Kodak Vision 320T 5277/7277 Neg. Film | 55 Titles
The Matrix Reloaded (2003)
Directed by | Lana Wachowski, Lilly Wachowski | Cinematography by | Bill Pope | Editing by | Zach Staenberg
Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Die Another Day (2002)
Directed by | Lee Tamahori | Cinematography by | David Tattersall | Editing by | Andrew MacRitchie, Christian Wagner
Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses
Star Wars: Episode I – The Phantom Menace (1999)
Directed by | George Lucas | Cinematography by | David Tattersall | Editing by | Ben Burtt, Paul Martin Smith
Lenses | Hawk C-Series Lenses
Unbreakable (2000)
Directed by | M. Night Shyamalan | Cinematography by | Eduardo Serra | Editing by | Dylan Tichenor
Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses | Panavision ALZ11 48-550 mm T4.5 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Amélie (2001)
Directed by | Jean-Pierre Jeunet | Cinematography by | Bruno Delbonnel | Editing by | Hervé Schneid
Lenses | Zeiss Ultra Prime Lenses
What Dreams May Come (1998)
Directed by | Vincent Ward | Cinematography by | Eduardo Serra | Editing by | David Brenner, Maysie Hoy
The Game (1997)
Directed by | David Fincher | Cinematography by | Harris Savides | Editing by | James Haygood
Lenses | Panavision SL27 27 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL75 75 mm T1.9 Lens
Ulee’s Gold (1997)
The Remnant (2001)
A-List (2006)
Directed by | Shira-Lee Shalit | Cinematography by | John Lazear | Editing by | Annette Davey, Paul Frost, Tim Goodwin
Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 IIC Camera, Bell & Howell Eyemo Camera, Cineflex Cameras
Lenses | Cooke Lenses
The Butterfly Effect (2004)
Directed by | Eric Bress, J. Mackye Gruber | Cinematography by | Matthew F. Leonetti | Editing by | Peter Amundson
The Pianist (2002)
Everybody Loves Raymond (1996)
| Cinematography by | Mike Berlin, Alessio Gelsini Torresi, Mikel Neiers | Editing by | Patricia Barnett, George Escobar, Jerry Davis, Frank Mazzaro
Cameras | Panavision Cameras
Kill Bill: Vol. 1 (2003)
Directed by | Quentin Tarantino | Cinematography by | Robert Richardson | Editing by | Sally Menke
Cameras | Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
Seven Years in Tibet (1997)
Directed by | Jean-Jacques Annaud | Cinematography by | Robert Fraisse | Editing by | Noëlle Boisson
Lenses | Panavision Primo Anamorphic Lenses
The Four Feathers (2002)
Pan Tadeusz (1999)
Directed by | Andrzej Wajda | Cinematography by | Pawel Edelman | Editing by | Wanda Zeman
Cameras | ARRIFLEX 435 Camera, Moviecam Compact Camera
Lenses | Hawk C-Series Lenses
Anna and the King (1999)
Directed by | Andy Tennant | Cinematography by | Caleb Deschanel | Editing by | Roger Bondelli
Cameras | Panavision Cameras
Con Air (1997)
Directed by | Simon West | Cinematography by | David Tattersall | Editing by | Chris Lebenzon, Steve Mirkovich, Glen Scantlebury
Cameras | ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Lenses | Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Zelary (2003)
