Mark Graham

Lenses: Angenieux Optimo 24-290mm T2.8 Lens, Hawk Vantage One 120mm T1 Lens, Hawk Vantage One 17.5mm T1 Lens, Hawk Vantage One 21mm T1 Lens, Hawk Vantage One 25mm T1 Lens, Hawk Vantage One 32mm T1 Lens, Hawk Vantage One 40mm T1 Lens, Hawk Vantage One 50mm T1 Lens, Hawk Vantage One 65mm T1 Lens, Hawk Vantage One 90mm T1 Lens

| USA

Directed by: Simon Curtis

Cinematography by: Ross Emery

Edited by: Adam Recht

Cameras: ARRI ALEXA SXT EV

Head Of Music Preparation

'Empire' Birds in the Cage (2018)

Directed by: Craig Brewer

Edited by: Evonne Moritz, Eli Nilsen

Head Of Music Preparation

Mary Poppins Returns (2018)

Lenses: Angenieux Optimo Anamorphic Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo V Lenses, Panavision Primo V PV21 21mm T1.9 Lens, Panavision Primo V PV27 27mm T1.9 Lens, Panavision Primo V PV50 50mm T1.9 Lens

| USA, UK

Directed by: Rob Marshall

Cinematography by: Dion Beebe

Edited by: Wyatt Smith

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras

Head Of Music Preparation

'Empire' Bloody Noses and Crack'd Crowns (2018)

Directed by: Howard Deutch

Edited by: Ishai Setton

Head Of Music Preparation

'Empire' What Is Done (2018)

| USA

Directed by: Jussie Smollett

Cinematography by: Joe 'Jody' Williams

Head Of Music Preparation

'Empire' Without Apology (2018)

Directed by: Dianne Houston

Edited by: Ishai Setton

Head Of Music Preparation

'Empire' Pay for Their Presumptions (2018)

| USA

Directed by: John Krokidas

Cinematography by: Joe 'Jody' Williams

Edited by: Eli Nilsen

Head Of Music Preparation / Orchestrator

A Quiet Place (2018)

Lenses: Angenieux Optimo Anamorphic Lenses, Panavision Anamorphic Macro Panatar Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Anamorphic Portrait Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision Super Speed Lenses, Panavision T Series Anamorphic Lenses

| USA

Directed by: John Krasinski

Cinematography by: Charlotte Bruus Christensen

Edited by: Christopher Tellefsen

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, Panavision Panaflex Millennium XL2 Camera

Head Of Music Preparation

'Empire' False Face (2018)

Directed by: Millicent Shelton

Edited by: Ishai Setton, Stefanie Visser

Head Of Music Preparation

'Empire' The Depth of Grief (2018)

| USA

Directed by: Elizabeth Allen Rosenbaum

Cinematography by: Joe 'Jody' Williams

Edited by: Eli Nilsen

Head Of Music Preparation

'Empire' Sweet Sorrow (2018)

Directed by: Eric Haywood

Edited by: Lauren A. Schaffer

Conductor / Orchestrator

Avengers: Infinity War (2018)

| USA

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera, Red Helium (Weapon) 8K, Red Weapon Dragon Camera

Lenses: Angenieux Lenses, Leica Summilux-C Series Lenses, Panavision APO Panatar Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

Head Of Music Preparation

'Empire' Steal from the Thief (2018)

| USA

Directed by: Sanaa Hamri

Cinematography by: Joe 'Jody' Williams

Edited by: Ishai Setton

Head Of Music Preparation

Christopher Robin (2018)

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

| UK, USA

Directed by: Marc Forster

Cinematography by: Matthias Koenigswieser

Edited by: Matt Chesse

Lenses: Panavision APO Panatar Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Head Of Music Preparation

'Empire' A Lean and Hungry Look (2018)

Directed by: Bille Woodruff

Edited by: Lauren A. Schaffer

Head Of Music Preparation

'Empire' Love All, Trust a Few (2018)

| USA

Directed by: Mario Van Peebles

Cinematography by: Joe 'Jody' Williams

Edited by: Ishai Setton

Head Of Music Preparation

'Empire' Of Hardiness Is Mother (2018)

Directed by: Craig Brewer

Music Librarian

First Man (2018)

Lenses: CamTec Vintage Series Ultra Prime Lenses, Canon Lenses, Fujinon Premier ZK Cabrio PL Compact Lenses, Hasselblad Lenses, Kowa Cine Prominar Anamorphic Lenses

| USA, Japan

Directed by: Damien Chazelle

Cinematography by: Linus Sandgren

Edited by: Tom Cross

Cameras: Aaton A-Minima Camera, Aaton Penelope Camera, Aaton Xterà Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 416 Plus, ARRIFLEX 435 Camera, Imax MSM 9802 Camera

Head Of Music Preparation

'Empire' The Empire Unpossess'd (2018)

Directed by: Craig Brewer

Edited by: Lauren A. Schaffer

Head Of Music Preparation

'Empire' Treasons, Stratagems, and Spoils (2018)

| USA

Directed by: Tamra Davis

Cinematography by: Joe 'Jody' Williams

Edited by: Ishai Setton

Head Of Music Preparation

'Empire' Fair Terms (2018)

Directed by: Jussie Smollett

Head Of Music Preparation

'Empire' Pride (2018)

| USA

Directed by: Clement Virgo

Cinematography by: Joe 'Jody' Williams

Head Of Music Preparation

'Empire' Evil Manners (2017)

| USA

Directed by: Bille Woodruff

Edited by: Lauren A. Schaffer

Head Of Music Preparation

'Empire' Strange Bedfellows (2017)

| USA

Directed by: Bille Woodruff

Edited by: Eli Nilsen

Head Of Music Preparation

'Empire' Fortune Be Not Crost (2017)

| USA

Directed by: Sanaa Hamri

Edited by: Lauren A. Schaffer

Head Of Music Preparation

'Empire' Civil Hands Unclean (2017)

| USA

Directed by: Howard Deutch

Head Of Music Preparation

'Empire' Noble Memory (2017)

| USA

Directed by: Sanaa Hamri

Edited by: Eli Nilsen

Head Of Music Preparation

'Empire' Slave to Memory (2017)

| USA

Directed by: Sanaa Hamri

Edited by: Lauren A. Schaffer

Head Of Music Preparation

'Empire' Play On (2017)

| USA

Directed by: Benny Boom

Edited by: Raúl Dávalos, Ishai Setton

Head Of Music Preparation

'Empire' Toil and Trouble, Part 2 (2017)

| USA

Directed by: Sanaa Hamri

Cinematography by: Paul M. Sommers

Edited by: Eli Nilsen

Head Of Music Preparation

'Empire' The Fool (2017)

| USA

Directed by: Howard Deutch

Edited by: Ishai Setton

Head Of Music Preparation / Orchestrator

Logan (2017)

| USA

Directed by: James Mangold

Cinematography by: John Mathieson

Edited by: Michael McCusker, Dirk Westervelt

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Blackmagic Pocket Cinema Camera, Sony α7S II Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Head Of Music Preparation

'Empire' Love Is a Smoke (2017)

| USA

Directed by: Tricia Brock

Edited by: David Greenspan

Head Of Music Preparation

'Empire' Full Circle (2017)

| USA

Directed by: Craig Brewer

Cinematography by: Paul M. Sommers

Edited by: Ishai Setton

Head Of Music Preparation

'Empire' Cupid Painted Blind (2017)

| USA

Directed by: Elizabeth Allen Rosenbaum

Edited by: Ishai Setton

Head Of Music Preparation

'Empire' Sound & Fury (2017)

| USA

Directed by: Craig Brewer

Edited by: Ishai Setton

Head Of Music Preparation

'Empire' Toil and Trouble, Part 1 (2017)

| USA

Directed by: Craig Brewer

Edited by: David Greenspan, Ishai Setton

Head Of Music Preparation

'Empire' Bleeding War (2017)

| USA

Directed by: Sanaa Hamri

Edited by: Eli Nilsen

Head Of Music Preparation

'Empire' My Naked Villainy (2017)

| USA

Directed by: Cherien Dabis

Edited by: Ishai Setton, Stefanie Visser

Head Of Music Preparation

'Empire' The Lady Doth Protest (2017)

| USA

Directed by: Karen Gaviola

Cinematography by: Paul M. Sommers

Edited by: Evonne Moritz, Eli Nilsen

Head Of Music Preparation

'Empire' Absent Child (2017)

| USA

Directed by: Millicent Shelton

Edited by: Ishai Setton

Head Of Music Preparation

Jason Bourne (2016)

Lenses: Angenieux Optimo Zoom Lenses, Canon Lenses, Fujinon Premier ZK Cabrio PL Compact Lenses, Kowa Cine Prominar Spherical Lenses, Panavision Lenses, Zeiss Super Speed Lenses, Zeiss Ultra Prime Lenses

| USA, China

Directed by: Paul Greengrass

Cinematography by: Barry Ackroyd

Edited by: Christopher Rouse

Cameras: Aaton Penelope Camera, Aaton XTR Prod Camera, ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, Codex Action Cam, Red Epic Dragon Camera

Head Of Music Preparation

'Empire' Past Is Prologue (2016)

| USA

Directed by: Sanaa Hamri

Edited by: Raúl Dávalos

Head Of Music Preparation

The Jungle Book (2016)

| UK, USA

Directed by: Jon Favreau

Cinematography by: Bill Pope

Edited by: Adam Gerstel, Mark Livolsi

Cameras: ARRI ALEXA XT M Camera

Head Of Music Preparation

'Empire' Death Will Have His Day (2016)

| USA

Directed by: Danny Strong

Cinematography by: Paul M. Sommers

Edited by: Raúl Dávalos

Head Of Music Preparation

How to Be Single (2016)

| USA

Directed by: Christian Ditter

Cinematography by: Christian Rein

Edited by: Tia Nolan

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Plus Camera

Head Of Music Preparation

'Empire' Cupid Kills (2016)

| USA

Directed by: Hanelle M. Culpepper

Edited by: Ishai Setton

Conductor / Orchestrator

Why Him? (2016)

| USA, Cambodia

Directed by: John Hamburg

Cinematography by: Kris Kachikis

Edited by: William Kerr

Head Of Music Preparation

'Empire' More Than Kin (2016)

| USA

Directed by: Sanaa Hamri

Cinematography by: Paul M. Sommers

Edited by: Zack Arnold, Ishai Setton

Head Of Music Preparation

The Finest Hours (2016)

| USA

Directed by: Craig Gillespie

Cinematography by: Javier Aguirresarobe

Edited by: Tatiana S. Riegel

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Leica Summilux-C Series Lenses

