Stephen St. John

| USA

Directed by: Douglas Aarniokoski

Additional Photography

'Sleepy Hollow' What Lies Beneath (2015)

| USA

Directed by: Dwight H. Little

Cinematography by: Tod Campbell

Additional Photography

'Sleepy Hollow' Tempus Fugit (2015)

| USA

Directed by: Paul A. Edwards

Cinematography by: Tod Campbell

Edited by: Andrew Coutts

Additional Photography - 3 Episodes, 2015

Sleepy Hollow (2013)

| USA

Cinematography by: Jan Richter-Friis, Tod Campbell, Bing Sokolsky, Glen Keenan, Niels Alpert, Robert LaBonge, John R. Leonetti, Arthur Albert, Teodoro Maniaci, Kramer Morgenthau

Edited by: Scott Gamzon, Andrew Coutts, Steve Haugen, Tim Brinker, Imelda Betiong, Neil Felder, John L. Roberts, Casey Brown, Michael Stern, Barbara Gerard, John Refoua, Casey O. Rohrs, David Dean, John Roberts, Kaja Fehr, Michael N. Knue

Cameras: Red Epic Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke 5/i Lenses

Director Of Photography

'Lost' Ab Aeterno (2010)

| USA

Directed by: Tucker Gates

Cinematography by: Stephen St. John

Edited by: Chris Braun, David Eisenberg, Christopher Nelson, Lance Stubblefield

Director Of Photography

'Lost' What Kate Does (2010)

| USA

Directed by: Paul A. Edwards

Cinematography by: Stephen St. John

Edited by: Christopher Nelson

Director Of Photography

'Lost' Happily Ever After (2010)

| USA

Directed by: Jack Bender

Cinematography by: Stephen St. John

Edited by: Mark Goldman

Director Of Photography

'True Blood' Evil Is Going On (2010)

| USA

Directed by: Anthony Hemingway

Cinematography by: Stephen St. John

Edited by: Louise Innes

Director Of Photography

'Lost' Lighthouse (2010)

| USA

Directed by: Jack Bender

Cinematography by: Stephen St. John

Edited by: Mark Goldman

Director Of Photography

'Lost' The Last Recruit (2010)

| USA

Directed by: Stephen Semel

Cinematography by: Stephen St. John

Edited by: Henk Van Eeghen

Cinematographer

'True Blood' I Smell a Rat (2010)

| USA

Directed by: Michael Lehmann

Cinematography by: Stephen St. John

Edited by: Michael Ruscio

Director Of Photography

'Lost' Dr. Linus (2010)

| USA

Directed by: Mario Van Peebles

Cinematography by: Stephen St. John

Edited by: Stephen Semel

Director Of Photography

'Lost' Across the Sea (2010)

| USA

Directed by: Tucker Gates

Cinematography by: Stephen St. John

Edited by: Stephen Semel

Camera Operator

'House M.D.' Broken (2009)

| USA

Directed by: Katie Jacobs

Cinematography by: Gale Tattersall

Edited by: Chris Brookshire, Dorian Harris, Stephen Semel

Cinematographer - 2 Episodes, 2010

True Blood (2008)

Lenses: Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 17-80mm T2.2 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Angenieux Optimo Zoom Lenses, ARRI / Zeiss Lenses, Clairmont Anamorphic Lenses, Cooke S4 Lenses

| USA

Cinematography by: Romeo Tirone, David Klein, Matthew Jensen, Evans Brown, John B. Aronson, Checco Varese, Joseph E. Gallagher, Stephen St. John, Cort Fey, Amy Vincent, Uta Briesewitz

Edited by: Michael Ruscio, Louise Innes, Lynne Willingham, Mark Hartzell, Andy Keir, Carol Stutz, Peter B. Ellis, Debra F. Simone

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Moviecam Compact Camera

Editing System: Avid Editing System

Cinematographer: Action Unit / Director Of Photography: Second Unit

Mission: Impossible III (2006)

| USA, Germany, China, Italy

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Nick Gibbs, Mary Jo Markey

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Zoom Lenses

Director Of Photography: Second Unit

Domino (2005)

| France, USA, UK

Directed by: Tony Scott

Cinematography by: Dan Mindel

Edited by: William Goldenberg, Christian Wagner

Camera Operator - 1 Episode, 2009

House M.D. (2004)

| USA

Cinematography by: Gale Tattersall, Roy H. Wagner, Anthony Gaudioz, Walt Lloyd, Newton Thomas Sigel, Cort Fey, James Dillinger

