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Eastman EXR 500T 5298/7298 Neg. Film | 67 Titles

Eastman EXR 500T 5298/7298 Neg. Film 2.75/5 8 Votes

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Get on the Bus (1996)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 120 Minutes

Directed by | Spike Lee | Cinematography by | Elliot Davis | Editing by | Leander T. Sales

Starring | Ossie Davis, Charles S. Dutton, Andre Braugher, Richard Belzer

Cameras | Aaton XTR Camera, Krasnogorsk-3 Camera

GoldenEye (1995)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.39:1 | 130 Minutes

Directed by | Martin Campbell | Cinematography by | Phil Meheux | Editing by | Terry Rawlings

Starring | Pierce Brosnan, Sean Bean, Izabella Scorupco, Famke Janssen

Cameras | ARRIFLEX 35 III Camera, ARRIFLEX 35 IIIC Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses | Cooke Lenses, Nikon - Nikkor Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Starship Troopers (1997)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 129 Minutes

Directed by | Paul Verhoeven | Cinematography by | Jost Vacano | Editing by | Mark Goldblatt, Caroline Ross

Starring | Casper Van Dien, Denise Richards, Dina Meyer, Jake Busey

Cameras | ARRIFLEX 35 BL3 Camera, ARRIFLEX 535 B Camera, Moviecam Compact Camera

Lenses | Zeiss Lenses

Clockers (1995)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 128 Minutes

Directed by | Spike Lee | Cinematography by | Malik Hassan Sayeed | Editing by | Sam Pollard

Starring | Harvey Keitel, John Turturro, Delroy Lindo

Cameras | ARRIFLEX 535 Camera, Moviecam Compact Camera

Lenses | Angenieux HR Zoom Lenses, Zeiss Super Speed Lenses

Shine (1996)

Motion Picture | 2D | Color | 1.85:1 | 105 Minutes

Directed by | Scott Hicks | Cinematography by | Geoffrey Simpson | Editing by | Pip Karmel

Starring | Geoffrey Rush, Armin Mueller-Stahl, Justin Braine

Cameras | ARRIFLEX 35 BL4s Camera, ARRIFLEX 535 Camera

Lenses | Canon Lenses, Cooke Varotal Lenses, Zeiss Standard Speed Prime Lenses

What Dreams May Come (1998)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 113 Minutes

Directed by | Vincent Ward | Cinematography by | Eduardo Serra | Editing by | David Brenner, Maysie Hoy

Starring | Robin Williams, Cuba Gooding Jr., Annabella Sciorra

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Apollo 13 (1995)

Motion Picture | 2D | 4K Project | Color | 1.66:1, 1.78:1 (16x9), 2.39:1 | 140 Minutes

Directed by | Ron Howard | Cinematography by | Dean Cundey | Editing by | Daniel P. Hanley, Mike Hill

Starring | Tom Hanks, Bill Paxton, Kevin Bacon

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera, VistaVision Cameras

Lenses | Panavision Primo Primes Spherical Lenses

Mission: Impossible (1996)

Motion Picture | 2D | Color | 2.39:1 | 110 Minutes

Directed by | Brian De Palma | Cinematography by | Stephen H. Burum | Editing by | Paul Hirsch

Starring | Tom Cruise, Jon Voight, Emmanuelle Béart, Henry Czerny

Cameras | Panavision Panaflex Camera, Wescam Cameras

Rosewood (1997)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 140 Minutes

Directed by | John Singleton | Cinematography by | Johnny E. Jensen | Editing by | Bruce Cannon

Starring | Jon Voight, Ving Rhames, Don Cheadle, Bruce McGill

Cameras | Panavision Panaflex Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Velvet Goldmine (1998)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 118 Minutes

Directed by | Todd Haynes | Cinematography by | Maryse Alberti | Editing by | James Lyons

Starring | Ewan McGregor, Jonathan Rhys Meyers, Christian Bale, Toni Collette

Cameras | Aaton Cameras, Panavision Panaflex Gold Camera

Lenses | Panavision Primo Primes Spherical Lenses

Jeepers Creepers (2001)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 90 Minutes

Directed by | Victor Salva | Cinematography by | Don E. FauntLeRoy | Editing by | Ed Marx

Starring | Gina Philips, Justin Long, Jonathan Breck, Patricia Belcher

Cameras | Panavision Panaflex Millennium Camera

Lenses | Panavision Primo Primes Spherical Lenses

Eyes Wide Shut (1999)

Motion Picture | 2D | Color | 159 Minutes

Directed by | Stanley Kubrick | Cinematography by | Larry Smith | Editing by | Nigel Galt

Starring | Tom Cruise, Nicole Kidman, Todd Field, Sydney Pollack

Cameras | ARRIFLEX 535 B Camera, Moviecam Superlight Camera

Lenses | Cooke Varotal 20-100mm T3.1 Zoom Lens, Zeiss Lenses

A Time to Kill (1996)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 149 Minutes

Directed by | Joel Schumacher | Cinematography by | Peter Menzies Jr. | Editing by | William Steinkamp

Starring | Matthew McConaughey, Sandra Bullock, Samuel L. Jackson, Kevin Spacey

Cameras | Panavision Panaflex Platinum Camera

Lenses | Cooke Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Titus (1999)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 162 Minutes

Directed by | Julie Taymor | Cinematography by | Luciano Tovoli | Editing by | Françoise Bonnot

Starring | Anthony Hopkins, Jessica Lange, Osheen Jones, Dario D'Ambrosi

Cameras | ARRIFLEX 35 BL Camera, ARRIFLEX 535 Camera

Lenses | Zeiss Lenses

Lolita (1997)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 137 Minutes

Directed by | Adrian Lyne | Cinematography by | Howard Atherton | Editing by | David Brenner, Julie Monroe

Starring | Jeremy Irons, Dominique Swain, Melanie Griffith, Frank Langella

Cameras | Panavision Panaflex Series Cameras

Lenses | Panavision Lenses

The Cable Guy (1996)

Motion Picture | 2D | Color | 2.39:1 | 96 Minutes

Directed by | Ben Stiller | Cinematography by | Robert Brinkmann | Editing by | Steven Weisberg

Starring | Jim Carrey, Matthew Broderick, Leslie Mann, Jack Black

Cameras | ARRIFLEX 535 Camera, Moviecam Compact Camera

Lenses | Zeiss Standard Speed Prime Lenses

Pitch Black (2000)

Motion Picture | 2D | Color | 2.39:1 | 109 Minutes

Directed by | David Twohy | Cinematography by | David Eggby | Editing by | Rick Shaine

Starring | Radha Mitchell, Cole Hauser, Vin Diesel, Keith David

Cameras | Panavision Cameras

Lenses | Panavision Lenses

The Rock (1996)

Motion Picture | 2D | Color | 136 Minutes

Directed by | Michael Bay | Cinematography by | John Schwartzman | Editing by | Richard Francis-Bruce

Starring | Sean Connery, Nicolas Cage, Ed Harris, John Spencer

Cameras | Pan-Arri III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

Independence Day (1996)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.39:1 | 145 Minutes

Directed by | Roland Emmerich | Cinematography by | Karl Walter Lindenlaub | Editing by | David Brenner

Starring | Will Smith, Bill Pullman, Jeff Goldblum, Mary McDonnell

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Lenses

Michael Collins (1996)

Motion Picture | 2D | Black & White, Color | 1.85:1 | 133 Minutes

Directed by | Neil Jordan | Cinematography by | Chris Menges | Editing by | J. Patrick Duffner, Tony Lawson

Starring | Liam Neeson, Aidan Quinn, Julia Roberts, Ian Hart

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