Head Of Music Preparation

'Empire' Chimes at Midnight (2016)

| USA

Directed by: Sanaa Hamri

Edited by: Eli Nilsen

Head Of Music Preparation / Orchestrator

The Secret Life of Pets (2016)

| Japan, USA, France

Directed by: Chris Renaud, Yarrow Cheney

Edited by: Ken Schretzmann

Head Of Music Preparation

'Empire' Light in Darkness (2016)

| USA

Directed by: Sanaa Hamri

Cinematography by: Paul M. Sommers

Edited by: Ishai Setton

Head Of Music Preparation

X-Men: Apocalypse (2016)

| USA

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Michael Louis Hill, John Ottman

Cameras: Phantom Flex4K Camera, Red Epic Dragon Camera

Lenses: Leica Summilux-C Series Lenses

Head Of Music Preparation

'Empire' A Rose by Any Other Name (2016)

| USA

Directed by: Michael Engler

Cinematography by: Paul M. Sommers

Edited by: Zack Arnold

Head Of Music Preparation

'Empire' One Before Another (2016)

| USA

Directed by: Mario Van Peebles

Edited by: Raúl Dávalos

Head Of Music Preparation

Fantastic Beasts and Where to Find Them (2016)

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

| UK, USA

Directed by: David Yates

Cinematography by: Philippe Rousselot

Edited by: Mark Day

Cameras: ARRI ALEXA XT Camera

Head Of Music Preparation

'Empire' The Lyon Who Cried Wolf (2016)

| USA

Directed by: Millicent Shelton

Cinematography by: Paul M. Sommers

Edited by: Matt Barber

Head Of Music Preparation

'Empire' What We May Be (2016)

| USA

Directed by: Kevin Bray

Edited by: Ishai Setton

Head Of Music Preparation

Ice Age: Collision Course (2016)

| USA

Directed by: Mike Thurmeier, Galen T. Chu

Cinematography by: Renato Falcão

Edited by: Erin Crackel, James Palumbo

Orchestrator

Florence Foster Jenkins (2016)

| UK, France

Directed by: Stephen Frears

Cinematography by: Danny Cohen

Edited by: Valerio Bonelli

Cameras: ARRI ALEXA XT Camera

Conductor / Head Of Music Preparation / Orchestrator

Zoolander 2 (2016)

| USA, Italy

Directed by: Ben Stiller

Cinematography by: Dan Mindel

Edited by: Greg Hayden

Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Plus Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Editing System: Avid Editing System

Head Of Music Preparation

The Huntsman: Winter's War (2016)

| USA, China

Directed by: Cedric Nicolas-Troyan

Cinematography by: Phedon Papamichael

Edited by: Conrad Buff IV

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Plus Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses

Head Of Music Preparation

'Empire' The Tameness of a Wolf (2016)

| USA

Directed by: Paris Barclay

Cinematography by: Paul M. Sommers

Edited by: Matt Barber

Head Of Music Preparation

'Empire' What Remains Is Bestial (2016)

| USA

Directed by: Millicent Shelton

Edited by: Eli Nilsen

Conductor / Orchestrator

Collateral Beauty (2016)

| USA

Directed by: David Frankel

Cinematography by: Maryse Alberti

Edited by: Andrew Marcus

Cameras: ARRI ALEXA XT Plus Camera

Lenses: ARRI / Zeiss Master Anamorphic Lenses

Head Of Music Preparation

'Empire' Rise by Sin (2016)

| USA

Directed by: Paul McCrane

Cinematography by: Paul M. Sommers

Edited by: Raúl Dávalos, Ishai Setton

Orchestrator - 3 Episodes, 2016

11.22.63 (2016)

Miniseries

| USA

Directed by: James Strong, Frederick E.O. Toye, John David Coles, James Franco, James Kent, Kevin Macdonald

Cinematography by: Adam Suschitzky, David Katznelson

Edited by: Sue Blainey, Michael R. Fox, Plummy Tucker, Dorian Harris

Head Of Music Preparation

'Empire' The Unkindest Cut (2016)

| USA

Directed by: Dennie Gordon

Cinematography by: Paul M. Sommers

Edited by: Raúl Dávalos

Conductor / Head Of Music Preparation

Ghostbusters (2016)

| USA, Australia

Directed by: Paul Feig

Cinematography by: Robert D. Yeoman

Edited by: Melissa Bretherton, Brent White

Cameras: ARRI ALEXA XT Camera

Lenses: Fujinon Premier ZK Cabrio PL Compact Lenses, Zeiss Master Prime Lenses

Head Of Music Preparation

Southside with You (2016)

| USA

Directed by: Richard Tanne

Cinematography by: Patrick Scola

Edited by: Evan Schiff

Conducted By / Orchestrator

Ben-Hur (2016)

| USA

Directed by: Timur Bekmambetov

Cinematography by: Oliver Wood

Edited by: Dody Dorn, Richard Francis-Bruce

Cameras: ARRI ALEXA Series Cameras, GoPro (Woodman Labs) Cameras, Red Digital Cinema Cameras

Editing System: Avid Editing System

Head Of Music Preparation/ Orchestrator

Gods of Egypt (2016)

| USA, Australia, China

Directed by: Alex Proyas

Cinematography by: Peter Menzies Jr.

Edited by: Richard Learoyd

Lenses: Panavision Primo 70 Lenses

Head Of Music Preparation

'Empire' Time Shall Unfold (2016)

| USA

Directed by: Cherien Dabis

Cinematography by: Paul M. Sommers

Edited by: Raúl Dávalos

Head Of Music Preparation

'Empire' Sin That Amends (2016)

| USA

Directed by: Craig Brewer

Cinematography by: Paul M. Sommers

Edited by: Raúl Dávalos

Head Of Music Preparation

Hail, Caesar! (2016)

| UK, Japan, USA

Directed by: Ethan Coen, Joel Coen

Cinematography by: Roger Deakins

Edited by: Ethan Coen, Joel Coen

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera

Head Of Music Preparation

'Empire' A Furnace for Your Foe (2016)

| USA

Directed by: Sanaa Hamri

Edited by: Eli Nilsen

Head Of Music Preparation

La La Land (2016)

Lenses: Panavision C Series Anamorphic Lenses, Panavision C35 35 mm T2.3 Lens, Panavision C50 50 mm T2.3 Lens, Panavision E Series Anamorphic Lenses, Panavision E35 35 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens

| USA, Hong Kong

Directed by: Damien Chazelle

Cinematography by: Linus Sandgren

Edited by: Tom Cross

Cameras: Aaton A-Minima Camera, Panavision Panaflex Millennium XL2 Camera

Head Of Music Preparation

'Empire' Poor Yorick (2015)

| USA

Directed by: Danny Strong

Cinematography by: Paul M. Sommers

Edited by: Joe Leonard, James Stanton

Head Of Music Preparation

Creed (2015)

| USA

Directed by: Ryan Coogler

Cinematography by: Maryse Alberti

Edited by: Claudia Castello, Michael P. Shawver

Cameras: ARRI ALEXA XT M Camera, ARRI ALEXA XT Plus Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Cooke S4 Lenses, Cooke Zoom Lenses

Editing System: Avid Editing System

Head Of Music Preparation

'Empire' Unto the Breach (2015)

| USA

Directed by: Anthony Hemingway

Cinematography by: Sidney Sidell

Edited by: Zack Arnold

Head Of Music Preparation / Orchestrator

The Intern (2015)

| USA

Directed by: Nancy Meyers

Cinematography by: Stephen Goldblatt

Edited by: Robert Leighton

Cameras: ARRI ALEXA XT Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Head Of Music Preparation

'Empire' The Outspoken King (2015)

| USA

Directed by: Lee Daniels

Cinematography by: Sidney Sidell

Edited by: Joe Leonard

Head Of Music Preparation

'Empire' Game On (2015)

Head Of Music Preparation

'Empire' My Bad Parts (2015)

| USA

Directed by: Sanaa Hamri

Cinematography by: Paul M. Sommers

Edited by: Raúl Dávalos

Head Of Music Preparation

'Empire' The Devils Are Here (2015)

| USA

Directed by: Lee Daniels

Cinematography by: Paul M. Sommers

Edited by: Joe Leonard

Head Of Music Preparation

'Empire' Out, Damned Spot (2015)

| USA

Directed by: Michael Engler

Cinematography by: Sidney Sidell

Edited by: Zack Arnold

Head Of Music Preparation

Focus (2015)

| USA, Argentina

Directed by: Glenn Ficarra, John Requa

Cinematography by: Xavier Grobet

Edited by: Jan Kovac

Cameras: ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Camera

Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses

Editing System: Final Cut Pro Editing System

Head Of Music Preparation

Spy (2015)

| USA, UK, France, Hungary, Germany

Directed by: Paul Feig

Cinematography by: Robert D. Yeoman

Edited by: Melissa Bretherton, Brent White

Cameras: ARRI ALEXA XT Camera

Head Of Music Preparation

'Empire' Be True (2015)

| USA

Directed by: Kevin Bray

Cinematography by: Paul M. Sommers

Edited by: Raúl Dávalos

Head Of Music Preparation

'Empire' Sins of the Father (2015)

| USA

Directed by: Rob Hardy

Cinematography by: Sidney Sidell

Edited by: Raúl Dávalos

Music Preparation

Crimson Peak (2015)

| Canada, USA

Directed by: Guillermo del Toro

Cinematography by: Dan Laustsen

Edited by: Bernat Vilaplana

Cameras: ARRI ALEXA XT Camera

Head Of Music Preparation

'Empire' The Devil Quotes Scripture (2015)

| USA

Directed by: Sanaa Hamri

Cinematography by: Sidney Sidell

Edited by: Zack Arnold

Head Of Music Preparation

Get Hard (2015)

| USA

Directed by: Etan Cohen

Cinematography by: Tim Suhrstedt

Edited by: Michael L. Sale

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Angenieux Optimo Zoom Lenses, Leica Summilux-C Series Lenses

Head Of Music Preparation

'Empire' Sinned Against (2015)

| USA

Directed by: Paul McCrane

Cinematography by: Paul M. Sommers

Edited by: Zack Arnold

Head Of Music Preparation

Ted 2 (2015)

| USA

Directed by: Seth MacFarlane

Cinematography by: Michael Barrett

Edited by: Jeff Freeman

Cameras: Sony CineAlta F65 Camera

Head Of Music Preparation

'Empire' Without a Country (2015)

| USA

Directed by: Dee Rees

Cinematography by: Paul M. Sommers

Edited by: Raúl Dávalos

Head Of Music Preparation

Star Wars: Episode VII - The Force Awakens (2015)

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision Retro C 100mm T2.8 Lens, Panavision Retro C 35mm T2.8 Lens, Panavision Retro C 40mm T2.8 Lens, Panavision Retro C 50mm T2.8 Lens, Panavision Retro C 60mm T2.8 Lens, Panavision Retro C 75mm T2.8 Lens

| USA

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Mary Jo Markey

Cameras: ARRI ALEXA Camera, Imax MKIII Reflex Camera, Imax MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera

Editing System: Avid Editing System

Head Of Music Preparation / Orchestrator

The Walk (2015)

| USA

Directed by: Robert Zemeckis

Cinematography by: Dariusz Wolski

Edited by: Jeremiah O'Driscoll

Head Of Music Preparation

'Empire' Our Dancing Days (2015)

| USA

Directed by: Sanaa Hamri

Cinematography by: Sidney Sidell

Edited by: Raúl Dávalos

Head Of Music Preparation

'Empire' A High Hope for a Low Heaven (2015)

| USA

Directed by: Mario Van Peebles

Cinematography by: Paul M. Sommers

Edited by: Zack Arnold

Head Of Music Preparation

'Empire' Die but Once (2015)

| USA

Directed by: Mario Van Peebles

Cinematography by: Sidney Sidell

Edited by: Joe Leonard, James Stanton

Head Of Music Preparation

Pan (2015)

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision PVintage Prime Lenses

| USA, UK, Australia

Directed by: Joe Wright

Cinematography by: John Mathieson, Seamus McGarvey

Edited by: William Hoy, Paul Tothill

Cameras: ARRI ALEXA XT Camera, Phantom Flex Camera

Head Of Music Preparation

'Empire' False Imposition (2015)

| USA

Directed by: Rosemary Rodriguez

Cinematography by: Sidney Sidell

Edited by: Raúl Dávalos, Sharidan Williams-Sotelo

Head Of Music Preparation - 73 Episodes, 2015-2018

Empire (2015)

Television Series

| USA

Cinematography by: Paul M. Sommers, Joe 'Jody' Williams, Sidney Sidell, Andrew Dunn

Edited by: Ishai Setton, Eli Nilsen, Raúl Dávalos, Zack Arnold, Joe Leonard, Lauren A. Schaffer, Stefanie Visser, Evonne Moritz, James Stanton, Matt Barber, David Greenspan, Sharidan Williams-Sotelo

Cameras: ARRI ALEXA Camera, Digital Bolex D16

Head Of Music Preparation / Orchestrator

The Gunman (2015)

| USA, Spain, UK, France

Directed by: Pierre Morel

Cinematography by: Flavio Martínez Labiano

Edited by: Frédéric Thoraval

Cameras: ARRI ALEXA XT Camera, Red Epic Camera

Lenses: Kowa Cine Prominar Spherical Lenses, Nippon Scope Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Head Of Music Preparation

'Empire' Et Tu, Brute? (2015)

| USA

Directed by: Sanaa Hamri

Cinematography by: Paul M. Sommers

Head Of Music Preparation

'Empire' Fires of Heaven (2015)

| USA

Directed by: Craig Brewer

Cinematography by: Paul M. Sommers

Edited by: Zack Arnold

Head Of Music Preparation , Orchestrator

Trumbo (2015)

| USA

Directed by: Jay Roach

Cinematography by: Jim Denault

Edited by: Alan Baumgarten

Cameras: ARRI ALEXA XT Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Head Of Music Preparation

'Empire' The Lyon's Roar (2015)

| USA

Directed by: Danny Strong

Cinematography by: Sidney Sidell

Edited by: Joe Leonard

Head Of Music Preparation

'Empire' True Love Never (2015)

| USA

Directed by: Sylvain White

Cinematography by: Paul M. Sommers

Edited by: Joe Leonard

Head Of Music Preparation

'Empire' Who I Am (2015)

| USA

Directed by: Debbie Allen

Cinematography by: Sidney Sidell

Edited by: Zack Arnold

Head Of Music Preparation

The SpongeBob Movie: Sponge Out of Water (2015)

| USA, South Korea, Australia

Directed by: Paul Tibbitt, Mike Mitchell

Cinematography by: Phil Meheux

Edited by: David Ian Salter

Cameras: ARRI ALEXA Camera

Head Of Music Preparation

'Empire' Dangerous Bonds (2015)

| USA

Directed by: John Singleton

Cinematography by: Sidney Sidell

Edited by: Joe Leonard

Head Of Music Preparation

Rio 2 (2014)

| USA

Directed by: Carlos Saldanha

Cinematography by: Renato Falcão

Edited by: Harry Hitner, Randy Trager

Head Of Music Preparation

22 Jump Street (2014)

| USA

Directed by: Phil Lord, Christopher Miller

Cinematography by: Barry Peterson

Edited by: Keith Brachmann, David Rennie

Cameras: ARRI ALEXA XT Camera

Head Of Music Preparation

The Book of Life (2014)

| USA

Directed by: Jorge R. Gutiérrez

Edited by: Ahren Shaw

Head Of Music Preparation

Let's Be Cops (2014)

| USA

Directed by: Luke Greenfield

Cinematography by: Daryn Okada

Edited by: Bill Pankow, Jonathan Schwartz

Cameras: Sony CineAlta F65 Camera, Sony PMW-F55 Camera

Music Preparation

The Monuments Men (2014)

Lenses: Angenieux Optimo 24-290mm T2.8 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens

| USA, Germany

Directed by: George Clooney

Cinematography by: Phedon Papamichael

Edited by: Stephen Mirrione

Cameras: ARRI ALEXA Plus 4:3 Camera, ARRICAM Lite (LT) Camera

Editing System: Avid Editing System

Head Of Music Preparation

X-Men: Days of Future Past (2014)

| USA, UK, Canada

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Michael Louis Hill, John Ottman

Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Camera

Lenses: ARRI / Fujinon Lenses, Fujinon Lenses, Leica Summilux-C Series Lenses

Music Preparation

The Maze Runner (2014)

| USA, UK

Directed by: Wes Ball

Cinematography by: Enrique Chediak

Edited by: Dan Zimmerman

Cameras: ARRI ALEXA Camera, Red Epic Camera, Silicon Imaging SI-2K Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Head Of Music Preparation

How to Train Your Dragon 2 (2014)

| USA

Directed by: Dean DeBlois

Cinematography by: Gil Zimmerman

Edited by: John K. Carr

Music Preparation

Unbroken (2014)

| USA

Directed by: Angelina Jolie

Cinematography by: Roger Deakins

Edited by: William Goldenberg, Tim Squyres

Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRI ALEXA XT Studio Camera

Head Of Music Preparation

Godzilla (2014)

| USA, Japan

Directed by: Gareth Edwards

Cinematography by: Seamus McGarvey

Edited by: Bob Ducsay

Cameras: ARRI ALEXA Plus Camera, Phantom Flex Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Frazier Lenses, Panavision Primo Primes Spherical Lenses

Head Of Music Preparation

The Hobbit: The Battle of the Five Armies (2014)

| New Zealand, USA

Directed by: Peter Jackson

Cinematography by: Andrew Lesnie

Edited by: Jabez Olssen

Cameras: Red Epic Camera, Red One MX Camera

Lenses: Zeiss Ultra Prime Lenses

Head Of Music Preparation

The Hunger Games: Mockingjay - Part 1 (2014)

| USA

Directed by: Francis Lawrence

Cinematography by: Jo Willems

Edited by: Alan Edward Bell, Mark Yoshikawa

Cameras: ARRI ALEXA XT Camera

Music Preparation

A Million Ways to Die in the West (2014)

| USA

Directed by: Seth MacFarlane

Cinematography by: Michael Barrett

Edited by: Jeff Freeman

Cameras: Sony PMW-F55 Camera

Editing System: Avid Editing System

Orchestrator

Night at the Museum: Secret of the Tomb (2014)

| UK, USA

Directed by: Shawn Levy

Cinematography by: Guillermo Navarro

Edited by: Dean Zimmerman

Lenses: Angenieux Optimo 28-340mm T2.9 Lens, Angenieux Optimo Zoom Lenses

Editing System: Avid Editing System

Music Preparation And Copying: Strings, JoAnn Kane Music Service

The Fault in Our Stars (2014)

| USA

Directed by: Josh Boone

Cinematography by: Ben Richardson

Edited by: Robb Sullivan

Cameras: ARRI ALEXA XT Camera

Head Of Music Preparation

The Homesman (2014)

| USA, France

Directed by: Tommy Lee Jones

Cinematography by: Rodrigo Prieto

Edited by: Roberto Silvi

Cameras: ARRICAM Lite (LT) Camera, Sony PMW-F55 Camera

Lenses: Angenieux Optimo 24-290mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Zeiss Master Prime Lenses

Head Of Music Preparation

Get on Up (2014)

Lenses: Angenieux Optimo Anamorphic Lenses, Angenieux Optimo Style Lenses, Angenieux Optimo Zoom Lenses, Bausch & Lomb Lenses, Canon EF Series Lenses, Panavision Primo Primes Spherical Lenses

| UK, USA

Directed by: Tate Taylor

Cinematography by: Stephen Goldblatt

Edited by: Michael McCusker

Cameras: ARRI ALEXA Camera, Canon EOS Rebel T3i camera, Canon EOS-C500 Camera

Conductor / Orchestrator

The Grand Budapest Hotel (2014)

| USA, Germany

Directed by: Wes Anderson

Cinematography by: Robert D. Yeoman

Edited by: Barney Pilling

Head Of Music Preparation

Maleficent (2014)

| USA

Directed by: Robert Stromberg

Cinematography by: Dean Semler

Edited by: Chris Lebenzon, Richard Pearson

Cameras: ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera

Head Of Music Preparation

Nightcrawler (2014)

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses

| USA

Directed by: Dan Gilroy

Cinematography by: Robert Elswit

Edited by: John Gilroy

Cameras: ARRI ALEXA XT Camera, Panavision Panaflex Millennium XL2 Camera

Head Of Music Preparation

The Internship (2013)

| USA

Directed by: Shawn Levy

Cinematography by: Jonathan Brown

Edited by: Dean Zimmerman

Cameras: ARRI ALEXA Plus Camera

Head Of Music Preparation

The Book Thief (2013)

| USA, Germany

Directed by: Brian Percival

Cinematography by: Florian Ballhaus

Edited by: John Wilson

Cameras: ARRI ALEXA Camera, ARRI ALEXA XT Plus Camera

Lenses: Angenieux Optimo Zoom Lenses, Leica Summilux-C Series Lenses

Editing System: Avid Editing System

Head Of Music Preparation

Percy Jackson: Sea of Monsters (2013)

| USA

Directed by: Thor Freudenthal

Cinematography by: Shelly Johnson

Edited by: Mark Goldblatt

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Head Of Music Preparation

Frozen (2013)

| USA

Directed by: Chris Buck, Jennifer Lee

Edited by: Jeff Draheim

Orchestrator

World War Z (2013)

| USA, UK, Malta

Directed by: Marc Forster

Cinematography by: Ben Seresin, Robert Richardson

Edited by: Roger Barton, Matt Chesse

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Studio Camera, ARRIFLEX 435 Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses

Head Of Music Preparation

Jack the Giant Slayer (2013)

| USA

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Bob Ducsay, John Ottman

Cameras: ARRI ALEXA Camera, Panavision Genesis Camera, Red Epic Camera

Head Of Music Preparation

A Good Day to Die Hard (2013)

| USA, Russia

Directed by: John Moore

Cinematography by: Jonathan Sela

Edited by: Dan Zimmerman

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Music Preparation / Orchestration

