Mark Graham

Directed by: Jussie Smollett

Head Of Music Preparation

'Empire' Pride (2018)

| USA

Directed by: Clement Virgo

Cinematography by: Joe 'Jody' Williams

Head Of Music Preparation

'Empire' Birds in the Cage (2018)

Directed by: Craig Brewer

Edited by: Evonne Moritz, Eli Nilsen

Head Of Music Preparation

'Empire' Bloody Noses and Crack'd Crowns (2018)

Directed by: Howard Deutch

Edited by: Ishai Setton

Head Of Music Preparation

'Empire' What Is Done (2018)

| USA

Directed by: Jussie Smollett

Cinematography by: Joe 'Jody' Williams

Head Of Music Preparation

'Empire' Without Apology (2018)

Directed by: Dianne Houston

Edited by: Ishai Setton

Head Of Music Preparation

'Empire' Pay for Their Presumptions (2018)

| USA

Directed by: John Krokidas

Cinematography by: Joe 'Jody' Williams

Edited by: Eli Nilsen

Head Of Music Preparation

'Empire' False Face (2018)

Directed by: Millicent Shelton

Edited by: Ishai Setton, Stefanie Visser

Head Of Music Preparation

'Empire' The Depth of Grief (2018)

| USA

Directed by: Elizabeth Allen Rosenbaum

Cinematography by: Joe 'Jody' Williams

Edited by: Eli Nilsen

Head Of Music Preparation

'Empire' Sweet Sorrow (2018)

Directed by: Eric Haywood

Edited by: Lauren A. Schaffer

Head Of Music Preparation

'Empire' Steal from the Thief (2018)

| USA

Directed by: Sanaa Hamri

Cinematography by: Joe 'Jody' Williams

Edited by: Ishai Setton

Head Of Music Preparation

'Empire' A Lean and Hungry Look (2018)

Directed by: Bille Woodruff

Edited by: Lauren A. Schaffer

Head Of Music Preparation

'Empire' Love All, Trust a Few (2018)

| USA

Directed by: Mario Van Peebles

Cinematography by: Joe 'Jody' Williams

Edited by: Ishai Setton

Head Of Music Preparation

'Empire' Of Hardiness Is Mother (2018)

Directed by: Craig Brewer

Head Of Music Preparation

'Empire' The Empire Unpossess'd (2018)

Directed by: Craig Brewer

Edited by: Lauren A. Schaffer

Head Of Music Preparation

'Empire' Treasons, Stratagems, and Spoils (2018)

| USA

Directed by: Tamra Davis

Cinematography by: Joe 'Jody' Williams

Edited by: Ishai Setton

Head Of Music Preparation

'Empire' The Lady Doth Protest (2017)

| USA

Directed by: Karen Gaviola

Cinematography by: Paul M. Sommers

Edited by: Evonne Moritz, Eli Nilsen

Head Of Music Preparation

'Empire' Absent Child (2017)

| USA

Directed by: Millicent Shelton

Edited by: Ishai Setton

Head Of Music Preparation

'Empire' Evil Manners (2017)

| USA

Directed by: Bille Woodruff

Edited by: Lauren A. Schaffer

Head Of Music Preparation

'Empire' Strange Bedfellows (2017)

| USA

Directed by: Bille Woodruff

Edited by: Eli Nilsen

Head Of Music Preparation

'Empire' Fortune Be Not Crost (2017)

| USA

Directed by: Sanaa Hamri

Edited by: Lauren A. Schaffer

Head Of Music Preparation

'Empire' Civil Hands Unclean (2017)

| USA

Directed by: Howard Deutch

Head Of Music Preparation

'Empire' Noble Memory (2017)

| USA

Directed by: Sanaa Hamri

Edited by: Eli Nilsen

Head Of Music Preparation

'Empire' Slave to Memory (2017)

| USA

Directed by: Sanaa Hamri

Edited by: Lauren A. Schaffer

Head Of Music Preparation

'Empire' Play On (2017)

| USA

Directed by: Benny Boom

Edited by: Raúl Dávalos, Ishai Setton

Head Of Music Preparation

'Empire' Toil and Trouble, Part 2 (2017)

| USA

Directed by: Sanaa Hamri

Cinematography by: Paul M. Sommers

Edited by: Eli Nilsen

Head Of Music Preparation

'Empire' The Fool (2017)

| USA

Directed by: Howard Deutch

Edited by: Ishai Setton

Head Of Music Preparation / Orchestrator

Logan (2017)

| USA

Directed by: James Mangold

Cinematography by: John Mathieson

Edited by: Michael McCusker, Dirk Westervelt

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Blackmagic Pocket Cinema Camera, Sony α7S II Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Head Of Music Preparation

'Empire' Love Is a Smoke (2017)

| USA

Directed by: Tricia Brock

Edited by: David Greenspan

Head Of Music Preparation

'Empire' Full Circle (2017)

| USA

Directed by: Craig Brewer

Cinematography by: Paul M. Sommers

Edited by: Ishai Setton

Head Of Music Preparation

'Empire' Cupid Painted Blind (2017)

| USA

Directed by: Elizabeth Allen Rosenbaum

Edited by: Ishai Setton

Head Of Music Preparation

'Empire' Sound & Fury (2017)

| USA

Directed by: Craig Brewer

Edited by: Ishai Setton

Head Of Music Preparation

'Empire' Toil and Trouble, Part 1 (2017)

| USA

Directed by: Craig Brewer

Edited by: David Greenspan, Ishai Setton

Head Of Music Preparation

'Empire' Bleeding War (2017)

| USA

Directed by: Sanaa Hamri

Edited by: Eli Nilsen

Head Of Music Preparation

'Empire' My Naked Villainy (2017)

| USA

Directed by: Cherien Dabis

Edited by: Ishai Setton, Stefanie Visser

Conducted By / Orchestrator

Ben-Hur (2016)

| USA

Directed by: Timur Bekmambetov

Cinematography by: Oliver Wood

Edited by: Dody Dorn, Richard Francis-Bruce

Cameras: ARRI ALEXA Series Cameras, GoPro (Woodman Labs) Cameras, Red Digital Cinema Cameras

Editing System: Avid Editing System

Head Of Music Preparation/ Orchestrator

Gods of Egypt (2016)

| USA, Australia, China

Directed by: Alex Proyas

Cinematography by: Peter Menzies Jr.

Edited by: Richard Learoyd

Lenses: Panavision Primo 70 Lenses

Head Of Music Preparation

'Empire' Time Shall Unfold (2016)

| USA

Directed by: Cherien Dabis

Cinematography by: Paul M. Sommers

Edited by: Raúl Dávalos

Head Of Music Preparation

'Empire' Sin That Amends (2016)

| USA

Directed by: Craig Brewer

Cinematography by: Paul M. Sommers

Edited by: Raúl Dávalos

Head Of Music Preparation

Hail, Caesar! (2016)

| UK, Japan, USA

Directed by: Ethan Coen, Joel Coen

Cinematography by: Roger Deakins

Edited by: Ethan Coen, Joel Coen

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera

Head Of Music Preparation

'Empire' A Furnace for Your Foe (2016)

| USA

Directed by: Sanaa Hamri

Edited by: Eli Nilsen

Head Of Music Preparation

La La Land (2016)

Lenses: Panavision C Series Anamorphic Lenses, Panavision C35 35 mm T2.3 Lens, Panavision C50 50 mm T2.3 Lens, Panavision E Series Anamorphic Lenses, Panavision E35 35 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens

| USA, Hong Kong

Directed by: Damien Chazelle

Cinematography by: Linus Sandgren

Edited by: Tom Cross

Cameras: Aaton A-Minima Camera, Panavision Panaflex Millennium XL2 Camera

Head Of Music Preparation

Jason Bourne (2016)

Lenses: Angenieux Optimo Zoom Lenses, Canon Lenses, Fujinon Premier ZK Cabrio PL Compact Lenses, Kowa Cine Prominar Spherical Lenses, Panavision Lenses, Zeiss Super Speed Lenses, Zeiss Ultra Prime Lenses

| USA, China

Directed by: Paul Greengrass

Cinematography by: Barry Ackroyd

Edited by: Christopher Rouse

Cameras: Aaton Penelope Camera, Aaton XTR Prod Camera, ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, Codex Action Cam, Red Epic Dragon Camera

Head Of Music Preparation

'Empire' Past Is Prologue (2016)

| USA

Directed by: Sanaa Hamri

Edited by: Raúl Dávalos

Head Of Music Preparation

The Jungle Book (2016)

| UK, USA

Directed by: Jon Favreau

Cinematography by: Bill Pope

Edited by: Adam Gerstel, Mark Livolsi

Cameras: ARRI ALEXA XT M Camera

Head Of Music Preparation

'Empire' Death Will Have His Day (2016)

| USA

Directed by: Danny Strong

Cinematography by: Paul M. Sommers

Edited by: Raúl Dávalos

Head Of Music Preparation

How to Be Single (2016)

| USA

Directed by: Christian Ditter

Cinematography by: Christian Rein

Edited by: Tia Nolan

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Plus Camera

Head Of Music Preparation

'Empire' Cupid Kills (2016)

| USA

Directed by: Hanelle M. Culpepper

Edited by: Ishai Setton

Conductor / Orchestrator

Why Him? (2016)

| USA, Cambodia

Directed by: John Hamburg

Cinematography by: Kris Kachikis

Edited by: William Kerr

Head Of Music Preparation

'Empire' More Than Kin (2016)

| USA

Directed by: Sanaa Hamri

Cinematography by: Paul M. Sommers

Edited by: Zack Arnold, Ishai Setton

Head Of Music Preparation

The Finest Hours (2016)

| USA

Directed by: Craig Gillespie

Cinematography by: Javier Aguirresarobe

Edited by: Tatiana S. Riegel

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Leica Summilux-C Series Lenses

Head Of Music Preparation

'Empire' Chimes at Midnight (2016)

| USA

Directed by: Sanaa Hamri

Edited by: Eli Nilsen

Head Of Music Preparation / Orchestrator

The Secret Life of Pets (2016)

| Japan, USA, France

Directed by: Chris Renaud, Yarrow Cheney

Edited by: Ken Schretzmann

Head Of Music Preparation

'Empire' Light in Darkness (2016)

| USA

Directed by: Sanaa Hamri

Cinematography by: Paul M. Sommers

Edited by: Ishai Setton

Head Of Music Preparation

X-Men: Apocalypse (2016)

| USA

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Michael Louis Hill, John Ottman

