: Simon Duggan
Edited by: Richard Learoyd
Cameras: Red One Camera
Music Preparation: Joann Kane Music Service
The Soloist (2009)
| UK, France, USA
Directed by: Joe Wright
Cinematography by: Seamus McGarvey
Edited by: Paul Tothill
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Editing System: Lightworks Editing System
Music Librarian
2012 (2009)
| USA
Directed by: Roland Emmerich
Cinematography by: Dean Semler
Cameras: Panavision Cameras, Panavision Genesis Camera
Editing System: Avid Editing System
Head Of Music Preparation
The Princess and the Frog (2009)
| USA
Cinematography by: Rasoul Azadani
Edited by: Jeff Draheim
Music Librarian
Aliens in the Attic (2009)
| USA, Canada
Directed by: John Schultz
Cinematography by: Don Burgess
Edited by: John Pace
Music Preparation
Alvin and the Chipmunks: The Squeakquel (2009)
| USA
Directed by: Betty Thomas
Cinematography by: Anthony B. Richmond
Edited by: Matt Friedman
Lenses: Cooke S4 Lenses
Head Of Music Preparation
The Final Destination (2009)
| USA
Directed by: David R. Ellis
Cinematography by: Glen MacPherson
Edited by: Mark Stevens
Cameras: Sony CineAlta F23 Camera, Sony HDC-F950 Camera
Music Librarian
Drag Me to Hell (2009)
| USA
Directed by: Sam Raimi
Cinematography by: Peter Deming
Edited by: Bob Murawski
Editing System: Avid Editing System, Final Cut Pro Editing System
Head Of Music Preparation
Defiance (2008)
| USA
Directed by: Edward Zwick
Cinematography by: Eduardo Serra
Edited by: Steven Rosenblum
Music Preparation
Hancock (2008)
| USA
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
Music Preparation
What Happens in Vegas (2008)
| USA
Directed by: Tom Vaughan
Cinematography by: Matthew F. Leonetti
Edited by: Matt Friedman
Cameras: Panavision Cameras
Music Preparation
Max Payne (2008)
| USA, Canada
Directed by: John Moore
Cinematography by: Jonathan Sela
Edited by: Dan Zimmerman
Cameras: ARRIFLEX 435 Camera, Phantom HD Camera
Lenses: Cooke S4 Lenses
Music Preparation: Joann Kane Music Service
The Happening (2008)
| USA, India
Directed by: M. Night Shyamalan
Cinematography by: Tak Fujimoto
Edited by: Conrad Buff IV
Cameras: Panavision Cameras
Music Librarian
Welcome Home, Roscoe Jenkins (2008)
| USA
Directed by: Malcolm D. Lee
Cinematography by: Greg Gardiner
Music Librarian
Doubt (2008)
| USA
Directed by: John Patrick Shanley
Cinematography by: Roger Deakins
Edited by: Dylan Tichenor
Cameras: ARRIFLEX 535 B Camera
Lenses: Zeiss Master Prime Lenses
Music Librarian
The Strangers (2008)
| USA
Directed by: Bryan Bertino
Cinematography by: Peter Sova
Edited by: Kevin Greutert
Cameras: Panavision Cameras
Music Librarian
The Air I Breathe (2007)
| USA, Mexico
Directed by: Jieho Lee
Cinematography by: Walt Lloyd
Edited by: Robert Hoffman
Music Preparation
Superbad (2007)
| USA
Directed by: Greg Mottola
Cinematography by: Russ T. Alsobrook
Edited by: William Kerr
Cameras: Phantom HD Camera
Editing System: Avid Editing System
Music Librarian
Norbit (2007)
| USA
Directed by: Brian Robbins
Cinematography by: Clark Mathis
Edited by: Ned Bastille
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Music Preparation
Shooter (2007)
| USA
Directed by: Antoine Fuqua
Cinematography by: Peter Menzies Jr.
