Andrew Ackland-Snow

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Maestro | ShotOnWhat?

Supervising Art Director Uk

Maestro (2023)

Directed by: Bradley Cooper

Cinematography by: Matthew Libatique

Edited by: Michelle Tesoro

Cameras: Panavision Panaflex Lightweight II Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision PVintage Prime Lenses

Murder on the Orient Express | ShotOnWhat?

Art Director

Murder on the Orient Express (2017)

Directed by: Kenneth Branagh

Cinematography by: Haris Zambarloukos

Edited by: Mick Audsley

Cameras: ARRI ALEXA 65 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision System 65 Camera

Lenses: Panavision Sphero 65 Series Lenses

The Mummy | ShotOnWhat?

Senior Art Director

The Mummy (2017)

Directed by: Alex Kurtzman

Cinematography by: Ben Seresin

Edited by: Gina Hirsch, Paul Hirsch, Andrew Mondshein

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: ARRI Rental Prime 65 Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

The Huntsman: Winter's War | ShotOnWhat?

Art Director

The Huntsman: Winter's War (2016)

Directed by: Cedric Nicolas-Troyan

Cinematography by: Phedon Papamichael

Edited by: Conrad Buff IV

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Plus Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses

Dracula Untold | ShotOnWhat?

Set Designer

Dracula Untold (2014)

Directed by: Gary Shore

Cinematography by: John Schwartzman

Edited by: Richard Pearson

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Kingsman: The Secret Service | ShotOnWhat?

Art Director

Kingsman: The Secret Service (2014)

Directed by: Matthew Vaughn

Cinematography by: George Richmond

Edited by: Eddie Hamilton, Jon Harris

Cameras: ARRI ALEXA XT Plus Camera, Blackmagic Production 4K Camera, Phantom Flex Camera

Lenses: Angenieux Optimo Zoom Lenses, Hawk V-Lite Lenses

Editing System: Avid Editing System

RED 2 | ShotOnWhat?

Art Director

RED 2 (2013)

Directed by: Dean Parisot

Cinematography by: Enrique Chediak

Edited by: Don Zimmerman

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Hawk V-Lite Lenses

Snow White and the Huntsman | ShotOnWhat?

Art Director

Snow White and the Huntsman (2012)

Directed by: Rupert Sanders

Cinematography by: Greig Fraser

Edited by: Conrad Buff IV, Neil Smith

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera

Lenses: Panavision 65mm Prime Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

War Horse | ShotOnWhat?

Senior Art Director

War Horse (2011)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Harry Potter and the Deathly Hallows: Part 2 | ShotOnWhat?

Senior Art Director

Harry Potter and the Deathly Hallows: Part 2 (2011)

Directed by: David Yates

Cinematography by: Eduardo Serra

Edited by: Mark Day

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke S4 Lenses

Harry Potter and the Deathly Hallows: Part 1 | ShotOnWhat?

Senior Art Director

Harry Potter and the Deathly Hallows: Part 1 (2010)

Directed by: David Yates

Cinematography by: Eduardo Serra

Edited by: Mark Day

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Panavision Cameras

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Panavision Lenses

Harry Potter and the Half-Blood Prince | ShotOnWhat?

Senior Art Director

Harry Potter and the Half-Blood Prince (2009)

Directed by: David Yates

Cinematography by: Bruno Delbonnel

Edited by: Mark Day

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Harry Potter and the Order of the Phoenix | ShotOnWhat?

Senior Art Director

Harry Potter and the Order of the Phoenix (2007)

Directed by: David Yates

Cinematography by: Slawomir Idziak

Edited by: Mark Day

Cameras: ARRI Cameras

Harry Potter and the Goblet of Fire | ShotOnWhat?

Senior Art Director

Harry Potter and the Goblet of Fire (2005)

Directed by: Mike Newell

Cinematography by: Roger Pratt

Edited by: Mick Audsley

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Canon Lenses, Cooke S4 Lenses, Zeiss Variable Prime Lenses

Harry Potter and the Prisoner of Azkaban | ShotOnWhat?

Senior Art Director

Harry Potter and the Prisoner of Azkaban (2004)

Directed by: Alfonso Cuarón

Cinematography by: Michael Seresin

Edited by: Steven Weisberg

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Advanced Camera

Lenses: Cooke S4 Lenses

Editing System: Avid Editing System

Harry Potter and the Chamber of Secrets | ShotOnWhat?

Art Director

Harry Potter and the Chamber of Secrets (2002)

Directed by: Chris Columbus

Cinematography by: Roger Pratt

Edited by: Peter Honess

Unconditional Love | ShotOnWhat?