Cameras: Phantom Flex4K Camera, Red Epic Dragon Camera

Lenses: Leica Summilux-C Series Lenses

Head Of Music Preparation

'Empire' A Rose by Any Other Name (2016)

| USA

Directed by: Michael Engler

Cinematography by: Paul M. Sommers

Edited by: Zack Arnold

Head Of Music Preparation

'Empire' One Before Another (2016)

| USA

Directed by: Mario Van Peebles

Edited by: Raúl Dávalos

Head Of Music Preparation

Fantastic Beasts and Where to Find Them (2016)

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

| UK, USA

Directed by: David Yates

Cinematography by: Philippe Rousselot

Edited by: Mark Day

Cameras: ARRI ALEXA XT Camera

Head Of Music Preparation

'Empire' The Lyon Who Cried Wolf (2016)

| USA

Directed by: Millicent Shelton

Cinematography by: Paul M. Sommers

Edited by: Matt Barber

Head Of Music Preparation

'Empire' What We May Be (2016)

| USA

Directed by: Kevin Bray

Edited by: Ishai Setton

Head Of Music Preparation

Ice Age: Collision Course (2016)

| USA

Directed by: Mike Thurmeier, Galen T. Chu

Cinematography by: Renato Falcão

Edited by: Erin Crackel, James Palumbo

Orchestrator

Florence Foster Jenkins (2016)

| UK, France

Directed by: Stephen Frears

Cinematography by: Danny Cohen

Edited by: Valerio Bonelli

Cameras: ARRI ALEXA XT Camera

Conductor / Head Of Music Preparation / Orchestrator

Zoolander 2 (2016)

| USA, Italy

Directed by: Ben Stiller

Cinematography by: Dan Mindel

Edited by: Greg Hayden

Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Plus Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Editing System: Avid Editing System

Head Of Music Preparation

The Huntsman: Winter's War (2016)

| USA, China

Directed by: Cedric Nicolas-Troyan

Cinematography by: Phedon Papamichael

Edited by: Conrad Buff IV

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Plus Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses

Head Of Music Preparation

'Empire' The Tameness of a Wolf (2016)

| USA

Directed by: Paris Barclay

Cinematography by: Paul M. Sommers

Edited by: Matt Barber

Head Of Music Preparation

'Empire' What Remains Is Bestial (2016)

| USA

Directed by: Millicent Shelton

Edited by: Eli Nilsen

Conductor / Orchestrator

Collateral Beauty (2016)

| USA

Directed by: David Frankel

Cinematography by: Maryse Alberti

Edited by: Andrew Marcus

Cameras: ARRI ALEXA XT Plus Camera

Lenses: ARRI / Zeiss Master Anamorphic Lenses

Head Of Music Preparation

'Empire' Rise by Sin (2016)

Miniseries, Television Series

| USA

Directed by: Paul McCrane

Cinematography by: Paul M. Sommers

Edited by: Raúl Dávalos, Ishai Setton

Orchestrator - 3 Episodes, 2016

11.22.63 (2016)

| USA

Directed by: James Strong, Frederick E.O. Toye, John David Coles, James Franco, James Kent, Kevin Macdonald

Cinematography by: Adam Suschitzky, David Katznelson

Edited by: Sue Blainey, Michael R. Fox, Plummy Tucker, Dorian Harris

Head Of Music Preparation

'Empire' The Unkindest Cut (2016)

| USA

Directed by: Dennie Gordon

Cinematography by: Paul M. Sommers

Edited by: Raúl Dávalos

Conductor / Head Of Music Preparation

Ghostbusters (2016)

| USA, Australia

Directed by: Paul Feig

Cinematography by: Robert D. Yeoman

Edited by: Melissa Bretherton, Brent White

Cameras: ARRI ALEXA XT Camera

Lenses: Fujinon Premier ZK Cabrio PL Compact Lenses, Zeiss Master Prime Lenses

Head Of Music Preparation

Southside with You (2016)

| USA

Directed by: Richard Tanne

Cinematography by: Patrick Scola

Edited by: Evan Schiff

Head Of Music Preparation

'Empire' True Love Never (2015)

| USA

Directed by: Sylvain White

Cinematography by: Paul M. Sommers

Edited by: Joe Leonard

Head Of Music Preparation

'Empire' Who I Am (2015)

| USA

Directed by: Debbie Allen

Cinematography by: Sidney Sidell

Edited by: Zack Arnold

Head Of Music Preparation

The SpongeBob Movie: Sponge Out of Water (2015)

| USA, South Korea, Australia

Directed by: Paul Tibbitt, Mike Mitchell

Cinematography by: Phil Meheux

Edited by: David Ian Salter

Cameras: ARRI ALEXA Camera

Head Of Music Preparation

'Empire' Dangerous Bonds (2015)

| USA

Directed by: John Singleton

Cinematography by: Sidney Sidell

Edited by: Joe Leonard

Head Of Music Preparation

'Empire' Poor Yorick (2015)

| USA

Directed by: Danny Strong

Cinematography by: Paul M. Sommers

Edited by: Joe Leonard, James Stanton

Head Of Music Preparation

Creed (2015)

| USA

Directed by: Ryan Coogler

Cinematography by: Maryse Alberti

Edited by: Claudia Castello, Michael P. Shawver

Cameras: ARRI ALEXA XT M Camera, ARRI ALEXA XT Plus Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Cooke S4 Lenses, Cooke Zoom Lenses

Editing System: Avid Editing System

Head Of Music Preparation

'Empire' Unto the Breach (2015)

| USA

Directed by: Anthony Hemingway

Cinematography by: Sidney Sidell

Edited by: Zack Arnold

Head Of Music Preparation / Orchestrator

The Intern (2015)

| USA

Directed by: Nancy Meyers

Cinematography by: Stephen Goldblatt

Edited by: Robert Leighton

Cameras: ARRI ALEXA XT Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Head Of Music Preparation

'Empire' The Outspoken King (2015)

| USA

Directed by: Lee Daniels

Cinematography by: Sidney Sidell

Edited by: Joe Leonard

Head Of Music Preparation

'Empire' Game On (2015)

Head Of Music Preparation

'Empire' My Bad Parts (2015)

| USA

Directed by: Sanaa Hamri

Cinematography by: Paul M. Sommers

Edited by: Raúl Dávalos

Head Of Music Preparation

'Empire' The Devils Are Here (2015)

| USA

Directed by: Lee Daniels

Cinematography by: Paul M. Sommers

Edited by: Joe Leonard

Head Of Music Preparation

'Empire' Out, Damned Spot (2015)

| USA

Directed by: Michael Engler

Cinematography by: Sidney Sidell

Edited by: Zack Arnold

Head Of Music Preparation

Focus (2015)

| USA, Argentina

Directed by: Glenn Ficarra, John Requa

Cinematography by: Xavier Grobet

Edited by: Jan Kovac

Cameras: ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Camera

Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses

Editing System: Final Cut Pro Editing System

Head Of Music Preparation

Spy (2015)

| USA, UK, France, Hungary, Germany

Directed by: Paul Feig

Cinematography by: Robert D. Yeoman

Edited by: Melissa Bretherton, Brent White

Cameras: ARRI ALEXA XT Camera

Head Of Music Preparation

'Empire' Be True (2015)

| USA

Directed by: Kevin Bray

Cinematography by: Paul M. Sommers

Edited by: Raúl Dávalos

Head Of Music Preparation

'Empire' Sins of the Father (2015)

| USA

Directed by: Rob Hardy

Cinematography by: Sidney Sidell

Edited by: Raúl Dávalos

Music Preparation

Crimson Peak (2015)

| Canada, USA

Directed by: Guillermo del Toro

Cinematography by: Dan Laustsen

Edited by: Bernat Vilaplana

Cameras: ARRI ALEXA XT Camera

Head Of Music Preparation

'Empire' The Devil Quotes Scripture (2015)

| USA

Directed by: Sanaa Hamri

Cinematography by: Sidney Sidell

Edited by: Zack Arnold

Head Of Music Preparation

Get Hard (2015)

| USA

Directed by: Etan Cohen

Cinematography by: Tim Suhrstedt

Edited by: Michael L. Sale

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Angenieux Optimo Zoom Lenses, Leica Summilux-C Series Lenses

Head Of Music Preparation

'Empire' Sinned Against (2015)

| USA

Directed by: Paul McCrane

Cinematography by: Paul M. Sommers

Edited by: Zack Arnold

Head Of Music Preparation

Ted 2 (2015)

| USA

Directed by: Seth MacFarlane

Cinematography by: Michael Barrett

Edited by: Jeff Freeman

Cameras: Sony CineAlta F65 Camera

Head Of Music Preparation

'Empire' Without a Country (2015)

| USA

Directed by: Dee Rees

Cinematography by: Paul M. Sommers

Edited by: Raúl Dávalos

Head Of Music Preparation

Star Wars: Episode VII - The Force Awakens (2015)

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision Retro C 100mm T2.8 Lens, Panavision Retro C 35mm T2.8 Lens, Panavision Retro C 40mm T2.8 Lens, Panavision Retro C 50mm T2.8 Lens, Panavision Retro C 60mm T2.8 Lens, Panavision Retro C 75mm T2.8 Lens

| USA

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Mary Jo Markey

Cameras: ARRI ALEXA Camera, Imax MKIII Reflex Camera, Imax MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera

Editing System: Avid Editing System

Head Of Music Preparation / Orchestrator

The Walk (2015)

| USA

Directed by: Robert Zemeckis

Cinematography by: Dariusz Wolski

Edited by: Jeremiah O'Driscoll

Head Of Music Preparation

'Empire' Our Dancing Days (2015)

| USA

Directed by: Sanaa Hamri

Cinematography by: Sidney Sidell

Edited by: Raúl Dávalos

Head Of Music Preparation

'Empire' A High Hope for a Low Heaven (2015)

| USA

Directed by: Mario Van Peebles

Cinematography by: Paul M. Sommers

Edited by: Zack Arnold

Head Of Music Preparation

'Empire' Die but Once (2015)

| USA

Directed by: Mario Van Peebles

Cinematography by: Sidney Sidell

Edited by: Joe Leonard, James Stanton

Head Of Music Preparation

Pan (2015)

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision PVintage Prime Lenses

| USA, UK, Australia

Directed by: Joe Wright

Cinematography by: John Mathieson, Seamus McGarvey

Edited by: William Hoy, Paul Tothill

Cameras: ARRI ALEXA XT Camera, Phantom Flex Camera

Head Of Music Preparation

'Empire' False Imposition (2015)

| USA

Directed by: Rosemary Rodriguez

Cinematography by: Sidney Sidell

Edited by: Raúl Dávalos, Sharidan Williams-Sotelo

Head Of Music Preparation - 73 Episodes, 2015-2018

Empire (2015)