Music Librarian
Next (2007)
| USA
Directed by: Lee Tamahori
Cinematography by: David Tattersall
Edited by: Christian Wagner
Music Preparation
Spider-Man 3 (2007)
| USA
Directed by: Sam Raimi
Cinematography by: Bill Pope
Edited by: Bob Murawski
Editing System: Avid Editing System
Music Librarian
Charlie Wilson's War (2007)
| USA, Germany
Directed by: Mike Nichols
Cinematography by: Stephen Goldblatt
Head Of Music Preparation
The Reaping (2007)
| USA
Directed by: Stephen Hopkins
Cinematography by: Peter Levy
Edited by: Colby Parker Jr.
Music Librarian / Music Preparation
Beowulf (2007)
| USA
Directed by: Robert Zemeckis
Cinematography by: Robert Presley
Edited by: Jeremiah O'Driscoll
Music Copyist
The Water Horse (2007)
| New Zealand, UK, Australia
Directed by: Jay Russell
Cinematography by: Oliver Stapleton
Edited by: Mark Warner
Music Librarian
Hairspray (2007)
| USA, UK
Directed by: Adam Shankman
Cinematography by: Bojan Bazelli
Edited by: Michael Tronick
Music Librarian
License to Wed (2007)
| USA, Australia
Directed by: Ken Kwapis
Cinematography by: John Bailey
Edited by: Kathryn Himoff
Music Preparation: Jo Ann Kane Music Service
Rendition (2007)
| USA
Directed by: Gavin Hood
Cinematography by: Dion Beebe
Edited by: Megan Gill
Music Preparation
August Rush (2007)
| USA
Directed by: Kirsten Sheridan
Cinematography by: John Mathieson
Edited by: William Steinkamp
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Music Preparation: Score
The Bucket List (2007)
| USA
Directed by: Rob Reiner
Cinematography by: John Schwartzman
Edited by: Robert Leighton
Cameras: Panavision Cameras
Music Preparation
Blades of Glory (2007)
| USA
Cinematography by: Stefan Czapsky
Edited by: Richard Pearson
Music Librarian
Live Free or Die Hard (2007)
| USA, UK
Directed by: Len Wiseman
Cinematography by: Simon Duggan
Edited by: Nicolas De Toth
Lenses: Angenieux Optimo Zoom Lenses, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 35mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 65mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0
Editing System: Avid Editing System
Music Preparation
Evan Almighty (2007)
| USA
Directed by: Tom Shadyac
Cinematography by: Ian Baker
Edited by: Scott Hill
Cameras: Panavision Cameras
Editing System: Lightworks Editing System
Music Librarian
Lions for Lambs (2007)
| USA
Directed by: Robert Redford
Cinematography by: Philippe Rousselot
Edited by: Joe Hutshing
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Music Preparation: Joann Kane Music Service
Charlie Bartlett (2007)
| USA
Directed by: Jon Poll
Cinematography by: Paul Sarossy
Edited by: Alan Baumgarten
Music Librarian
Freedomland (2006)
| USA
Directed by: Joe Roth
Cinematography by: Anastas N. Michos
Edited by: Nick Moore
Music Preparation
She's the Man (2006)
| USA, Canada
Directed by: Andy Fickman
Cinematography by: Greg Gardiner
Edited by: Michael Jablow
Music Librarian , Music Preparation: JoAnn Kane Music Services
The Pink Panther (2006)
| USA, Czech Republic
Directed by: Shawn Levy
Cinematography by: Jonathan Brown
Music Copyist / Music Librarian
Final Destination 3 (2006)
| USA, Germany
Directed by: James Wong
Cinematography by: Robert McLachlan
Edited by: Chris G. Willingham
Music Preparation
Idlewild (2006)
| USA
Directed by: Bryan Barber
Cinematography by: Pascal Rabaud
Edited by: Anne Goursaud
Lenses: Zeiss Ultra Prime Lenses
Music Librarian
X-Men: The Last Stand (2006)
| Canada, USA, UK
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Music Librarian
RV (2006)
| UK, Germany, USA
