Head Of Post Production: Lip Sync Post
Freestyle (2010)
Directed by: Kolton Lee
Cinematography by: Steve Gray
Edited by: Dominic Strevens
Cameras: Red One Camera
Head Of Post-production: Lipsync Post
The Arbor (2010)
Directed by: Clio Barnard
Cinematography by: Ole Bratt Birkeland
Head Of Post-production: Lip Sync Post
Solomon Kane (2009)
Directed by: M.J. Bassett
Cinematography by: Dan Laustsen
Edited by: Andrew MacRitchie
Head Of Post-production: Lip Sync Post
Mutant Chronicles (2008)
Directed by: Simon Hunter
Cinematography by: Geoff Boyle
Head Of Post-production: Lip Sync Post
Dean Spanley (2008)
Directed by: Toa Fraser
Cinematography by: Leon Narbey
Edited by: Chris Plummer
Post-production Supervisor
The Vanguard (2008)
Directed by: Matthew Hope
Cinematography by: David Byrne
Cameras: Bell & Howell Eyemo Camera, Moviecam Cameras
Head Of Post-production: Lip Sync Post
Good (2008)
Directed by: Vicente Amorim
Cinematography by: Andrew Dunn
Edited by: John Wilson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Head Of Post Production: Lipsync Post
Highlander: The Source (2007)
Directed by: Brett Leonard
Cinematography by: Steve Arnold
Cameras: Thomson Viper Camera
Lenses: Zeiss DigiPrime Lenses
Head Of Post-production: Lip Sync Post
How About You... (2007)
Directed by: Anthony Byrne
Cinematography by: Des Whelan
Edited by: Emma E. Hickox
Head Of Post-production: Lip Sync Post
The Ferryman (2007)
Directed by: Chris Graham
Cinematography by: Aaron Morton
Edited by: Nigel Galt
Digital Transfer Supervisor
Once (2007)
Directed by: John Carney
Cinematography by: Tim Fleming
Edited by: Paul Mullen
Cameras: Sony HVR-Z1E Camera
Head Of Post Production: Lip Sync Post
Sweeney Todd: The Demon Barber of Fleet Street (2007)
Directed by: Tim Burton
Cinematography by: Dariusz Wolski
Edited by: Chris Lebenzon
Visual Effects Producer: Lip Sync Post
Perfect Creature (2006)
Directed by: Glenn Standring
Cinematography by: Leon Narbey
Edited by: Chris Blunden
Head Of Post Production: Lip Sync Post
Cashback (2006)
Directed by: Sean Ellis
Cinematography by: Angus Hudson
Cameras: Moviecam Compact Camera
Head Of Post-production: Lip Sync Post
Severance (2006)
Directed by: Christopher Smith
Cinematography by: Ed Wild
Edited by: Stuart Gazzard
Additional Digital Services: Lipsync
The Killing of John Lennon (2006)
Directed by: Andrew Piddington
Cinematography by: Roger Eaton
Edited by: Tony Palmer
D-lab Head Of Post: Lipsync Post
The Descent (2005)
Directed by: Neil Marshall
Cinematography by: Sam McCurdy
Edited by: Jon Harris
Video To Film Supervisor: Lip Sync Post
Badgered (2005)
Directed by: Sharon Colman
Edited by: Agnieszka Liggett
Head Of Post-production: Lip Sync Post
River Queen (2005)
Directed by: Vincent Ward
Cinematography by: Alun Bollinger
Edited by: Ewa J. Lind
Scanning And Recording Producer: Lip Sync Post
The Brothers Grimm (2005)
Directed by: Terry Gilliam
Cinematography by: Newton Thomas Sigel
Edited by: Lesley Walker
Head Of Post Production: Lip Sync Post
Mirrormask (2005)
Directed by: Dave McKean
Cinematography by: Antony Shearn
Edited by: Nicolas Gaster
Film Recording Producer
An American Haunting (2005)
Directed by: Courtney Solomon
Cinematography by: Adrian Biddle
Edited by: Richard Comeau
Recording Producer: Lip Sync Post, Scanning And Recording Producer: Lip Sync Post
Batman Begins (2005)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Head Of Post Production: Lip Sync Post
Evil Aliens (2005)
Directed by: Jake West
Cinematography by: Jim Solan
Edited by: Jake West
Head Of Post Production: Lip Sync Post
Seed of Chucky (2004)
Directed by: Don Mancini
Cinematography by: Vernon Layton
Edited by: Chris Dickens
Head Of Post-production: Lip Sync Post
Monsters (2004)
Directed by: Robert Morgan
Cinematography by: Marcus Waterloo
Edited by: Nicolas Chaudeurge
Cameras: Sony HDW-750 Camera
Editing System: Adobe Premiere Editing System
Film Recording Producer: Lip Sync Post
Bridget Jones: The Edge of Reason (2004)
Directed by: Beeban Kidron
Cinematography by: Adrian Biddle
Edited by: Greg Hayden
Head Of Post-production: Lip Sync Post London
Gladiatress (2004)
Directed by: Brian Grant
Cinematography by: Witold Stok
Edited by: Fiona Colbeck
Head Of Post-production: Lip Sync Post
In My Country (2004)
Directed by: John Boorman
Cinematography by: Seamus Deasy
Edited by: Ron Davis
Video To Film Supervisor: Lip Sync Post
Peace One Day (2004)
Directed by: Jeremy Gilley
Cinematography by: Ole Bratt Birkeland, Chester Dent, Chris Diaper, Mary Farbrother, Paul Gillmore, Jim Jolliffe, Alvin Leong, Martin N. Munyua, Jamie Sewell, Marina Showay, John Tramper, Andrew Wiggins, Erik Wilson
Edited by: Adrian Begon
Digital Scanning And Recording Producer: Lip Sync Post
Harry Potter and the Prisoner of Azkaban (2004)
Directed by: Alfonso Cuarón
Cinematography by: Michael Seresin
Edited by: Steven Weisberg
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System
Head Of Post: Lipsync Post
Ladies in Lavender (2004)
Directed by: Charles Dance
Cinematography by: Peter Biziou
Edited by: Michael Parker
Head Of Post-production: LipSync Post
Fakers (2004)
Directed by: Richard Janes
Cinematography by: Balazs Bolygo
Edited by: Adam Green
Film Recording Producer: Lip Sync Post
Die Another Day (2002)
Directed by: Lee Tamahori
Cinematography by: David Tattersall
Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Scanning And Recording Producer: Lip Sync Post
Harry Potter and the Chamber of Secrets (2002)
Directed by: Chris Columbus
Cinematography by: Roger Pratt
Edited by: Peter Honess
Scanning And Recording Producer: Lip Sync Post
Blade II (2002)
Directed by: Guillermo del Toro
Cinematography by: Gabriel Beristain
Edited by: Peter Amundson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Film Recording Producer: Lip Sync Post
Pinocchio (2002)
Directed by: Roberto Benigni
Cinematography by: Dante Spinotti
Edited by: Simona Paggi
Cameras: Panavision Panaflex Platinum Camera
Video-to-film Transfer: Lip Sync Post
The Honeytrap (2002)
Directed by: Michael G. Gunther
Cinematography by: Tony Miller
Edited by: Michael G. Gunther
Scanning And Recording Producer: Framestore-CFC
Notting Hill (1999)
Directed by: Roger Michell
Cinematography by: Michael Coulter
Edited by: Nick Moore
Cameras: Moviecam Cameras
Editing System: Lightworks Editing System
Scanning And Recording Producer: CFC London
In Dreams (1999)
Directed by: Neil Jordan
Cinematography by: Darius Khondji
Edited by: Tony Lawson
Scanning And Recoding Producer: CFC
Snake Eyes (1998)
Directed by: Brian De Palma
Cinematography by: Stephen H. Burum
Edited by: Bill Pankow
Lenses: Panavision C Series Anamorphic Lenses, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens
Editing System: Avid Editing System
Scanning And Recording Producer: CFC
The Avengers (1998)
Directed by: Jeremiah S. Chechik
Cinematography by: Roger Pratt
Edited by: Mick Audsley
Scanning And Recoding Producer: CFC
Lost in Space (1998)
Directed by: Stephen Hopkins
Cinematography by: Peter Levy
Edited by: Ray Lovejoy
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Scanning And Recording Producer: "Visions Of Hell" Sequence, CFC
Event Horizon (1997)
Directed by: Paul W.S. Anderson
Cinematography by: Adrian Biddle
Edited by: Martin Hunter
Cameras: Panavision Panaflex Platinum Camera
Scanning And Recording Producer: Title Sequence, CFC
The Jackal (1997)
Directed by: Michael Caton-Jones
Cinematography by: Karl Walter Lindenlaub
Edited by: Jim Clark
Scanning And Recording Producer: CFC
Jude (1996)
Directed by: Michael Winterbottom
Cinematography by: Eduardo Serra
Edited by: Trevor Waite
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Scanning And Recording Producer: CFC
Mission: Impossible (1996)
Directed by: Brian De Palma
Cinematography by: Stephen H. Burum
Edited by: Paul Hirsch
Cameras: Panavision Panaflex Camera, Wescam Cameras
Editing System: Lightworks Editing System
Scanning And Recording Producer: CFC
Executive Decision (1996)
Directed by: Stuart Baird
Cinematography by: Alex Thomson
Scanning And Recoding Producer: CFC London
The English Patient (1996)
Directed by: Anthony Minghella
Cinematography by: John Seale
Edited by: Walter Murch
65 Mm Scanning And Recording Producer: The Computer Film Company
Hamlet (1996)
Directed by: Kenneth Branagh
Cinematography by: Alex Thomson
Edited by: Neil Farrell
Cutting Room Manager: Prominent Studios, UK / Unit Projectionist: Prominent Studios, London
The Thief and the Cobbler (1993)
Directed by: Richard Williams
Cinematography by: John Leatherbarrow
Edited by: Peter Bond
Cutting Room Manager: Prominent Studios, London / Unit Projectionist: Prominent Studios, London
The Fisher King (1991)
Directed by: Terry Gilliam
Cinematography by: Roger Pratt
Edited by: Lesley Walker
Unit Projectionist: Mercury Theatres, London
Buster (1988)
Directed by: David Green
Cinematography by: Tony Imi
Edited by: Lesley Walker
Cameras: Panavision Cameras
Unit Projectionist: Mercury Theatres, London
A Fish Called Wanda (1988)
Cinematography by: Alan Hume
Edited by: John Jympson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Dubbing Theatre Projectionist: De Lane Lea
Highlander (1986)
Directed by: Russell Mulcahy
Cinematography by: Gerry Fisher
Edited by: Peter Honess
Unit Projectionist: Mercury Theatres, London
A Room with a View (1985)
Directed by: James Ivory
Cinematography by: Tony Pierce-Roberts
Edited by: Humphrey Dixon
Dubbing Theatre Projectionist
The Holcroft Covenant (1985)
Directed by: John Frankenheimer
Cinematography by: Gerry Fisher
Edited by: Ralph Sheldon
Cameras: Panavision Cameras
Unit Projectionist: Mercury Theatres, London
A Passage to India (1984)
Directed by: David Lean
Cinematography by: Ernest Day
Edited by: David Lean
Cameras: Panavision Cameras