Television Series

| USA

Cinematography by: Paul M. Sommers, Joe 'Jody' Williams, Sidney Sidell, Andrew Dunn

Edited by: Ishai Setton, Eli Nilsen, Raúl Dávalos, Zack Arnold, Joe Leonard, Lauren A. Schaffer, Stefanie Visser, Evonne Moritz, James Stanton, Matt Barber, David Greenspan, Sharidan Williams-Sotelo

Cameras: ARRI ALEXA Camera, Digital Bolex D16

Head Of Music Preparation / Orchestrator

The Gunman (2015)

| USA, Spain, UK, France

Directed by: Pierre Morel

Cinematography by: Flavio Martínez Labiano

Edited by: Frédéric Thoraval

Cameras: ARRI ALEXA XT Camera, Red Epic Camera

Lenses: Kowa Cine Prominar Spherical Lenses, Nippon Scope Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Head Of Music Preparation

'Empire' Et Tu, Brute? (2015)

| USA

Directed by: Sanaa Hamri

Cinematography by: Paul M. Sommers

Head Of Music Preparation

'Empire' Fires of Heaven (2015)

| USA

Directed by: Craig Brewer

Cinematography by: Paul M. Sommers

Edited by: Zack Arnold

Head Of Music Preparation , Orchestrator

Trumbo (2015)

| USA

Directed by: Jay Roach

Cinematography by: Jim Denault

Edited by: Alan Baumgarten

Cameras: ARRI ALEXA XT Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Head Of Music Preparation

'Empire' The Lyon's Roar (2015)

| USA

Directed by: Danny Strong

Cinematography by: Sidney Sidell

Edited by: Joe Leonard

Head Of Music Preparation

Maleficent (2014)

| USA

Directed by: Robert Stromberg

Cinematography by: Dean Semler

Edited by: Chris Lebenzon, Richard Pearson

Cameras: ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera

Head Of Music Preparation

Nightcrawler (2014)

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses

| USA

Directed by: Dan Gilroy

Cinematography by: Robert Elswit

Edited by: John Gilroy

Cameras: ARRI ALEXA XT Camera, Panavision Panaflex Millennium XL2 Camera

Head Of Music Preparation

Rio 2 (2014)

| USA

Directed by: Carlos Saldanha

Cinematography by: Renato Falcão

Edited by: Harry Hitner, Randy Trager

Head Of Music Preparation

22 Jump Street (2014)

| USA

Directed by: Phil Lord, Christopher Miller

Cinematography by: Barry Peterson

Edited by: Keith Brachmann, David Rennie

Cameras: ARRI ALEXA XT Camera

Head Of Music Preparation

The Book of Life (2014)

| USA

Directed by: Jorge R. Gutiérrez

Edited by: Ahren Shaw

Head Of Music Preparation

Let's Be Cops (2014)

| USA

Directed by: Luke Greenfield

Cinematography by: Daryn Okada

Edited by: Bill Pankow, Jonathan Schwartz

Cameras: Sony CineAlta F65 Camera, Sony PMW-F55 Camera

Music Preparation

The Monuments Men (2014)

Lenses: Angenieux Optimo 24-290mm T2.8 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens

| USA, Germany

Directed by: George Clooney

Cinematography by: Phedon Papamichael

Edited by: Stephen Mirrione

Cameras: ARRI ALEXA Plus 4:3 Camera, ARRICAM Lite (LT) Camera

Editing System: Avid Editing System

Head Of Music Preparation

X-Men: Days of Future Past (2014)

| USA, UK, Canada

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Michael Louis Hill, John Ottman

Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Camera

Lenses: ARRI / Fujinon Lenses, Fujinon Lenses, Leica Summilux-C Series Lenses

Music Preparation

The Maze Runner (2014)

| USA, UK

Directed by: Wes Ball

Cinematography by: Enrique Chediak

Edited by: Dan Zimmerman

Cameras: ARRI ALEXA Camera, Red Epic Camera, Silicon Imaging SI-2K Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Head Of Music Preparation

How to Train Your Dragon 2 (2014)

| USA

Directed by: Dean DeBlois

Cinematography by: Gil Zimmerman

Edited by: John K. Carr

Music Preparation

Unbroken (2014)

| USA

Directed by: Angelina Jolie

Cinematography by: Roger Deakins

Edited by: William Goldenberg, Tim Squyres

Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRI ALEXA XT Studio Camera

Head Of Music Preparation

Godzilla (2014)

| USA, Japan

Directed by: Gareth Edwards

Cinematography by: Seamus McGarvey

Edited by: Bob Ducsay

Cameras: ARRI ALEXA Plus Camera, Phantom Flex Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Frazier Lenses, Panavision Primo Primes Spherical Lenses

Head Of Music Preparation

The Hobbit: The Battle of the Five Armies (2014)

| New Zealand, USA

Directed by: Peter Jackson

Cinematography by: Andrew Lesnie

Edited by: Jabez Olssen

Cameras: Red Epic Camera, Red One MX Camera

Lenses: Zeiss Ultra Prime Lenses

Head Of Music Preparation

The Hunger Games: Mockingjay - Part 1 (2014)

| USA

Directed by: Francis Lawrence

Cinematography by: Jo Willems

Edited by: Alan Edward Bell, Mark Yoshikawa

Cameras: ARRI ALEXA XT Camera

Music Preparation

A Million Ways to Die in the West (2014)

| USA

Directed by: Seth MacFarlane

Cinematography by: Michael Barrett

Edited by: Jeff Freeman

Cameras: Sony PMW-F55 Camera

Editing System: Avid Editing System

Orchestrator

Night at the Museum: Secret of the Tomb (2014)

| UK, USA

Directed by: Shawn Levy

Cinematography by: Guillermo Navarro

Edited by: Dean Zimmerman

Lenses: Angenieux Optimo 28-340mm T2.9 Lens, Angenieux Optimo Zoom Lenses

Editing System: Avid Editing System

Music Preparation And Copying: Strings, JoAnn Kane Music Service

The Fault in Our Stars (2014)

| USA

Directed by: Josh Boone

Cinematography by: Ben Richardson

Edited by: Robb Sullivan

Cameras: ARRI ALEXA XT Camera

Head Of Music Preparation

The Homesman (2014)

| USA, France

Directed by: Tommy Lee Jones

Cinematography by: Rodrigo Prieto

Edited by: Roberto Silvi

Cameras: ARRICAM Lite (LT) Camera, Sony PMW-F55 Camera

Lenses: Angenieux Optimo 24-290mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Zeiss Master Prime Lenses

Head Of Music Preparation

Get on Up (2014)

Lenses: Angenieux Optimo Anamorphic Lenses, Angenieux Optimo Style Lenses, Angenieux Optimo Zoom Lenses, Bausch & Lomb Lenses, Canon EF Series Lenses, Panavision Primo Primes Spherical Lenses

| UK, USA

Directed by: Tate Taylor

Cinematography by: Stephen Goldblatt

Edited by: Michael McCusker

Cameras: ARRI ALEXA Camera, Canon EOS Rebel T3i camera, Canon EOS-C500 Camera

Conductor / Orchestrator

The Grand Budapest Hotel (2014)

| USA, Germany

Directed by: Wes Anderson

Cinematography by: Robert D. Yeoman

Edited by: Barney Pilling

Head Of Music Preparation

R.I.P.D. (2013)

| USA

Directed by: Robert Schwentke

Cinematography by: Alwin H. Küchler

Edited by: Mark Helfrich

Cameras: ARRI ALEXA Camera

Head Of Music Preparation

The Hobbit: The Desolation of Smaug (2013)

| USA, New Zealand

Directed by: Peter Jackson

Cinematography by: Andrew Lesnie

Edited by: Jabez Olssen

Cameras: GoPro HD Hero3 Camera, Red Epic Camera

Lenses: Angenieux Optimo DP 16-42mm T2.8 Lens, Angenieux Optimo DP 30-80mm T2.8 Lens, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Head Of Music Preparation

The Internship (2013)

| USA

Directed by: Shawn Levy

Cinematography by: Jonathan Brown

Edited by: Dean Zimmerman

Cameras: ARRI ALEXA Plus Camera

Head Of Music Preparation

The Book Thief (2013)

| USA, Germany

Directed by: Brian Percival

Cinematography by: Florian Ballhaus

Edited by: John Wilson

Cameras: ARRI ALEXA Camera, ARRI ALEXA XT Plus Camera

Lenses: Angenieux Optimo Zoom Lenses, Leica Summilux-C Series Lenses

Editing System: Avid Editing System

Head Of Music Preparation

Percy Jackson: Sea of Monsters (2013)

| USA

Directed by: Thor Freudenthal

Cinematography by: Shelly Johnson

Edited by: Mark Goldblatt

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Head Of Music Preparation

Frozen (2013)

| USA

Directed by: Chris Buck, Jennifer Lee

Edited by: Jeff Draheim

Orchestrator

World War Z (2013)

| USA, UK, Malta

Directed by: Marc Forster

Cinematography by: Ben Seresin, Robert Richardson

Edited by: Roger Barton, Matt Chesse

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Studio Camera, ARRIFLEX 435 Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses

Head Of Music Preparation

Jack the Giant Slayer (2013)

| USA

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Bob Ducsay, John Ottman

Cameras: ARRI ALEXA Camera, Panavision Genesis Camera, Red Epic Camera

Head Of Music Preparation

A Good Day to Die Hard (2013)

| USA, Russia

Directed by: John Moore

Cinematography by: Jonathan Sela

Edited by: Dan Zimmerman

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Music Preparation / Orchestration

RED 2 (2013)

| USA, France, Canada

Directed by: Dean Parisot

Cinematography by: Enrique Chediak

Edited by: Don Zimmerman

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Hawk V-Lite Lenses

Head Of Music Preparation

The Hangover Part III (2013)

| USA

Directed by: Todd Phillips

Cinematography by: Lawrence Sher

Edited by: Jeff Groth, Debra Neil-Fisher

Cameras: ARRI ALEXA Camera, Panavision Panaflex Millennium XL2 Camera

Head Of Music Preparation

This Is the End (2013)

| USA

Directed by: Evan Goldberg, Seth Rogen

Cinematography by: Brandon Trost

Edited by: Zene Baker

Cameras: Panavision Cameras, Red Epic Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses

