Score Recorded And Mixed By
Indiana Jones and the Dial of Destiny (2023)
Directed by: James Mangold
Cinematography by: Phedon Papamichael
Music Mixed By
The Fabelmans (2022)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Scoring Mixer
West Side Story (2021)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Scoring Mixer
A Hidden Life (2019)
Directed by: Terrence Malick
Cinematography by: Jörg Widmer
Cameras: Red Epic Dragon Camera
Music Recorded And Mixed By
Star Wars: Episode IX - The Rise of Skywalker (2019)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Scoring Mixer
Solo: A Star Wars Story (2018)
Directed by: Ron Howard
Cinematography by: Bradford Young
Edited by: Pietro Scalia
Scoring Mixer
Red Sparrow (2018)
Directed by: Francis Lawrence
Cinematography by: Jo Willems
Edited by: Alan Edward Bell
Score Recordist , Scoring Mixer
The Post (2017)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Score Engineer
Roman J. Israel, Esq. (2017)
Directed by: Dan Gilroy
Cinematography by: Robert Elswit
Edited by: John Gilroy
Scoring Engineer, Scoring Mixer
Star Wars: Episode VIII - The Last Jedi (2017)
Directed by: Rian Johnson
Cinematography by: Steve Yedlin
Edited by: Bob Ducsay
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, ARRIFLEX 435 Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: ARRI Rental Prime 65 Lenses, Hasselblad Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Super Speed Lenses, Panavision T Series Anamorphic Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses
Scoring Mixer
The Huntsman: Winter's War (2016)
Directed by: Cedric Nicolas-Troyan
Cinematography by: Phedon Papamichael
Edited by: Conrad Buff IV
Score Mixer
Jason Bourne (2016)
Directed by: Paul Greengrass
Cinematography by: Barry Ackroyd
Edited by: Christopher Rouse
Scoring Mixer
Fantastic Beasts and Where to Find Them (2016)
Directed by: David Yates
Cinematography by: Philippe Rousselot
Edited by: Mark Day
Cameras: ARRI ALEXA XT Camera
Scoring Mixer / Scoring Recordist
The BFG (2016)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: ARRI ALEXA XT Series Cameras
Music Mixer / Music Recordist
The SpongeBob Movie: Sponge Out of Water (2015)
Cinematography by: Phil Meheux
Edited by: David Ian Salter
Cameras: ARRI ALEXA Camera
Scoring Mixer
The Hunger Games: Mockingjay - Part 2 (2015)
Directed by: Francis Lawrence
Cinematography by: Jo Willems
Cameras: ARRI ALEXA XT Camera
Score Engineer / Scoring Mixer
Star Wars: Episode VII - The Force Awakens (2015)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Cameras: ARRI ALEXA Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Hasselblad Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Retro C 100mm T2.8 Lens, Panavision Retro C 35mm T2.8 Lens, Panavision Retro C 40mm T2.8 Lens, Panavision Retro C 50mm T2.8 Lens, Panavision Retro C 60mm T2.8 Lens, Panavision Retro C 75mm T2.8 Lens
Editing System: Avid Editing System
Scoring Mixer
The Hunger Games: Mockingjay - Part 1 (2014)
Directed by: Francis Lawrence
Cinematography by: Jo Willems
Cameras: ARRI ALEXA XT Camera
Mixing Engineer, Re-recording Mixer: Music
How to Train Your Dragon 2 (2014)
Directed by: Dean DeBlois
Cinematography by: Gil Zimmerman
Edited by: John K. Carr
Music Scoring Mixer
The Cobbler (2014)
Directed by: Tom McCarthy
Cinematography by: W. Mott Hupfel III
Edited by: Tom McArdle
Cameras: ARRI ALEXA Plus Camera
Music Scoring Mixer
After Earth (2013)
Directed by: M. Night Shyamalan
Cinematography by: Peter Suschitzky
Edited by: Steven Rosenblum
Music Scoring Engineer / Scoring Mixer
The Hunger Games: Catching Fire (2013)
Directed by: Francis Lawrence
Cinematography by: Jo Willems
Edited by: Alan Edward Bell
Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Score Mixer
Furious 6 (2013)
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Score Mixing Engineer
Jobs (2013)
Directed by: Joshua Michael Stern
Cinematography by: Russell Carpenter
Edited by: Robert Komatsu
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Ultra Prime Lenses
Music Scoring Mixer
The Book Thief (2013)
Directed by: Brian Percival
Cinematography by: Florian Ballhaus
Edited by: John Wilson
Cameras: ARRI ALEXA Camera, ARRI ALEXA XT Plus Camera
Editing System: Avid Editing System
Music Mixer / Music Recordist
A Thousand Words (2012)
Directed by: Brian Robbins
Cinematography by: Clark Mathis
Edited by: Ned Bastille
Additional Scoring Mixer
Men in Black 3 (2012)
Directed by: Barry Sonnenfeld
Cinematography by: Bill Pope
Edited by: Don Zimmerman
Scoring Recordist And Mixer
The Hunger Games (2012)
