Kodak Vision 320T 5277/7277 Neg. Film | 55 Titles
Rush Hour 2 (2001)
Directed by | Brett Ratner | Cinematography by | Matthew F. Leonetti | Editing by | Mark Helfrich, Robert K. Lambert
Cameras | Panavision Panaflex Millennium Camera
The Green Mile (1999)
Directed by | Frank Darabont | Cinematography by | David Tattersall | Editing by | Richard Francis-Bruce
Cameras | Panavision Panaflex Platinum Camera
Shadow of the Vampire (2000)
Directed by | E. Elias Merhige | Cinematography by | Lou Bogue | Editing by | Chris Wyatt
Cameras | ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera
Lenses | Zeiss Super Speed Lenses
Anything Else (2003)
Directed by | Woody Allen | Cinematography by | Darius Khondji | Editing by | Alisa Lepselter
Cameras | Panavision Panaflex Millennium Camera
Gangs of New York (2002)
Directed by | Martin Scorsese | Cinematography by | Michael Ballhaus | Editing by | Thelma Schoonmaker
Rules of Engagement (2000)
Directed by | William Friedkin | Cinematography by | William A. Fraker, Nicola Pecorini | Editing by | Augie Hess
Double Team (1997)
Directed by | Hark Tsui | Cinematography by | Peter Pau | Editing by | Bill Pankow
Cameras | ARRIFLEX 435 ES Camera, Moviecam Compact Camera
Lenses | Angenieux Lenses, Zeiss Lenses
Being John Malkovich (1999)
Directed by | Spike Jonze | Cinematography by | Lance Acord | Editing by | Eric Zumbrunnen
Lenses | Cooke S4 Lenses
Black Hawk Down (2001)
Directed by | Ridley Scott | Cinematography by | Slawomir Idziak | Editing by | Pietro Scalia
Cameras | ARRIFLEX 35 IIC Camera, ARRIFLEX 435 ES Camera, Moviecam Compact Camera, Moviecam Superlight Camera
36th Precinct (2004)
Air Force One (1997)
Directed by | Wolfgang Petersen | Cinematography by | Michael Ballhaus | Editing by | Richard Francis-Bruce
Cameras | ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Lenses | Zeiss Variable Prime Lenses
Around the World in 80 Days (2004)
Directed by | Frank Coraci | Cinematography by | Phil Meheux | Editing by | Tom Lewis
Cameras | Panavision Panaflex Gold II Camera
A Dog of Flanders (1999)
Directed by | Kevin Brodie | Cinematography by | Walther van den Ende | Editing by | Annamaria Szanto
Cameras | ARRIFLEX 535 B Camera, ARRIFLEX 535 Camera
Ten Canoes (2006)
Directed by | Rolf de Heer, Peter Djigirr | Cinematography by | Ian Jones | Editing by | Tania Nehme
Cameras | ARRIFLEX 35 BL4s Camera
The Aviator (2004)
Directed by | Martin Scorsese | Cinematography by | Robert Richardson | Editing by | Thelma Schoonmaker
The Man Who Wasn’t There (2001)
Directed by | Joel Coen, Ethan Coen | Cinematography by | Roger Deakins | Editing by | Ethan Coen, Joel Coen, Tricia Cooke
Cameras | ARRIFLEX 535 B Camera
Lenses | Cooke S4 Lenses
Southern Justice (2006)
Directed by | M.D. Selig | Cinematography by | Jorge Diaz-Amador | Editing by | Robert Cipriano, Michael Ekalo, M.D. Selig
Cameras | ARRIFLEX 16SR2 Camera
Lenses | Angenieux 11.5-138 mm T2.5 Lens, Kinoptik Tégéa 5.7mm f1.8 Lens, Optar Illumina S16 9.5 mm T1.3, Zeiss Super Speeds Mk II Lenses
Pearl Harbor (2001)
Directed by | Michael Bay | Cinematography by | John Schwartzman | Editing by | Roger Barton, Mark Goldblatt, Chris Lebenzon, Steven Rosenblum
Cameras | ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Photo-Sonics 35mm-4ML Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision Compact Zoom Lenses, Panavision E Series Anamorphic Lenses
Pirates of the Caribbean: The Curse of the Black Pearl (2003)
Directed by | Gore Verbinski | Cinematography by | Dariusz Wolski | Editing by | Stephen E. Rivkin, Arthur Schmidt, Craig Wood
Cameras | Panavision Panaflex Platinum Camera
Catch Me If You Can (2002)
