Film Negative Stock » Eastman Kodak Neg. Films

Eastman 400T 5295 Neg. Film : 17Eastman Color Negative 100T 5254/7254 Film : 30Eastman Color Negative 125T 5247 Film : 32Eastman Color Negative 250T 5293/7293 Film : 19Eastman Color Negative 400T 5294 Film : 23Eastman Color Negative 50T 5251 Neg. Film : 12Eastman Color Negative II 100T 5247/7247 F... : 24Eastman Double-X 5222/7222 Neg. Film : 44Eastman Ektachrome (Daylight) 160D 5239/72... : 8Eastman Ektachrome (Tungsten) 7240 Neg. Fi... : 4Eastman Ektachrome 25T 7252 Neg. Film : 2Eastman Ektachrome High Speed (Daylight) 7... : 3Eastman Ektachrome High Speed (Tungsten) 7... : 1Eastman EXR Neg. Film : 261Eastman High Speed 250D 5297/7297 Neg. Fil... : 18Eastman Plus-X 7276 Neg. Film : 4Eastman Plus-X 80D/64T 5231/7231 Neg. Film : 9Eastman Super-XX 1232 Neg. Film : 2Eastman Tri-X 7278 Neg. Film : 2Kodachrome 25 (Daylight) 7267 Neg. Film : 1Kodachrome Professional 5267 Neg. Film : 1Kodak 500T 5230/7230 Neg. Film : 6Kodak Ektachrome 100D 5285/7285 Neg. Film : 18Kodak SFX 200T SO-214 Neg. Film : 17Kodak Tri-X 7266 Neg. Film : 1Kodak Vision 2 Film Neg. Film : 402Kodak Vision 200T 5274 Neg. Film : 98Kodak Vision 250D 5246/7246 Neg. Film : 96Kodak Vision 3 Film Neg. Film : 397Kodak Vision 320T 5277/7277 Neg. Film : 55Kodak Vision 500T 5263/7263 Neg. Film : 3Kodak Vision 500T 5279 Neg. Film : 226Kodak Vision 800T 5289/7289 Neg. Film : 31Kodak Vision Expression 500T 5284/7284 Neg... : 10Kodak Vision Film : 7

Eastman Kodak Neg. Films | 1494 Titles

Eastman Kodak Neg. Films 4.00/5 2 Votes

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The Beach (2000)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 119 Minutes

Directed by | Danny Boyle | Cinematography by | Darius Khondji | Editing by | Masahiro Hirakubo

Starring | Leonardo DiCaprio, Tilda Swinton, Daniel York

Cameras | ARRIFLEX 235 Camera

What Just Happened (2008)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 104 Minutes

Directed by | Barry Levinson | Cinematography by | Stéphane Fontaine | Editing by | Hank Corwin

Starring | Robert De Niro, John Turturro, Stanley Tucci, Sean Penn

Cameras | Aaton 35-III Camera, ARRICAM Lite (LT) Camera

Blade Runner (1982)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 117 Minutes

Directed by | Ridley Scott | Cinematography by | Jordan Cronenweth | Editing by | Marsha Nakashima, Terry Rawlings

Starring | Harrison Ford, Rutger Hauer, Sean Young, Edward James Olmos

Cameras | Mitchell FC 65mm Camera, Panavision Panaflex Gold Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision Super Panavision 70 Series Lenses, Panavision Super Speed Lenses

Longlegs (2024)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 101 Minutes

Directed by | Osgood Perkins | Cinematography by | Andres Arochi | Editing by | Graham Fortin, Greg Ng

Starring | Maika Monroe, Nicolas Cage, Blair Underwood

Cameras | ARRI ALEXA Mini LF Camera, ARRICAM Lite (LT) Camera

Lenses | ARRI Signature Prime Lenses, Cooke S4/i Lenses

Minority Report (2002)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 145 Minutes

Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn

Starring | Tom Cruise, Colin Farrell, Samantha Morton, Max von Sydow

Cameras | Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Lenses

The Terminator (1984)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 107 Minutes

Directed by | James Cameron | Cinematography by | Adam Greenberg | Editing by | Mark Goldblatt

Starring | Arnold Schwarzenegger, Linda Hamilton, Michael Biehn, Paul Winfield

Cameras | ARRIFLEX 35 BL Camera, ARRIFLEX 35 III Camera

Lenses | Zeiss Super Speed Lenses

True Lies (1994)

Motion Picture | 2D | Film Project | Color | 1.78:1 (16x9), 2.20:1, 2.39:1 | 141 Minutes

Directed by | James Cameron | Cinematography by | Russell Carpenter | Editing by | Conrad Buff IV, Mark Goldblatt, Richard A. Harris, James Cameron

Starring | Arnold Schwarzenegger, Jamie Lee Curtis, Tom Arnold, Bill Paxton

Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera, Beaumont Vista Vision Camera

Lenses | Cooke Varotal Lenses, Zeiss Super Speed Lenses

Munich (2005)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 164 Minutes

Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn

Starring | Eric Bana, Daniel Craig, Marie-Josée Croze, Ciarán Hinds

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses | Cooke Cine Varotal Mark II 25-250mm T3.9 Lens, Cooke S4/i Prime 100mm T2.0 Lens, Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 16mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0