Directed by: Gary Ross
Cinematography by: Tom Stern
Editing System: Avid Editing System
Scoring Mixer
American Reunion (2012)
Cinematography by: Daryn Okada
Edited by: Jeff Betancourt
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Scoring Mixer
Snow White and the Huntsman (2012)
Directed by: Rupert Sanders
Cinematography by: Greig Fraser
Score Mixer / Score Recordist
The Bourne Legacy (2012)
Directed by: Tony Gilroy
Cinematography by: Robert Elswit
Edited by: John Gilroy
Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Canon EOS-5D Mark II Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Scoring Mixer
The Lorax (2012)
Music Scoring Mixer
Lincoln (2012)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Editing System: Avid Editing System
Score Recordist / Scoring Mixer
Source Code (2011)
Directed by: Duncan Jones
Cinematography by: Don Burgess
Edited by: Paul Hirsch
Scoring Mixer
New Year's Eve (2011)
Directed by: Garry Marshall
Cinematography by: Charles Minsky
Edited by: Michael Tronick
Cameras: ARRI ALEXA Camera
Music Scoring Mixer
Green Lantern (2011)
Directed by: Martin Campbell
Cinematography by: Dion Beebe
Edited by: Stuart Baird
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Angenieux Optimo Zoom Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System
Music Recording
The Green Hornet (2011)
Directed by: Michel Gondry
Cinematography by: John Schwartzman
Edited by: Michael Tronick
Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Phantom HD Camera, Red One MX Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Score Mixer
A Very Harold & Kumar 3D Christmas (2011)
Directed by: Todd Strauss-Schulson
Cinematography by: Michael Barrett
Edited by: Eric Kissack
Cameras: Panavision Genesis Camera
Score Recordist / Scoring Mixer
Water for Elephants (2011)
Directed by: Francis Lawrence
Cinematography by: Rodrigo Prieto
Edited by: Alan Edward Bell
Editing System: Avid Editing System
Scoring Mixer
The Adventures of Tintin (2011)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: Panavision Cameras
Editing System: Avid Editing System
Music Scoring Mixer
War Horse (2011)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Editing System: Avid Editing System
Score Recordist / Scoring Mixer
The Change-Up (2011)
Directed by: David Dobkin
Cinematography by: Eric Alan Edwards
Lenses: Cooke S4 Lenses
Scoring Mixer
Tornado Alley (2011)
Directed by: Sean C. Casey
Cameras: IMAX Cameras, VistaVision Cameras
Scoring Mixer
Rio (2011)
Directed by: Carlos Saldanha
Cinematography by: Renato Falcão
Edited by: Harry Hitner
Score Mixer / Score Recording Engineer / Score Recordist
Salt (2010)
Directed by: Phillip Noyce
Cinematography by: Robert Elswit
Score Recordist
The Tourist (2010)
Directed by: Florian Henckel von Donnersmarck
Cinematography by: John Seale
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Score Recordist / Scoring Mixer
Predators (2010)
Directed by: Nimród Antal
Cinematography by: Gyula Pados
Edited by: Dan Zimmerman
Cameras: Panavision Genesis Camera
Editing System: Avid Editing System
Scoring Mixer
The Last Airbender (2010)
Directed by: M. Night Shyamalan
Cinematography by: Andrew Lesnie
Edited by: Conrad Buff IV
Music Scoring Mixer
Yogi Bear (2010)
Directed by: Eric Brevig
Cinematography by: Peter James
Edited by: Kent Beyda
Music Mixer
Iron Man 2 (2010)
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Scoring Mixer
Valentine's Day (2010)
Directed by: Garry Marshall
Cinematography by: Charles Minsky
Edited by: Bruce Green
Additional Score Recordist / Score Mixer
How to Train Your Dragon (2010)
Cinematography by: Gil Zimmerman
Scoring Mixer
Aliens in the Attic (2009)
Directed by: John Schultz
Cinematography by: Don Burgess
Edited by: John Pace
Music Mixer / Music Recordist
Hotel for Dogs (2009)
Directed by: Thor Freudenthal
Cinematography by: Michael Grady
Edited by: Sheldon Kahn
Score Recordist / Scoring Mixer
Ice Age: Dawn of the Dinosaurs (2009)
Scoring Mixer
2012 (2009)
Directed by: Roland Emmerich
Cinematography by: Dean Semler
Cameras: Panavision Cameras, Panavision Genesis Camera
Editing System: Avid Editing System
Scoring Mixer
Old Dogs (2009)
Directed by: Walt Becker
Cinematography by: Jeffrey L. Kimball
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Score Mixer
The Secret Life of Bees (2008)
Directed by: Gina Prince-Bythewood
Cinematography by: Rogier Stoffers
Edited by: Terilyn A. Shropshire
Scoring Mixer
Indiana Jones and the Kingdom of the Crystal Skull (2008)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Scoring Mixer
Meet Dave (2008)