Head Of Music Preparation

Monsters University (2013)

| USA

Directed by: Dan Scanlon

Edited by: Greg Snyder

Conductor

The Secret Life of Walter Mitty (2013)

| USA, UK

Directed by: Ben Stiller

Cinematography by: Stuart Dryburgh

Edited by: Greg Hayden

Cameras: ARRICAM Lite (LT) Camera

Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses

Head Of Music Preparation

The Incredible Burt Wonderstone (2013)

| USA

Directed by: Don Scardino

Cinematography by: Matthew Clark

Edited by: Lee Haxall

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Head Of Music Preparation

After Earth (2013)

| USA

Directed by: M. Night Shyamalan

Cinematography by: Peter Suschitzky

Edited by: Steven Rosenblum

Cameras: Canon EOS-C500 Camera, Sony CineAlta F65 Camera

Lenses: Angenieux Optimo 17-80mm T2.2 Lens, Cooke S4 Lenses

Head Of Music Preparation

We're the Millers (2013)

| USA, UK

Directed by: Rawson Marshall Thurber

Cinematography by: Barry Peterson

Edited by: Michael L. Sale

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Music Preparation: Joann Kane Music Services

42 (2013)

| USA

Directed by: Brian Helgeland

Cinematography by: Don Burgess

Edited by: Peter McNulty, Kevin Stitt

Cameras: Red Epic Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Head Of Music Preparation

The Wolverine (2013)

| USA, UK

Directed by: James Mangold

Cinematography by: Ross Emery

Edited by: Michael McCusker

Cameras: ARRI ALEXA Camera

Music Preparation And Librarian / Orchestrator

The Croods (2013)

| USA

Directed by: Kirk DeMicco, Chris Sanders

Cinematography by: Yong Duk Jhun

Edited by: Darren T. Holmes

Music Preparation

The Pirates! Band of Misfits (2012)

| UK, USA

Directed by: Peter Lord, Jeff Newitt

Cinematography by: Frank Passingham

Edited by: Justin Krish

Cameras: Canon EOS-5D Mark II Camera

Head Of Music Preparation

Joyful Noise (2012)

| USA

Directed by: Todd Graff

Cinematography by: David Boyd

Edited by: Kathryn Himoff

Head Of Music Preparation

Lincoln (2012)

| USA, India

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses

Editing System: Avid Editing System

Music Preparation: Joann Kane Music Service

Darling Companion (2012)

| USA

Directed by: Lawrence Kasdan

Cinematography by: Michael McDonough

Edited by: Carol Littleton

Music Preparation

This Means War (2012)

| USA

Directed by: McG

Cinematography by: Russell Carpenter

Edited by: Nicolas De Toth

Music Librarian / Music Preparation

Rise of the Guardians (2012)

| USA

Directed by: Peter Ramsey

Edited by: Joyce Arrastia

Head Of Music Preparation

A Thousand Words (2012)

| USA

Directed by: Brian Robbins

Cinematography by: Clark Mathis

Edited by: Ned Bastille

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Clairmont Anamorphic Lenses, Cooke S4 Lenses

Head Of Music Preparation

Emperor (2012)

| Japan, USA

Directed by: Peter Webber

Cinematography by: Stuart Dryburgh

Edited by: Chris Plummer

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses: Hawk V-Lite Lenses

Head Of Music Preparation

Moonrise Kingdom (2012)

| USA

Directed by: Wes Anderson

Cinematography by: Robert D. Yeoman

Edited by: Andrew Weisblum

Cameras: Aaton A-Minima Camera, Aaton Xterà Camera

Lenses: Canon Lenses, Zeiss Super Speed Lenses

Conductor

Hope Springs (2012)

| USA

Directed by: David Frankel

Cinematography by: Florian Ballhaus

Edited by: Steven Weisberg

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Leica Summilux-C Series Lenses, Zeiss Ultra Prime Lenses

Music Preparation / Music Preparation: Joann Kane Music Service

Flight (2012)

| USA, United Arab Emirates

Directed by: Robert Zemeckis

Cinematography by: Don Burgess

Edited by: Jeremiah O'Driscoll

Cameras: Red Epic Camera

Editing System: Avid Editing System

Music Preparation: Joann Kane Music Service

Life of Pi (2012)

| USA, Taiwan, UK, Canada

Directed by: Ang Lee

Cinematography by: Claudio Miranda

Edited by: Tim Squyres

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Head Of Music Preparation

Parental Guidance (2012)

| USA

Directed by: Andy Fickman

Cinematography by: Dean Semler

Edited by: Kent Beyda

Cameras: Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Editing System: Avid Editing System

Music Librarian

The Bourne Legacy (2012)

Lenses: Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Primes Spherical Lenses

| USA, Japan

Directed by: Tony Gilroy

Cinematography by: Robert Elswit

Edited by: John Gilroy

Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Canon EOS-5D Mark II Camera, Panavision Panaflex Millennium XL2 Camera

Editing System: Avid Editing System

Head Of Music Preparation

The Lucky One (2012)

| USA

Directed by: Scott Hicks

Cinematography by: Alar Kivilo

Edited by: Scott Gray

Head Of Music Preparation

People Like Us (2012)

| USA

Directed by: Alex Kurtzman

Cinematography by: Salvatore Totino

Edited by: Robert Leighton

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke S4 Lenses

Editing System: Avid Editing System

Head Of Music Preparation

21 Jump Street (2012)

| USA

Directed by: Phil Lord, Christopher Miller

Cinematography by: Barry Peterson

Edited by: Joel Negron

Cameras: ARRI ALEXA Camera, ARRIFLEX 435 Camera

Head Of Music Preparation

The Lorax (2012)

| USA, France

Directed by: Chris Renaud, Kyle Balda

Edited by: Claire Dodgson, Steven Liu, Ken Schretzmann

Head Of Music Preparation

American Reunion (2012)

| USA

Directed by: Jon Hurwitz, Hayden Schlossberg

Cinematography by: Daryn Okada

Edited by: Jeff Betancourt

Editing System: Avid Editing System

Head Of Music Preparation

Rio (2011)

| USA, Brazil

Directed by: Carlos Saldanha

Cinematography by: Renato Falcão

Edited by: Harry Hitner

Head Of Music Preparation

Green Lantern (2011)

| USA

Directed by: Martin Campbell

Cinematography by: Dion Beebe

Edited by: Stuart Baird

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Anamorphic Lenses

Editing System: Autodesk Smoke Editing System

Head Of Music Preparation

Moneyball (2011)

| USA

Directed by: Bennett Miller

Cinematography by: Wally Pfister

Edited by: Christopher Tellefsen

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Orchestrator

Captain America: The First Avenger (2011)

| USA

Directed by: Joe Johnston

Cinematography by: Shelly Johnson

Edited by: Robert Dalva, Jeffrey Ford

Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera

Editing System: Avid Editing System

Music Preparation

Kung Fu Panda 2 (2011)

| USA

Directed by: Jennifer Yuh Nelson

Edited by: Maryann Brandon, Clare Knight

Music Preparation

Crazy, Stupid, Love. (2011)

| USA

Directed by: Glenn Ficarra, John Requa

Cinematography by: Andrew Dunn

Edited by: Lee Haxall

Head Of Music Preparation

New Year's Eve (2011)

| USA

Directed by: Garry Marshall

Cinematography by: Charles Minsky

Edited by: Michael Tronick

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Head Of Music Preparation

The Green Hornet (2011)

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses

| USA

Directed by: Michel Gondry

Cinematography by: John Schwartzman

Edited by: Michael Tronick

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Phantom HD Camera, Red One MX Camera

Editing System: Avid Editing System

Music Preparation: JoAnn Kane Music Service

Water for Elephants (2011)

| USA

Directed by: Francis Lawrence

Cinematography by: Rodrigo Prieto

Edited by: Alan Edward Bell

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Music Preparation

The Sunset Limited (2011)

Television Movie

| USA

Directed by: Tommy Lee Jones

Cinematography by: Paul Elliott

Edited by: Larry Madaras, Roberto Silvi

Music Preparation

Extremely Loud & Incredibly Close (2011)

| USA

Directed by: Stephen Daldry

Cinematography by: Chris Menges

Edited by: Claire Simpson

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke 5/i Lenses

Editing System: Avid Editing System, Final Cut Pro Editing System

Head Of Music Preparation

The Cabin in the Woods (2011)

| USA

Directed by: Drew Goddard

Cinematography by: Peter Deming

Edited by: Lisa Lassek

Head Of Music Preparation

The Adventures of Tintin (2011)

| USA, New Zealand, UK

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Panavision Cameras

Editing System: Avid Editing System

Head Of Music Preparation

Alvin and the Chipmunks: Chipwrecked (2011)

| USA

Directed by: Mike Mitchell

Cinematography by: Thomas E. Ackerman

Edited by: Peter Amundson

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera

Midi Transcriptions

Tower Heist (2011)

| USA

Directed by: Brett Ratner

Cinematography by: Dante Spinotti

Edited by: Mark Helfrich

Cameras: ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Hawk V-Lite Lenses, Panavision G Series Anamorphic Lenses

Head Of Music Preparation

Larry Crowne (2011)

| USA

Directed by: Tom Hanks

Cinematography by: Philippe Rousselot

Edited by: Alan Cody

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses

Head Of Music Preparation

War Horse (2011)

| USA, India

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Head Of Music Preparation

The Rite (2011)

| USA, Hungary, Italy

Directed by: Mikael Håfström

Cinematography by: Ben Davis

Edited by: David Rosenbloom

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision G Series Anamorphic Lenses, Panavision G100 100 mm T2.6 Lens

Head Of Music Preparation

The Muppets (2011)

| USA

Directed by: James Bobin

Cinematography by: Don Burgess

Edited by: James Thomas

Cameras: Red Epic Camera, Red One MX Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Head Of Music Preparation

We Bought a Zoo (2011)

| USA

Directed by: Cameron Crowe

Cinematography by: Rodrigo Prieto

Edited by: Mark Livolsi

Cameras: ARRICAM Lite (LT) Camera

Lenses: Zeiss Ultra Prime Lenses

Head Of Music Preparation

The Big Year (2011)

| USA, Canada

Directed by: David Frankel

Cinematography by: Lawrence Sher

Edited by: Mark Livolsi

Score Librarian

Source Code (2011)

| USA, Canada

Directed by: Duncan Jones

Cinematography by: Don Burgess

Edited by: Paul Hirsch

Cameras: Iconix HD-RH1 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom HD Camera, Red One MX Camera

Head Of Music Preparation

Harry Potter and the Deathly Hallows: Part 2 (2011)

| USA, UK

Directed by: David Yates

Cinematography by: Eduardo Serra

Edited by: Mark Day

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke S4 Lenses

Head Of Music Preparation

Red Riding Hood (2011)

| USA, Canada

Directed by: Catherine Hardwicke

Cinematography by: Mandy Walker

Edited by: Nancy Richardson, Julia Wong

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Primo Primes Spherical Lenses

