Kodak Vision3 500T 5219/7219 Neg. Film | 323 Titles
Mad Men (2007)
47 Minutes
| Cinematography by | Chris Manley, Don Devine, Phil Abraham, Steve Mason, Frank G. DeMarco, Bill Roe, Jeffrey Jur, M. David Mullen | Editing by | Tom Wilson, Malcolm Jamieson, Christopher Gay, Leo Trombetta, Christopher Nelson, Chris Figler, David Siegel, Cindy Mollo, Pattye Rogers, Conrad Smart, Patricia Raffertymodified:
3 Idiots (2009)
170 Minutes
Directed by | Rajkumar Hirani | Cinematography by | C.K. Muraleedharan | Editing by | Rajkumar Hirani Cameras | ARRICAM Lite (LT) Camera
modified:
Shutter Island (2010)
138 Minutes
Directed by | Martin Scorsese | Cinematography by | Robert Richardson | Editing by | Thelma Schoonmaker Cameras | ARRIFLEX 765 Camera, ARRIFLEX D-21 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
modified:
First Man (2018)
141 Minutes
Directed by | Damien Chazelle | Cinematography by | Linus Sandgren | Editing by | Tom Cross Cameras | Aaton A-Minima Camera, Aaton Penelope Camera, Aaton Xterà Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 416 Plus, ARRIFLEX 435 Camera, Imax MSM 9802 Camera
Lenses | CamTec Vintage Series Ultra Prime Lenses, Canon Lenses, Fujinon Premier ZK Cabrio PL Compact Lenses, Hasselblad Lenses, Kowa Cine Prominar Anamorphic Lenses
modified:
Once Upon a Time… in Hollywood (2019)
161 Minutes
Directed by | Quentin Tarantino | Cinematography by | Robert Richardson | Editing by | Fred Raskin Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses
modified:
Cloud Atlas (2012)
172 Minutes
Directed by | Tom Tykwer, Lana Wachowski, Lilly Wachowski | Cinematography by | Frank Griebe, John Toll | Editing by | Alexander Berner, Claus Wehlisch Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, Phantom HD Camera
modified:
Thor (2011)
115 Minutes
Directed by | Kenneth Branagh | Cinematography by | Haris Zambarloukos | Editing by | Paul Rubell Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Standard Primes (SP) Lenses
modified:
The Curious Case of Benjamin Button (2008)
166 Minutes
Directed by | David Fincher | Cinematography by | Claudio Miranda | Editing by | Kirk Baxter, Angus Wall Lenses | Zeiss DigiPrime Lenses
modified:
The Expendables (2010)
103 Minutes
Directed by | Sylvester Stallone | Cinematography by | Jeffrey L. Kimball | Editing by | Ken Blackwell, Paul Harb Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Bell & Howell Eyemo Camera
modified:
American Horror Story (2011)
60 Minutes
| Cinematography by | Michael Goi, Gavin Kelly, John B. Aronson, Tom Houghton, Nelson Cragg, Jesse M. Feldman, Christopher Baffa, Joaquin Sedillo, James Chressanthis, Chris Manley, James M. Sterba | Editing by | Fabienne Bouville, Adam Penn, Ken Ramos, Stewart Schill, Regis Kimble, Justin Krohn, Danielle Wang, Bradley Buecker, Adriaan van Zyl, Sean Aylward, Angela Jackson, Chris A. Peterson, Robert Komatsu, Micky Blythe, Kaja Fehr, Joe Leonard, John Petaja, Lizzy Calhoun, Shelly Westerman Cameras | ARRIFLEX 16SR2 Camera, ARRIFLEX 16SR3 Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Panavision Panaflex Millennium XL2 Camera
Lenses | Angenieux Lenses, Panavision Lenses
modified:
Good Time (2017)
101 Minutes
Directed by | Benny Safdie, Josh Safdie | Cinematography by | Sean Price Williams | Editing by | Ronald Bronstein, Benny Safdie Cameras | ARRICAM Lite (LT) Camera
Lenses | Zeiss Super Speed Lenses
modified:
Dunkirk (2017)
106 Minutes
Directed by | Christopher Nolan | Cinematography by | Hoyte Van Hoytema | Editing by | Lee Smith Cameras | Imax MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
modified:
La La Land (2016)
128 Minutes
Directed by | Damien Chazelle | Cinematography by | Linus Sandgren | Editing by | Tom Cross Lenses | Panavision C Series Anamorphic Lenses, Panavision C35 35 mm T2.3 Lens, Panavision C50 50 mm T2.3 Lens, Panavision E Series Anamorphic Lenses, Panavision E35 35 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens
modified:
Anthropoid (2016)
120 Minutes
Directed by | Sean Ellis | Cinematography by | Sean Ellis | Editing by | Richard Mettler Cameras | ARRIFLEX 416 Camera
Lenses | Hawk V-Lite 16 Lens
modified:
Suicide Squad (2016)
123 Minutes
Directed by | David Ayer | Cinematography by | Roman Vasyanov | Editing by | John Gilroymodified:
Jason Bourne (2016)
123 Minutes
Capture Resolution | 2880x2160 - (1.33:1) Capture Resolution, 4096x2160 - (1.90:1) Capture Resolution, 6144x3160 - (1.94:1) Capture Resolution
Directed by | Paul Greengrass | Cinematography by | Barry Ackroyd | Editing by | Christopher Rouse Cameras | Aaton Penelope Camera, Aaton XTR Prod Camera, ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, Codex Action Cam, Red Epic Dragon Camera
Lenses | Angenieux Optimo Zoom Lenses, Canon Lenses, Fujinon Premier ZK Cabrio PL Compact Lenses, Kowa Cine Prominar Spherical Lenses, Panavision Lenses, Zeiss Super Speed Lenses, Zeiss Ultra Prime Lenses
modified:
Jane Got a Gun (2015)
98 Minutes
Directed by | Gavin O'Connor | Cinematography by | Mandy Walker | Editing by | Alan Cody Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision B Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
modified:
Midnight Special (2016)
112 Minutes
Directed by | Jeff Nichols | Cinematography by | Adam Stone | Editing by | Julie Monroemodified:
The Time That Remains (2016)
15 Minutes
Directed by | B.T. Crue | Cinematography by | David J. Schweitzer | Editing by | Sean Pollaro Cameras | Aaton XTR Prod Camera
Lenses | Canon EC Series Lenses
modified:
Taken 3 (2014)
108 Minutes
Directed by | Olivier Megaton | Cinematography by | Eric Kress | Editing by | Audrey Simonaud, Nicolas Trembasiewicz Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses
modified:
