Film Negative Stock » Eastman Kodak Neg. Films » Kodak Vision 3 Film Neg. Film

Kodak Vision3 200T 5213/7213 Neg. Film : 73Kodak Vision3 250D 5207/7207 Neg. Film : 142Kodak Vision3 500T 5219/7219 Neg. Film : 355Kodak Vision3 50D 5203/7203 Neg. Film : 35

Kodak Vision 3 Film Neg. Film | 375 Titles

Kodak Vision 3 Film Neg. Film 4.00/5 2 Votes

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To Leslie (2022)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 119 Minutes

Directed by | Michael Morris | Cinematography by | Larkin Seiple | Editing by | Chris McCaleb

Starring | Andrea Riseborough, Drew Youngblood, Tom Virtue

Cameras | ARRICAM Lite (LT) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Aftersun (2022)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 102 Minutes

Directed by | Charlotte Wells | Cinematography by | Gregory Oke | Editing by | Blair McClendon

Starring | Paul Mescal, Frankie Corio, Celia Rowlson-Hall

Cameras | ARRICAM Lite (LT) Camera

Lenses | Cooke S4/i Lenses

The Fabelmans (2022)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 151 Minutes

Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Sarah Broshar, Michael Kahn

Starring | Michelle Williams, Gabriel LaBelle, Paul Dano

Cameras | ARRI ALEXA Mini LF Camera, ARRIFLEX 16ST Camera, ARRIFLEX 416 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Primo Primes Spherical Lenses, Panavision PVintage Prime Lenses

Maestro (2023)

Motion Picture | 2D | 4K Project | Black & White, Color | 1.33:1 (4x3), 1.85:1 | 129 Minutes

Directed by | Bradley Cooper | Cinematography by | Matthew Libatique | Editing by | Michelle Tesoro

Starring | Carey Mulligan, Bradley Cooper, Matt Bomer

Cameras | Panavision Panaflex Lightweight II Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision PVintage Prime Lenses

The Iron Claw (2023)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 132 Minutes

Directed by | Sean Durkin | Cinematography by | Mátyás Erdély | Editing by | Matthew Hannam

Starring | Zac Efron, Jeremy Allen White, Harris Dickinson

Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Primo Primes Spherical Lenses

Babylon (2022)

Motion Picture | 2D | 4K Project | Black & White, Color | 1.33:1 (4x3), 2.39:1 | 189 Minutes

Directed by | Damien Chazelle | Cinematography by | Linus Sandgren | Editing by | Tom Cross

Starring | Brad Pitt, Margot Robbie, Jean Smart

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Bell & Howell 2709 Camera

Lenses | Atlas Orion Anamorphic Series Lenses, Cooke Anamorphic/i Zoom Lenses, Zeiss Super Speed Lenses

Oppenheimer (2023)

Motion Picture | 2D | Film Project | Black & White, Color | 1.43:1, 1.78:1 (16x9), 1.90:1, 2.20:1, 2.35:1, 2.76:1 | 180 Minutes

Directed by | Christopher Nolan | Cinematography by | Hoyte Van Hoytema | Editing by | Jennifer Lame

Starring | Cillian Murphy, Emily Blunt, Matt Damon

Cameras | ARRIFLEX 435 Camera, IMAX MKIII Reflex Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses | Hasselblad Lenses, Panavision Lenses, Panavision Sphero 65 Series Lenses, Panavision System 65 Lenses

Past Lives (2023)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 105 Minutes

Directed by | Celine Song | Cinematography by | Shabier Kirchner | Editing by | Keith Fraase

Starring | Greta Lee, Teo Yoo, John Magaro

Cameras | Panavision Panaflex Millennium XL Camera

Lenses | Panavision Primo Zooms Spherical Lenses, Panavision PVintage Prime Lenses, Panavision Ultra Speed MKII Lenses

I, Tonya (2017)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 119 Minutes

Directed by | Craig Gillespie | Cinematography by | Nicolas Karakatsanis | Editing by | Tatiana S. Riegel

Starring | Margot Robbie, Sebastian Stan, Allison Janney

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera

Lenses | Leitz Summilux-C Series Lenses

Killers of the Flower Moon (2023)

Motion Picture | 2D | 4K Project | Black & White, Color | 1.33:1 (4x3), 2.39:1 | 206 Minutes

Directed by | Martin Scorsese | Cinematography by | Rodrigo Prieto | Editing by | Thelma Schoonmaker

Starring | Leonardo DiCaprio, Robert De Niro, Lily Gladstone

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Bell & Howell 2709 Camera, Phantom Flex4K Camera, Sony CineAlta VENICE Camera

Lenses | Angenieux Lenses, Cooke Speed Panchro Lenses, Panavision T Series Anamorphic Lenses

Poor Things (2023)