Head Of Music Preparation

Flipped (2010)

| USA

Directed by: Rob Reiner

Cinematography by: Thomas Del Ruth

Edited by: Robert Leighton

Head Of Music Preparation

Knight and Day (2010)

| USA

Directed by: James Mangold

Cinematography by: Phedon Papamichael

Edited by: Quincy Z. Gunderson, Michael McCusker

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Music Librarian

Love & Other Drugs (2010)

| USA

Directed by: Edward Zwick

Cinematography by: Steven Fierberg

Edited by: Steven Rosenblum

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Anamorphic Lenses

Music Librarian

The Book of Eli (2010)

| USA

Directed by: Albert Hughes, Allen Hughes

Cinematography by: Don Burgess

Edited by: Cindy Mollo

Cameras: Red One Camera

Music Copyist / Music Librarian

The Wolfman (2010)

| USA

Directed by: Joe Johnston

Cinematography by: Shelly Johnson

Edited by: Walter Murch, Dennis Virkler, Mark Goldblatt

Head Of Music Preparation

Going the Distance (2010)

| USA

Directed by: Nanette Burstein

Cinematography by: Eric Steelberg

Edited by: Peter Teschner

Head Of Music Preparation

Toy Story 3 (2010)

| USA

Directed by: Lee Unkrich

Cinematography by: Jeremy Lasky

Edited by: Ken Schretzmann

Head Of Music Preparation

Predators (2010)

| USA

Directed by: Nimród Antal

Cinematography by: Gyula Pados

Edited by: Dan Zimmerman

Cameras: Panavision Genesis Camera

Editing System: Avid Editing System

Head Of Music Preparation

How to Train Your Dragon (2010)

| USA

Directed by: Dean DeBlois, Chris Sanders

Cinematography by: Gil Zimmerman

Edited by: Maryann Brandon, Darren T. Holmes

Music Preparation: JoAnn Kane Music Services

The Tourist (2010)

| USA, France, Italy, UK

Directed by: Florian Henckel von Donnersmarck

Cinematography by: John Seale

Edited by: Joe Hutshing, Patricia Rommel

Cameras: Panavision Panaflex Millennium XL2 Camera

Editing System: Avid Editing System

Head Of Music Preparation

Percy Jackson & the Olympians: The Lightning Thief (2010)

| UK, Canada, USA

Directed by: Chris Columbus

Cinematography by: Stephen Goldblatt

Edited by: Peter Honess

Head Of Music Preparation

Hot Tub Time Machine (2010)

| USA

Directed by: Steve Pink

Cinematography by: Jack N. Green

Edited by: George Folsey Jr., James Thomas

Cameras: Panavision Cameras

Head Of Music Preparation

Dinner for Schmucks (2010)

| USA

Directed by: Jay Roach

Cinematography by: Jim Denault

Edited by: Alan Baumgarten, Jon Poll

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Avid Editing System

Head Of Music Preparation

Harry Potter and the Deathly Hallows: Part 1 (2010)

| UK, USA

Directed by: David Yates

Cinematography by: Eduardo Serra

Edited by: Mark Day

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Panavision Cameras

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Panavision Lenses

Head Of Music Preparation

The Last Airbender (2010)

| USA

Directed by: M. Night Shyamalan

Cinematography by: Andrew Lesnie

Edited by: Conrad Buff IV

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Head Of Music Preparation

Yogi Bear (2010)

| USA, New Zealand

Directed by: Eric Brevig

Cinematography by: Peter James

Edited by: Kent Beyda

Cameras: Sony CineAlta F23 Camera, Sony HDC-1500 Camera, Sony PMW-EX3 Camera

Music Preparation

Date Night (2010)

| USA

Directed by: Shawn Levy

Cinematography by: Dean Semler

Edited by: Dean Zimmerman

Cameras: Panavision Genesis Camera

Head Of Music Preparation

Salt (2010)

Lenses: Panavision 70-210 mm T2.8 (Custom by Dan Sasaki) Lens, Panavision Primo Primes Spherical Lenses, Panavision Ultra Speed MKII 24 mm T1.3 Lens, Panavision Ultra Speed MKII Lenses

| USA

Directed by: Phillip Noyce

Cinematography by: Robert Elswit

Edited by: Stuart Baird, John Gilroy

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Music Preparation: JoAnn Kane Music Services

Ramona and Beezus (2010)

| USA

Directed by: Elizabeth Allen Rosenbaum

Cinematography by: John Bailey

Edited by: Jane Moran

Head Of Music Preparation

The A-Team (2010)

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

| USA, UK

Directed by: Joe Carnahan

Cinematography by: Mauro Fiore

Edited by: Roger Barton, Jim May

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Head Of Music Preparation

Nanny McPhee Returns (2010)

| UK, France, USA

Directed by: Susanna White

Cinematography by: Mike Eley

Edited by: Sim Evan-Jones

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Master Zoom 16.5–110mm T2.6 Lens

Editing System: Avid Editing System

Music Preparation

Burlesque (2010)

| USA

Directed by: Steve Antin

Cinematography by: Bojan Bazelli

Edited by: Virginia Katz

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera

Lenses: Cooke S4 Lenses, Cooke Speed Panchro Lenses

Head Of Music Preparation

Did You Hear About the Morgans? (2009)

| USA

Directed by: Marc Lawrence

Cinematography by: Florian Ballhaus

Edited by: Susan E. Morse

Lenses: Hawk V-Series Lenses

Conductor: Choir

Night at the Museum: Battle of the Smithsonian (2009)

| USA, Canada

Directed by: Shawn Levy

Cinematography by: John Schwartzman

Edited by: Dean Zimmerman, Don Zimmerman

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Red One Camera

Head Of Music Preparation

Knowing (2009)

| USA, UK, Australia

Directed by: Alex Proyas

Cinematography by: Simon Duggan

Edited by: Richard Learoyd

Cameras: Red One Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Music Preparation: Joann Kane Music Service

The Soloist (2009)

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

| UK, France, USA

Directed by: Joe Wright

Cinematography by: Seamus McGarvey

Edited by: Paul Tothill

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Editing System: Lightworks Editing System

Music Librarian

2012 (2009)

| USA

Directed by: Roland Emmerich

Cinematography by: Dean Semler

Edited by: David Brenner, Peter S. Elliot

Cameras: Panavision Cameras, Panavision Genesis Camera

Lenses: Panavision Lenses, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Head Of Music Preparation

The Princess and the Frog (2009)

| USA

Directed by: Ron Clements, John Musker

Cinematography by: Rasoul Azadani

Edited by: Jeff Draheim

Music Librarian

Nine (2009)

| UK, USA

Directed by: Rob Marshall

Cinematography by: Dion Beebe

Edited by: Claire Simpson, Wyatt Smith

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Music Librarian

Aliens in the Attic (2009)

| USA, Canada

Directed by: John Schultz

Cinematography by: Don Burgess

Edited by: John Pace

Music Preparation

Alvin and the Chipmunks: The Squeakquel (2009)

| USA

Directed by: Betty Thomas

Cinematography by: Anthony B. Richmond

Edited by: Matt Friedman

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Cooke S4 Lenses

Music Preparation

Ice Age: Dawn of the Dinosaurs (2009)

| USA

Directed by: Carlos Saldanha, Mike Thurmeier

Edited by: Harry Hitner, James Palumbo

Head Of Music Preparation

The Final Destination (2009)

| USA

Directed by: David R. Ellis

Cinematography by: Glen MacPherson

Edited by: Mark Stevens

Cameras: Sony CineAlta F23 Camera, Sony HDC-F950 Camera

Music Librarian

Drag Me to Hell (2009)

| USA

Directed by: Sam Raimi

Cinematography by: Peter Deming

Edited by: Bob Murawski

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Editing System: Avid Editing System, Final Cut Pro Editing System

Orchestrator

G.I. Joe: The Rise of Cobra (2009)

| USA, Czech Republic

Directed by: Stephen Sommers

Cinematography by: Mitchell Amundsen

Edited by: Bob Ducsay, Kelly Matsumoto, Jim May

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Panavision Panaflex Millennium XL Camera, Red One Camera

Music Librarian

Duplicity (2009)

| USA, Germany

Directed by: Tony Gilroy

Cinematography by: Robert Elswit

Edited by: John Gilroy

Lenses: Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Head Of Music Preparation

Defiance (2008)

| USA

Directed by: Edward Zwick

Cinematography by: Eduardo Serra

Edited by: Steven Rosenblum

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Music Preparation

Hancock (2008)

| USA

Directed by: Peter Berg

Cinematography by: Tobias A. Schliessler

Edited by: Colby Parker Jr., Paul Rubell

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Platinum Camera

Music Preparation

What Happens in Vegas (2008)

| USA

Directed by: Tom Vaughan

Cinematography by: Matthew F. Leonetti

Edited by: Matt Friedman

Cameras: Panavision Cameras

Music Preparation

Max Payne (2008)

| USA, Canada

Directed by: John Moore

Cinematography by: Jonathan Sela

Edited by: Dan Zimmerman

Cameras: ARRIFLEX 435 Camera, Phantom HD Camera

Lenses: Cooke S4 Lenses

Music Preparation: Joann Kane Music Service

The Happening (2008)

| USA, India

Directed by: M. Night Shyamalan

Cinematography by: Tak Fujimoto

Edited by: Conrad Buff IV

Cameras: Panavision Cameras

Music Librarian

Welcome Home, Roscoe Jenkins (2008)

| USA

Directed by: Malcolm D. Lee

Cinematography by: Greg Gardiner

Edited by: George Bowers, Paul Millspaugh

Music Librarian

Doubt (2008)

| USA

Directed by: John Patrick Shanley

Cinematography by: Roger Deakins

Edited by: Dylan Tichenor

Cameras: ARRIFLEX 535 B Camera

Music Librarian

The Strangers (2008)

| USA

Directed by: Bryan Bertino

Cinematography by: Peter Sova

Edited by: Kevin Greutert

Cameras: Panavision Cameras

Head Of Music Preparation

Bolt (2008)

| USA

Directed by: Byron Howard, Chris Williams

Cinematography by: Scott Beattie

Edited by: Tim Mertens

Music Librarian

Charlie Wilson's War (2007)

| USA, Germany

Directed by: Mike Nichols

Cinematography by: Stephen Goldblatt

Edited by: John Bloom, Antonia Van Drimmelen

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

Head Of Music Preparation

The Reaping (2007)

| USA

Directed by: Stephen Hopkins

Cinematography by: Peter Levy

Edited by: Colby Parker Jr.