Directed by: Brian Robbins
Cinematography by: Clark Mathis
Edited by: Ned Bastille
Score Recordist / Scoring Mixer
Swing Vote (2008)
Directed by: Joshua Michael Stern
Cinematography by: Shane Hurlbut
Edited by: Jeff McEvoy
Score Mixer
Jumper (2008)
Directed by: Doug Liman
Cinematography by: Barry Peterson
Cameras: Panavision Cameras, Red One Camera
Orchestra Recordist / Scoring Mixer
Stop-Loss (2008)
Directed by: Kimberly Peirce
Cinematography by: Chris Menges
Edited by: Claire Simpson
Score Recordist / Scoring Mixer
Australia (2008)
Directed by: Baz Luhrmann
Cinematography by: Mandy Walker
Scoring Mixer
My Best Friend's Girl (2008)
Directed by: Howard Deutch
Cinematography by: Jack N. Green
Edited by: Seth Flaum
Scoring Mixer
The Curious Case of Benjamin Button (2008)
Directed by: David Fincher
Cinematography by: Claudio Miranda
Lenses: Zeiss DigiPrime Lenses
Editing System: Final Cut Pro Editing System
Additional Score Recordist
Kung Fu Panda (2008)
Cinematography by: Yong Duk Jhun
Edited by: Clare Knight
Score Recordist / Scoring Mixer
Lions for Lambs (2007)
Directed by: Robert Redford
Cinematography by: Philippe Rousselot
Edited by: Joe Hutshing
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Score Mixer / Score Recordist
Charlie Wilson's War (2007)
Directed by: Mike Nichols
Cinematography by: Stephen Goldblatt
Scoring Mixer
Are We Done Yet? (2007)
Directed by: Steve Carr
Cinematography by: Jack N. Green
Edited by: Craig Herring
Score Mixer / Score Recordist
Next (2007)
Directed by: Lee Tamahori
Cinematography by: David Tattersall
Edited by: Christian Wagner
Score Mixer: Capitol Studios
In the Valley of Elah (2007)
Directed by: Paul Haggis
Cinematography by: Roger Deakins
Edited by: Jo Francis
Lenses: Zeiss Master Prime Lenses
Score Mixer
The Bourne Ultimatum (2007)
Directed by: Paul Greengrass
Cinematography by: Oliver Wood
Edited by: Christopher Rouse
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera
Music Scoring Recordist / Scoring Mixer
Evan Almighty (2007)
Directed by: Tom Shadyac
Cinematography by: Ian Baker
Edited by: Scott Hill
Cameras: Panavision Cameras
Editing System: Lightworks Editing System
Music Scoring Recordist / Scoring Mixer
X-Men: The Last Stand (2006)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Score Recordist / Scoring Mixer
Bobby (2006)
Directed by: Emilio Estevez
Cinematography by: Michael Barrett
Edited by: Richard Chew
Score Recordist / Scoring Mixer
Lady in the Water (2006)
Directed by: M. Night Shyamalan
Cinematography by: Christopher Doyle
Edited by: Barbara Tulliver
Score Mixer / Score Recordist
Eight Below (2006)
Directed by: Frank Marshall
Cinematography by: Don Burgess
Edited by: Christopher Rouse
Score Recordist / Scoring Mixer
Happy Feet (2006)
Cinematography by: David Peers
Editing System: Final Cut Pro Editing System
Music Mixer / Music Recordist
The Little Matchgirl (2006)
Directed by: Roger Allers
Edited by: Jessica Ambinder-Rojas
Scoring Mixer
War of the Worlds (2005)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Scoring Mixer
Munich (2005)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Cooke Cine Varotal Mark II 25-250mm T3.9 Lens, Cooke S4/i Prime 100mm T2.0 Lens, Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 16mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0
Editing System: Moviola Editing System
Additional Score Recordist
The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005)
Directed by: Andrew Adamson
Cinematography by: Donald McAlpine
Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Millennium Camera
Editing System: Avid Editing System
Score Recordist / Scoring Mixer
The Pacifier (2005)
Directed by: Adam Shankman
Cinematography by: Peter James
Edited by: Christopher Greenbury
Scoring Mixer
Memoirs of a Geisha (2005)
Directed by: Rob Marshall
Cinematography by: Dion Beebe
Edited by: Pietro Scalia
Scoring Mixer
Star Wars: Episode III - Revenge of the Sith (2005)
Directed by: George Lucas
Cinematography by: David Tattersall
Cameras: Sony HDC-F950 Camera
Scoring Mixer
The Interpreter (2005)
Directed by: Sydney Pollack
Cinematography by: Darius Khondji
Edited by: William Steinkamp
Score Mixer
The Village (2004)
Directed by: M. Night Shyamalan
Cinematography by: Roger Deakins
Edited by: Christopher Tellefsen
Lenses: Cooke S4 Lenses
Scoring Mixer
Harry Potter and the Prisoner of Azkaban (2004)
Directed by: Alfonso Cuarón
Cinematography by: Michael Seresin
Edited by: Steven Weisberg
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System
Music Mixer / Music Recordist