Directed by: Barry Sonnenfeld
Cinematography by: Fred Murphy
Edited by: Kevin Tent
Music Librarian
The Devil Wears Prada (2006)
| USA, France
Directed by: David Frankel
Cinematography by: Florian Ballhaus
Edited by: Mark Livolsi
Cameras: ARRICAM Studio (ST) Camera
Music Copyist
Dreamgirls (2006)
| USA
Directed by: Bill Condon
Cinematography by: Tobias A. Schliessler
Edited by: Virginia Katz
Music Librarian
Superman Returns (2006)
| USA
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Cameras: Panavision Genesis Camera
Editing System: Adobe Premiere Editing System, Avid Editing System
Music Librarian
Lady in the Water (2006)
| USA
Directed by: M. Night Shyamalan
Cinematography by: Christopher Doyle
Edited by: Barbara Tulliver
Music Librarian
Night at the Museum (2006)
| USA, UK
Directed by: Shawn Levy
Cinematography by: Guillermo Navarro
Edited by: Don Zimmerman
Music Librarian
Firewall (2006)
| USA
Directed by: Richard Loncraine
Cinematography by: Marco Pontecorvo
Edited by: Jim Page
Music Preparation
Bobby (2006)
| USA
Directed by: Emilio Estevez
Cinematography by: Michael Barrett
Edited by: Richard Chew
Music Librarian
Star Wars: Episode III - Revenge of the Sith (2005)
| USA
Directed by: George Lucas
Cinematography by: David Tattersall
Cameras: Sony HDC-F950 Camera
Music Preparation
Sky High (2005)
| USA
Directed by: Mike Mitchell
Cinematography by: Shelly Johnson
Edited by: Peter Amundson
Music Librarian
The Interpreter (2005)
| UK, France, Germany, USA
Directed by: Sydney Pollack
Cinematography by: Darius Khondji
Edited by: William Steinkamp
Music Librarian
Hide and Seek (2005)
| USA, Germany
Directed by: John Polson
Cinematography by: Dariusz Wolski
Edited by: Jeffrey Ford
Music Librarian
Bad News Bears (2005)
| USA
Directed by: Richard Linklater
Cinematography by: Rogier Stoffers
Edited by: Sandra Adair
Music Librarian
Serenity (2005)
| USA
Directed by: Joss Whedon
Cinematography by: Jack N. Green
Edited by: Lisa Lassek
Lenses: Panavision Lenses
Music Librarian
Syriana (2005)
| USA, United Arab Emirates
Directed by: Stephen Gaghan
Cinematography by: Robert Elswit
Edited by: Tim Squyres
Music Librarian
Dreamer: Inspired by a True Story (2005)
| USA
Directed by: John Gatins
Cinematography by: Fred Murphy
Edited by: David Rosenbloom
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Editing System: Final Cut Pro Editing System
Music Librarian
The Game of Their Lives (2005)
| USA
Directed by: David Anspaugh
Cinematography by: Johnny E. Jensen
Music Librarian
King Kong (2005)
| New Zealand, USA, Germany
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Jamie Selkirk
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, Mitchell Cameras
Editing System: Avid Editing System
Music Librarian
War of the Worlds (2005)
| USA
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Music Librarian
The Three Burials of Melquiades Estrada (2005)
| France, USA, Mexico
Directed by: Tommy Lee Jones
Cinematography by: Chris Menges
Edited by: Roberto Silvi
Music Librarian
Into the Blue (2005)
| USA
Directed by: John Stockwell
Cinematography by: Shane Hurlbut
Music Librarian
Munich (2005)
| France, Canada, USA
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Cooke Cine Varotal Mark II 25-250mm T3.9 Lens, Cooke S4/i Prime 100mm T2.0 Lens, Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 16mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0
Editing System: Moviola Editing System
Music Librarian
Memoirs of a Geisha (2005)
| USA, Japan
Directed by: Rob Marshall
Cinematography by: Dion Beebe