Cameras: ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Canon EOS-5D Mark II Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Avid Editing System

Cinematographer - 7 Episodes, 2010

Lost (2004)

| USA

Cinematography by: John S. Bartley, Michael Bonvillain, Cort Fey, Larry Fong, Stephen St. John, Edward J. Pei

Edited by: Stephen Semel, Mark Goldman, Christopher Nelson, Mary Jo Markey, Sarah Boyd, Henk Van Eeghen, David Eisenberg, Lance Stubblefield, Robert Florio, Sue Blainey, Jo Francis, Martin Nicholson, Chris Braun

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Additional Photographer

Man on Fire (2004)

| USA, UK, Mexico, Switzerland

Directed by: Tony Scott

Cinematography by: Paul Cameron

Edited by: Christian Wagner

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Camera Operator: Second Unit, USA

The Matrix Reloaded (2003)

| USA

Directed by: Lana Wachowski, Lilly Wachowski

Cinematography by: Bill Pope

Edited by: Zach Staenberg

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Cinematographer

Holes (2003)

| USA

Directed by: Andrew Davis

Cinematography by: Stephen St. John

Edited by: Thomas J. Nordberg, Jeffrey Wolf

Camera Operator

Collateral Damage (2002)

| USA

Directed by: Andrew Davis

Cinematography by: Adam Greenberg

Edited by: Dov Hoenig, Dennis Virkler

Camera Operator: "b" Camera / Steadicam Operator

Just Visiting (2001)

| France, USA

Directed by: Jean-Marie Poiré

Cinematography by: Ueli Steiger

Edited by: Michael A. Stevenson

Cameras: Panavision Cameras

Camera Operator: "b" Camera / Steadicam Operator

Coyote Ugly (2000)

| USA

Directed by: David McNally

Cinematography by: Amir Mokri

Edited by: William Goldenberg

Camera Operator: "b" Camera / Steadicam Operator

Wild Wild West (1999)

Lenses: Zeiss Variable Prime VP1 16-30 mm T2.2 Lens, Zeiss Variable Prime VP2 29-60 mm T2.2 Lens, Zeiss Variable Prime VP3 55-150 mm T2.2 Lens

| USA

Directed by: Barry Sonnenfeld

Cinematography by: Michael Ballhaus

Edited by: Jim Miller

Cameras: ARRIFLEX 435 ES Camera, ARRIFLEX 535 B Camera, VistaVision Cameras

Camera Operator: "a" Camera

A Perfect Murder (1998)

| USA

Directed by: Andrew Davis

Cinematography by: Dariusz Wolski

Edited by: Dov Hoenig, Dennis Virkler

Steadicam Operator

Godzilla (1998)

| USA, Japan

Directed by: Roland Emmerich

Cinematography by: Ueli Steiger

Edited by: Peter Amundson, David Siegel

Steadicam Operator

Starship Troopers (1997)

| USA

Directed by: Paul Verhoeven

Cinematography by: Jost Vacano

Edited by: Mark Goldblatt, Caroline Ross

Cameras: ARRIFLEX Camera, Moviecam Compact Camera

Lenses: Zeiss Lenses

Additional Camera Operator

Lolita (1997)

| France, USA

Directed by: Adrian Lyne

Cinematography by: Howard Atherton

Edited by: David Brenner, Julie Monroe

Cameras: Panavision Panaflex Series Cameras

Lenses: Panavision Lenses

Editing System: Avid Editing System

Camera Operator

Men in Black (1997)

| USA

Directed by: Barry Sonnenfeld

Cinematography by: Donald Peterman

Edited by: Jim Miller

Cameras: Beaumont Vista Vision Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Ultra Speed MKII Lenses

Steadicam Operator

The Postman (1997)

| USA

Directed by: Kevin Costner

Cinematography by: Stephen F. Windon

Edited by: Peter Boyle

Camera Operator

Chain Reaction (1996)

| USA

Directed by: Andrew Davis

Cinematography by: Frank Tidy

Edited by: Don Brochu, Dov Hoenig, Arthur Schmidt, Mark Stevens

Cameras: Panavision Cameras

Camera Operator / Steadicam Operator

Get Shorty (1995)

| USA

Directed by: Barry Sonnenfeld

Cinematography by: Donald Peterman

Edited by: Jim Miller, Ted Woerner

Steadicam Operator

Species (1995)

| USA

Directed by: Roger Donaldson

Cinematography by: Andrzej Bartkowiak

Edited by: Conrad Buff IV

Additional Steadicam Operator

Steal Big Steal Little (1995)