Motion Picture | 2D | 4K Project | Black & White, Color | 1.66:1 | 141 Minutes

Directed by | Yorgos Lanthimos | Cinematography by | Robbie Ryan | Editing by | Yorgos Mavropsaridis

Starring | Emma Stone, Mark Ruffalo, Willem Dafoe

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 416 Plus Camera, ARRIFLEX 765 Camera

Lenses | Angenieux Optimo Zoom Lenses, Leitz Lenses, Nikon - Nikkor Lenses, Optex Super16 4 mm T2.0 Lens, Zeiss Zoom Lenses

Castle (2009)

Television Series | 2D | Color | 1.78:1 (16x9) | 43 Minutes

| Cinematography by | Bill Roe, Daryn Okada, James L. Carter, Stephen Collins, Dave Perkal, Steve Mason, Roger Simonsz, Michael Slovis | Editing by | Warren Bowman, David Latham, Marta Evry, Orlando Machado Jr., Neil Felder, Dennis Virkler, Edward A. Warschilka, Sue Blainey, Amy McGrath, Jeff Freeman, Mark Manos, Jack Colwell, John Axness, Philip Fowler, Byron Smith

Starring | Nathan Fillion, Stana Katic, Susan Sullivan, Jon Huertas

Cameras | ARRI ALEXA Studio Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

The Walking Dead (2010)

Television Series | 2D | Color | 1.78:1 (16x9) | 44 Minutes

| Cinematography by | Michael E. Satrazemis, Stephen Campbell, Rohn Schmidt, Duane Manwiller, David Boyd, Paul Varrieur, David Tattersall | Editing by | Dan Liu, Julius Ramsay, Avi Youabian, Hunter M. Via, Evan Schrodek, Rachel Goodlett Katz, Alan Cody, Nathan Gunn, Kelley Dixon, Tiffany Melvin, Robert Bramwell, Enrique Sanchez, Sidney Wolinsky, Todd Desrosiers, Orlando Machado Jr., Sarah C. Reeves, Jack Colwell, Brian G. Addie

Starring | Andrew Lincoln, Norman Reedus, Melissa McBride, Lauren Cohan

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 416 Camera, Panavision Cameras

Lenses | Panavision Lenses, Zeiss Super Speeds Mk I Lenses

Saltburn (2023)

Motion Picture | 2D | 4K Project | Color | 1.33:1 (4x3) | 131 Minutes

Directed by | Emerald Fennell | Cinematography by | Linus Sandgren | Editing by | Victoria Boydell

Starring | Barry Keoghan, Jacob Elordi, Archie Madekwe

Cameras | ARRIFLEX 435 Xtreme Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Primo Primes Spherical Lenses

The Grand Budapest Hotel (2014)

Motion Picture | 2D | 2K Project | Color | 1.37:1, 1.85:1, 2.39:1 | 99 Minutes

Directed by | Wes Anderson | Cinematography by | Robert D. Yeoman | Editing by | Barney Pilling

Starring | Ralph Fiennes, F. Murray Abraham, Mathieu Amalric

Cameras | ARRICAM Studio (ST) Camera

Lenses | Angenieux Lenses, Cooke S4 Lenses, Cooke Varotal Lenses, Technovision Techno-Cooke Anamorphic Zoom 40-200mm T4.5 Lens

30 Minutes or Less (2011)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 83 Minutes

Directed by | Ruben Fleischer | Cinematography by | Jess Hall | Editing by | Alan Baumgarten

Starring | Jesse Eisenberg, Danny McBride, Nick Swardson

Cameras | Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Pokémon Detective Pikachu (2019)

Motion Picture | 3D | 2K Project | Color | 2.39:1 | 104 Minutes

Directed by | Rob Letterman | Cinematography by | John Mathieson | Editing by | Mark Sanger, James Thomas

Starring | Ryan Reynolds, Justice Smith, Kathryn Newton

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Mid90s (2018)

Motion Picture | 2D | 2K Project | Color | 1.78:1 (16x9) | 85 Minutes

Directed by | Jonah Hill | Cinematography by | Christopher Blauvelt | Editing by | Nick Houy

Starring | Sunny Suljic, Katherine Waterston, Lucas Hedges

Cameras | ARRIFLEX 416 Camera

True Detective (2014)

Television Series | 2D | 2K Project | Color | 1.78:1 (16x9) | 55 Minutes

A Beautiful Day in the Neighborhood (2019)

Motion Picture | 2D | 4K Project | Color | 1.33:1 (4x3), 1.85:1 | 109 Minutes

Directed by | Marielle Heller | Cinematography by | Jody Lee Lipes | Editing by | Anne McCabe

Starring | Matthew Rhys, Tom Hanks, Chris Cooper

Cameras | ARRI ALEXA Mini Camera, ARRIFLEX 416 Camera, Ikegami Cameras, Ikegami HL-79EAL Camera

Lenses | Angenieux Optimo Anamorphic Lenses, Canon Lenses, Zeiss Master Prime Lenses

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