Edited by: Pietro Scalia
Music Librarian
xXx: State of the Union (2005)
| USA
Directed by: Lee Tamahori
Cinematography by: David Tattersall
Music Preparation
The Village (2004)
| USA
Directed by: M. Night Shyamalan
Cinematography by: Roger Deakins
Edited by: Christopher Tellefsen
Lenses: Cooke S4 Lenses
Music Librarian
Seed of Chucky (2004)
| Romania, USA, UK
Directed by: Don Mancini
Cinematography by: Vernon Layton
Edited by: Chris Dickens
Music Librarian
A Cinderella Story (2004)
| USA, Canada
Directed by: Mark Rosman
Cinematography by: Anthony B. Richmond
Edited by: Cara Silverman
Lenses: Panavision Lenses
Music Librarian
Flight of the Phoenix (2004)
| USA
Directed by: John Moore
Cinematography by: Brendan Galvin
Edited by: Don Zimmerman
Music Librarian
Kill Bill: Vol. 2 (2004)
| USA
Directed by: Quentin Tarantino
Cinematography by: Robert Richardson
Edited by: Sally Menke
Cameras: Panavision Panaflex Platinum Camera
Music Librarian
Welcome to Mooseport (2004)
| USA, Germany
Directed by: Donald Petrie
Cinematography by: Victor Hammer
Edited by: Debra Neil-Fisher
Music Librarian
Starsky & Hutch (2004)
| USA
Directed by: Todd Phillips
Cinematography by: Barry Peterson
Edited by: Leslie Jones
Music Copyist
Dodgeball: A True Underdog Story (2004)
| USA
Directed by: Rawson Marshall Thurber
Cinematography by: Jerzy Zielinski
Cameras: Panavision Cameras
Music Librarian
The Terminal (2004)
| USA
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Music Librarian
Win a Date with Tad Hamilton! (2004)
| USA
Directed by: Robert Luketic
Cinematography by: Peter Lyons Collister
Edited by: Scott Hill
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Lightworks Editing System
Music Librarian
Van Helsing (2004)
| USA, Czech Republic, Romania
Directed by: Stephen Sommers
Cinematography by: Allen Daviau
Editing System: Avid Editing System
Music Librarian
Harry Potter and the Prisoner of Azkaban (2004)
| UK, USA
Directed by: Alfonso Cuarón
Cinematography by: Michael Seresin
Edited by: Steven Weisberg
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System
Music Librarian
Hellboy (2004)
| USA
Directed by: Guillermo del Toro
Cinematography by: Guillermo Navarro
Edited by: Peter Amundson
Music Librarian
Garfield (2004)
| USA
Directed by: Peter Hewitt
Cinematography by: Dean Cundey
Cameras: Panavision Cameras
Music Librarian
Dawn of the Dead (2004)
| USA, Canada, Japan, France
Directed by: Zack Snyder
Cinematography by: Matthew F. Leonetti
Edited by: Niven Howie
Music Librarian
Charlie's Angels: Full Throttle (2003)
| USA
Directed by: McG
Cinematography by: Russell Carpenter
Edited by: Wayne Wahrman
Music Copyist / Music Librarian
Willard (2003)
| Canada, USA
Directed by: Glen Morgan
Cinematography by: Robert McLachlan
Edited by: James Coblentz
Music Copyist / Music Librarian
Elf (2003)
| USA
Directed by: Jon Favreau
Cinematography by: Greg Gardiner
Edited by: Dan Lebental
Cameras: Panavision Cameras
Music Librarian
Peter Pan (2003)
| UK, Australia, USA, New Zealand
Directed by: P.J. Hogan
Cinematography by: Donald McAlpine
Music Librarian
The Cat in the Hat (2003)
| USA
Directed by: Bo Welch
Cinematography by: Emmanuel Lubezki
Edited by: Don Zimmerman
Music Librarian
Final Destination 2 (2003)
| USA, Canada
Directed by: David R. Ellis
Cinematography by: Gary Capo
Edited by: Eric A. Sears
Cameras: Panavision Cameras
Music Librarian
Lara Croft Tomb Raider: The Cradle of Life (2003)
| USA, Germany, Japan, UK, Hong Kong
Directed by: Jan de Bont
Cinematography by: David Tattersall
