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Film Print 70mm Distribution | 188 Titles

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Avatar (2009)

Motion Picture | 3D | 2K Project | Color | 1.78:1 (16x9), 2.39:1 | 162 Minutes

Directed by | James Cameron | Cinematography by | Mauro Fiore | Editing by | James Cameron, John Refoua, Stephen E. Rivkin

Starring | Sam Worthington, Zoe Saldaña, Sigourney Weaver

Cameras | Sony CineAlta F23 Camera, Sony HDC-1500 Camera, Sony HDC-F950 Camera

Lenses | Canon Lenses, Fujinon HA16x6.3BE 6.3-101 mm T1.8 Lens, Fujinon HA5x7B-W50 7-35 mm Lens, Fujinon Lenses

Raiders of the Lost Ark (1981)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.39:1 | 115 Minutes

Directed by | Steven Spielberg | Cinematography by | Douglas Slocombe | Editing by | Michael Kahn, George Lucas

Starring | Harrison Ford, Karen Allen, Paul Freeman, John Rhys-Davies

Cameras | ARRIFLEX 35 IIC Camera, Panavision Panaflex-X Camera

Lenses | Panavision C Series Anamorphic Lenses

Close Encounters of the Third Kind (1977)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.39:1 | 138 Minutes

Directed by | Steven Spielberg | Cinematography by | Vilmos Zsigmond | Editing by | Michael Kahn

Starring | Richard Dreyfuss, François Truffaut, Teri Garr, Melinda Dillon

Cameras | Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Camera, Panavision Super PSR R-200

Lenses | Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision Lenses

Interstellar (2014)

Motion Picture | 2D | Film Project | Color | 1.44:1, 1.78:1 (16x9), 1.90:1, 2.20:1, 2.39:1 | 169 Minutes

Directed by | Christopher Nolan | Cinematography by | Hoyte Van Hoytema | Editing by | Lee Smith

Starring | Matthew McConaughey, Anne Hathaway, Jessica Chastain

Cameras | Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Hasselblad Lenses, Leitz Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision D Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Dunkirk (2017)

Motion Picture | 2D | 4K Project | Color | 1.43:1, 1.78:1 (16x9), 1.90:1, 2.20:1, 2.39:1 | 106 Minutes

Directed by | Christopher Nolan | Cinematography by | Hoyte Van Hoytema | Editing by | Lee Smith

Starring | Fionn Whitehead, Barry Keoghan, Mark Rylance, Tom Hardy

Cameras | IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses | Hasselblad Lenses, Panavision 65mm Prime Lenses, Panavision Sphero 65 Series Lenses

Inception (2010)

Motion Picture | 2D | Color | 2.39:1 | 148 Minutes

The Matrix Reloaded (2003)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 138 Minutes

Directed by | Lana Wachowski, Lilly Wachowski | Cinematography by | Bill Pope | Editing by | Zach Staenberg

Starring | Keanu Reeves, Laurence Fishburne, Carrie-Anne Moss, Hugo Weaving

Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Batman Begins (2005)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 140 Minutes

Directed by | Christopher Nolan | Cinematography by | Wally Pfister | Editing by | Lee Smith

Starring | Christian Bale, Michael Caine, Ken Watanabe, Liam Neeson

Cameras | ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Dark Knight (2008)

Motion Picture | 2D | Color | 1.44:1, 2.39:1 | 152 Minutes

Directed by | Christopher Nolan | Cinematography by | Wally Pfister | Editing by | Lee Smith

Starring | Christian Bale, Heath Ledger, Aaron Eckhart, Michael Caine

Cameras | Beaumont Vista Vision Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Hasselblad Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Super Speed Lenses

The Dark Knight Rises (2012)

Motion Picture | 2D | Film Project | Color | 1.44:1, 1.78:1 (16x9), 2.39:1 | 164 Minutes

Directed by | Christopher Nolan | Cinematography by | Wally Pfister | Editing by | Lee Smith

Starring | Christian Bale, Tom Hardy, Anne Hathaway, Gary Oldman

Cameras | ARRIFLEX 235 Camera, Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera, Panavision System 65 Camera

Lenses | Hasselblad Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Showgirls (1995)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 128 Minutes