RED 2 (2013)

| USA, France, Canada

Directed by: Dean Parisot

Cinematography by: Enrique Chediak

Edited by: Don Zimmerman

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Hawk V-Lite Lenses

Head Of Music Preparation

The Hangover Part III (2013)

| USA

Directed by: Todd Phillips

Cinematography by: Lawrence Sher

Edited by: Jeff Groth, Debra Neil-Fisher

Cameras: ARRI ALEXA Camera, Panavision Panaflex Millennium XL2 Camera

Head Of Music Preparation

This Is the End (2013)

| USA

Directed by: Evan Goldberg, Seth Rogen

Cinematography by: Brandon Trost

Edited by: Zene Baker

Cameras: Panavision Cameras, Red Epic Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses

Head Of Music Preparation

Monsters University (2013)

| USA

Directed by: Dan Scanlon

Edited by: Greg Snyder

Conductor

The Secret Life of Walter Mitty (2013)

| USA, UK

Directed by: Ben Stiller

Cinematography by: Stuart Dryburgh

Edited by: Greg Hayden

Cameras: ARRICAM Lite (LT) Camera

Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses

Head Of Music Preparation

The Incredible Burt Wonderstone (2013)

| USA

Directed by: Don Scardino

Cinematography by: Matthew Clark

Edited by: Lee Haxall

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Head Of Music Preparation

After Earth (2013)

| USA

Directed by: M. Night Shyamalan

Cinematography by: Peter Suschitzky

Edited by: Steven Rosenblum

Cameras: Canon EOS-C500 Camera, Sony CineAlta F65 Camera

Lenses: Angenieux Optimo 17-80mm T2.2 Lens, Cooke S4 Lenses

Head Of Music Preparation

We're the Millers (2013)

| USA, UK

Directed by: Rawson Marshall Thurber

Cinematography by: Barry Peterson

Edited by: Michael L. Sale

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Music Preparation: Joann Kane Music Services

42 (2013)

| USA

Directed by: Brian Helgeland

Cinematography by: Don Burgess

Edited by: Peter McNulty, Kevin Stitt

Cameras: Red Epic Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Head Of Music Preparation

The Wolverine (2013)

| USA, UK

Directed by: James Mangold

Cinematography by: Ross Emery

Edited by: Michael McCusker

Cameras: ARRI ALEXA Camera

Music Preparation And Librarian / Orchestrator

The Croods (2013)

| USA

Directed by: Kirk DeMicco, Chris Sanders

Cinematography by: Yong Duk Jhun

Edited by: Darren T. Holmes

Head Of Music Preparation

R.I.P.D. (2013)

| USA

Directed by: Robert Schwentke

Cinematography by: Alwin H. Küchler

Edited by: Mark Helfrich

Cameras: ARRI ALEXA Camera

Head Of Music Preparation

The Hobbit: The Desolation of Smaug (2013)

| USA, New Zealand

Directed by: Peter Jackson

Cinematography by: Andrew Lesnie

Edited by: Jabez Olssen

Cameras: GoPro HD Hero3 Camera, Red Epic Camera

Lenses: Angenieux Optimo DP 16-42mm T2.8 Lens, Angenieux Optimo DP 30-80mm T2.8 Lens, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Head Of Music Preparation

Lincoln (2012)

| USA, India

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses

Editing System: Avid Editing System

Music Preparation

This Means War (2012)

| USA

Directed by: McG

Cinematography by: Russell Carpenter

Edited by: Nicolas De Toth

Music Preparation: Joann Kane Music Service

Darling Companion (2012)

| USA

Directed by: Lawrence Kasdan

Cinematography by: Michael McDonough

Edited by: Carol Littleton

Music Librarian / Music Preparation

Rise of the Guardians (2012)

| USA

Directed by: Peter Ramsey

Edited by: Joyce Arrastia

Head Of Music Preparation

A Thousand Words (2012)

| USA

Directed by: Brian Robbins

Cinematography by: Clark Mathis

Edited by: Ned Bastille

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Clairmont Anamorphic Lenses, Cooke S4 Lenses

Head Of Music Preparation

Emperor (2012)

| Japan, USA

Directed by: Peter Webber

Cinematography by: Stuart Dryburgh

Edited by: Chris Plummer

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses: Hawk V-Lite Lenses

Head Of Music Preparation

Moonrise Kingdom (2012)

| USA

Directed by: Wes Anderson

Cinematography by: Robert D. Yeoman

Edited by: Andrew Weisblum

Cameras: Aaton A-Minima Camera, Aaton Xterà Camera

Lenses: Canon Lenses, Zeiss Super Speed Lenses

Conductor

Hope Springs (2012)

| USA

Directed by: David Frankel

Cinematography by: Florian Ballhaus

Edited by: Steven Weisberg

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Leica Summilux-C Series Lenses, Zeiss Ultra Prime Lenses

Music Preparation / Music Preparation: Joann Kane Music Service

Flight (2012)

| USA, United Arab Emirates

Directed by: Robert Zemeckis

Cinematography by: Don Burgess

Edited by: Jeremiah O'Driscoll

Cameras: Red Epic Camera

Editing System: Avid Editing System

Music Preparation: Joann Kane Music Service

Life of Pi (2012)

| USA, Taiwan, UK, Canada

Directed by: Ang Lee

Cinematography by: Claudio Miranda

Edited by: Tim Squyres

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Head Of Music Preparation

Parental Guidance (2012)

| USA

Directed by: Andy Fickman

Cinematography by: Dean Semler

Edited by: Kent Beyda

Cameras: Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Editing System: Avid Editing System

Music Librarian

The Bourne Legacy (2012)

Lenses: Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Primes Spherical Lenses

| USA, Japan

Directed by: Tony Gilroy

Cinematography by: Robert Elswit

Edited by: John Gilroy

Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Canon EOS-5D Mark II Camera, Panavision Panaflex Millennium XL2 Camera

Editing System: Avid Editing System

Head Of Music Preparation

The Lucky One (2012)

| USA

Directed by: Scott Hicks

Cinematography by: Alar Kivilo

Edited by: Scott Gray

Head Of Music Preparation

People Like Us (2012)

| USA

Directed by: Alex Kurtzman

Cinematography by: Salvatore Totino

Edited by: Robert Leighton

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke S4 Lenses

Editing System: Avid Editing System

Head Of Music Preparation

21 Jump Street (2012)

| USA

Directed by: Phil Lord, Christopher Miller

Cinematography by: Barry Peterson

Edited by: Joel Negron

Cameras: ARRI ALEXA Camera, ARRIFLEX 435 Camera

Head Of Music Preparation

American Reunion (2012)

| USA

Directed by: Jon Hurwitz, Hayden Schlossberg

Cinematography by: Daryn Okada

Edited by: Jeff Betancourt

Editing System: Avid Editing System

Head Of Music Preparation

The Lorax (2012)

| USA, France

Directed by: Chris Renaud, Kyle Balda

Edited by: Claire Dodgson, Steven Liu, Ken Schretzmann

Music Preparation

The Pirates! Band of Misfits (2012)

| UK, USA

Directed by: Peter Lord, Jeff Newitt

Cinematography by: Frank Passingham

Edited by: Justin Krish

Cameras: Canon EOS-5D Mark II Camera

Head Of Music Preparation

Joyful Noise (2012)

| USA

Directed by: Todd Graff

Cinematography by: David Boyd

Edited by: Kathryn Himoff

Head Of Music Preparation

Moneyball (2011)

| USA

Directed by: Bennett Miller

Cinematography by: Wally Pfister

Edited by: Christopher Tellefsen

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Music Preparation

Crazy, Stupid, Love. (2011)

| USA

Directed by: Glenn Ficarra, John Requa

Cinematography by: Andrew Dunn

Edited by: Lee Haxall

Orchestrator

Captain America: The First Avenger (2011)

| USA

Directed by: Joe Johnston

Cinematography by: Shelly Johnson

Edited by: Robert Dalva, Jeffrey Ford

Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera

Editing System: Avid Editing System

Music Preparation

Kung Fu Panda 2 (2011)

| USA

Directed by: Jennifer Yuh Nelson

Edited by: Maryann Brandon, Clare Knight

Head Of Music Preparation

New Year's Eve (2011)

| USA

Directed by: Garry Marshall

Cinematography by: Charles Minsky

Edited by: Michael Tronick

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Head Of Music Preparation

The Green Hornet (2011)

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses

| USA

Directed by: Michel Gondry

Cinematography by: John Schwartzman

Edited by: Michael Tronick

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Phantom HD Camera, Red One MX Camera

Editing System: Avid Editing System

Music Preparation: JoAnn Kane Music Service

Water for Elephants (2011)

| USA

Directed by: Francis Lawrence

Cinematography by: Rodrigo Prieto

Edited by: Alan Edward Bell

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Music Preparation

The Sunset Limited (2011)

Television Movie

| USA

Directed by: Tommy Lee Jones

Cinematography by: Paul Elliott

Edited by: Larry Madaras, Roberto Silvi

Music Preparation

Extremely Loud & Incredibly Close (2011)

| USA

Directed by: Stephen Daldry

Cinematography by: Chris Menges

Edited by: Claire Simpson

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke 5/i Lenses

Editing System: Avid Editing System, Final Cut Pro Editing System

Head Of Music Preparation

The Cabin in the Woods (2011)

| USA

Directed by: Drew Goddard

Cinematography by: Peter Deming

Edited by: Lisa Lassek

Head Of Music Preparation

The Adventures of Tintin (2011)

| USA, New Zealand, UK

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Panavision Cameras

Editing System: Avid Editing System

Head Of Music Preparation

Alvin and the Chipmunks: Chipwrecked (2011)

| USA

Directed by: Mike Mitchell

Cinematography by: Thomas E. Ackerman

Edited by: Peter Amundson

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera

Midi Transcriptions

Tower Heist (2011)

| USA

Directed by: Brett Ratner

Cinematography by: Dante Spinotti

Edited by: Mark Helfrich

Cameras: ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Hawk V-Lite Lenses, Panavision G Series Anamorphic Lenses

Head Of Music Preparation

Larry Crowne (2011)

| USA

Directed by: Tom Hanks

Cinematography by: Philippe Rousselot

Edited by: Alan Cody

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses

Head Of Music Preparation

War Horse (2011)

| USA, India

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Head Of Music Preparation

We Bought a Zoo (2011)

| USA

Directed by: Cameron Crowe

Cinematography by: Rodrigo Prieto

Edited by: Mark Livolsi

Cameras: ARRICAM Lite (LT) Camera

Lenses: Zeiss Ultra Prime Lenses

Head Of Music Preparation

The Rite (2011)

| USA, Hungary, Italy

Directed by: Mikael Håfström

Cinematography by: Ben Davis

Edited by: David Rosenbloom

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision G Series Anamorphic Lenses, Panavision G100 100 mm T2.6 Lens