Edited by: Michael Kahn
Music Copyist
American Wedding (2003)
| USA, Germany
Directed by: Jesse Dylan
Cinematography by: Lloyd Ahern II
Edited by: Stuart H. Pappé
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Music Copyist
Bruce Almighty (2003)
| USA
Directed by: Tom Shadyac
Cinematography by: Dean Semler
Edited by: Scott Hill
Lenses: Panavision Primo Close Focus Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses
Editing System: Lightworks Editing System
Music Librarian
The Last Samurai (2003)
| USA, New Zealand, Japan
Directed by: Edward Zwick
Cinematography by: John Toll
Head Of Music Preparation
Dreamcatcher (2003)
| USA, Canada
Directed by: Lawrence Kasdan
Cinematography by: John Seale
Music Copyist
Identity (2003)
| USA
Directed by: James Mangold
Cinematography by: Phedon Papamichael
Edited by: David Brenner
Music Librarian
Something's Gotta Give (2003)
| USA
Directed by: Nancy Meyers
Cinematography by: Michael Ballhaus
Edited by: Joe Hutshing
Cameras: ARRICAM Studio (ST) Camera
Lenses: Angenieux Lenses, Zeiss Lenses
Music Librarian
Gothika (2003)
| USA, France, Canada, Spain
Directed by: Mathieu Kassovitz
Cinematography by: Matthew Libatique
Edited by: Yannick Kergoat
Music Librarian
Looney Tunes: Back in Action (2003)
| Germany, USA
Directed by: Joe Dante
Cinematography by: Dean Cundey
Music Copyist
Seabiscuit (2003)
| USA
Directed by: Gary Ross
Cinematography by: John Schwartzman
Edited by: William Goldenberg
Editing System: Avid Editing System
Music Librarian
Under the Tuscan Sun (2003)
| USA, Italy
Directed by: Audrey Wells
Cinematography by: Geoffrey Simpson
Music Librarian
Master and Commander: The Far Side of the World (2003)
| USA
Directed by: Peter Weir
Cinematography by: Russell Boyd
Edited by: Lee Smith
Music Librarian
X2: X-Men United (2003)
| Canada, USA
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Music Copyist
Jeepers Creepers 2 (2003)
| USA
Directed by: Victor Salva
Cinematography by: Don E. FauntLeRoy
Edited by: Ed Marx
Music Copyist
Scary Movie 3 (2003)
| USA, Canada
Directed by: David Zucker
Cinematography by: Mark Irwin
Music Copyist/music Librarian
Holes (2003)
| USA
Directed by: Andrew Davis
Cinematography by: Stephen St. John
Music Librarian
Matchstick Men (2003)
| USA, UK
Directed by: Ridley Scott
Cinematography by: John Mathieson
Edited by: Dody Dorn
Music Copyist / Music Librarian
The Core (2003)
| USA, Germany, Canada, UK
Directed by: Jon Amiel
Cinematography by: John Lindley
Edited by: Terry Rawlings
Music Librarian
Tears of the Sun (2003)
| USA
Directed by: Antoine Fuqua
Cinematography by: Mauro Fiore
Cameras: Panavision Cameras
Music Librarian
Scooby-Doo (2002)
| USA, Australia
Directed by: Raja Gosnell
Cinematography by: David Eggby
Edited by: Kent Beyda
Cameras: Panavision Cameras
Music Copyist
Star Trek: Nemesis (2002)
| USA
Directed by: Stuart Baird
Cinematography by: Jeffrey L. Kimball
Edited by: Dallas Puett
Music Librarian
Unfaithful (2002)
| France, Germany, USA
Directed by: Adrian Lyne
Cinematography by: Peter Biziou
Edited by: Anne V. Coates
Cameras: Moviecam Compact Camera
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System
Music Librarian
Treasure Planet (2002)
| USA
Cinematography by: Rasoul Azadani
Edited by: Michael Kelly
Music Copyist
Unconditional Love (2002)
| USA
Directed by: P.J. Hogan
Cinematography by: Remi Adefarasin
Edited by: Robert C. Jones
Cameras: Panavision Cameras
Music Librarian
Spy Kids 2: Island of Lost Dreams (2002)
| USA
Directed by: Robert Rodriguez
Cinematography by: Robert Rodriguez
