Special Effects Supervisor
Harry Potter and the Deathly Hallows: Part 2 (2011)
Directed by: David Yates
Cinematography by: Eduardo Serra
Edited by: Mark Day
Lenses: Cooke S4 Lenses
Special Effects Supervisor
Harry Potter and the Deathly Hallows: Part 1 (2010)
Directed by: David Yates
Cinematography by: Eduardo Serra
Edited by: Mark Day
Special Effects Supervisor
Harry Potter and the Half-Blood Prince (2009)
Directed by: David Yates
Cinematography by: Bruno Delbonnel
Edited by: Mark Day
Special Effects Supervisor
Harry Potter and the Order of the Phoenix (2007)
Directed by: David Yates
Cinematography by: Slawomir Idziak
Edited by: Mark Day
Cameras: ARRI Cameras
Special Effects Supervisor
Harry Potter and the Goblet of Fire (2005)
Directed by: Mike Newell
Cinematography by: Roger Pratt
Edited by: Mick Audsley
Special Effects Supervisor
Harry Potter and the Prisoner of Azkaban (2004)
Directed by: Alfonso Cuarón
Cinematography by: Michael Seresin
Edited by: Steven Weisberg
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System
Creature Coordinator
Men in Black II (2002)
Directed by: Barry Sonnenfeld
Cinematography by: Greg Gardiner
Model Effects Supervisor
Die Another Day (2002)
Directed by: Lee Tamahori
Cinematography by: David Tattersall
Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Special Effects Supervisor
Harry Potter and the Chamber of Secrets (2002)
Directed by: Chris Columbus
Cinematography by: Roger Pratt
Edited by: Peter Honess
Special Effects Supervisor
Harry Potter and the Sorcerer's Stone (2001)
Directed by: Chris Columbus
Cinematography by: John Seale
Edited by: Richard Francis-Bruce
Special Effects Coordinator
The Family Man (2000)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Edited by: Mark Helfrich
Miniatures
The World Is Not Enough (1999)
Directed by: Michael Apted
Cinematography by: Adrian Biddle
Edited by: Jim Clark
Special Effects Supervisor
Deep Blue Sea (1999)
Directed by: Renny Harlin
Cinematography by: Stephen F. Windon
Miniatures
Tomorrow Never Dies (1997)
Directed by: Roger Spottiswoode
Cinematography by: Robert Elswit
Cameras: Panavision Panaflex Gold II Camera
Special Effects Supervisor
Starship Troopers (1997)
Directed by: Paul Verhoeven
Cinematography by: Jost Vacano
Lenses: Zeiss Lenses
Special Effects Supervisor
Broken Arrow (1996)
Directed by: John Woo
Cinematography by: Peter Levy
Cameras: Panavision Cameras
Special Effects
The American President (1995)
Directed by: Rob Reiner
Cinematography by: John Seale
Edited by: Robert Leighton
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Special Effects Coordinator
Cliffhanger (1993)
Directed by: Renny Harlin
Cinematography by: Alex Thomson
Edited by: Frank J. Urioste
Cameras: Panavision Cameras
Models And Special Effects Creator
Aces: Iron Eagle III (1992)
Directed by: John Glen
Cinematography by: Alec Mills
Edited by: Bernard Gribble
Special Effects Supervisor: Ireland
Far and Away (1992)
Directed by: Ron Howard
Cinematography by: Mikael Salomon
Cameras: ARRIFLEX 765 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses: Panavision 65mm Prime Lenses, Zeiss Lenses
Special Effects Designer
Highlander II: The Quickening (1991)
Directed by: Russell Mulcahy
Cinematography by: Phil Meheux
Special Visual Effects
Licence to Kill (1989)
Directed by: John Glen
Cinematography by: Alec Mills
Edited by: John Grover
Special Effects Supervisor
Willow (1988)
Directed by: Ron Howard
Cinematography by: Adrian Biddle
Cameras: Panavision Panaflex Gold Camera
Special Visual Effects
The Living Daylights (1987)
Directed by: John Glen
Cinematography by: Alec Mills
Special Effects Supervisor
Aliens (1986)
Directed by: James Cameron
Cinematography by: Adrian Biddle
Edited by: Ray Lovejoy
Lenses: Canon K35 Prime Lenses
Special Effects: Preparation
Pirates (1986)
Directed by: Roman Polanski
Cinematography by: Witold Sobocinski
Production Special Effects Supervisor
A View to a Kill (1985)
Directed by: John Glen
Cinematography by: Alan Hume
Edited by: Peter Davies
Special Effects Supervisor
Five Days One Summer (1982)
Directed by: Fred Zinnemann
Cinematography by: Giuseppe Rotunno
Edited by: Stuart Baird
Cameras: Panavision Cameras
Supervisor Of Special Effects And Special Sequences
ffolkes (1980)
Directed by: Andrew V. McLaglen
Cinematography by: Tony Imi
Edited by: Alan Strachan
Cameras: Panavision Cameras
Special Effects
The Watcher in the Woods (1980)
Cinematography by: Alan Hume
Edited by: Geoffrey Foot
Cameras: Panavision Cameras
Special Effects
Moonraker (1979)
Directed by: Lewis Gilbert
Cinematography by: Jean Tournier
Edited by: John Glen
Special Effects: Canada And New York
Superman (1978)
Directed by: Richard Donner
Cinematography by: Geoffrey Unsworth
Cameras: Panavision Silent Reflex PSR Camera
Editing System: Moviola Editing System
Special Effects Supervisor
A Bridge Too Far (1977)
Directed by: Richard Attenborough
Cinematography by: Geoffrey Unsworth
Edited by: Antony Gibbs
Special Effects
Barry Lyndon (1975)
Directed by: Stanley Kubrick
Cinematography by: John Alcott
Edited by: Tony Lawson
Cameras: ARRIFLEX 35 BL Camera, Mitchell BNC Camera
Special Effects
Rollerball (1975)
Directed by: Norman Jewison
Cinematography by: Douglas Slocombe
Edited by: Antony Gibbs
Cameras: Panavision Cameras
Special Effects Unit Supervisor
The Adventurers (1970)
Directed by: Lewis Gilbert
Cinematography by: Claude Renoir
Edited by: Anne V. Coates
Special Effects Unit Supervisor
The Private Life of Sherlock Holmes (1970)
Directed by: Billy Wilder
Cinematography by: Christopher Challis
Edited by: Ernest Walter
Special Effects Assistant
Battle of Britain (1969)
Directed by: Guy Hamilton
Cinematography by: Freddie Young
Edited by: Bert Bates
Special Effects
Casino Royale (1967)
Cinematography by: Jack Hildyard
Edited by: Bill Lenny
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Special Effects Assistant
Lord Jim (1965)
Directed by: Richard Brooks
Cinematography by: Freddie Young
Edited by: Alan Osbiston
Cameras: Super Panavision-70 Camera
Special Effects Assistant
Lawrence of Arabia (1962)
Directed by: David Lean
Cinematography by: Freddie Young
Edited by: Anne V. Coates
Cameras: Super Panavision-70 Camera
Special Effects Assistant
Exodus (1960)
Directed by: Otto Preminger
Cinematography by: Sam Leavitt
Edited by: Louis R. Loeffler
Cameras: Super Panavision-70 Camera