Art Director

Unconditional Love (2002)

Directed by: P.J. Hogan

Cinematography by: Remi Adefarasin

Edited by: Robert C. Jones

Cameras: Panavision Cameras

Harry Potter and the Sorcerer's Stone | ShotOnWhat?

Art Director

Harry Potter and the Sorcerer's Stone (2001)

Directed by: Chris Columbus

Cinematography by: John Seale

Edited by: Richard Francis-Bruce

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Lenses, Panavision Primo Primes Spherical Lenses

The World Is Not Enough | ShotOnWhat?

Art Director

The World Is Not Enough (1999)

Directed by: Michael Apted

Cinematography by: Adrian Biddle

Edited by: Jim Clark

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Gold Camera

Lenses: Panavision C Series Anamorphic Lenses

Notting Hill | ShotOnWhat?

Art Director

Notting Hill (1999)

Directed by: Roger Michell

Cinematography by: Michael Coulter

Edited by: Nick Moore

Cameras: Moviecam Cameras

Editing System: Lightworks Editing System

The Avengers | ShotOnWhat?

Art Director

The Avengers (1998)

Directed by: Jeremiah S. Chechik

Cinematography by: Roger Pratt

Edited by: Mick Audsley

The Borrowers | ShotOnWhat?

Art Director

The Borrowers (1997)

Directed by: Peter Hewitt

Cinematography by: Trevor Brooker, John Fenner

Edited by: David Freeman

Titanic | ShotOnWhat?

Art Direction: Ship Exterior

Titanic (1997)

Directed by: James Cameron

Cinematography by: Russell Carpenter

Edited by: Conrad Buff IV, James Cameron, Richard A. Harris

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

101 Dalmatians | ShotOnWhat?

Assistant Art Director

101 Dalmatians (1996)

Directed by: Stephen Herek

Cinematography by: Adrian Biddle

Edited by: Trudy Ship

Cameras: Panavision Cameras

Lenses: Panavision Lenses

GoldenEye | ShotOnWhat?

Art Director

GoldenEye (1995)

Directed by: Martin Campbell

Cinematography by: Phil Meheux

Edited by: Terry Rawlings

Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 35 IIIC Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Cooke Lenses, Nikon - Nikkor Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System, Moviola Editing System, Steenbeck Editing System

The Three Musketeers | ShotOnWhat?

Draughtsman

The Three Musketeers (1993)

Directed by: Stephen Herek

Cinematography by: Dean Semler

Edited by: John F. Link

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Air America | ShotOnWhat?

Draughtsman

Air America (1990)

Directed by: Roger Spottiswoode

Cinematography by: Roger Deakins

Edited by: John Bloom, Lois Freeman-Fox

Cameras: ARRIFLEX Camera

Lenses: ARRI / Zeiss Lenses

Licence to Kill | ShotOnWhat?

Assistant Art Director

Licence to Kill (1989)

Directed by: John Glen

Cinematography by: Alec Mills

Edited by: John Grover

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

We're No Angels | ShotOnWhat?

Art Director

We're No Angels (1989)

Directed by: Neil Jordan

Cinematography by: Philippe Rousselot

Edited by: Mick Audsley, Joke van Wijk

Cameras: Panavision Cameras

Without a Clue | ShotOnWhat?

Assistant Art Director

Without a Clue (1988)

Directed by: Thom Eberhardt

Cinematography by: Alan Hume

Edited by: Peter Tanner

The Living Daylights | ShotOnWhat?

Draughtsman

The Living Daylights (1987)

Directed by: John Glen

Cinematography by: Alec Mills

Edited by: Peter Davies, John Grover

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Empire of the Sun | ShotOnWhat?

Draughtsman

Empire of the Sun (1987)

Directed by: Steven Spielberg

Cinematography by: Allen Daviau

Edited by: Michael Kahn

Scandalous | ShotOnWhat?

Draughtsman

Scandalous (1984)

Directed by: Rob Cohen

Cinematography by: Jack Cardiff

Edited by: Michael Bradsell

Pink Floyd The Wall | ShotOnWhat?

Draughtsman

Pink Floyd: The Wall (1982)

Directed by: Alan Parker

Cinematography by: Peter Biziou

Edited by: Gerry Hambling

Victor Victoria | ShotOnWhat?

Junior Draughtsman

Victor Victoria (1982)

Directed by: Blake Edwards

Cinematography by: Dick Bush

Edited by: Ralph E. Winters

Cameras: Panavision Panaflex Gold Camera

Lenses: Panavision Lenses

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