Edited by: Robert Rodriguez
Cameras: Sony HDW-F900 Camera
Music Copyist
Catch Me If You Can (2002)
| USA, Canada
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Music Copyist
Minority Report (2002)
| USA
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Music Librarian
Star Wars: Episode II - Attack of the Clones (2002)
| USA
Directed by: George Lucas
Cinematography by: David Tattersall
Cameras: Sony HDW-F900 Camera
Music Copyist
Signs (2002)
| USA
Directed by: M. Night Shyamalan
Cinematography by: Tak Fujimoto
Edited by: Barbara Tulliver
Music Copyist
Chicago (2002)
| USA, Germany, Canada
Directed by: Rob Marshall
Cinematography by: Dion Beebe
Edited by: Martin Walsh
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System, Lightworks Editing System
Music Copyist / Music Librarian
Harry Potter and the Chamber of Secrets (2002)
| UK, USA, Germany
Directed by: Chris Columbus
Cinematography by: Roger Pratt
Edited by: Peter Honess
Music Copyist
Spy Kids (2001)
| USA
Directed by: Robert Rodriguez
Cinematography by: Guillermo Navarro
Edited by: Robert Rodriguez
Music Librarian
Not Another Teen Movie (2001)
| USA
Directed by: Joel Gallen
Cinematography by: Reynaldo Villalobos
Edited by: Steve Welch
Music Librarian
Training Day (2001)
| USA
Directed by: Antoine Fuqua
Cinematography by: Mauro Fiore
Edited by: Conrad Buff IV
Lenses: Hawk C-Series Lenses
Music Copyist
Jay and Silent Bob Strike Back (2001)
| USA
Directed by: Kevin Smith
Cinematography by: Jamie Anderson
Music Copyist
Harry Potter and the Sorcerer's Stone (2001)
| UK, USA
Directed by: Chris Columbus
Cinematography by: John Seale
Edited by: Richard Francis-Bruce
Music Stage Librarian
The Kid (2000)
| USA
Directed by: Jon Turteltaub
Cinematography by: Peter Menzies Jr.
Head Of Music Preparation
Unbreakable (2000)
| USA
Directed by: M. Night Shyamalan
Cinematography by: Eduardo Serra
Edited by: Dylan Tichenor
Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Music Copyist
Gladiator (2000)
| USA, UK, Malta, Morocco
Directed by: Ridley Scott
Cinematography by: John Mathieson
Edited by: Pietro Scalia
Music Copyist / Music Librarian
Final Destination (2000)
| USA
Directed by: James Wong
Cinematography by: Robert McLachlan
Edited by: James Coblentz
Music Librarian
The Patriot (2000)
| USA, Germany
Directed by: Roland Emmerich
Cinematography by: Caleb Deschanel
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Music Copyist
Vertical Limit (2000)
| USA, Germany
Directed by: Martin Campbell
Cinematography by: David Tattersall
Edited by: Thom Noble
Music Copyist
Charlie's Angels (2000)
| USA, Germany
Directed by: McG
Cinematography by: Russell Carpenter
Music Librarian
Bait (2000)
| Canada, USA
Directed by: Antoine Fuqua
Cinematography by: Tobias A. Schliessler
Edited by: Alan Edward Bell
Cameras: Panavision Cameras
Music Librarian
What Lies Beneath (2000)
| USA
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Arthur Schmidt
Cameras: Panavision Panaflex Platinum Camera
Music Copyist
Angela's Ashes (1999)
| USA, Ireland
Directed by: Alan Parker
Edited by: Gerry Hambling
Cameras: Moviecam Compact Camera
Lenses: Cooke S4 Lenses
Music Copyist
The Green Mile (1999)
| USA
Directed by: Frank Darabont
Cinematography by: David Tattersall
Edited by: Richard Francis-Bruce
Cameras: Panavision Panaflex Platinum Camera
Music Librarian
The Mummy (1999)
| USA
Directed by: Stephen Sommers
Cinematography by: Adrian Biddle
Edited by: Bob Ducsay
Cameras: Panavision Panaflex Platinum Camera
Music Copyist
Bowfinger (1999)
| USA