| USA

Directed by: Andrew Davis

Cinematography by: Frank Tidy

Edited by: Don Brochu, Tina Hirsch

Cameras: ARRIFLEX 35 IIC Camera, Panavision Panaflex Platinum Camera

Lenses: Canon Lenses, Panavision Primo Primes Spherical Lenses

Camera Operator: "b" Camera / Steadicam Operator

Blown Away (1994)

| USA

Directed by: Stephen Hopkins

Cinematography by: Peter Levy

Edited by: Tim Wellburn

"b" Camera Operator / Steadicam Operator

The Fugitive (1993)

| USA

Directed by: Andrew Davis

Cinematography by: Michael Chapman

Edited by: Don Brochu, David Finfer, Dean Goodhill, Dov Hoenig, Richard Nord, Dennis Virkler

Camera Operator: "a" Camera

A Perfect World (1993)

| USA

Directed by: Clint Eastwood

Cinematography by: Jack N. Green

Edited by: Joel Cox, Ron Spang

Camera Operator: "b" Camera / Steadicam Operator

Judgment Night (1993)

| USA, Japan

Directed by: Stephen Hopkins

Cinematography by: Peter Levy

Edited by: Tim Wellburn

Steadicam Operator

Radio Flyer (1992)

| USA

Directed by: Richard Donner, David Mickey Evans

Cinematography by: László Kovács

Edited by: Stuart Baird, Dallas Puett

Cameras: Panavision Cameras

Steadicam Operator

The Bodyguard (1992)

| USA

Directed by: Mick Jackson

Cinematography by: Andrew Dunn

Edited by: Donn Cambern, Richard A. Harris

Camera Operator: "b" Camera / Steadicam Operator

Under Siege (1992)

| France, USA

Directed by: Andrew Davis

Cinematography by: Frank Tidy

Edited by: Don Brochu, Robert A. Ferretti, Dov Hoenig, Dennis Virkler

Cameras: Panavision Cameras

"a" Camera Operator

Unforgiven (1992)

| USA

Directed by: Clint Eastwood

Cinematography by: Jack N. Green

Edited by: Joel Cox

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Camera Operator: "a" Camera

For the Boys (1991)

| USA

Directed by: Mark Rydell

Cinematography by: Stephen Goldblatt

Edited by: Gerald B. Greenberg, Jere Huggins

Camera Operator: "b" Camera Panaglide

Die Hard 2 (1990)

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

| USA

Directed by: Renny Harlin

Cinematography by: Oliver Wood

Edited by: Stuart Baird, Robert A. Ferretti

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold II Camera, Photo-Sonics 35mm-4ER Camera

Camera Operator: "a" Camera

The Rookie (1990)

| USA

Directed by: Clint Eastwood

Cinematography by: Jack N. Green

Edited by: Joel Cox

Cameras: ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Gold Camera, Panavision Panaflex-X Camera

Lenses: Panavision Super Speed Lenses

Camera Operator

Winter People (1989)

| USA

Directed by: Ted Kotcheff

Cinematography by: François Protat

Edited by: Thom Noble

Cameras: Panavision Cameras

Steadicam Operator

When Harry Met Sally... (1989)

| USA

Directed by: Rob Reiner

Cinematography by: Barry Sonnenfeld

Edited by: Robert Leighton

Camera Operator

Three Fugitives (1989)

| USA

Directed by: Francis Veber

Cinematography by: Haskell Wexler

Edited by: Bruce Green

Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera

Lenses: Angenieux HP Zoom Lenses, Cooke Varopanchro Lenses, Zeiss Super Speed Lenses

Panaglide Operator

Lethal Weapon 2 (1989)

| USA

Directed by: Richard Donner

Cinematography by: Stephen Goldblatt

Edited by: Stuart Baird

Steadicam Operator

The Milagro Beanfield War (1988)

| USA

Directed by: Robert Redford

Cinematography by: Robbie Greenberg

Edited by: Dede Allen, Jim Miller

Steadicam Operator

Mac and Me (1988)

| USA

Directed by: Stewart Raffill

Cinematography by: Nick McLean

Edited by: Tom Walls

Steadicam Operator

Scrooged (1988)

| USA

Directed by: Richard Donner

Cinematography by: Michael Chapman

Edited by: Fredric Steinkamp, William Steinkamp

Cameras: Panavision Panaflex Gold Camera

Panaglide Operator

Lethal Weapon (1987)