Directed by | Paul Verhoeven | Cinematography by | Jost Vacano | Editing by | Mark Goldblatt, Mark Helfrich

Starring | Elizabeth Berkley, Kyle MacLachlan, Gina Gershon, Glenn Plummer

Cameras | ARRIFLEX 35 BL4s Camera, Moviecam Compact Camera

GoldenEye (1995)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.39:1 | 130 Minutes

Directed by | Martin Campbell | Cinematography by | Phil Meheux | Editing by | Terry Rawlings

Starring | Pierce Brosnan, Sean Bean, Izabella Scorupco, Famke Janssen

Cameras | ARRIFLEX 35 III Camera, ARRIFLEX 35 IIIC Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses | Cooke Lenses, Nikon - Nikkor Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Tomorrow Never Dies (1997)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.39:1 | 119 Minutes

Directed by | Roger Spottiswoode | Cinematography by | Robert Elswit | Editing by | Michel Arcand, Dominique Fortin

Starring | Pierce Brosnan, Jonathan Pryce, Michelle Yeoh, Teri Hatcher

Cameras | Panavision Panaflex Gold II Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Skyfall (2012)

Motion Picture | 2D | Color | 1.90:1, 2.39:1 | 143 Minutes

Directed by | Sam Mendes | Cinematography by | Roger Deakins | Editing by | Stuart Baird

Starring | Daniel Craig, Javier Bardem, Naomie Harris, Judi Dench

Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, Red Epic Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Star Wars: Episode II – Attack of the Clones (2002)

Motion Picture | 2D, 3D | HD Project | Color | 1.78:1 (16x9), 2.39:1 | 142 Minutes

Directed by | George Lucas | Cinematography by | David Tattersall | Editing by | Ben Burtt, George Lucas

Starring | Hayden Christensen, Natalie Portman, Ewan McGregor, Christopher Lee

Cameras | Sony HDW-F900 Camera

Lenses | Panavision Primo Anamorphic Lenses

Star Wars: Episode III – Revenge of the Sith (2005)

Motion Picture | 2D, 3D | 2K Project | Color | 2.39:1 | 140 Minutes

Directed by | George Lucas | Cinematography by | David Tattersall | Editing by | Roger Barton, Ben Burtt

Starring | Hayden Christensen, Natalie Portman, Ewan McGregor, Samuel L. Jackson

Cameras | Sony HDC-F950 Camera

Lenses | Fujinon C Series Lenses, Fujinon E Series Lenses

Star Wars: Episode IV – A New Hope (1977)

Motion Picture | 2D | Film Project | Color | 1.33:1 (4x3), 2.20:1, 2.39:1, 2.64:1 | 121 Minutes

Directed by | George Lucas | Cinematography by | Gilbert Taylor | Editing by | Richard Chew, T.M. Christopher, Paul Hirsch, Marcia Lucas, George Lucas

Starring | Mark Hamill, Harrison Ford, Carrie Fisher, Alec Guinness

Cameras | ARRIFLEX 35 III Camera, Dykstraflex Camera, Mitchell VistaVision Camera, Panavision Cameras, Panavision Super PSR R-200

Lenses | Panavision C Series Anamorphic Lenses

Star Wars: Episode V – The Empire Strikes Back (1980)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.39:1 | 124 Minutes

Directed by | Irvin Kershner | Cinematography by | Peter Suschitzky | Editing by | T.M. Christopher, Paul Hirsch, George Lucas, Marcia Lucas

Starring | Mark Hamill, Harrison Ford, Carrie Fisher, Billy Dee Williams

Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Camera, Panavision Panaflex-X Camera, Panavision Silent Reflex PSR Camera, Panavision Super PSR R-200

Lenses | Panavision C Series Anamorphic Lenses

Star Wars: The Force Awakens (2015)

Motion Picture | 2D, 3D | 4K Project | Color | 1.43:1, 1.90:1, 2.39:1 | 136 Minutes

Ryan’s Daughter (1970)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.35:1 | 206 Minutes

Directed by | David Lean | Cinematography by | Freddie Young | Editing by | Norman Savage

Starring | Robert Mitchum, Trevor Howard, John Mills, Christopher Jones

Cameras | Super Panavision-70 Camera

Lenses | Panavision Lenses

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