Music Librarian / Music Preparation

Beowulf (2007)

| USA

Directed by: Robert Zemeckis

Cinematography by: Robert Presley

Edited by: Jeremiah O'Driscoll

Music Copyist

The Water Horse (2007)

| New Zealand, UK, Australia

Directed by: Jay Russell

Cinematography by: Oliver Stapleton

Edited by: Mark Warner

Music Librarian

Hairspray (2007)

| USA, UK

Directed by: Adam Shankman

Cinematography by: Bojan Bazelli

Edited by: Michael Tronick

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Cooke Speed Panchro Lenses, Zeiss Master Prime Lenses

Music Librarian

License to Wed (2007)

| USA, Australia

Directed by: Ken Kwapis

Cinematography by: John Bailey

Edited by: Kathryn Himoff

Music Preparation: Jo Ann Kane Music Service

Rendition (2007)

| USA

Directed by: Gavin Hood

Cinematography by: Dion Beebe

Edited by: Megan Gill

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Music Preparation

August Rush (2007)

| USA

Directed by: Kirsten Sheridan

Cinematography by: John Mathieson

Edited by: William Steinkamp

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Music Preparation: Score

The Bucket List (2007)

| USA

Directed by: Rob Reiner

Cinematography by: John Schwartzman

Edited by: Robert Leighton

Cameras: Panavision Cameras

Music Librarian

Live Free or Die Hard (2007)

| USA, UK

Directed by: Len Wiseman

Cinematography by: Simon Duggan

Edited by: Nicolas De Toth

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Clairmont Anamorphic Lenses, Cooke S4 Lenses, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens

Editing System: Avid Editing System

Music Preparation

Blades of Glory (2007)

| USA

Directed by: Josh Gordon, Will Speck

Cinematography by: Stefan Czapsky

Edited by: Richard Pearson

Music Preparation: Joann Kane Music Service

Charlie Bartlett (2007)

| USA

Directed by: Jon Poll

Cinematography by: Paul Sarossy

Edited by: Alan Baumgarten

Music Preparation

Evan Almighty (2007)

| USA

Directed by: Tom Shadyac

Cinematography by: Ian Baker

Edited by: Scott Hill

Cameras: Panavision Cameras

Editing System: Lightworks Editing System

Music Librarian

Lions for Lambs (2007)

| USA

Directed by: Robert Redford

Cinematography by: Philippe Rousselot

Edited by: Joe Hutshing

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Music Librarian

The Air I Breathe (2007)

| USA, Mexico

Directed by: Jieho Lee

Cinematography by: Walt Lloyd

Edited by: Robert Hoffman

Music Preparation

Superbad (2007)

| USA

Directed by: Greg Mottola

Cinematography by: Russ T. Alsobrook

Edited by: William Kerr

Cameras: Phantom HD Camera

Editing System: Avid Editing System

Music Librarian

Norbit (2007)

| USA

Directed by: Brian Robbins

Cinematography by: Clark Mathis

Edited by: Ned Bastille

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Music Preparation

Shooter (2007)

| USA

Directed by: Antoine Fuqua

Cinematography by: Peter Menzies Jr.

Edited by: Conrad Buff IV, Eric A. Sears

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Music Librarian

Next (2007)

| USA

Directed by: Lee Tamahori

Cinematography by: David Tattersall

Edited by: Christian Wagner

Music Preparation

Spider-Man 3 (2007)

| USA

Directed by: Sam Raimi

Cinematography by: Bill Pope

Edited by: Bob Murawski

Cameras: ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Panavision Panaflex Platinum Camera

Music Librarian

We Are Marshall (2006)

| USA

Directed by: McG

Cinematography by: Shane Hurlbut

Edited by: Gregg London, Priscilla Nedd-Friendly

Music Librarian

The Devil Wears Prada (2006)

| USA, France

Directed by: David Frankel

Cinematography by: Florian Ballhaus

Edited by: Mark Livolsi

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Music Copyist

Dreamgirls (2006)

| USA

Directed by: Bill Condon

Cinematography by: Tobias A. Schliessler

Edited by: Virginia Katz

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Music Librarian

Superman Returns (2006)

| USA

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Elliot Graham, John Ottman

Cameras: Panavision Genesis Camera

Editing System: Adobe Premiere Editing System, Avid Editing System

Music Librarian

Lady in the Water (2006)

| USA

Directed by: M. Night Shyamalan

Cinematography by: Christopher Doyle

Edited by: Barbara Tulliver

Music Librarian

Night at the Museum (2006)

| USA, UK

Directed by: Shawn Levy

Cinematography by: Guillermo Navarro

Edited by: Don Zimmerman

Music Librarian

Firewall (2006)

| USA

Directed by: Richard Loncraine

Cinematography by: Marco Pontecorvo

Edited by: Jim Page

Music Preparation

Bobby (2006)

| USA

Directed by: Emilio Estevez

Cinematography by: Michael Barrett

Edited by: Richard Chew

Music Librarian

Freedomland (2006)

| USA

Directed by: Joe Roth

Cinematography by: Anastas N. Michos

Edited by: Nick Moore

Music Preparation

She's the Man (2006)

| USA, Canada

Directed by: Andy Fickman

Cinematography by: Greg Gardiner

Edited by: Michael Jablow

Music Librarian , Music Preparation: JoAnn Kane Music Services

The Pink Panther (2006)

| USA, Czech Republic

Directed by: Shawn Levy

Cinematography by: Jonathan Brown

Edited by: George Folsey Jr., Brad Wilhite

Music Preparation

You, Me and Dupree (2006)

| USA

Directed by: Anthony Russo, Joe Russo

Cinematography by: Charles Minsky

Edited by: Peter B. Ellis, Debra Neil-Fisher

Music Copyist / Music Librarian

Final Destination 3 (2006)

| USA, Germany

Directed by: James Wong

Cinematography by: Robert McLachlan

Edited by: Chris G. Willingham

Music Preparation

Idlewild (2006)

| USA

Directed by: Bryan Barber

Cinematography by: Pascal Rabaud

Edited by: Anne Goursaud

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Zeiss Ultra Prime Lenses

Music Preparation

Monster House (2006)

| USA

Directed by: Gil Kenan

Cinematography by: Xavier Grobet

Edited by: Fabienne Rawley, Adam P. Scott

Music Librarian

X-Men: The Last Stand (2006)

| Canada, USA, UK

Directed by: Brett Ratner

Cinematography by: Dante Spinotti

Edited by: Mark Goldblatt, Mark Helfrich, Julia Wong

Music Librarian

RV (2006)

| UK, Germany, USA

Directed by: Barry Sonnenfeld

Cinematography by: Fred Murphy

Edited by: Kevin Tent

Music Librarian

Syriana (2005)

| USA, United Arab Emirates

Directed by: Stephen Gaghan

Cinematography by: Robert Elswit

Edited by: Tim Squyres

Music Librarian

Dreamer: Inspired by a True Story (2005)

| USA

Directed by: John Gatins

Cinematography by: Fred Murphy

Edited by: David Rosenbloom

Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Editing System: Final Cut Pro Editing System

Music Librarian

The Game of Their Lives (2005)

| USA

Directed by: David Anspaugh

Cinematography by: Johnny E. Jensen

Edited by: Ian Crafford, Lee Grubin, Bud S. Smith, M. Scott Smith

Music Librarian

King Kong (2005)

| New Zealand, USA, Germany

Directed by: Peter Jackson

Cinematography by: Andrew Lesnie

Edited by: Jamie Selkirk

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, Mitchell Cameras

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Music Librarian

War of the Worlds (2005)

| USA

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Music Librarian

The Three Burials of Melquiades Estrada (2005)

| France, USA, Mexico

Directed by: Tommy Lee Jones

Cinematography by: Chris Menges

Edited by: Roberto Silvi

Music Librarian

Into the Blue (2005)

| USA

Directed by: John Stockwell

Cinematography by: Shane Hurlbut

Edited by: Nicolas De Toth, Dennis Virkler

Music Librarian

Memoirs of a Geisha (2005)

| USA, Japan

Directed by: Rob Marshall

Cinematography by: Dion Beebe

Edited by: Pietro Scalia

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Music Librarian

Munich (2005)

| France, Canada, USA

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Cooke Lenses

Editing System: Moviola Editing System

Music Librarian

xXx: State of the Union (2005)

| USA

Directed by: Lee Tamahori

Cinematography by: David Tattersall

Edited by: Mark Goldblatt, Todd E. Miller, Steven Rosenblum

Music Librarian

Star Wars: Episode III - Revenge of the Sith (2005)

| USA

Directed by: George Lucas

Cinematography by: David Tattersall

Edited by: Roger Barton, Ben Burtt

Cameras: Sony HDC-F950 Camera

Lenses: Fujinon C Series Lenses, Fujinon E Series Lenses

Music Preparation

Sky High (2005)

| USA

Directed by: Mike Mitchell

Cinematography by: Shelly Johnson

Edited by: Peter Amundson

Music Librarian

The Interpreter (2005)

| UK, France, Germany, USA

Directed by: Sydney Pollack

Cinematography by: Darius Khondji

Edited by: William Steinkamp

Music Librarian

Hide and Seek (2005)

| USA, Germany

Directed by: John Polson

Cinematography by: Dariusz Wolski

Edited by: Jeffrey Ford

Music Librarian

Bad News Bears (2005)

| USA

Directed by: Richard Linklater

Cinematography by: Rogier Stoffers

Edited by: Sandra Adair

Music Librarian

Serenity (2005)

| USA

Directed by: Joss Whedon

Cinematography by: Jack N. Green

Edited by: Lisa Lassek

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Lenses

Music Librarian

A Cinderella Story (2004)

| USA, Canada

Directed by: Mark Rosman

Cinematography by: Anthony B. Richmond

Edited by: Cara Silverman

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Panavision Cameras

Lenses: Panavision Lenses

Music Librarian

Flight of the Phoenix (2004)

| USA

Directed by: John Moore

Cinematography by: Brendan Galvin

Edited by: Don Zimmerman

Music Copyist / Music Librarian

Shrek 2 (2004)

| USA

Directed by: Andrew Adamson, Kelly Asbury, Conrad Vernon

Edited by: Mike Andrews, Sim Evan-Jones

Music Librarian

Kill Bill: Vol. 2 (2004)

| USA

Directed by: Quentin Tarantino

Cinematography by: Robert Richardson

Edited by: Sally Menke

Music Librarian

Welcome to Mooseport (2004)

| USA, Germany

Directed by: Donald Petrie

Cinematography by: Victor Hammer

Edited by: Debra Neil-Fisher

Music Librarian

Starsky & Hutch (2004)

| USA

Directed by: Todd Phillips

Cinematography by: Barry Peterson

Edited by: Leslie Jones

Music Copyist

Dodgeball: A True Underdog Story (2004)

| USA

Directed by: Rawson Marshall Thurber

Cinematography by: Jerzy Zielinski

Edited by: Alan Baumgarten, Peter Teschner

Cameras: Panavision Cameras

Music Librarian

The Terminal (2004)

| USA

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Music Librarian

The Polar Express (2004)

| USA

Directed by: Robert Zemeckis

Cinematography by: Don Burgess, Robert Presley

Edited by: R. Orlando Duenas, Jeremiah O'Driscoll

Music Librarian

Win a Date with Tad Hamilton! (2004)

| USA

Directed by: Robert Luketic

Cinematography by: Peter Lyons Collister

Edited by: Scott Hill

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Editing System: Lightworks Editing System

