Kodak Vision3 500T 5219/7219 Neg. Film | 321 Titles
Good Time (2017)
Country | USA
Type | Motion Picture
Running Time | 101 Minutes
Aspect Ratio | 2.39:1
Directed by | Benny Safdie, Josh Safdie | Cinematography by | Sean Price Williams | Editing by | Ronald Bronstein, Benny Safdie
Cameras | ARRICAM Lite (LT) Camera
Lenses | Zeiss Super Speed Lenses
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Dunkirk (2017)
Country | UK, Netherlands, France, USA
Type | Motion Picture
Running Time | 106 Minutes
Directed by | Christopher Nolan | Cinematography by | Hoyte Van Hoytema | Editing by | Lee Smith
Cameras | Imax MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
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La La Land (2016)
Country | USA, Hong Kong
Type | Motion Picture
Running Time | 128 Minutes
Aspect Ratio | 2.55:1
Directed by | Damien Chazelle | Cinematography by | Linus Sandgren | Editing by | Tom Cross
Lenses | Panavision C Series Anamorphic Lenses, Panavision C35 35 mm T2.3 Lens, Panavision C50 50 mm T2.3 Lens, Panavision E Series Anamorphic Lenses, Panavision E35 35 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens
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Anthropoid (2016)
Country | Czech Republic, UK, USA, France
Type | Motion Picture
Running Time | 120 Minutes
Aspect Ratio | 2.39:1
Directed by | Sean Ellis | Cinematography by | Sean Ellis | Editing by | Richard Mettler
Cameras | ARRIFLEX 416 Camera
Lenses | Hawk V-Lite 16 Lens
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Suicide Squad (2016)
Country | USA
Type | Motion Picture
Running Time | 123 Minutes
Aspect Ratio | 2.39:1
Directed by | David Ayer | Cinematography by | Roman Vasyanov | Editing by | John Gilroy
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Jason Bourne (2016)
Country | USA, China
Type | Motion Picture
Running Time | 123 Minutes
Aspect Ratio | 2.39:1
Capture Resolution | 2880x2160 - (1.33:1) Capture Resolution, 4096x2160 - (1.90:1) Capture Resolution, 6144x3160 - (1.94:1) Capture Resolution
Directed by | Paul Greengrass | Cinematography by | Barry Ackroyd | Editing by | Christopher Rouse
Cameras | Aaton Penelope Camera, Aaton XTR Prod Camera, ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, Codex Action Cam, Red Epic Dragon Camera
Lenses | Angenieux Optimo Zoom Lenses, Canon Lenses, Fujinon Premier ZK Cabrio PL Compact Lenses, Kowa Cine Prominar Lenses, Panavision Lenses, Zeiss Super Speed Lenses, Zeiss Ultra Prime Lenses
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Jane Got a Gun (2015)
Country | USA
Type | Motion Picture
Running Time | 98 Minutes
Aspect Ratio | 2.39:1
Directed by | Gavin O'Connor | Cinematography by | Mandy Walker | Editing by | Alan Cody
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision B Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
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Midnight Special (2016)
Country | USA, Greece
Type | Motion Picture
Running Time | 112 Minutes
Aspect Ratio | 2.39:1
Directed by | Jeff Nichols | Cinematography by | Adam Stone | Editing by | Julie Monroe
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The Time That Remains (2016)
Country | USA
Type | Motion Picture, Short Film
Running Time | 15 Minutes
Aspect Ratio | 1.85:1
Directed by | B.T. Crue | Cinematography by | David J. Schweitzer | Editing by | Sean Pollaro
Cameras | Aaton XTR Prod Camera
Lenses | Canon EC Series Lenses
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Taken 3 (2014)
Country | France, USA, Spain
Type | Motion Picture
Running Time | 108 Minutes
Directed by | Olivier Megaton | Cinematography by | Eric Kress | Editing by | Audrey Simonaud, Nicolas Trembasiewicz
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses
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Hail, Caesar! (2016)
Country | UK, Japan, USA
Type | Motion Picture
Running Time | 106 Minutes
Aspect Ratio | 1.85:1
Directed by | Ethan Coen, Joel Coen | Cinematography by | Roger Deakins | Editing by | Ethan Coen, Joel Coen