Head Of Music Preparation

The Muppets (2011)

| USA

Directed by: James Bobin

Cinematography by: Don Burgess

Edited by: James Thomas

Cameras: Red Epic Camera, Red One MX Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Head Of Music Preparation

The Big Year (2011)

| USA, Canada

Directed by: David Frankel

Cinematography by: Lawrence Sher

Edited by: Mark Livolsi

Score Librarian

Source Code (2011)

| USA, Canada

Directed by: Duncan Jones

Cinematography by: Don Burgess

Edited by: Paul Hirsch

Cameras: Iconix HD-RH1 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom HD Camera, Red One MX Camera

Head Of Music Preparation

Harry Potter and the Deathly Hallows: Part 2 (2011)

| USA, UK

Directed by: David Yates

Cinematography by: Eduardo Serra

Edited by: Mark Day

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke S4 Lenses

Head Of Music Preparation

Red Riding Hood (2011)

| USA, Canada

Directed by: Catherine Hardwicke

Cinematography by: Mandy Walker

Edited by: Nancy Richardson, Julia Wong

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Primo Primes Spherical Lenses

Head Of Music Preparation

Green Lantern (2011)

| USA

Directed by: Martin Campbell

Cinematography by: Dion Beebe

Edited by: Stuart Baird

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Anamorphic Lenses

Editing System: Autodesk Smoke Editing System

Head Of Music Preparation

Rio (2011)

| USA, Brazil

Directed by: Carlos Saldanha

Cinematography by: Renato Falcão

Edited by: Harry Hitner

Head Of Music Preparation

Knight and Day (2010)

| USA

Directed by: James Mangold

Cinematography by: Phedon Papamichael

Edited by: Quincy Z. Gunderson, Michael McCusker

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Music Librarian

Love & Other Drugs (2010)

| USA

Directed by: Edward Zwick

Cinematography by: Steven Fierberg

Edited by: Steven Rosenblum

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Anamorphic Lenses

Music Librarian

The Book of Eli (2010)

| USA

Directed by: Albert Hughes, Allen Hughes

Cinematography by: Don Burgess

Edited by: Cindy Mollo

Cameras: Red One Camera

Head Of Music Preparation

Going the Distance (2010)

| USA

Directed by: Nanette Burstein

Cinematography by: Eric Steelberg

Edited by: Peter Teschner

Music Copyist / Music Librarian

The Wolfman (2010)

| USA

Directed by: Joe Johnston

Cinematography by: Shelly Johnson

Edited by: Walter Murch, Dennis Virkler, Mark Goldblatt

Head Of Music Preparation

Toy Story 3 (2010)

| USA

Directed by: Lee Unkrich

Cinematography by: Jeremy Lasky

Edited by: Ken Schretzmann

Head Of Music Preparation

Predators (2010)

| USA

Directed by: Nimród Antal

Cinematography by: Gyula Pados

Edited by: Dan Zimmerman

Cameras: Panavision Genesis Camera

Editing System: Avid Editing System

Head Of Music Preparation

How to Train Your Dragon (2010)

| USA

Directed by: Dean DeBlois, Chris Sanders

Cinematography by: Gil Zimmerman

Edited by: Maryann Brandon, Darren T. Holmes

Music Preparation: JoAnn Kane Music Services

The Tourist (2010)

| USA, France, Italy, UK

Directed by: Florian Henckel von Donnersmarck

Cinematography by: John Seale

Edited by: Joe Hutshing, Patricia Rommel

Cameras: Panavision Panaflex Millennium XL2 Camera

Editing System: Avid Editing System

Head Of Music Preparation

Percy Jackson & the Olympians: The Lightning Thief (2010)

| UK, Canada, USA

Directed by: Chris Columbus

Cinematography by: Stephen Goldblatt

Edited by: Peter Honess

Head Of Music Preparation

Hot Tub Time Machine (2010)

| USA

Directed by: Steve Pink

Cinematography by: Jack N. Green

Edited by: George Folsey Jr., James Thomas

Cameras: Panavision Cameras

Head Of Music Preparation

Dinner for Schmucks (2010)

| USA

Directed by: Jay Roach

Cinematography by: Jim Denault

Edited by: Alan Baumgarten, Jon Poll

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Avid Editing System

Head Of Music Preparation

Harry Potter and the Deathly Hallows: Part 1 (2010)

| UK, USA

Directed by: David Yates

Cinematography by: Eduardo Serra

Edited by: Mark Day

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Panavision Cameras

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Panavision Lenses

Head Of Music Preparation

The Last Airbender (2010)

| USA

Directed by: M. Night Shyamalan

Cinematography by: Andrew Lesnie

Edited by: Conrad Buff IV

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Head Of Music Preparation

Yogi Bear (2010)

| USA, New Zealand

Directed by: Eric Brevig

Cinematography by: Peter James

Edited by: Kent Beyda

Cameras: Sony CineAlta F23 Camera, Sony HDC-1500 Camera, Sony PMW-EX3 Camera

Music Preparation

Date Night (2010)

| USA

Directed by: Shawn Levy

Cinematography by: Dean Semler

Edited by: Dean Zimmerman

Cameras: Panavision Genesis Camera

Head Of Music Preparation

Salt (2010)

Lenses: Panavision 70-210 mm T2.8 (Custom by Dan Sasaki) Lens, Panavision Primo Primes Spherical Lenses, Panavision Ultra Speed MKII 24 mm T1.3 Lens, Panavision Ultra Speed MKII Lenses

| USA

Directed by: Phillip Noyce

Cinematography by: Robert Elswit

Edited by: Stuart Baird, John Gilroy

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Head Of Music Preparation

The A-Team (2010)

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

| USA, UK

Directed by: Joe Carnahan

Cinematography by: Mauro Fiore

Edited by: Roger Barton, Jim May

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Music Preparation: JoAnn Kane Music Services

Ramona and Beezus (2010)

| USA

Directed by: Elizabeth Allen Rosenbaum

Cinematography by: John Bailey

Edited by: Jane Moran

Head Of Music Preparation

Nanny McPhee Returns (2010)

| UK, France, USA

Directed by: Susanna White

Cinematography by: Mike Eley

Edited by: Sim Evan-Jones

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Master Zoom 16.5–110mm T2.6 Lens

Editing System: Avid Editing System

Music Preparation

Burlesque (2010)

| USA

Directed by: Steve Antin

Cinematography by: Bojan Bazelli

Edited by: Virginia Katz

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera

Lenses: Cooke S4 Lenses, Cooke Speed Panchro Lenses

Head Of Music Preparation

Flipped (2010)

| USA

Directed by: Rob Reiner

Cinematography by: Thomas Del Ruth

Edited by: Robert Leighton

Head Of Music Preparation

Knowing (2009)

| USA, UK, Australia

Directed by: Alex Proyas

Cinematography by: Simon Duggan

Edited by: Richard Learoyd

Cameras: Red One Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Music Preparation: Joann Kane Music Service

The Soloist (2009)

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

| UK, France, USA

Directed by: Joe Wright

Cinematography by: Seamus McGarvey

Edited by: Paul Tothill

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Editing System: Lightworks Editing System

Music Librarian

2012 (2009)

| USA

Directed by: Roland Emmerich

Cinematography by: Dean Semler

Edited by: David Brenner, Peter S. Elliot

Cameras: Panavision Cameras, Panavision Genesis Camera

Lenses: Panavision Lenses, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Head Of Music Preparation

The Princess and the Frog (2009)

| USA

Directed by: Ron Clements, John Musker

Cinematography by: Rasoul Azadani

Edited by: Jeff Draheim

Music Librarian

Nine (2009)

| UK, USA

Directed by: Rob Marshall

Cinematography by: Dion Beebe

Edited by: Claire Simpson, Wyatt Smith

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Music Librarian

Aliens in the Attic (2009)

| USA, Canada

Directed by: John Schultz

Cinematography by: Don Burgess

Edited by: John Pace

Head Of Music Preparation

The Final Destination (2009)

| USA

Directed by: David R. Ellis

Cinematography by: Glen MacPherson

Edited by: Mark Stevens

Cameras: Sony CineAlta F23 Camera, Sony HDC-F950 Camera

Music Preparation

Alvin and the Chipmunks: The Squeakquel (2009)

| USA

Directed by: Betty Thomas

Cinematography by: Anthony B. Richmond

Edited by: Matt Friedman

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Cooke S4 Lenses

Music Preparation

Ice Age: Dawn of the Dinosaurs (2009)

| USA

Directed by: Carlos Saldanha, Mike Thurmeier

Edited by: Harry Hitner, James Palumbo

Music Librarian

Drag Me to Hell (2009)

| USA

Directed by: Sam Raimi

Cinematography by: Peter Deming

Edited by: Bob Murawski

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Editing System: Avid Editing System, Final Cut Pro Editing System

Orchestrator

G.I. Joe: The Rise of Cobra (2009)

| USA, Czech Republic

Directed by: Stephen Sommers

Cinematography by: Mitchell Amundsen

Edited by: Bob Ducsay, Kelly Matsumoto, Jim May

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Panavision Panaflex Millennium XL Camera, Red One Camera

Music Librarian

Duplicity (2009)

| USA, Germany

Directed by: Tony Gilroy

Cinematography by: Robert Elswit

Edited by: John Gilroy

Lenses: Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Head Of Music Preparation

Did You Hear About the Morgans? (2009)

| USA

Directed by: Marc Lawrence

Cinematography by: Florian Ballhaus

Edited by: Susan E. Morse

Lenses: Hawk V-Series Lenses

Conductor: Choir

Night at the Museum: Battle of the Smithsonian (2009)

| USA, Canada

Directed by: Shawn Levy

Cinematography by: John Schwartzman

Edited by: Dean Zimmerman, Don Zimmerman

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Red One Camera

Music Preparation

Max Payne (2008)

| USA, Canada

Directed by: John Moore

Cinematography by: Jonathan Sela

Edited by: Dan Zimmerman

Cameras: ARRIFLEX 435 Camera, Phantom HD Camera

Lenses: Cooke S4 Lenses

Music Preparation: Joann Kane Music Service

The Happening (2008)

| USA, India

Directed by: M. Night Shyamalan

Cinematography by: Tak Fujimoto

Edited by: Conrad Buff IV

Cameras: Panavision Cameras

Music Librarian

Welcome Home, Roscoe Jenkins (2008)

| USA

Directed by: Malcolm D. Lee

Cinematography by: Greg Gardiner

Edited by: George Bowers, Paul Millspaugh

Music Librarian

The Strangers (2008)

| USA

Directed by: Bryan Bertino

Cinematography by: Peter Sova

Edited by: Kevin Greutert

Cameras: Panavision Cameras

Music Librarian

Doubt (2008)

| USA

Directed by: John Patrick Shanley

Cinematography by: Roger Deakins

Edited by: Dylan Tichenor

Cameras: ARRIFLEX 535 B Camera

Head Of Music Preparation

Bolt (2008)

| USA

Directed by: Byron Howard, Chris Williams

Cinematography by: Scott Beattie

Edited by: Tim Mertens

Head Of Music Preparation

Defiance (2008)

| USA

Directed by: Edward Zwick

Cinematography by: Eduardo Serra

Edited by: Steven Rosenblum

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Music Preparation

Hancock (2008)

| USA

Directed by: Peter Berg

Cinematography by: Tobias A. Schliessler

Edited by: Colby Parker Jr., Paul Rubell

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Platinum Camera

Music Preparation

What Happens in Vegas (2008)

| USA

Directed by: Tom Vaughan

Cinematography by: Matthew F. Leonetti

Edited by: Matt Friedman

Cameras: Panavision Cameras

Music Librarian

Hairspray (2007)

| USA, UK

Directed by: Adam Shankman

Cinematography by: Bojan Bazelli

Edited by: Michael Tronick

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Cooke Speed Panchro Lenses, Zeiss Master Prime Lenses