Music Librarian

Van Helsing (2004)

| USA, Czech Republic, Romania

Directed by: Stephen Sommers

Cinematography by: Allen Daviau

Edited by: Bob Ducsay, Kelly Matsumoto, Jim May

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Editing System: Avid Editing System

Music Librarian

Harry Potter and the Prisoner of Azkaban (2004)

| UK, USA

Directed by: Alfonso Cuarón

Cinematography by: Michael Seresin

Edited by: Steven Weisberg

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Advanced Camera

Lenses: Cooke S4 Lenses

Editing System: Avid Editing System

Music Librarian

Hellboy (2004)

| USA

Directed by: Guillermo del Toro

Cinematography by: Guillermo Navarro

Edited by: Peter Amundson

Music Librarian

Garfield (2004)

| USA

Directed by: Peter Hewitt

Cinematography by: Dean Cundey

Edited by: Peter E. Berger, Michael A. Stevenson

Cameras: Panavision Cameras

Music Librarian

Dawn of the Dead (2004)

| USA, Canada, Japan, France

Directed by: Zack Snyder

Cinematography by: Matthew F. Leonetti

Edited by: Niven Howie

Music Copyist / Music Librarian

Shark Tale (2004)

| USA

Directed by: Bibo Bergeron, Vicky Jenson, Rob Letterman

Edited by: Nick Fletcher, Peter Lonsdale, John Venzon

Music Preparation

The Village (2004)

| USA

Directed by: M. Night Shyamalan

Cinematography by: Roger Deakins

Edited by: Christopher Tellefsen

Cameras: ARRIFLEX 535 B Camera, Moviecam Superlight Camera

Lenses: Cooke S4 Lenses

Music Librarian

Seed of Chucky (2004)

| Romania, USA, UK

Directed by: Don Mancini

Cinematography by: Vernon Layton

Edited by: Chris Dickens

Music Copyist

Bruce Almighty (2003)

| USA

Directed by: Tom Shadyac

Cinematography by: Dean Semler

Edited by: Scott Hill

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Editing System: Lightworks Editing System

Music Librarian

The Last Samurai (2003)

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

| USA, New Zealand, Japan

Directed by: Edward Zwick

Cinematography by: John Toll

Edited by: Victor Du Bois, Steven Rosenblum

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panastar Camera

Head Of Music Preparation

Dreamcatcher (2003)

| USA, Canada

Directed by: Lawrence Kasdan

Cinematography by: John Seale

Edited by: Raúl Dávalos, Carol Littleton

Music Copyist

Identity (2003)

| USA

Directed by: James Mangold

Cinematography by: Phedon Papamichael

Edited by: David Brenner

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Music Librarian

Something's Gotta Give (2003)

| USA

Directed by: Nancy Meyers

Cinematography by: Michael Ballhaus

Edited by: Joe Hutshing

Lenses: Angenieux Lenses, Zeiss Lenses

Music Librarian

Gothika (2003)

| USA, France, Canada, Spain

Directed by: Mathieu Kassovitz

Cinematography by: Matthew Libatique

Edited by: Yannick Kergoat

Music Librarian

Looney Tunes: Back in Action (2003)

| Germany, USA

Directed by: Joe Dante

Cinematography by: Dean Cundey

Edited by: Rick Finney, Marshall Harvey

Music Copyist

Seabiscuit (2003)

| USA

Directed by: Gary Ross

Cinematography by: John Schwartzman

Edited by: William Goldenberg

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Platinum Camera, Panavision Panastar II Camera

Editing System: Avid Editing System

Music Librarian

Under the Tuscan Sun (2003)

| USA, Italy

Directed by: Audrey Wells

Cinematography by: Geoffrey Simpson

Edited by: Arthur Coburn, Andrew Marcus, Todd E. Miller

Music Librarian

Master and Commander: The Far Side of the World (2003)

| USA

Directed by: Peter Weir

Cinematography by: Russell Boyd

Edited by: Lee Smith

Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Music Librarian

X2: X-Men United (2003)

| Canada, USA

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Elliot Graham, John Ottman

Music Copyist

Jeepers Creepers 2 (2003)

| USA

Directed by: Victor Salva

Cinematography by: Don E. FauntLeRoy

Edited by: Ed Marx

Music Copyist

Scary Movie 3 (2003)

| USA, Canada

Directed by: David Zucker

Cinematography by: Mark Irwin

Edited by: Malcolm Campbell, Jon Poll

Music Copyist/music Librarian

Holes (2003)

| USA

Directed by: Andrew Davis

Cinematography by: Stephen St. John

Edited by: Thomas J. Nordberg, Jeffrey Wolf

Music Librarian

Matchstick Men (2003)

| USA, UK

Directed by: Ridley Scott

Cinematography by: John Mathieson

Edited by: Dody Dorn

Music Copyist / Music Librarian

The Core (2003)

| USA, Germany, Canada, UK

Directed by: Jon Amiel

Cinematography by: John Lindley

Edited by: Terry Rawlings

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Music Librarian

Tears of the Sun (2003)

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

| USA

Directed by: Antoine Fuqua

Cinematography by: Mauro Fiore

Edited by: Conrad Buff IV, Christopher Holmes

Cameras: Panavision Cameras

Music Librarian

Charlie's Angels: Full Throttle (2003)

| USA

Directed by: McG

Cinematography by: Russell Carpenter

Edited by: Wayne Wahrman

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium Camera

Music Copyist / Music Librarian

Willard (2003)

| Canada, USA

Directed by: Glen Morgan

Cinematography by: Robert McLachlan

Edited by: James Coblentz

Music Copyist / Music Librarian

Elf (2003)

| USA

Directed by: Jon Favreau

Cinematography by: Greg Gardiner

Edited by: Dan Lebental

Cameras: Panavision Cameras

Lenses: Panavision SL27-M 27 mm T1.9 Lens, Panavision SL35-M 35 mm T1.9 Lens

Music Librarian

Peter Pan (2003)

| UK, Australia, USA, New Zealand

Directed by: P.J. Hogan

Cinematography by: Donald McAlpine

Edited by: Garth Craven, Michael Kahn

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Music Librarian

The Cat in the Hat (2003)

| USA

Directed by: Bo Welch

Cinematography by: Emmanuel Lubezki

Edited by: Don Zimmerman

Music Librarian

Final Destination 2 (2003)

| USA, Canada

Directed by: David R. Ellis

Cinematography by: Gary Capo

Edited by: Eric A. Sears

Cameras: Panavision Cameras

Music Librarian

Lara Croft Tomb Raider: The Cradle of Life (2003)

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

| USA, Germany, Japan, UK, Hong Kong

Directed by: Jan de Bont

Cinematography by: David Tattersall

Edited by: Michael Kahn

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Music Copyist

American Wedding (2003)

| USA, Germany

Directed by: Jesse Dylan

Cinematography by: Lloyd Ahern II

Edited by: Stuart H. Pappé

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Music Copyist

Unconditional Love (2002)

| USA

Directed by: P.J. Hogan

Cinematography by: Remi Adefarasin

Edited by: Robert C. Jones

Cameras: Panavision Cameras

Music Librarian

Spy Kids 2: Island of Lost Dreams (2002)

| USA

Directed by: Robert Rodriguez

Cinematography by: Robert Rodriguez

Edited by: Robert Rodriguez

Cameras: Sony HDW-F900 Camera

Music Copyist

Ice Age (2002)

| USA

Directed by: Chris Wedge, Carlos Saldanha

Edited by: John Carnochan

Music Copyist

Catch Me If You Can (2002)

| USA, Canada

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Music Copyist

Lilo & Stitch (2002)

| USA

Directed by: Dean DeBlois, Chris Sanders

Edited by: Darren T. Holmes

Music Copyist

Minority Report (2002)

| USA

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Panavision Panaflex Camera

Lenses: Panavision Lenses

Music Librarian

Star Wars: Episode II - Attack of the Clones (2002)

| USA

Directed by: George Lucas

Cinematography by: David Tattersall

Edited by: Ben Burtt, George Lucas

Cameras: Sony HDW-F900 Camera

Music Copyist

Signs (2002)

| USA

Directed by: M. Night Shyamalan

Cinematography by: Tak Fujimoto

Edited by: Barbara Tulliver

Music Copyist

Chicago (2002)

| USA, Germany, Canada

Directed by: Rob Marshall

Cinematography by: Dion Beebe

Edited by: Martin Walsh

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke S4 Lenses

Editing System: Avid Editing System, Lightworks Editing System

Music Copyist / Music Librarian

Harry Potter and the Chamber of Secrets (2002)

| UK, USA, Germany

Directed by: Chris Columbus

Cinematography by: Roger Pratt

Edited by: Peter Honess

Music Librarian

Spirit: Stallion of the Cimarron (2002)

| USA

Directed by: Kelly Asbury, Lorna Cook

Edited by: Nick Fletcher, Clare Knight

Music Librarian

Scooby-Doo (2002)

| USA, Australia

Directed by: Raja Gosnell

Cinematography by: David Eggby

Edited by: Kent Beyda

Cameras: Panavision Cameras

Music Copyist

Star Trek: Nemesis (2002)

| USA

Directed by: Stuart Baird

Cinematography by: Jeffrey L. Kimball

Edited by: Dallas Puett

Music Librarian

Unfaithful (2002)

| France, Germany, USA

Directed by: Adrian Lyne

Cinematography by: Peter Biziou

Edited by: Anne V. Coates

Cameras: Moviecam Compact Camera

Lenses: Cooke S4 Lenses

Editing System: Avid Editing System

Music Librarian

Treasure Planet (2002)