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera
Lenses | Zeiss Master Prime Lenses
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Theeb (2014)
Country | United Arab Emirates, Qatar, Jordan, UK
Type | Motion Picture
Running Time | 100 Minutes
Aspect Ratio | 2.39:1
Starring | Jacir Eid Al-Hwietat, Hussein Salameh Al-Sweilhiyeen, Hassan Mutlag Al-Maraiyeh, Jack Fox
Directed by | Naji Abu Nowar | Cinematography by | Wolfgang Thaler | Editing by | Rupert Lloyd
Cameras | ARRIFLEX 416 Camera
Lenses | Hawk V-Lite 16 Lens
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Saul fia (2015)
Country | Hungary
Type | Motion Picture
Running Time | 107 Minutes
Aspect Ratio | 1.37:1
Directed by | László Nemes | Cinematography by | Mátyás Erdély | Editing by | Matthieu Taponier
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Lenses | Zeiss Master Prime Lenses
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Joy (2015)
Country | USA
Type | Motion Picture
Running Time | 124 Minutes
Aspect Ratio | 1.85:1
Directed by | David O. Russell | Cinematography by | Linus Sandgren | Editing by | Alan Baumgarten, Jay Cassidy, Tom Cross, Christopher Tellefsen
Lenses | Zeiss Ultra Prime Lenses
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The Big Short (2015)
Country | USA
Type | Motion Picture
Running Time | 130 Minutes
Aspect Ratio | 2.39:1
Directed by | Adam McKay | Cinematography by | Barry Ackroyd | Editing by | Hank Corwin
Cameras | ARRICAM Lite (LT) Camera, Canon EOS-C500 Camera
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Steve Jobs (2015)
Country | UK, USA
Type | Motion Picture
Running Time | 122 Minutes
Aspect Ratio | 2.39:1
Directed by | Danny Boyle | Cinematography by | Alwin H. Küchler | Editing by | Elliot Graham
Cameras | ARRI ALEXA XT Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 416 Plus, Red Epic Dragon Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke Speed Panchro Lenses, Zeiss Compact Prime Lenses, Zeiss Master Prime Lenses, Zeiss Standard Speed Prime Lenses
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Carol (2015)
Country | UK, USA
Type | Motion Picture
Running Time | 118 Minutes
Aspect Ratio | 1.85:1
Directed by | Todd Haynes | Cinematography by | Edward Lachman | Editing by | Affonso Gonçalves
Cameras | ARRIFLEX 416 Camera
Lenses | Angenieux HR Zoom Lenses, Cooke S4/i Lenses, Cooke Speed Panchro Lenses, Cooke Varopanchro Lenses, Zeiss Master Zoom 16.5–110mm T2.6 Lens
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Batman v Superman: Dawn of Justice (2016)
Country | USA
Type | Motion Picture
Running Time | 151 Minutes
Directed by | Zack Snyder | Cinematography by | Larry Fong | Editing by | David Brenner
Cameras | ARRI ALEXA Camera, ARRIFLEX 416 Camera, ARRIFLEX 435 Camera, GoPro (Woodman Labs) Cameras, Imax MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera
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Oranges and Sunshine (2010)
Country | UK, Australia
Type | Motion Picture
Running Time | 105 Minutes
Aspect Ratio | 2.40:1
Directed by | Jim Loach | Cinematography by | Denson Baker | Editing by | Dany Cooper
Cameras | ARRICAM Lite (LT) Camera
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The Hateful Eight (2015)
Country | USA
Type | Motion Picture
Running Time | 168 Minutes
Aspect Ratio | 2.76:1
Directed by | Quentin Tarantino | Cinematography by | Robert Richardson | Editing by | Fred Raskin
Cameras | ARRIFLEX 765 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses | Panavision APO Panatar 100mm T2.8 Lens, Panavision APO Panatar 135mm T3.0 Lens, Panavision APO Panatar 35mm T2.8 Lens, Panavision APO Panatar 50mm T2.8 Lens, Panavision APO Panatar 75mm T2.8 Lens, Panavision APO Panatar Prism 150mm T3.6 Lens, Panavision APO Panatar Prism 57mm T4.0 Lens, Panavision APO Panatar Prism 75mm T3.5 Lens, Panavision Variable APO Panatar 135mm T3.2 Lens
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