Kodak Vision3 500T 5219/7219 Neg. Film | 376 Titles
No Time to Die (2021)
 Directed by | Cary Joji Fukunaga | Cinematography by | Linus Sandgren | Editing by | Tom Cross, Elliot Graham 
 
  Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, ARRIFLEX 765 Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera 
  Lenses | Hasselblad Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Sphero 65 Series Lenses 
Star Wars: The Force Awakens (2015)
 Directed by | J.J. Abrams | Cinematography by | Dan Mindel | Editing by | Maryann Brandon, Mary Jo Markey 
 
  Cameras | ARRI ALEXA Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera 
  Lenses | Hasselblad Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Retro C 100mm T2.8 Lens, Panavision Retro C 35mm T2.8 Lens, Panavision Retro C 40mm T2.8 Lens, Panavision Retro C 50mm T2.8 Lens, Panavision Retro C 60mm T2.8 Lens, Panavision Retro C 75mm T2.8 Lens 
Star Wars: Episode IX – The Rise of Skywalker (2019)
 Directed by | J.J. Abrams | Cinematography by | Dan Mindel | Editing by | Maryann Brandon, Stefan Grube  
 
  Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Digital Lenses, Panavision Retro C Series Lenses, Panavision T Series Anamorphic Lenses 
Star Wars: Episode VIII – The Last Jedi (2017)
 Directed by | Rian Johnson | Cinematography by | Steve Yedlin | Editing by | Bob Ducsay 
 
  Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, ARRIFLEX 435 Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera 
  Lenses | ARRI Rental Prime 65 Lenses, Hasselblad Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Super Speed Lenses, Panavision T Series Anamorphic Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses 
Bad Times at the El Royale (2018)
Mission: Impossible – Fallout (2018)
 Directed by | Christopher McQuarrie | Cinematography by | Rob Hardy | Editing by | Eddie Hamilton 
 
  Cameras | ARRIFLEX 235 Camera, Panavision Millennium DXL Camera, Panavision Panaflex Millennium XL2 Camera, Red Weapon Dragon Camera 
  Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo 70 Lenses 
Vox Lux (2018)
 Directed by | Brady Corbet | Cinematography by | Lol Crawley | Editing by | Matthew Hannam 
 
  Cameras | ARRICAM Lite (LT) Camera 
 Mid90s (2018)
 Directed by | Jonah Hill | Cinematography by | Christopher Blauvelt | Editing by | Nick Houy 
 
  Cameras | ARRIFLEX 416 Camera 
  Lenses | Zeiss Super Speed Lenses 
Suspiria (2018)
 Directed by | Luca Guadagnino | Cinematography by | Sayombhu Mukdeeprom | Editing by | Walter Fasano  
 
 Wonder Woman (2017)
 Directed by | Patty Jenkins | Cinematography by | Matthew Jensen | Editing by | Martin Walsh 
 
  Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera 
  Lenses | ARRI Rental Prime 65 Lenses 
The Mummy (2017)
 Directed by | Alex Kurtzman | Cinematography by | Ben Seresin | Editing by | Gina Hirsch, Paul Hirsch, Andrew Mondshein 
 
  Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera 
  Lenses | ARRI Rental Prime 65 Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses 
The Post (2017)
 Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Sarah Broshar, Michael Kahn  
 
  Lenses | Panavision Compact Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision PVintage Prime Lenses 
La La Land (2016)
 Directed by | Damien Chazelle | Cinematography by | Linus Sandgren | Editing by | Tom Cross  
 
  Lenses | Panavision C Series Anamorphic Lenses, Panavision C35 35 mm T2.3 Lens, Panavision C50 50 mm T2.3 Lens, Panavision E Series Anamorphic Lenses, Panavision E35 35 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens 
Roman J. Israel, Esq. (2017)
 Directed by | Dan Gilroy | Cinematography by | Robert Elswit | Editing by | John Gilroy 
 
  Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Series Cameras, Panavision Panaflex Millennium XL2 Camera 
  Lenses | Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses, Zeiss ARRI Macro Lenses 
Battle of the Sexes (2017)
 Directed by | Jonathan Dayton, Valerie Faris | Cinematography by | Linus Sandgren | Editing by | Pamela Martin  
 
 Hail, Caesar! (2016)
 Directed by | Ethan Coen, Joel Coen | Cinematography by | Roger Deakins | Editing by | Ethan Coen, Joel Coen 
 
  Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera 
  Lenses | Zeiss Master Prime Lenses 
To Leslie (2022)
 Directed by | Michael Morris | Cinematography by | Larkin Seiple | Editing by | Chris McCaleb 
 
  Cameras | ARRICAM Lite (LT) Camera 
 Aftersun (2022)
 Directed by | Charlotte Wells | Cinematography by | Gregory Oke | Editing by | Blair McClendon 
 
  Cameras | ARRICAM Lite (LT) Camera 
  Lenses | Cooke S4/i Lenses 
The Fabelmans (2022)
 Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Sarah Broshar, Michael Kahn 
 
  Cameras | ARRI ALEXA Mini LF Camera, ARRIFLEX 16ST Camera, ARRIFLEX 416 Camera, Panavision Panaflex Millennium XL2 Camera 
 Maestro (2023)
 Directed by | Bradley Cooper | Cinematography by | Matthew Libatique | Editing by | Michelle Tesoro  
 
  Lenses | Panavision PVintage Prime Lenses 
 
  
 














































































