Dahlia
Silent Hill: Revelation (2012)
Directed by: M.J. Bassett
Cinematography by: Maxime Alexandre
Edited by: Michele Conroy
Cameras: Red Epic Camera, Red One MX Camera
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Mary
Walled In (2009)
Directed by: Gilles Paquet-Brenner
Cinematography by: Karim Hussain
Edited by: Jackie Dzuba
Cameras: ARRIFLEX 535 B Camera
Dahlia Gillespie
Silent Hill (2006)
Directed by: Christophe Gans
Cinematography by: Dan Laustsen
Edited by: Sébastien Prangère
Lynn Porter
Payback: Straight Up (2006)
Directed by: Brian Helgeland
Cinematography by: Ericson Core
Edited by: Kevin Stitt
Sarah Tate
White Noise (2005)
Directed by: Geoffrey Sax
Cinematography by: Chris Seager
Edited by: Nick Arthurs
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Lightworks Editing System
Bekkie Stander
Stander (2003)
Directed by: Bronwen Hughes
Cinematography by: Jess Hall
Edited by: Robert Ivison
Brooke LaLaine
Thirteen (2003)
Directed by: Catherine Hardwicke
Cinematography by: Elliot Davis
Edited by: Nancy Richardson
Cameras: Aaton XTR Prod Camera
Lenses: Canon Lenses
Seven
Ten Tiny Love Stories (2002)
Directed by: Rodrigo García
Cinematography by: Rodrigo Prieto
Edited by: Luis Cámara
Colette
The Salton Sea (2002)
Directed by: D.J. Caruso
Cinematography by: Amir Mokri
Edited by: Jim Page
Lisa
The Hurricane (1999)
Directed by: Norman Jewison
Cinematography by: Roger Deakins
Edited by: Stephen E. Rivkin
Lenses: Cooke S4 Lenses
Christine
The Game (1997)
Directed by: David Fincher
Cinematography by: Harris Savides
Edited by: James Haygood
Lorraine
No Way Home (1996)
Directed by: Buddy Giovinazzo
Cinematography by: Claudia Raschke
Edited by: Stanley Warnow
Catherine Ballard
Crash (1996)
Directed by: David Cronenberg
Cinematography by: Peter Suschitzky
Edited by: Ronald Sanders
Cameras: Panavision Panaflex Platinum Camera
Eve Abergray
Whispers in the Dark (1992)
Directed by: Christopher Crowe
Cinematography by: Michael Chapman
Anna Vivaldi
Till There Was You (1991)
Directed by: John Seale
Cinematography by: Geoffrey Simpson
Edited by: Jill Bilcock