Music Librarian

License to Wed (2007)

| USA, Australia

Directed by: Ken Kwapis

Cinematography by: John Bailey

Edited by: Kathryn Himoff

Music Preparation

August Rush (2007)

| USA

Directed by: Kirsten Sheridan

Cinematography by: John Mathieson

Edited by: William Steinkamp

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Music Preparation: Jo Ann Kane Music Service

Rendition (2007)

| USA

Directed by: Gavin Hood

Cinematography by: Dion Beebe

Edited by: Megan Gill

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Music Preparation: Score

The Bucket List (2007)

| USA

Directed by: Rob Reiner

Cinematography by: John Schwartzman

Edited by: Robert Leighton

Cameras: Panavision Cameras

Music Librarian

Live Free or Die Hard (2007)

| USA, UK

Directed by: Len Wiseman

Cinematography by: Simon Duggan

Edited by: Nicolas De Toth

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Clairmont Anamorphic Lenses, Cooke S4 Lenses, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens

Editing System: Avid Editing System

Music Preparation

Blades of Glory (2007)

| USA

Directed by: Josh Gordon, Will Speck

Cinematography by: Stefan Czapsky

Edited by: Richard Pearson

Music Librarian

Lions for Lambs (2007)

| USA

Directed by: Robert Redford

Cinematography by: Philippe Rousselot

Edited by: Joe Hutshing

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Music Preparation: Joann Kane Music Service

Charlie Bartlett (2007)

| USA

Directed by: Jon Poll

Cinematography by: Paul Sarossy

Edited by: Alan Baumgarten

Music Preparation

Evan Almighty (2007)

| USA

Directed by: Tom Shadyac

Cinematography by: Ian Baker

Edited by: Scott Hill

Cameras: Panavision Cameras

Editing System: Lightworks Editing System

Music Librarian

The Air I Breathe (2007)

| USA, Mexico

Directed by: Jieho Lee

Cinematography by: Walt Lloyd

Edited by: Robert Hoffman

Music Preparation

Superbad (2007)

| USA

Directed by: Greg Mottola

Cinematography by: Russ T. Alsobrook

Edited by: William Kerr

Cameras: Phantom HD Camera

Editing System: Avid Editing System

Music Librarian

Norbit (2007)

| USA

Directed by: Brian Robbins

Cinematography by: Clark Mathis

Edited by: Ned Bastille

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Music Preparation

Shooter (2007)

| USA

Directed by: Antoine Fuqua

Cinematography by: Peter Menzies Jr.

Edited by: Conrad Buff IV, Eric A. Sears

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Music Librarian

Next (2007)

| USA

Directed by: Lee Tamahori

Cinematography by: David Tattersall

Edited by: Christian Wagner

Music Preparation

Spider-Man 3 (2007)

| USA

Directed by: Sam Raimi

Cinematography by: Bill Pope

Edited by: Bob Murawski

Cameras: ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Panavision Panaflex Platinum Camera

Editing System: Avid Editing System

Music Librarian

Charlie Wilson's War (2007)

| USA, Germany

Directed by: Mike Nichols

Cinematography by: Stephen Goldblatt

Edited by: John Bloom, Antonia Van Drimmelen

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

Head Of Music Preparation

The Reaping (2007)

| USA

Directed by: Stephen Hopkins

Cinematography by: Peter Levy

Edited by: Colby Parker Jr.

Music Librarian / Music Preparation

Beowulf (2007)

| USA

Directed by: Robert Zemeckis

Cinematography by: Robert Presley

Edited by: Jeremiah O'Driscoll

Music Copyist

The Water Horse (2007)

| New Zealand, UK, Australia

Directed by: Jay Russell

Cinematography by: Oliver Stapleton

Edited by: Mark Warner

Music Librarian

The Devil Wears Prada (2006)

| USA, France

Directed by: David Frankel

Cinematography by: Florian Ballhaus

Edited by: Mark Livolsi

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Music Copyist

Dreamgirls (2006)

| USA

Directed by: Bill Condon

Cinematography by: Tobias A. Schliessler

Edited by: Virginia Katz

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Music Librarian

Superman Returns (2006)

| USA

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Elliot Graham, John Ottman

Cameras: Panavision Genesis Camera

Editing System: Adobe Premiere Editing System, Avid Editing System

Music Librarian

Lady in the Water (2006)

| USA

Directed by: M. Night Shyamalan

Cinematography by: Christopher Doyle

Edited by: Barbara Tulliver

Music Librarian

Night at the Museum (2006)

| USA, UK

Directed by: Shawn Levy

Cinematography by: Guillermo Navarro

Edited by: Don Zimmerman

Music Librarian

Firewall (2006)

| USA

Directed by: Richard Loncraine

Cinematography by: Marco Pontecorvo

Edited by: Jim Page

Music Preparation

Bobby (2006)

| USA

Directed by: Emilio Estevez

Cinematography by: Michael Barrett

Edited by: Richard Chew

Music Librarian

Freedomland (2006)

| USA

Directed by: Joe Roth

Cinematography by: Anastas N. Michos

Edited by: Nick Moore

Music Preparation

She's the Man (2006)

| USA, Canada

Directed by: Andy Fickman

Cinematography by: Greg Gardiner

Edited by: Michael Jablow

Music Librarian , Music Preparation: JoAnn Kane Music Services

The Pink Panther (2006)

| USA, Czech Republic

Directed by: Shawn Levy

Cinematography by: Jonathan Brown

Edited by: George Folsey Jr., Brad Wilhite

Music Preparation

You, Me and Dupree (2006)

| USA

Directed by: Anthony Russo, Joe Russo

Cinematography by: Charles Minsky

Edited by: Peter B. Ellis, Debra Neil-Fisher

Music Copyist / Music Librarian

Final Destination 3 (2006)

| USA, Germany

Directed by: James Wong

Cinematography by: Robert McLachlan

Edited by: Chris G. Willingham

Music Librarian

X-Men: The Last Stand (2006)

| Canada, USA, UK

Directed by: Brett Ratner

Cinematography by: Dante Spinotti

Edited by: Mark Goldblatt, Mark Helfrich, Julia Wong

Music Librarian

RV (2006)

| UK, Germany, USA

Directed by: Barry Sonnenfeld

Cinematography by: Fred Murphy

Edited by: Kevin Tent

Music Preparation

Idlewild (2006)

| USA

Directed by: Bryan Barber

Cinematography by: Pascal Rabaud

Edited by: Anne Goursaud

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Zeiss Ultra Prime Lenses

Music Preparation

Monster House (2006)

| USA

Directed by: Gil Kenan

Cinematography by: Xavier Grobet

Edited by: Fabienne Rawley, Adam P. Scott

Music Librarian

We Are Marshall (2006)

| USA

Directed by: McG

Cinematography by: Shane Hurlbut

Edited by: Gregg London, Priscilla Nedd-Friendly

Music Librarian

Dreamer: Inspired by a True Story (2005)

| USA

Directed by: John Gatins

Cinematography by: Fred Murphy

Edited by: David Rosenbloom

Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Editing System: Final Cut Pro Editing System

Music Librarian

The Game of Their Lives (2005)

| USA

Directed by: David Anspaugh

Cinematography by: Johnny E. Jensen

Edited by: Ian Crafford, Lee Grubin, Bud S. Smith, M. Scott Smith

Music Librarian

King Kong (2005)

| New Zealand, USA, Germany

Directed by: Peter Jackson

Cinematography by: Andrew Lesnie

Edited by: Jamie Selkirk

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, Mitchell Cameras

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Music Librarian

War of the Worlds (2005)

| USA

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Music Librarian

Into the Blue (2005)

| USA

Directed by: John Stockwell

Cinematography by: Shane Hurlbut

Edited by: Nicolas De Toth, Dennis Virkler

Music Librarian

The Three Burials of Melquiades Estrada (2005)

| France, USA, Mexico

Directed by: Tommy Lee Jones

Cinematography by: Chris Menges

Edited by: Roberto Silvi

Music Librarian

Munich (2005)

| France, Canada, USA

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Cooke Lenses

Editing System: Moviola Editing System

Music Librarian

Memoirs of a Geisha (2005)

| USA, Japan

Directed by: Rob Marshall

Cinematography by: Dion Beebe

Edited by: Pietro Scalia

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Music Librarian

xXx: State of the Union (2005)

| USA

Directed by: Lee Tamahori

Cinematography by: David Tattersall

Edited by: Mark Goldblatt, Todd E. Miller, Steven Rosenblum

Music Librarian

Star Wars: Episode III - Revenge of the Sith (2005)

| USA

Directed by: George Lucas

Cinematography by: David Tattersall

Edited by: Roger Barton, Ben Burtt

Cameras: Sony HDC-F950 Camera

Lenses: Fujinon C Series Lenses, Fujinon E Series Lenses

Music Preparation

Sky High (2005)

| USA

Directed by: Mike Mitchell

Cinematography by: Shelly Johnson

Edited by: Peter Amundson

Music Librarian

The Interpreter (2005)

| UK, France, Germany, USA

Directed by: Sydney Pollack

Cinematography by: Darius Khondji

Edited by: William Steinkamp

Music Librarian

Hide and Seek (2005)

| USA, Germany

Directed by: John Polson

Cinematography by: Dariusz Wolski

Edited by: Jeffrey Ford

Music Librarian

Bad News Bears (2005)

| USA

Directed by: Richard Linklater

Cinematography by: Rogier Stoffers

Edited by: Sandra Adair

Music Librarian

Serenity (2005)

| USA

Directed by: Joss Whedon

Cinematography by: Jack N. Green

Edited by: Lisa Lassek

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Lenses

Music Librarian

Syriana (2005)

| USA, United Arab Emirates

Directed by: Stephen Gaghan

Cinematography by: Robert Elswit

Edited by: Tim Squyres

Music Librarian

Welcome to Mooseport (2004)

| USA, Germany

Directed by: Donald Petrie

Cinematography by: Victor Hammer

Edited by: Debra Neil-Fisher

Music Librarian

Starsky & Hutch (2004)

| USA

Directed by: Todd Phillips

Cinematography by: Barry Peterson

Edited by: Leslie Jones

Music Copyist

Dodgeball: A True Underdog Story (2004)

| USA

Directed by: Rawson Marshall Thurber

Cinematography by: Jerzy Zielinski

Edited by: Alan Baumgarten, Peter Teschner

Cameras: Panavision Cameras

Music Librarian

The Terminal (2004)

| USA

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Music Librarian

Win a Date with Tad Hamilton! (2004)

| USA

Directed by: Robert Luketic

Cinematography by: Peter Lyons Collister

Edited by: Scott Hill

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Editing System: Lightworks Editing System