| USA

Directed by: Richard Donner

Cinematography by: Stephen Goldblatt

Edited by: Stuart Baird

Steadicam Operator

The Lost Boys (1987)

| USA

Directed by: Joel Schumacher

Cinematography by: Michael Chapman

Edited by: Robert Brown

Second Camera Operator

Real Men (1987)

| USA

Directed by: Dennis Feldman

Cinematography by: John A. Alonzo

Edited by: Malcolm Campbell, Glenn Farr

Steadicam Operator

Raising Arizona (1987)

| USA

Directed by: Joel Coen, Ethan Coen

Cinematography by: Barry Sonnenfeld

Edited by: Michael R. Miller

Camera Operator: Second Unit

Cobra (1986)

| USA, Israel

Directed by: George P. Cosmatos

Cinematography by: Ric Waite

Edited by: James R. Symons, Don Zimmerman

Cameras: Panavision Cameras

Camera Operator / Steadicam Operator

The Karate Kid Part II (1986)

| USA

Directed by: John G. Avildsen

Cinematography by: James Crabe

Edited by: John G. Avildsen, David Garfield, Jane Kurson

Steadicam Operator

Down and Out in Beverly Hills (1986)

| USA

Directed by: Paul Mazursky

Cinematography by: Donald McAlpine

Edited by: Richard Halsey

Camera Operator

Heartbreak Ridge (1986)

| USA

Directed by: Clint Eastwood

Cinematography by: Jack N. Green

Edited by: Joel Cox

Steadicam Operator

Vision Quest (1985)

| USA

Directed by: Harold Becker

Cinematography by: Owen Roizman

Edited by: Maury Winetrobe

Camera Operator

The Goonies (1985)

| USA

Directed by: Richard Donner

Cinematography by: Nick McLean

Edited by: Michael Kahn, Steven Spielberg

Additional Camera Operator

Pale Rider (1985)

| USA

Directed by: Clint Eastwood

Cinematography by: Bruce Surtees

Edited by: Joel Cox

Steadicam Operator

Explorers (1985)

| USA

Directed by: Joe Dante

Cinematography by: John Hora

Edited by: Tina Hirsch

Cameras: Panavision Cameras

Steadicam Operator

Twice in a Lifetime (1985)

| USA

Directed by: Bud Yorkin

Cinematography by: Nick McLean

Edited by: Robert C. Jones

Steadicam Operator

Out of Africa (1985)

| USA, UK

Directed by: Sydney Pollack

Cinematography by: David Watkin

Edited by: Pembroke J. Herring, Sheldon Kahn, Fredric Steinkamp, William Steinkamp

Cameras: ARRIFLEX 35 BL Camera

Lenses: Zeiss Super Speed Lenses

Camera Operator: "b" Camera / Steadicam Operator

City Heat (1984)

| USA

Directed by: Richard Benjamin

Cinematography by: Nick McLean

Edited by: Jacqueline Cambas

Steadicam Operator

Swing Shift (1984)

| USA

Directed by: Jonathan Demme

Cinematography by: Tak Fujimoto

Edited by: Craig McKay

Steadicam Operator

The Adventures of Buckaroo Banzai Across the 8th Dimension (1984)

| USA

Directed by: W.D. Richter

Cinematography by: Fred J. Koenekamp

Edited by: George Bowers, Richard Marks

Steadicam Operator

Gremlins (1984)

| USA

Directed by: Joe Dante

Cinematography by: John Hora

Edited by: Tina Hirsch

Steadicam Operator

The Karate Kid (1984)

| USA

Directed by: John G. Avildsen

Cinematography by: James Crabe

Edited by: John G. Avildsen, Walt Mulconery, Bud S. Smith

Steadicam Operator

Love Streams (1984)

| USA

Directed by: John Cassavetes

Cinematography by: Al Ruban

Edited by: George C. Villaseñor

Cameras: ARRI Cameras

Camera Operator: Second Unit

Never Cry Wolf (1983)

| USA

Directed by: Carroll Ballard

Cinematography by: Hiro Narita

Edited by: Michael Chandler, Peter Parasheles

First Assistant Camera

Just Before Dawn (1981)

| USA

Directed by: Jeff Lieberman

Cinematography by: Dean King, Joel King

Edited by: Robert Q. Lovett

Camera Operator

A Force of One (1979)

| USA

Directed by: Paul Aaron

Cinematography by: Roger Shearman

Edited by: Anne Goursaud, Bert Lovitt

Assistant Camera

Adventures of the Wilderness Family 3 (1979)