The Terminal (2004)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Score Mixer
The Passion of the Christ (2004)
Directed by: Mel Gibson
Cinematography by: Caleb Deschanel
Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Score Mixer / Score Recordist
Collateral (2004)
Directed by: Michael Mann
Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Sony HDC-F950 Camera, Sony HDW-F900 Camera, Thomson Viper Camera
Editing System: Avid Editing System
Score Mixer
Christmas with the Kranks (2004)
Directed by: Joe Roth
Cinematography by: Don Burgess
Edited by: Nick Moore
Orchestra Mixer
Mr 3000 (2004)
Directed by: Charles Stone III
Cinematography by: Shane Hurlbut
Edited by: Bill Pankow
Score Mixer / Score Recordist
Raising Helen (2004)
Directed by: Garry Marshall
Cinematography by: Charles Minsky
Music Recording Mixer
We Don't Live Here Anymore (2004)
Directed by: John Curran
Cinematography by: Maryse Alberti
Edited by: Alexandre de Franceschi
Scoring Mixer
Hidalgo (2004)
Directed by: Joe Johnston
Cinematography by: Shelly Johnson
Edited by: Robert Dalva
Score Mixer / Score Recordist
Mystic River (2003)
Directed by: Clint Eastwood
Cinematography by: Tom Stern
Edited by: Joel Cox
Editing System: Avid Editing System
Music Scoring Mixer
Bruce Almighty (2003)
Directed by: Tom Shadyac
Cinematography by: Dean Semler
Edited by: Scott Hill
Lenses: Panavision Primo Close Focus Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses
Editing System: Lightworks Editing System
Scoring Mixer
Peter Pan (2003)
Directed by: P.J. Hogan
Cinematography by: Donald McAlpine
Scoring Mixer
Jeepers Creepers 2 (2003)
Directed by: Victor Salva
Cinematography by: Don E. FauntLeRoy
Edited by: Ed Marx
Music Score Mixer: John Debney's Additional Music / Music Score Recordist: John Debney's Additional Music
Looney Tunes: Back in Action (2003)
Directed by: Joe Dante
Cinematography by: Dean Cundey
Score Recordist
Elf (2003)
Directed by: Jon Favreau
Cinematography by: Greg Gardiner
Edited by: Dan Lebental
Cameras: Panavision Cameras
Score Recordist / Scoring Mixer
Dreamcatcher (2003)
Directed by: Lawrence Kasdan
Cinematography by: John Seale
Scoring Mixer
The Scorpion King (2002)
Directed by: Chuck Russell
Cinematography by: John R. Leonetti
Music Scoring Mixer
Dragonfly (2002)
Directed by: Tom Shadyac
Cinematography by: Dean Semler
Edited by: Don Zimmerman
Music Scoring Mixer
Catch Me If You Can (2002)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Scoring Mixer
The Tuxedo (2002)
Directed by: Kevin Donovan
Cinematography by: Stephen F. Windon
Edited by: Craig Herring
Scoring Engineer
Star Wars: Episode II - Attack of the Clones (2002)
Directed by: George Lucas
Cinematography by: David Tattersall
Cameras: Sony HDW-F900 Camera
Music Scoring Mixer
Minority Report (2002)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Lenses: Panavision Lenses
Score Recordist / Scoring Mixer
Signs (2002)
Directed by: M. Night Shyamalan
Cinematography by: Tak Fujimoto
Edited by: Barbara Tulliver
Score Recordist
Unconditional Love (2002)
Directed by: P.J. Hogan
Cinematography by: Remi Adefarasin
Edited by: Robert C. Jones
Cameras: Panavision Cameras
Score Mixer / Score Recordist
Treasure Planet (2002)
Cinematography by: Rasoul Azadani
Edited by: Michael Kelly
Score Mixer / Score Recordist
The Princess Diaries (2001)
Directed by: Garry Marshall
Cinematography by: Karl Walter Lindenlaub
Edited by: Bruce Green
Additional Music Score Mixer / Additional Music Score Recordist
See Spot Run (2001)
Directed by: John Whitesell
Cinematography by: John S. Bartley
Edited by: Cara Silverman
Music Scoring Mixer
Jeepers Creepers (2001)
Directed by: Victor Salva
Cinematography by: Don E. FauntLeRoy
Edited by: Ed Marx
Music Scoring Mixer
A.I. Artificial Intelligence (2001)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: Panavision Cameras
Lenses: ARRI / Zeiss Lenses
Score Recordist / Scoring Mixer
Vertical Limit (2000)
Directed by: Martin Campbell
Cinematography by: David Tattersall
Edited by: Thom Noble
Score Mixer / Score Recordist
Unbreakable (2000)
Directed by: M. Night Shyamalan
Cinematography by: Eduardo Serra
Edited by: Dylan Tichenor
Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Score Mixer / Score Recordist
The Patriot (2000)
Directed by: Roland Emmerich
Cinematography by: Caleb Deschanel
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Score Recordist / Scoring Mixer
The Emperor's New Groove (2000)
Directed by: Mark Dindal
Cinematography by: Thomas Baker
Score Mixer / Score Recordist
The Sixth Sense (1999)
Directed by: M. Night Shyamalan