Music Librarian

The Polar Express (2004)

| USA

Directed by: Robert Zemeckis

Cinematography by: Don Burgess, Robert Presley

Edited by: R. Orlando Duenas, Jeremiah O'Driscoll

Music Librarian

Van Helsing (2004)

| USA, Czech Republic, Romania

Directed by: Stephen Sommers

Cinematography by: Allen Daviau

Edited by: Bob Ducsay, Kelly Matsumoto, Jim May

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Editing System: Avid Editing System

Music Librarian

Harry Potter and the Prisoner of Azkaban (2004)

| UK, USA

Directed by: Alfonso Cuarón

Cinematography by: Michael Seresin

Edited by: Steven Weisberg

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Advanced Camera

Lenses: Cooke S4 Lenses

Editing System: Avid Editing System

Music Librarian

Hellboy (2004)

| USA

Directed by: Guillermo del Toro

Cinematography by: Guillermo Navarro

Edited by: Peter Amundson

Music Librarian

Garfield (2004)

| USA

Directed by: Peter Hewitt

Cinematography by: Dean Cundey

Edited by: Peter E. Berger, Michael A. Stevenson

Cameras: Panavision Cameras

Music Librarian

Dawn of the Dead (2004)

| USA, Canada, Japan, France

Directed by: Zack Snyder

Cinematography by: Matthew F. Leonetti

Edited by: Niven Howie

Music Copyist / Music Librarian

Shark Tale (2004)

| USA

Directed by: Bibo Bergeron, Vicky Jenson, Rob Letterman

Edited by: Nick Fletcher, Peter Lonsdale, John Venzon

Music Preparation

The Village (2004)

| USA

Directed by: M. Night Shyamalan

Cinematography by: Roger Deakins

Edited by: Christopher Tellefsen

Cameras: ARRIFLEX 535 B Camera, Moviecam Superlight Camera

Lenses: Cooke S4 Lenses

Music Librarian

Seed of Chucky (2004)

| Romania, USA, UK

Directed by: Don Mancini

Cinematography by: Vernon Layton

Edited by: Chris Dickens

Music Librarian

Flight of the Phoenix (2004)

| USA

Directed by: John Moore

Cinematography by: Brendan Galvin

Edited by: Don Zimmerman

Music Librarian

A Cinderella Story (2004)

| USA, Canada

Directed by: Mark Rosman

Cinematography by: Anthony B. Richmond

Edited by: Cara Silverman

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Panavision Cameras

Lenses: Panavision Lenses

Music Copyist / Music Librarian

Shrek 2 (2004)

| USA

Directed by: Andrew Adamson, Kelly Asbury, Conrad Vernon

Edited by: Mike Andrews, Sim Evan-Jones

Music Librarian

Kill Bill: Vol. 2 (2004)

| USA

Directed by: Quentin Tarantino

Cinematography by: Robert Richardson

Edited by: Sally Menke

Head Of Music Preparation

Dreamcatcher (2003)

| USA, Canada

Directed by: Lawrence Kasdan

Cinematography by: John Seale

Edited by: Raúl Dávalos, Carol Littleton

Music Copyist

Identity (2003)

| USA

Directed by: James Mangold

Cinematography by: Phedon Papamichael

Edited by: David Brenner

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Music Librarian

Something's Gotta Give (2003)

| USA

Directed by: Nancy Meyers

Cinematography by: Michael Ballhaus

Edited by: Joe Hutshing

Lenses: Angenieux Lenses, Zeiss Lenses

Music Librarian

Gothika (2003)

| USA, France, Canada, Spain

Directed by: Mathieu Kassovitz

Cinematography by: Matthew Libatique

Edited by: Yannick Kergoat

Music Librarian

Looney Tunes: Back in Action (2003)

| Germany, USA

Directed by: Joe Dante

Cinematography by: Dean Cundey

Edited by: Rick Finney, Marshall Harvey

Music Librarian

Under the Tuscan Sun (2003)

| USA, Italy

Directed by: Audrey Wells

Cinematography by: Geoffrey Simpson

Edited by: Arthur Coburn, Andrew Marcus, Todd E. Miller

Music Librarian

Master and Commander: The Far Side of the World (2003)

| USA

Directed by: Peter Weir

Cinematography by: Russell Boyd

Edited by: Lee Smith

Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Music Copyist

Seabiscuit (2003)

| USA

Directed by: Gary Ross

Cinematography by: John Schwartzman

Edited by: William Goldenberg

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Platinum Camera, Panavision Panastar II Camera

Editing System: Avid Editing System

Music Librarian

X2: X-Men United (2003)

| Canada, USA

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Elliot Graham, John Ottman

Music Copyist

Jeepers Creepers 2 (2003)

| USA

Directed by: Victor Salva

Cinematography by: Don E. FauntLeRoy

Edited by: Ed Marx

Music Copyist

Scary Movie 3 (2003)

| USA, Canada

Directed by: David Zucker

Cinematography by: Mark Irwin

Edited by: Malcolm Campbell, Jon Poll

Music Copyist/music Librarian

Holes (2003)

| USA

Directed by: Andrew Davis

Cinematography by: Stephen St. John

Edited by: Thomas J. Nordberg, Jeffrey Wolf

Music Copyist / Music Librarian

The Core (2003)

| USA, Germany, Canada, UK

Directed by: Jon Amiel

Cinematography by: John Lindley

Edited by: Terry Rawlings

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Music Librarian

Matchstick Men (2003)

| USA, UK

Directed by: Ridley Scott

Cinematography by: John Mathieson

Edited by: Dody Dorn

Music Librarian

Tears of the Sun (2003)

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

| USA

Directed by: Antoine Fuqua

Cinematography by: Mauro Fiore

Edited by: Conrad Buff IV, Christopher Holmes

Cameras: Panavision Cameras

Music Librarian

Charlie's Angels: Full Throttle (2003)

| USA

Directed by: McG

Cinematography by: Russell Carpenter

Edited by: Wayne Wahrman

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium Camera

Music Copyist / Music Librarian

Willard (2003)

| Canada, USA

Directed by: Glen Morgan

Cinematography by: Robert McLachlan

Edited by: James Coblentz

Music Copyist / Music Librarian

Elf (2003)

| USA

Directed by: Jon Favreau

Cinematography by: Greg Gardiner

Edited by: Dan Lebental

Cameras: Panavision Cameras

Lenses: Panavision SL27-M 27 mm T1.9 Lens, Panavision SL35-M 35 mm T1.9 Lens

Music Librarian

Peter Pan (2003)

| UK, Australia, USA, New Zealand

Directed by: P.J. Hogan

Cinematography by: Donald McAlpine

Edited by: Garth Craven, Michael Kahn

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Music Librarian

The Cat in the Hat (2003)

| USA

Directed by: Bo Welch

Cinematography by: Emmanuel Lubezki

Edited by: Don Zimmerman

Music Librarian

Lara Croft Tomb Raider: The Cradle of Life (2003)

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

| USA, Germany, Japan, UK, Hong Kong

Directed by: Jan de Bont

Cinematography by: David Tattersall

Edited by: Michael Kahn

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Music Librarian

Final Destination 2 (2003)

| USA, Canada

Directed by: David R. Ellis

Cinematography by: Gary Capo

Edited by: Eric A. Sears

Cameras: Panavision Cameras

Music Copyist

American Wedding (2003)

| USA, Germany

Directed by: Jesse Dylan

Cinematography by: Lloyd Ahern II

Edited by: Stuart H. Pappé

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Music Copyist

Bruce Almighty (2003)

| USA

Directed by: Tom Shadyac

Cinematography by: Dean Semler

Edited by: Scott Hill

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Editing System: Lightworks Editing System

Music Librarian

The Last Samurai (2003)

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

| USA, New Zealand, Japan

Directed by: Edward Zwick

Cinematography by: John Toll

Edited by: Victor Du Bois, Steven Rosenblum

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panastar Camera

Music Copyist

Catch Me If You Can (2002)

| USA, Canada

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Music Copyist

Ice Age (2002)

| USA

Directed by: Chris Wedge, Carlos Saldanha

Edited by: John Carnochan

Music Copyist

Minority Report (2002)

| USA

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Panavision Panaflex Camera

Lenses: Panavision Lenses

Music Copyist

Lilo & Stitch (2002)

| USA

Directed by: Dean DeBlois, Chris Sanders

Edited by: Darren T. Holmes

Music Librarian

Star Wars: Episode II - Attack of the Clones (2002)

| USA

Directed by: George Lucas

Cinematography by: David Tattersall

Edited by: Ben Burtt, George Lucas

Cameras: Sony HDW-F900 Camera

Music Copyist

Chicago (2002)

| USA, Germany, Canada

Directed by: Rob Marshall

Cinematography by: Dion Beebe

Edited by: Martin Walsh

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke S4 Lenses

Editing System: Avid Editing System, Lightworks Editing System

Music Copyist

Signs (2002)

| USA

Directed by: M. Night Shyamalan

Cinematography by: Tak Fujimoto

Edited by: Barbara Tulliver

Music Copyist / Music Librarian

Harry Potter and the Chamber of Secrets (2002)

| UK, USA, Germany

Directed by: Chris Columbus

Cinematography by: Roger Pratt

Edited by: Peter Honess

Music Librarian

Spirit: Stallion of the Cimarron (2002)

| USA

Directed by: Kelly Asbury, Lorna Cook

Edited by: Nick Fletcher, Clare Knight

Music Librarian

Scooby-Doo (2002)

| USA, Australia

Directed by: Raja Gosnell

Cinematography by: David Eggby

Edited by: Kent Beyda

Cameras: Panavision Cameras

Music Copyist

Star Trek: Nemesis (2002)

| USA

Directed by: Stuart Baird

Cinematography by: Jeffrey L. Kimball

Edited by: Dallas Puett

Music Librarian

Unfaithful (2002)

| France, Germany, USA

Directed by: Adrian Lyne

Cinematography by: Peter Biziou

Edited by: Anne V. Coates

Cameras: Moviecam Compact Camera

Lenses: Cooke S4 Lenses

Editing System: Avid Editing System

Music Librarian

Treasure Planet (2002)

| USA

Directed by: Ron Clements, John Musker

Cinematography by: Rasoul Azadani

Edited by: Michael Kelly

Music Librarian

Spy Kids 2: Island of Lost Dreams (2002)

| USA

Directed by: Robert Rodriguez

Cinematography by: Robert Rodriguez

Edited by: Robert Rodriguez

Cameras: Sony HDW-F900 Camera

Music Copyist

Unconditional Love (2002)

| USA

Directed by: P.J. Hogan

Cinematography by: Remi Adefarasin

Edited by: Robert C. Jones

Cameras: Panavision Cameras

Music Copyist

Shrek (2001)

| USA

Directed by: Andrew Adamson, Vicky Jenson

Edited by: Sim Evan-Jones

Music Librarian

Not Another Teen Movie (2001)

| USA

Directed by: Joel Gallen

Cinematography by: Reynaldo Villalobos

Edited by: Steve Welch

Music Librarian

Training Day (2001)

| USA

Directed by: Antoine Fuqua

Cinematography by: Mauro Fiore

Edited by: Conrad Buff IV

Cameras: Moviecam Compact Camera, Moviecam Superlight Camera

Lenses: Hawk C-Series Lenses

Music Copyist / Music Librarian

Jimmy Neutron: Boy Genius (2001)

| USA

Directed by: John A. Davis

Cinematography by: Steve Kolbe, Chris Sherrod

Edited by: Gregory Perler, Jon Price

Music Copyist

Jay and Silent Bob Strike Back (2001)

| USA

Directed by: Kevin Smith

Cinematography by: Jamie Anderson

Edited by: Scott Mosier, Kevin Smith

Music Copyist

Harry Potter and the Sorcerer's Stone (2001)

| UK, USA

Directed by: Chris Columbus

Cinematography by: John Seale

Edited by: Richard Francis-Bruce

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Lenses, Panavision Primo Primes Spherical Lenses

Music Copyist

Monsters, Inc. (2001)

| USA

Directed by: Pete Docter, David Silverman, Lee Unkrich

Edited by: Robert Grahamjones, Jim Stewart

Music Copyist

Spy Kids (2001)

| USA

Directed by: Robert Rodriguez

Cinematography by: Guillermo Navarro

Edited by: Robert Rodriguez

Music Copyist

Charlie's Angels (2000)

| USA, Germany

Directed by: McG

Cinematography by: Russell Carpenter

Edited by: Peter Teschner, Wayne Wahrman

Music Copyist

What Women Want (2000)

| USA

Directed by: Nancy Meyers

Cinematography by: Dean Cundey

Edited by: Thomas J. Nordberg, Stephen A. Rotter

Music Librarian

Bait (2000)

| Canada, USA

Directed by: Antoine Fuqua

Cinematography by: Tobias A. Schliessler

Edited by: Alan Edward Bell

Cameras: Panavision Cameras

Music Librarian

What Lies Beneath (2000)

| USA

Directed by: Robert Zemeckis

Cinematography by: Don Burgess

Edited by: Arthur Schmidt

Lenses: Panavision C Series Anamorphic Lenses

Music Stage Librarian

The Kid (2000)

| USA

Directed by: Jon Turteltaub

Cinematography by: Peter Menzies Jr.

Edited by: Peter Honess, David Rennie

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Head Of Music Preparation

Unbreakable (2000)

| USA

Directed by: M. Night Shyamalan

Cinematography by: Eduardo Serra

Edited by: Dylan Tichenor

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Music Copyist

Gladiator (2000)

Lenses: Panavision Primo Primes Spherical Lenses, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens

| USA, UK, Malta, Morocco

Directed by: Ridley Scott

Cinematography by: John Mathieson

Edited by: Pietro Scalia

Cameras: Aaton 35-III Camera, Pan-Arri III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Music Copyist / Music Librarian

Final Destination (2000)

| USA

Directed by: James Wong

Cinematography by: Robert McLachlan

Edited by: James Coblentz

Music Copyist

Vertical Limit (2000)

| USA, Germany

Directed by: Martin Campbell

Cinematography by: David Tattersall

Edited by: Thom Noble

Music Librarian

The Patriot (2000)

| USA, Germany

Directed by: Roland Emmerich

Cinematography by: Caleb Deschanel

Edited by: David Brenner, Christopher Holmes, Julie Monroe

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Music Copyist

Bowfinger (1999)

| USA

Directed by: Frank Oz

Cinematography by: Ueli Steiger

Edited by: Richard Pearson

Head Of Music Preparation

Entrapment (1999)

| USA, UK, Germany

Directed by: Jon Amiel

Cinematography by: Phil Meheux

Edited by: Terry Rawlings

Music Stage Librarian

Runaway Bride (1999)

| USA

Directed by: Garry Marshall

Cinematography by: Stuart Dryburgh

Edited by: Bruce Green

Music Copyist

Toy Story 2 (1999)

| USA

Directed by: John Lasseter, Ash Brannon, Lee Unkrich

Cinematography by: Sharon Calahan

Edited by: Edie Ichioka, David Ian Salter, Lee Unkrich

Music Copyist

Star Wars: Episode I - The Phantom Menace (1999)

| USA

Directed by: George Lucas

Cinematography by: David Tattersall

Edited by: Ben Burtt, Paul Martin Smith

Cameras: ARRIFLEX 435 ES Camera, ARRIFLEX 535 B Camera, Sony HDC-750 Camera

Lenses: Hawk C-Series Lenses

Music Copyist

The Sixth Sense (1999)

| USA

Directed by: M. Night Shyamalan

Cinematography by: Tak Fujimoto

Edited by: Andrew Mondshein

Cameras: Panavision Panaflex Millennium Camera

Music Copyist

Angela's Ashes (1999)

| USA, Ireland

Directed by: Alan Parker

Cinematography by: Chris Connier, Michael Seresin

Edited by: Gerry Hambling

Cameras: Moviecam Compact Camera

Lenses: Cooke S4 Lenses

Music Copyist

The Green Mile (1999)

| USA

Directed by: Frank Darabont

Cinematography by: David Tattersall

Edited by: Richard Francis-Bruce

Lenses: Panavision Frazier Lenses, Panavision Primo Classic Spherical Lenses

Music Librarian

The Mummy (1999)

| USA

Directed by: Stephen Sommers

Cinematography by: Adrian Biddle

Edited by: Bob Ducsay

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Music Stage Librarian

Patch Adams (1998)

| USA

Directed by: Tom Shadyac

Cinematography by: Phedon Papamichael

Edited by: Don Zimmerman

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Music Copyist / Music Librarian

The Prince of Egypt (1998)

| USA

Directed by: Brenda Chapman, Steve Hickner, Simon Wells

Edited by: Nick Fletcher

Music Stage Librarian

A Perfect Murder (1998)

| USA

Directed by: Andrew Davis

Cinematography by: Dariusz Wolski

Edited by: Dov Hoenig, Dennis Virkler

Music Librarian

Bride of Chucky (1998)

| USA, Canada

Directed by: Ronny Yu

Cinematography by: Peter Pau

Edited by: Randy Bricker, David Wu

Music Librarian

The Thin Red Line (1998)

| USA

Directed by: Terrence Malick

Cinematography by: John Toll

Edited by: Leslie Jones, Saar Klein, Billy Weber

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Music Librarian

Anastasia (1997)

| USA

Directed by: Don Bluth, Gary Goldman

Edited by: Bob Bender, Fiona Trayler

Music Copyist

Romeo + Juliet (1996)

| USA, Mexico

Directed by: Baz Luhrmann

Cinematography by: Donald McAlpine

Edited by: Jill Bilcock

Music Librarian

Mars Attacks! (1996)

| USA

Directed by: Tim Burton

Cinematography by: Peter Suschitzky

Edited by: Chris Lebenzon

Music Copyist

Twister (1996)

| USA

Directed by: Jan de Bont

Cinematography by: Jack N. Green

Edited by: Michael Kahn

Cameras: ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Music Copyist

Space Jam (1996)

| USA

Directed by: Joe Pytka

Cinematography by: Michael Chapman

Edited by: Sheldon Kahn

Music Copyist

Evita (1996)

| USA

Directed by: Alan Parker

Cinematography by: Darius Khondji

Edited by: Gerry Hambling

Cameras: Moviecam Compact Camera

Lenses: Cooke Xtal Express Lenses

Music Copyist

Jumanji (1995)

| USA

Directed by: Joe Johnston

Cinematography by: Thomas E. Ackerman

Edited by: Robert Dalva

Cameras: Panavision Cameras

Music Copyist

The Shawshank Redemption (1994)

| USA

Directed by: Frank Darabont

Cinematography by: Roger Deakins

Edited by: Richard Francis-Bruce

Cameras: ARRIFLEX 35 BL4 Camera, Moviecam Compact Camera

Lenses: ARRI / Zeiss Lenses

Music Copyist

The Mask (1994)

| USA

Directed by: Chuck Russell

Cinematography by: John R. Leonetti

Edited by: Arthur Coburn

Music Librarian

Jurassic Park (1993)

| USA

Directed by: Steven Spielberg

Cinematography by: Dean Cundey

Edited by: Michael Kahn

Cameras: Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, VistaVision Cameras

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Slant Focus Lenses

Editing System: Steenbeck Editing System

Music Librarian

Gremlins 2: The New Batch (1990)

| USA

Directed by: Joe Dante

Cinematography by: John Hora

Edited by: Kent Beyda

Cameras: ARRIFLEX 35 III Camera, Moviecam SuperAmerica Camera

Lenses: Cooke Speed Panchro Lenses, Cooke Varopanchro Lenses

Music Librarian

Total Recall (1990)

| USA, Mexico

Directed by: Paul Verhoeven

Cinematography by: Jost Vacano

Edited by: Carlos Puente, Frank J. Urioste

Cameras: ARRIFLEX Camera

Lenses: Zeiss Lenses

Music Copyist / Music Librarian

Poltergeist III (1988)

| USA

Directed by: Gary Sherman

Cinematography by: Alex Nepomniaschy

Edited by: Ross Albert

Cameras: Panavision Panaflex Series Cameras

Lenses: Panavision Lenses

Music Copyist

Who Framed Roger Rabbit (1988)

| USA

Directed by: Robert Zemeckis

Cinematography by: Dean Cundey

Edited by: Arthur Schmidt

Cameras: Panavision Panaflex Camera, VistaVision Cameras

Lenses: Panavision Lenses

Music Copyist

One Crazy Summer (1986)

| USA

Directed by: Savage Steve Holland

Cinematography by: Isidore Mankofsky

Edited by: Alan Balsam

Cameras: Panavision Cameras

Music Librarian And Copyist

The Outsiders (1983)

| USA, France

Directed by: Francis Ford Coppola

Cinematography by: Stephen H. Burum

Edited by: Rob Bonz, Anne Goursaud, Melissa Kent, Roy Waldspurger

Music Copyist

Motel Hell (1980)