| USA

Directed by: Ron Clements, John Musker

Cinematography by: Rasoul Azadani

Edited by: Michael Kelly

Music Copyist

Spy Kids (2001)

| USA

Directed by: Robert Rodriguez

Cinematography by: Guillermo Navarro

Edited by: Robert Rodriguez

Music Copyist

Shrek (2001)

| USA

Directed by: Andrew Adamson, Vicky Jenson

Edited by: Sim Evan-Jones

Music Librarian

Not Another Teen Movie (2001)

| USA

Directed by: Joel Gallen

Cinematography by: Reynaldo Villalobos

Edited by: Steve Welch

Music Librarian

Training Day (2001)

| USA

Directed by: Antoine Fuqua

Cinematography by: Mauro Fiore

Edited by: Conrad Buff IV

Cameras: Moviecam Compact Camera, Moviecam Superlight Camera

Lenses: Hawk C-Series Lenses

Music Copyist / Music Librarian

Jimmy Neutron: Boy Genius (2001)

| USA

Directed by: John A. Davis

Cinematography by: Steve Kolbe, Chris Sherrod

Edited by: Gregory Perler, Jon Price

Music Copyist

Jay and Silent Bob Strike Back (2001)

| USA

Directed by: Kevin Smith

Cinematography by: Jamie Anderson

Edited by: Scott Mosier, Kevin Smith

Music Copyist

Harry Potter and the Sorcerer's Stone (2001)

| UK, USA

Directed by: Chris Columbus

Cinematography by: John Seale

Edited by: Richard Francis-Bruce

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Lenses, Panavision Primo Primes Spherical Lenses

Music Copyist

Monsters, Inc. (2001)

| USA

Directed by: Pete Docter, David Silverman, Lee Unkrich

Edited by: Robert Grahamjones, Jim Stewart

Music Copyist / Music Librarian

Final Destination (2000)

| USA

Directed by: James Wong

Cinematography by: Robert McLachlan

Edited by: James Coblentz

Music Librarian

The Patriot (2000)

| USA, Germany

Directed by: Roland Emmerich

Cinematography by: Caleb Deschanel

Edited by: David Brenner, Christopher Holmes, Julie Monroe

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Music Copyist

Vertical Limit (2000)

| USA, Germany

Directed by: Martin Campbell

Cinematography by: David Tattersall

Edited by: Thom Noble

Music Copyist

Charlie's Angels (2000)

| USA, Germany

Directed by: McG

Cinematography by: Russell Carpenter

Edited by: Peter Teschner, Wayne Wahrman

Music Copyist

What Women Want (2000)

| USA

Directed by: Nancy Meyers

Cinematography by: Dean Cundey

Edited by: Thomas J. Nordberg, Stephen A. Rotter

Music Librarian

Bait (2000)

| Canada, USA

Directed by: Antoine Fuqua

Cinematography by: Tobias A. Schliessler

Edited by: Alan Edward Bell

Cameras: Panavision Cameras

Music Librarian

What Lies Beneath (2000)

| USA

Directed by: Robert Zemeckis

Cinematography by: Don Burgess

Edited by: Arthur Schmidt

Lenses: Panavision C Series Anamorphic Lenses

Music Stage Librarian

The Kid (2000)

| USA

Directed by: Jon Turteltaub

Cinematography by: Peter Menzies Jr.

Edited by: Peter Honess, David Rennie

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Head Of Music Preparation

Unbreakable (2000)

| USA

Directed by: M. Night Shyamalan

Cinematography by: Eduardo Serra

Edited by: Dylan Tichenor

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Music Copyist

Gladiator (2000)

Lenses: Panavision Primo Primes Spherical Lenses, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens

| USA, UK, Malta, Morocco

Directed by: Ridley Scott

Cinematography by: John Mathieson

Edited by: Pietro Scalia

Cameras: Aaton 35-III Camera, Pan-Arri III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Music Copyist

Bowfinger (1999)

| USA

Directed by: Frank Oz

Cinematography by: Ueli Steiger

Edited by: Richard Pearson

Head Of Music Preparation

Entrapment (1999)

| USA, UK, Germany

Directed by: Jon Amiel

Cinematography by: Phil Meheux

Edited by: Terry Rawlings

Music Stage Librarian

Runaway Bride (1999)

| USA

Directed by: Garry Marshall

Cinematography by: Stuart Dryburgh

Edited by: Bruce Green

Music Copyist

Toy Story 2 (1999)

| USA

Directed by: John Lasseter, Ash Brannon, Lee Unkrich

Cinematography by: Sharon Calahan

Edited by: Edie Ichioka, David Ian Salter, Lee Unkrich

Music Copyist

Star Wars: Episode I - The Phantom Menace (1999)

| USA

Directed by: George Lucas

Cinematography by: David Tattersall

Edited by: Ben Burtt, Paul Martin Smith

Cameras: ARRIFLEX 435 ES Camera, ARRIFLEX 535 B Camera, Sony HDC-750 Camera

Lenses: Hawk C-Series Lenses

Music Copyist

The Sixth Sense (1999)

| USA

Directed by: M. Night Shyamalan

Cinematography by: Tak Fujimoto

Edited by: Andrew Mondshein

Cameras: Panavision Panaflex Millennium Camera

Music Copyist

Angela's Ashes (1999)

| USA, Ireland

Directed by: Alan Parker

Cinematography by: Chris Connier, Michael Seresin

Edited by: Gerry Hambling

Cameras: Moviecam Compact Camera

Lenses: Cooke S4 Lenses

Music Copyist

The Green Mile (1999)

| USA

Directed by: Frank Darabont

Cinematography by: David Tattersall

Edited by: Richard Francis-Bruce

Lenses: Panavision Frazier Lenses, Panavision Primo Classic Spherical Lenses

Music Librarian

The Mummy (1999)

| USA

Directed by: Stephen Sommers

Cinematography by: Adrian Biddle

Edited by: Bob Ducsay

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Music Librarian

The Thin Red Line (1998)

| USA

Directed by: Terrence Malick

Cinematography by: John Toll

Edited by: Leslie Jones, Saar Klein, Billy Weber

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Music Stage Librarian

Patch Adams (1998)

| USA

Directed by: Tom Shadyac

Cinematography by: Phedon Papamichael

Edited by: Don Zimmerman

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Music Copyist / Music Librarian

The Prince of Egypt (1998)

| USA

Directed by: Brenda Chapman, Steve Hickner, Simon Wells

Edited by: Nick Fletcher

Music Stage Librarian

A Perfect Murder (1998)

| USA

Directed by: Andrew Davis

Cinematography by: Dariusz Wolski

Edited by: Dov Hoenig, Dennis Virkler

Music Librarian

Bride of Chucky (1998)

| USA, Canada

Directed by: Ronny Yu

Cinematography by: Peter Pau

Edited by: Randy Bricker, David Wu

Music Librarian

Anastasia (1997)

| USA

Directed by: Don Bluth, Gary Goldman

Edited by: Bob Bender, Fiona Trayler

Music Copyist

Evita (1996)

| USA

Directed by: Alan Parker

Cinematography by: Darius Khondji

Edited by: Gerry Hambling

Cameras: Moviecam Compact Camera

Lenses: Cooke Xtal Express Lenses

Music Copyist

Romeo + Juliet (1996)

| USA, Mexico

Directed by: Baz Luhrmann

Cinematography by: Donald McAlpine

Edited by: Jill Bilcock

Music Librarian

Mars Attacks! (1996)

| USA

Directed by: Tim Burton

Cinematography by: Peter Suschitzky

Edited by: Chris Lebenzon

Music Copyist

Twister (1996)

| USA

Directed by: Jan de Bont

Cinematography by: Jack N. Green

Edited by: Michael Kahn

Cameras: ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Music Copyist

Space Jam (1996)

| USA

Directed by: Joe Pytka

Cinematography by: Michael Chapman

Edited by: Sheldon Kahn

Music Copyist

Jumanji (1995)

| USA

Directed by: Joe Johnston

Cinematography by: Thomas E. Ackerman

Edited by: Robert Dalva

Cameras: Panavision Cameras

Music Copyist

The Shawshank Redemption (1994)

| USA

Directed by: Frank Darabont

Cinematography by: Roger Deakins

Edited by: Richard Francis-Bruce

Cameras: ARRIFLEX 35 BL4 Camera, Moviecam Compact Camera

Lenses: ARRI / Zeiss Lenses

Music Copyist

The Mask (1994)

| USA

Directed by: Chuck Russell

Cinematography by: John R. Leonetti

Edited by: Arthur Coburn

Music Librarian

Jurassic Park (1993)

| USA

Directed by: Steven Spielberg

Cinematography by: Dean Cundey

Edited by: Michael Kahn

Cameras: Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, VistaVision Cameras

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Slant Focus Lenses

Editing System: Steenbeck Editing System

Music Librarian

Gremlins 2: The New Batch (1990)

| USA

Directed by: Joe Dante

Cinematography by: John Hora

Edited by: Kent Beyda

Cameras: ARRIFLEX 35 III Camera, Moviecam SuperAmerica Camera

Lenses: Cooke Speed Panchro Lenses, Cooke Varopanchro Lenses

Music Librarian

Total Recall (1990)

| USA, Mexico

Directed by: Paul Verhoeven

Cinematography by: Jost Vacano

Edited by: Carlos Puente, Frank J. Urioste

Cameras: ARRIFLEX Camera

Lenses: Zeiss Lenses

Music Copyist / Music Librarian

Poltergeist III (1988)

| USA

Directed by: Gary Sherman

Cinematography by: Alex Nepomniaschy

Edited by: Ross Albert

Cameras: Panavision Panaflex Series Cameras

Lenses: Panavision Lenses

Music Copyist

Who Framed Roger Rabbit (1988)

| USA

Directed by: Robert Zemeckis

Cinematography by: Dean Cundey

Edited by: Arthur Schmidt

Cameras: Panavision Panaflex Camera, VistaVision Cameras

Lenses: Panavision Lenses

Music Copyist

One Crazy Summer (1986)

| USA

Directed by: Savage Steve Holland

Cinematography by: Isidore Mankofsky

Edited by: Alan Balsam

Cameras: Panavision Cameras

Music Librarian And Copyist

The Outsiders (1983)

| USA, France

Directed by: Francis Ford Coppola

Cinematography by: Stephen H. Burum

Edited by: Rob Bonz, Anne Goursaud, Melissa Kent, Roy Waldspurger

Music Copyist

Motel Hell (1980)