Cinematography by: Tak Fujimoto
Edited by: Andrew Mondshein
Score Mixer / Score Recordist
Stir of Echoes (1999)
Directed by: David Koepp
Cinematography by: Fred Murphy
Edited by: Jill Savitt
Score Mixer / Score Recordist
The Adventures of Elmo in Grouchland (1999)
Directed by: Gary Halvorson
Cinematography by: Alan Caso
Edited by: Alan Baumgarten
Music Mixer / Music Recordist, Re-recording Mixer
Sleepy Hollow (1999)
Directed by: Tim Burton
Cinematography by: Emmanuel Lubezki
Cameras: Panavision Panaflex Platinum Camera
Score Mixer / Score Recordist
Inspector Gadget (1999)
Directed by: David Kellogg
Cinematography by: Adam Greenberg
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Music Mixer: Choir / Music Recordist: Choir
Sunshine (1999)
Directed by: István Szabó
Cinematography by: Lajos Koltai
Music Recordist / Score Mixer
Runaway Bride (1999)
Directed by: Garry Marshall
Cinematography by: Stuart Dryburgh
Edited by: Bruce Green
Score Mixer
Virus (1999)
Directed by: John Bruno
Cinematography by: David Eggby
Edited by: M. Scott Smith
Re-recording Mixer: Skywalker Sound, Score Mixer
Snow Falling on Cedars (1999)
Directed by: Scott Hicks
Cinematography by: Robert Richardson
Edited by: Hank Corwin
Cameras: Panavision Panaflex Platinum Camera
Score Mixer
Instinct (1999)
Directed by: Jon Turteltaub
Cinematography by: Philippe Rousselot
Edited by: Richard Francis-Bruce
Music Scoring Engineer, Re-Recording Mixer
Star Wars: Episode I - The Phantom Menace (1999)
Directed by: George Lucas
Cinematography by: David Tattersall
Lenses: Hawk C-Series Lenses
Music Scoring Mixer
Stepmom (1998)
Directed by: Chris Columbus
Cinematography by: Donald McAlpine
Edited by: Neil Travis
Score Mixer: Los Angeles / Score Recordist: Los Angeles
A Civil Action (1998)
Directed by: Steven Zaillian
Cinematography by: Conrad L. Hall
Edited by: Wayne Wahrman
Cameras: Panavision Panaflex Platinum Camera
Score Recordist
The Avengers (1998)
Directed by: Jeremiah S. Chechik
Cinematography by: Roger Pratt
Edited by: Mick Audsley
Music Mixer / Music Recordist
Saving Private Ryan (1998)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: Aaton 35-III Camera, Moviecam Superlight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Editing System: Moviola Editing System
Score Mixer
Six Days Seven Nights (1998)
Directed by: Ivan Reitman
Cinematography by: Michael Chapman
Music Recordist / Score Mixer
Psycho (1998)
Directed by: Gus Van Sant
Cinematography by: Christopher Doyle
Edited by: Amy E. Duddleston
Score Mixer / Score Recordist
A Simple Plan (1998)
Directed by: Sam Raimi
Cinematography by: Alar Kivilo
Cameras: Panavision Panaflex Platinum Camera
Music Scoring Mixer
Fathers' Day (1997)
Directed by: Ivan Reitman
Cinematography by: Stephen H. Burum
Score Mixer
The Postman (1997)
Directed by: Kevin Costner
Cinematography by: Stephen F. Windon
Edited by: Peter Boyle
Music Scoring Mixer
The Devil's Own (1997)
Directed by: Alan J. Pakula
Cinematography by: Gordon Willis
Music Recordist / Scoring Engineer
Titanic (1997)
Directed by: James Cameron
Cinematography by: Russell Carpenter
Re-recording Mixer, Score Mixer / Score Recordist
Amistad (1997)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: Panavision Panaflex Platinum Camera
Lenses: Zeiss Super Speed Lenses
Music Scoring Mixer
Liar Liar (1997)
Directed by: Tom Shadyac
Cinematography by: Russell Boyd
Edited by: Don Zimmerman
Re-recording Mixer, Score Mixer
The Lost World: Jurassic Park (1997)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Music Scoring Mixer
Vegas Vacation (1997)
Directed by: Stephen Kessler
Cinematography by: William A. Fraker
Edited by: Seth Flaum
Cameras: Panavision Cameras
Score Mixer / Score Recordist
Flubber (1997)
Directed by: Les Mayfield
Cinematography by: Dean Cundey
Cameras: Panavision Cameras
Music Mixer / Music Recordist
Men in Black (1997)
Directed by: Barry Sonnenfeld
Cinematography by: Donald Peterman
Edited by: Jim Miller
Music Recordist , Score Mixer
Seven Years in Tibet (1997)
Directed by: Jean-Jacques Annaud
Cinematography by: Robert Fraisse
Edited by: Noëlle Boisson
Music Scoring Mixer: Australia
Oscar and Lucinda (1997)
Directed by: Gillian Armstrong
Cinematography by: Geoffrey Simpson
Edited by: Nicholas Beauman
Cameras: Panavision Panaflex Gold II Camera
Score Mixer
Mother Night (1996)
Directed by: Keith Gordon
Cinematography by: Tom Richmond
Edited by: Jay Rabinowitz
Music Recordist / Score Mixer
The Trigger Effect (1996)
Directed by: David Koepp
Cinematography by: Newton Thomas Sigel
Edited by: Jill Savitt