Directed by: Frank Oz
Cinematography by: Ueli Steiger
Edited by: Richard Pearson
Head Of Music Preparation
Entrapment (1999)
| USA, UK, Germany
Directed by: Jon Amiel
Cinematography by: Phil Meheux
Edited by: Terry Rawlings
Music Stage Librarian
Runaway Bride (1999)
| USA
Directed by: Garry Marshall
Cinematography by: Stuart Dryburgh
Edited by: Bruce Green
Head Of Music Preparation - 74 Episodes, 2015-2019
Family Guy (1999)
| USA
Directed by: James Purdum, Peter Shin, Dominic Bianchi, Pete Michels, John Holmquist, Greg Colton, Brian Iles, Julius Wu, Jerry Langford, Joseph Lee, Joe Vaux, Mike Kim, Roy Allen Smith, Dan Povenmire, Steve Robertson, Cyndi Tang, Dominic Polcino, Bob Bowen, Michael Dante DiMartino, Zac Moncrief, Bert Ring, Steve Beers, Monte Young, Scott Wood, Sarah Frost, Gavin Dell, Glen Hill, Brian Hogan, Kurt Dumas, Seth Kearsley, Chuck Klein, Neil Affleck, Rob Renzetti, Jack Dyer, Bob Jaques, Jeff Myers, Swinton O. Scott III, Andi Klein, Chris Robertson, Seth MacFarlane
Music Copyist
Star Wars: Episode I - The Phantom Menace (1999)
| USA
Directed by: George Lucas
Cinematography by: David Tattersall
Lenses: Hawk C-Series Lenses
Music Copyist
The Sixth Sense (1999)
| USA
Directed by: M. Night Shyamalan
Cinematography by: Tak Fujimoto
Edited by: Andrew Mondshein
Music Stage Librarian
A Perfect Murder (1998)
| USA
Directed by: Andrew Davis
Cinematography by: Dariusz Wolski
Music Librarian
Bride of Chucky (1998)
| USA, Canada
Directed by: Ronny Yu
Cinematography by: Peter Pau
Music Librarian
The Thin Red Line (1998)
| USA
Directed by: Terrence Malick
Cinematography by: John Toll
Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Lenses: Panavision C100 100 mm T2.8 Lens, Panavision C40 40 mm T2.8 Lens, Panavision C50 50 mm T2.3 Lens, Panavision C75 75 mm T2.5 Lens, Panavision Primo AL100 100 mm T2.0 Lens, Panavision Primo AL40 40 mm T2.0 Lens, Panavision Primo AL50 50 mm T2.0 Lens, Panavision Primo AL75 75 mm T2.0 Lens
Editing System: Avid Editing System
Music Stage Librarian
Patch Adams (1998)
| USA
Directed by: Tom Shadyac
Cinematography by: Phedon Papamichael
Edited by: Don Zimmerman
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Music Copyist
Space Jam (1996)
| USA
Directed by: Joe Pytka
Cinematography by: Michael Chapman
Edited by: Sheldon Kahn
Music Copyist
Evita (1996)
| USA
Directed by: Alan Parker
Cinematography by: Darius Khondji
Edited by: Gerry Hambling
Cameras: Moviecam Compact Camera
Lenses: Cooke Xtal Express Lenses
Music Copyist
Romeo + Juliet (1996)
| USA, Mexico
Directed by: Baz Luhrmann
Cinematography by: Donald McAlpine
Edited by: Jill Bilcock
Cameras: Panavision Panaflex Gold Camera
Editing System: Lightworks Editing System
Music Librarian
Mars Attacks! (1996)
| USA
Directed by: Tim Burton
Cinematography by: Peter Suschitzky
Edited by: Chris Lebenzon
Music Copyist
Twister (1996)
| USA
Directed by: Jan de Bont
Cinematography by: Jack N. Green
Edited by: Michael Kahn
Music Copyist
Jumanji (1995)
| USA
Directed by: Joe Johnston
Cinematography by: Thomas E. Ackerman
Edited by: Robert Dalva
Cameras: Panavision Cameras
Music Copyist
The Mask (1994)
| USA
Directed by: Chuck Russell
Cinematography by: John R. Leonetti
Edited by: Arthur Coburn
Music Copyist
The Shawshank Redemption (1994)
| USA
Directed by: Frank Darabont
Cinematography by: Roger Deakins
Edited by: Richard Francis-Bruce
Lenses: ARRI / Zeiss Lenses
Music Librarian
Jurassic Park (1993)
| USA
Directed by: Steven Spielberg
Cinematography by: Dean Cundey
Edited by: Michael Kahn
Lenses: