Eastman EXR 500T 5298/7298 Neg. Film | 66 Titles
Outside Providence (1999)
Directed by | Michael Corrente | Cinematography by | Richard Crudo | Editing by | Kate Sanford
Cameras | Panavision Panaflex Camera
Lenses | Panavision Primo Anamorphic Lenses
The Corruptor (1999)
Directed by | James Foley | Cinematography by | Juan Ruiz Anchía | Editing by | Howard E. Smith
Cameras | Aaton 35-III Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Eraser (1996)
The Mummy Returns (2001)
Directed by | Stephen Sommers | Cinematography by | Adrian Biddle | Editing by | Bob Ducsay, Kelly Matsumoto
Cameras | Panavision Panaflex Millennium XL Camera
The English Patient (1996)
Batman Forever (1995)
Directed by | Joel Schumacher | Cinematography by | Stephen Goldblatt | Editing by | Mark Stevens, Dennis Virkler
Cameras | Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
Laughing Dead (1998)
Directed by | Patrick Gleason | Cinematography by | Neal Fredericks, Tom Jensen | Editing by | Robert McFalls
Cameras | Aaton XTR Prod Camera
The Four Feathers (2002)
Camp Nowhere (1994)
Directed by | Jonathan Prince | Cinematography by | Sandi Sissel | Editing by | Jon Poll
Lenses | Panavision Primo Anamorphic Lenses
Lost Highway (1997)
Directed by | David Lynch | Cinematography by | Peter Deming | Editing by | Mary Sweeney
Lenses | Panavision Primo Anamorphic Lenses
American Splendor (2003)
Directed by | Shari Springer Berman, Robert Pulcini | Cinematography by | Terry Stacey | Editing by | Robert Pulcini
Pleasantville (1998)
Directed by | Gary Ross | Cinematography by | John Lindley | Editing by | William Goldenberg
Cameras | Panavision Cameras
Lenses | Panavision Lenses
The Talented Mr. Ripley (1999)
Directed by | Anthony Minghella | Cinematography by | John Seale | Editing by | Walter Murch
Cameras | Panavision Panaflex Platinum Camera
Star Trek: First Contact (1996)
Directed by | Jonathan Frakes | Cinematography by | Matthew F. Leonetti | Editing by | John W. Wheeler
Crimson Tide (1995)
Directed by | Tony Scott | Cinematography by | Dariusz Wolski | Editing by | Chris Lebenzon
Cameras | Panavision Panaflex Gold II Camera
Absolute Power (1997)
The Last Samurai (2003)
Directed by | Edward Zwick | Cinematography by | John Toll | Editing by | Victor Du Bois, Steven Rosenblum
Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panastar Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Braveheart (1995)
Directed by | Mel Gibson | Cinematography by | John Toll | Editing by | Steven Rosenblum
Cameras | Panavision Panaflex Platinum Camera
Breaking the Waves (1996)
Directed by | Lars von Trier | Cinematography by | Robby Müller | Editing by | Anders Refn
Cameras | Moviecam Compact Camera
Lenses | Zeiss Lenses
A Slipping-Down Life (1999)
Directed by | Toni Kalem | Cinematography by | Michael F. Barrow | Editing by | Hughes Winborne
Cameras | Aaton 35-III Camera, ARRIFLEX 535 Camera