Score Mixer / Score Recordist
Primal Fear (1996)
Directed by: Gregory Hoblit
Cinematography by: Michael Chapman
Edited by: David Rosenbloom
Cameras: Panavision Panaflex Gold II Camera
Score Recordist
Twister (1996)
Directed by: Jan de Bont
Cinematography by: Jack N. Green
Edited by: Michael Kahn
Score Mixer / Score Recordist
Space Jam (1996)
Directed by: Joe Pytka
Cinematography by: Michael Chapman
Edited by: Sheldon Kahn
Score Mixer / Score Recordist
The Juror (1996)
Directed by: Brian Gibson
Cinematography by: Jamie Anderson
Edited by: Robert M. Reitano
Score Mixer / Score Recordist
One Fine Day (1996)
Directed by: Michael Hoffman
Cinematography by: Oliver Stapleton
Edited by: Garth Craven
Music Mixer / Music Recordist
The Spitfire Grill (1996)
Directed by: Lee David Zlotoff
Cinematography by: Robert Draper
Edited by: Margaret Goodspeed
Score Mixer
Sleepers (1996)
Directed by: Barry Levinson
Cinematography by: Michael Ballhaus
Edited by: Stu Linder
Score Mixer
Flipper (1996)
Directed by: Alan Shapiro
Cinematography by: Bill Butler
Edited by: Peck Prior
Score Mixer / Score Recordist
Eye for an Eye (1996)
Directed by: John Schlesinger
Cinematography by: Amir Mokri
Edited by: Peter Honess
Music Scoring Mixer
Ransom (1996)
Directed by: Ron Howard
Cinematography by: Piotr Sobocinski
Music Score Mixer / Score Recordist, Re-recording Mixer
Mars Attacks! (1996)
Directed by: Tim Burton
Cinematography by: Peter Suschitzky
Edited by: Chris Lebenzon
Score Mixer
Courage Under Fire (1996)
Directed by: Edward Zwick
Cinematography by: Roger Deakins
Edited by: Steven Rosenblum
Score Mixer
To Gillian on Her 37th Birthday (1996)
Directed by: Michael Pressman
Cinematography by: Tim Suhrstedt
Edited by: William S. Scharf
Cameras: Panavision Cameras
Music Mixer / Music Recordist
Bed of Roses (1996)
Directed by: Michael Goldenberg
Cinematography by: Adam Kimmel
Edited by: Jane Kurson
Cameras: Panavision Cameras
Re-recording Mixer, Score Recordist
Mission: Impossible (1996)
Directed by: Brian De Palma
Cinematography by: Stephen H. Burum
Edited by: Paul Hirsch
Cameras: Panavision Panaflex Camera, Wescam Cameras
Editing System: Lightworks Editing System
Score Mixer
Dolores Claiborne (1995)
Directed by: Taylor Hackford
Cinematography by: Gabriel Beristain
Edited by: Mark Warner
Score Mixer
Jade (1995)
Directed by: William Friedkin
Cinematography by: Andrzej Bartkowiak
Edited by: Augie Hess
Music Scoring Mixer
Apollo 13 (1995)
Directed by: Ron Howard
Cinematography by: Dean Cundey
Score Mixer / Score Recordist
Waterworld (1995)
Directed by: Kevin Reynolds
Cinematography by: Dean Semler
Edited by: Peter Boyle
Music Recordist
A Walk in the Clouds (1995)
Directed by: Alfonso Arau
Cinematography by: Emmanuel Lubezki
Edited by: Don Zimmerman
Music Mixer / Music Recordist
Braveheart (1995)
Directed by: Mel Gibson
Cinematography by: John Toll
Edited by: Steven Rosenblum
Cameras: Panavision Panaflex Platinum Camera
Editing System: Lightworks Editing System
Score Mixer / Score Recordist
Pie in the Sky (1995)
Directed by: Bryan Gordon
Cinematography by: Bernd Heinl
Edited by: Colleen Halsey
Music Recordist
Things to Do in Denver When You're Dead (1995)
Directed by: Gary Fleder
Cinematography by: Elliot Davis
Edited by: Richard Marks
Music Recording Engineer
Restoration (1995)
Directed by: Michael Hoffman
Cinematography by: Oliver Stapleton
Edited by: Garth Craven
Music Mixer, Re-recording Mixer
Jumanji (1995)
Directed by: Joe Johnston
Cinematography by: Thomas E. Ackerman
Edited by: Robert Dalva
Cameras: Panavision Cameras
Re-recording Mixer, Score Mixer
Casper (1995)
Directed by: Brad Silberling
Cinematography by: Dean Cundey
Edited by: Michael Kahn
Cameras: Panavision Cameras
Music Scoring Mixer
Nixon (1995)
Directed by: Oliver Stone
Cinematography by: Robert Richardson
Editing System: Avid Editing System
Scoring Mixer
Little Women (1994)
Directed by: Gillian Armstrong
Cinematography by: Geoffrey Simpson
Edited by: Nicholas Beauman
Score Mixer
Clear and Present Danger (1994)
Directed by: Phillip Noyce
Cinematography by: Donald McAlpine
Edited by: Neil Travis
Music Scoring Mixer
Speechless (1994)
Directed by: Ron Underwood
Cinematography by: Donald Peterman
Edited by: Richard Francis-Bruce
Music Scoring Mixer, Scoring Recordist
Legends of the Fall (1994)
Directed by: Edward Zwick
Cinematography by: John Toll
Edited by: Steven Rosenblum
Cameras: Panavision Panaflex Gold II Camera
Lenses: Canon Lenses, Panavision Lenses
Music Scoring Mixer
Intersection (1994)
Directed by: Mark Rydell
Cinematography by: Vilmos Zsigmond