Trap (2024)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 105 Minutes

Directed by | M. Night Shyamalan | Cinematography by | Sayombhu Mukdeeprom | Editing by | Noemi Katharina Preiswerk

Starring | Josh Hartnett, Ariel Donoghue, Saleka Shyamalan

Cameras | ARRICAM Lite (LT) Camera

Lenses | Cooke Panchro/i Classic Lenses, Zeiss Super Speed Lenses

The Favourite (2018)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 119 Minutes

Directed by | Yorgos Lanthimos | Cinematography by | Robbie Ryan | Editing by | Yorgos Mavropsaridis

Starring | Olivia Colman, Emma Stone, Rachel Weisz, Nicholas Hoult

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Nikon - Nikkor Lenses, Panavision PVintage Prime Lenses

1941 (1979)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.39:1 | 118 Minutes

Directed by | Steven Spielberg | Cinematography by | William A. Fraker | Editing by | Michael Kahn

Starring | John Belushi, Dan Aykroyd, Treat Williams

Cameras | Panavision Panaflex Series Cameras

Lenses | Panavision C Series Anamorphic Lenses

Raiders of the Lost Ark (1981)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.39:1 | 115 Minutes

Directed by | Steven Spielberg | Cinematography by | Douglas Slocombe | Editing by | Michael Kahn, George Lucas

Starring | Harrison Ford, Karen Allen, Paul Freeman, John Rhys-Davies

Cameras | ARRIFLEX 35 IIC Camera, Panavision Panaflex-X Camera

Lenses | Panavision C Series Anamorphic Lenses

Poor Things (2023)

Motion Picture | 2D | 4K Project | Black & White, Color | 1.66:1 | 141 Minutes

Directed by | Yorgos Lanthimos | Cinematography by | Robbie Ryan | Editing by | Yorgos Mavropsaridis

Starring | Emma Stone, Mark Ruffalo, Willem Dafoe

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 416 Plus Camera, ARRIFLEX 765 Camera, Beaumont Vista Vision Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Leitz Lenses, Nikon - Nikkor Lenses, Optex Super16 4 mm T2.0 Lens, Zeiss Master Prime Lenses, Zeiss Master Zoom 16.5–110mm T2.6 Lens, Zeiss Ultra 16 Lenses, Zeiss Zoom Lenses

Jaws (1975)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 124 Minutes

Directed by | Steven Spielberg | Cinematography by | Bill Butler | Editing by | Verna Fields

Starring | Roy Scheider, Robert Shaw, Richard Dreyfuss, Lorraine Gary

Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Camera

Lenses | Panavision C Series Anamorphic Lenses

The Killing of a Sacred Deer (2017)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 121 Minutes

Directed by | Yorgos Lanthimos | Cinematography by | Thimios Bakatakis | Editing by | Yorgos Mavropsaridis

Starring | Barry G. Bernson, Herb Caillouet, Bill Camp

Cameras | ARRICAM Lite (LT) Camera

Lenses | Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses, Zeiss Master Prime Lenses

The Sugarland Express (1974)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 110 Minutes

Directed by | Steven Spielberg | Cinematography by | Vilmos Zsigmond | Editing by | Edward M. Abroms, Verna Fields

Starring | Goldie Hawn, Ben Johnson, Michael Sacks, William Atherton

Cameras | ARRIFLEX 35 IIC Camera, Panavision Panaflex Camera, Panavision Panaflex Gold Camera

Lenses | Panavision C Series Anamorphic Lenses

Kinds of Kindness (2024)

Motion Picture | 2D | 4K Project | Black & White, Color | 2.39:1 | 164 Minutes

Directed by | Yorgos Lanthimos | Cinematography by | Robbie Ryan | Editing by | Yorgos Mavropsaridis

Starring | Emma Stone, Jesse Plemons, Willem Dafoe

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses | Atlas Orion Anamorphic Series Lenses, Cooke Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Good, the Bad and the Ugly (1966)

Motion Picture | 2D | Film Project | Color | 2.35:1 | 178 Minutes

Directed by | Sergio Leone | Cinematography by | Tonino Delli Colli | Editing by | Eugenio Alabiso, Nino Baragli

Starring | Clint Eastwood, Eli Wallach, Lee Van Cleef

Cameras | ARRIFLEX 35 IIC Camera, Mitchell BNC Camera

Close Encounters of the Third Kind (1977)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.39:1 | 138 Minutes

Directed by | Steven Spielberg | Cinematography by | Vilmos Zsigmond | Editing by | Michael Kahn

Starring | Richard Dreyfuss, François Truffaut, Teri Garr, Melinda Dillon

Cameras | Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Camera, Panavision Super PSR R-200

Lenses | Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision Lenses

Autumn Sonata (1978)

Motion Picture | 2D | Film Project | Color | 1.66:1 | 99 Minutes

Directed by | Ingmar Bergman | Cinematography by | Sven Nykvist | Editing by | Sylvia Ingemarsson

Starring | Ingrid Bergman, Liv Ullmann, Lena Nyman, Halvar Björk

Cameras | ARRIFLEX 35 BL Camera

Lenses | Angenieux 20-120mm T2.9 Zoom Lens, Zeiss Standard Speed Prime Lenses

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