Edited by: Mark Warner
Music Scoring Mixer
Squanto: A Warrior's Tale (1994)
Directed by: Xavier Koller
Cinematography by: Robbie Greenberg
Score Mixer
The Specialist (1994)
Directed by: Luis Llosa
Cinematography by: Jeffrey L. Kimball
Edited by: Jack Hofstra
Scoring Mixer
City Slickers II: The Legend of Curly's Gold (1994)
Directed by: Paul Weiland
Cinematography by: Adrian Biddle
Music Scoring Mixer
Terminal Velocity (1994)
Directed by: Deran Sarafian
Cinematography by: Oliver Wood
Music Mixer / Music Recordist
Wyatt Earp (1994)
Directed by: Lawrence Kasdan
Cinematography by: Owen Roizman
Edited by: Carol Littleton
Score Mixer
North (1994)
Directed by: Rob Reiner
Cinematography by: Adam Greenberg
Edited by: Robert Leighton
Music Mixer
The Pelican Brief (1993)
Directed by: Alan J. Pakula
Cinematography by: Stephen Goldblatt
Editing System: Lightworks Editing System
Music Scoring Mixer
House of Cards (1993)
Directed by: Michael Lessac
Cinematography by: Victor Hammer
Edited by: Walter Murch
Music Mixer / Music Recordist
Fearless (1993)
Directed by: Peter Weir
Cinematography by: Allen Daviau
Scoring Mixer
My Life (1993)
Directed by: Bruce Joel Rubin
Cinematography by: Peter James
Edited by: Richard Chew
Score Mixer
Falling Down (1993)
Directed by: Joel Schumacher
Cinematography by: Andrzej Bartkowiak
Edited by: Paul Hirsch
Cameras: Panavision Panaflex Platinum Camera
Score Mixer
Searching for Bobby Fischer (1993)
Directed by: Steven Zaillian
Cinematography by: Conrad L. Hall
Edited by: Wayne Wahrman
Music Scoring Mixer
Schindler's List (1993)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Editing System: Moviola Editing System
Score Mixer
Jack the Bear (1993)
Directed by: Marshall Herskovitz
Cinematography by: Fred Murphy
Edited by: Steven Rosenblum
Music Scoring Mixer, Re-recording Mixer
Jurassic Park (1993)
Directed by: Steven Spielberg
Cinematography by: Dean Cundey
Edited by: Michael Kahn
Editing System: Steenbeck Editing System
Score Mixer
The Man Without a Face (1993)
Directed by: Mel Gibson
Cinematography by: Donald McAlpine
Edited by: Antony Gibbs
Score Mixer
A Far Off Place (1993)
Directed by: Mikael Salomon
Cinematography by: Juan Ruiz Anchía
Edited by: Ray Lovejoy
Cameras: Panavision Panaflex Camera
Score Mixer
Wrestling Ernest Hemingway (1993)
Directed by: Randa Haines
Cinematography by: Lajos Koltai
Edited by: Paul Hirsch
Scoring Mixer
Sommersby (1993)
Directed by: Jon Amiel
Cinematography by: Philippe Rousselot
Edited by: Peter Boyle
Music Editor
Chaplin (1992)
Directed by: Richard Attenborough
Cinematography by: Sven Nykvist
Edited by: Anne V. Coates
Scoring Mixer
Sneakers (1992)
Directed by: Phil Alden Robinson
Cinematography by: John Lindley
Edited by: Tom Rolf
Music Recording Engineer
Batman Returns (1992)
Directed by: Tim Burton
Cinematography by: Stefan Czapsky
Cameras: Panavision Panaflex Gold II Camera
Scoring Mixer
Home Alone 2: Lost in New York (1992)
Directed by: Chris Columbus
Cinematography by: Julio Macat
Edited by: Raja Gosnell
Cameras: Panavision Panaflex Platinum Camera
Music Recordist
Far and Away (1992)
Directed by: Ron Howard
Cinematography by: Mikael Salomon
Cameras: ARRIFLEX 765 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses: Panavision 65mm Prime Lenses, Zeiss Lenses
Scoring Mixer
Unlawful Entry (1992)
Directed by: Jonathan Kaplan
Cinematography by: Jamie Anderson
Edited by: Curtiss Clayton
Score Mixer
Captain Ron (1992)
Directed by: Thom Eberhardt
Cinematography by: Daryn Okada
Edited by: Tina Hirsch
Score Mixer
Dracula (1992)
Directed by: Francis Ford Coppola
Cinematography by: Michael Ballhaus
Cameras: ARRIFLEX 535 Camera
Scoring Mixer
Thunderheart (1992)
Directed by: Michael Apted
Cinematography by: Roger Deakins
Edited by: Ian Crafford
Cameras: ARRI Cameras
Re-recording Mixer
The Marrying Man (1991)
Directed by: Jerry Rees
Cinematography by: Donald E. Thorin
Music Scoring Mixer, Re-recording Mixer
Hook (1991)
Directed by: Steven Spielberg
Cinematography by: Dean Cundey
Edited by: Michael Kahn
Music Scoring Mixer
Class Action (1991)
Directed by: Michael Apted
Cinematography by: Conrad L. Hall
Edited by: Ian Crafford
Orchestra Scoring Mixer
Eyes of an Angel (1991)
Directed by: Robert Harmon
Cinematography by: Theo van de Sande
Scoring Mixer
King Ralph (1991)
Directed by: David S. Ward
Cinematography by: Kenneth MacMillan
Edited by: John Jympson
Music Recording Mixer
The Man in the Moon (1991)
Directed by: Robert Mulligan
Cinematography by: Freddie Francis
Edited by: Trudy Ship
Music Recording Engineer
Once Around (1991)
Directed by: Lasse Hallström
Cinematography by: Theo van de Sande
Edited by: Andrew Mondshein
Cameras: Panavision Cameras
Scoring Mixer
The Bonfire of the Vanities (1990)
Directed by: Brian De Palma
Cinematography by: Vilmos Zsigmond
Music Scoring Mixer
Another 48 Hrs. (1990)
Directed by: Walter Hill
Cinematography by: Matthew F. Leonetti
Cameras: Ultracam 35 Camera
Music Scoring Mixer
Ghost (1990)
Directed by: Jerry Zucker
Cinematography by: Adam Greenberg
Edited by: Walter Murch
Cameras: ARRI ARRIFLEX Series Cameras
Scoring Mixer
Solar Crisis (1990)
Cinematography by: Russell Carpenter
Edited by: Richard Trevor
Music Recording Engineer / Scoring Mixer
Almost an Angel (1990)
Directed by: John Cornell
Cinematography by: Russell Boyd
Edited by: David Stiven
Music Scoring Mixer
Edward Scissorhands (1990)
Directed by: Tim Burton
Cinematography by: Stefan Czapsky
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Music Scoring Mixer
Dances with Wolves (1990)
Directed by: Kevin Costner
Cinematography by: Dean Semler
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Scoring Mixer
I Love You to Death (1990)
Directed by: Lawrence Kasdan
Cinematography by: Owen Roizman
Edited by: Anne V. Coates
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Scoring Mixer
Glory (1989)
Directed by: Edward Zwick
Cinematography by: Freddie Francis
Edited by: Steven Rosenblum
Cameras: Panavision Panaflex Gold II Camera
Music Scoring Mixer
Field of Dreams (1989)
Directed by: Phil Alden Robinson
Cinematography by: John Lindley
Edited by: Ian Crafford
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Re-recording Mixer, Score Mixer
Always (1989)
Directed by: Steven Spielberg
Cinematography by: Mikael Salomon
Edited by: Michael Kahn
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Scoring Mixer
Honey, I Shrunk the Kids (1989)
Directed by: Joe Johnston
Cinematography by: Hiro Narita
Edited by: Michael A. Stevenson
Re-recording Mixer
Indiana Jones and the Last Crusade (1989)
Directed by: Steven Spielberg
Cinematography by: Douglas Slocombe
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Scoring Mixer
Winter People (1989)
Directed by: Ted Kotcheff
Cinematography by: François Protat
Edited by: Thom Noble
Cameras: Panavision Cameras
Scoring Mixer
Off Limits (1988)
Directed by: Christopher Crowe
Cinematography by: David Gribble
Edited by: Douglas Ibold
Music Scoring Mixer
Shoot to Kill (1988)
Directed by: Roger Spottiswoode
Cinematography by: Michael Chapman
Music Mixer: West Germany / Music Recordist: West Germany
Young Guns (1988)
Directed by: Christopher Cain
Cinematography by: Dean Semler
Edited by: Jack Hofstra
Scoring Mixer
Everybody's All-American (1988)
Directed by: Taylor Hackford
Cinematography by: Stephen Goldblatt
Edited by: Don Zimmerman
Scoring Mixer
Vibes (1988)
Directed by: Ken Kwapis
Cinematography by: John Bailey
Edited by: Carol Littleton
Music Scoring Mixer, Rerecording Mixer
Cocoon: The Return (1988)
Directed by: Daniel Petrie
Cinematography by: Tak Fujimoto
Edited by: Mark Warner
Re-recording Mixer, Score Mixer
Willow (1988)
Directed by: Ron Howard
Cinematography by: Adrian Biddle
Cameras: Panavision Panaflex Gold Camera
Score Mixer
Empire of the Sun (1987)
Directed by: Steven Spielberg
Cinematography by: Allen Daviau
Edited by: Michael Kahn
Score Mixer
*batteries not included (1987)
Directed by: Matthew Robbins
Cinematography by: John McPherson
Edited by: Cynthia Scheider
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Score Mixer
Where the River Runs Black (1986)
Directed by: Christopher Cain
Cinematography by: Juan Ruiz Anchía
Edited by: Richard Chew
Music Scoring Mixer
Baby: Secret of the Lost Legend (1985)
Directed by: Bill Norton
Cinematography by: John Alcott
Cameras: ARRI Cameras
Score Mixer
Something Wicked This Way Comes (1983)
Directed by: Jack Clayton
Cinematography by: Stephen H. Burum
Cameras: Panavision Cameras
Music Recording Supervisor
Brainstorm (1983)
Directed by: Douglas Trumbull
Cinematography by: Richard Yuricich
Re-recording Mixer - 2002 Special Version
E.T. the Extra-Terrestrial (1982)
Directed by: Steven Spielberg
Cinematography by: Allen Daviau
Edited by: Carol Littleton
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Score Mixer: 1982 Rerecording
Fantasia (1940)
Directed by: James Algar, Samuel Armstrong, Ford Beebe Jr., Norman Ferguson, David Hand, Jim Handley, T. Hee, Wilfred Jackson, Hamilton Luske, Bill Roberts, Paul Satterfield, Ben Sharpsteen
Cinematography by: James Wong Howe
Cameras: Bell & Howell 2709 Camera
Editing System: Moviola Editing System
