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Eastman 400T 5295 Neg. Film | 17 Titles

Eastman 400T 5295 Neg. Film 3.67/5 3 Votes

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The Crow (1994)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 102 Minutes

Directed by | Alex Proyas | Cinematography by | Dariusz Wolski | Editing by | Dov Hoenig, M. Scott Smith

Starring | Brandon Lee, Michael Wincott, Rochelle Davis, Ernie Hudson

Cameras | ARRIFLEX 35 BL4 Camera

Lenses | Zeiss Lenses

Die Hard (1988)

Motion Picture | 2D | Film Project | Color | 132 Minutes

Directed by | John McTiernan | Cinematography by | Jan de Bont | Editing by | John F. Link, Frank J. Urioste

Starring | Bruce Willis, Alan Rickman, Bonnie Bedelia, Reginald VelJohnson

Cameras | Panavision Panaflex Gold Camera

Lenses | Carl Zeiss Planar 50 mm f0.7 Lens (Modified by Ed DiGiulio), Carl Zeiss Planar 50mm with Kollmorgen Adaptor 36.5 mm f0.7 (Modified by Ed DiGiulio), Cooke Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Lenses, Panavision Ultra Speed MKII Lenses

Batman (1989)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 126 Minutes

Directed by | Tim Burton | Cinematography by | Roger Pratt | Editing by | Ray Lovejoy

Starring | Michael Keaton, Jack Nicholson, Kim Basinger, Robert Wuhl

Cameras | Panavision Panaflex Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Gold II Camera

Lenses | Panavision SL35-M 35 mm T1.9 Lens

Born on the Fourth of July (1989)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.39:1 | 145 Minutes

Directed by | Oliver Stone | Cinematography by | Robert Richardson | Editing by | David Brenner, Joe Hutshing

Starring | Tom Cruise, Bryan Larkin, Raymond J. Barry, Caroline Kava

Cameras | Panavision Cameras, Panavision Panaflex Camera

Lenses | Panavision Lenses

Gremlins 2: The New Batch (1990)

Motion Picture | Color | 1.85:1 | 106 Minutes

Gremlins 2: The New Batch | ShotOnWhat?

Directed by | Joe Dante | Cinematography by | John Hora | Editing by | Kent Beyda

Starring | Zach Galligan, Phoebe Cates, John Glover, Robert Prosky

Cameras | ARRIFLEX 35 III Camera, Moviecam SuperAmerica Camera

Lenses | Cooke Speed Panchro Lenses, Cooke Varopanchro Lenses

I Love You to Death (1990)

Motion Picture | 2D | Color | 1.85:1 | 97 Minutes

Directed by | Lawrence Kasdan | Cinematography by | Owen Roizman | Editing by | Anne V. Coates

Starring | Kevin Kline, Tracey Ullman, William Hurt, Joan Plowright

Cameras | Panavision Panaflex Camera

Lenses | Panavision Lenses

Rocky IV (1985)

Motion Picture | 2D | Black and White, Color | 1.37:1, 1.85:1 | 91 Minutes

Rocky IV | ShotOnWhat?

Directed by | Sylvester Stallone | Cinematography by | Bill Butler | Editing by | John W. Wheeler, Don Zimmerman

Starring | Sylvester Stallone, Talia Shire, Burt Young, Carl Weathers

Cameras | Panavision Panaflex Gold Camera

Baby Boom (1987)

Motion Picture | 2D | Color | 1.85:1 | 110 Minutes

Baby Boom | ShotOnWhat?

Directed by | Charles Shyer | Cinematography by | William A. Fraker | Editing by | Lynzee Klingman

Starring | Diane Keaton, Sam Shepard, Harold Ramis, Kristina Kennedy

Cameras | Panavision Cameras

Total Recall (1990)

Motion Picture | 2D | Color | 113 Minutes

Directed by | Paul Verhoeven | Cinematography by | Jost Vacano | Editing by | Carlos Puente, Frank J. Urioste

Starring | Arnold Schwarzenegger, Sharon Stone, Michael Ironside, Rachel Ticotin

Cameras | ARRIFLEX Camera

Lenses | Zeiss Lenses

Indiana Jones and the Last Crusade (1989)

Motion Picture | 2D | Color | 2.35:1 | 127 Minutes

Directed by | Steven Spielberg | Cinematography by | Douglas Slocombe | Editing by | Michael Kahn, George Lucas

Starring | Harrison Ford, Sean Connery, Alison Doody, Denholm Elliott

Cameras | Panavision Panaflex Camera

Lenses | Panavision Lenses

Black Rain (1989)

Motion Picture | 2D | Color | 2.20:1, 2.39:1 | 125 Minutes

Directed by | Ridley Scott | Cinematography by | Jan de Bont | Editing by | Tom Rolf

Starring | Michael Douglas, Andy Garcia, Ken Takakura, Kate Capshaw

Cameras | Beaulieu Cameras, Panavision Cameras

Lenses | Panavision Lenses

Coming to America (1988)

Motion Picture | 2D | Color | 1.85:1 | 116 Minutes

Directed by | John Landis | Cinematography by | Woody Omens | Editing by | Malcolm Campbell, George Folsey Jr.

Starring | Eddie Murphy, Paul Bates, Garcelle Beauvais, Feather

Cameras | Panavision Panaflex Gold Camera

Lenses | Panavision Primo Primes Spherical Lenses

Three Fugitives (1989)

Motion Picture | 2D | Color | 1.85:1 | 96 Minutes

Directed by | Francis Veber | Cinematography by | Haskell Wexler | Editing by | Bruce Green

Starring | Nick Nolte, Martin Short, Sarah Rowland Doroff, James Earl Jones

Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera

Lenses | Angenieux HP Zoom Lenses, Cooke Varopanchro Lenses, Zeiss Super Speed Lenses

Triumph of the Spirit (1989)

Motion Picture | 2D | Black & White, Color | 1.85:1 | 120 Minutes

Directed by | Robert M. Young | Cinematography by | Curtis Clark | Editing by | Norman Buckley, Arthur Coburn

Starring | Willem Dafoe, Edward James Olmos, Robert Loggia, Wendy Gazelle

Cameras | Aaton 35-III Camera, Panavision Panaflex Gold Camera

Lenses | Panavision Primo Primes Spherical Lenses

Aliens (1986)

Motion Picture | 2D | Color | 1.85:1 | 137 Minutes

Aliens | ShotOnWhat?

Directed by | James Cameron | Cinematography by | Adrian Biddle | Editing by | Ray Lovejoy

Starring | Sigourney Weaver, Michael Biehn, Carrie Henn, Paul Reiser

Cameras | ARRIFLEX 35 III Camera, Moviecam SuperAmerica Camera

Lenses | Canon K35 Prime Lenses

Rain Man (1988)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 133 Minutes

Directed by | Barry Levinson | Cinematography by | John Seale | Editing by | Stu Linder

Starring | Dustin Hoffman, Tom Cruise, Valeria Golino, Gerald R. Molen

Cameras | Panavision Panaflex Camera

Lenses | Panavision Primo Primes Spherical Lenses

Mo’ Better Blues (1990)

Motion Picture | 2D | Color | 1.85:1 | 130 Minutes

Directed by | Spike Lee | Cinematography by | Ernest R. Dickerson | Editing by | Samuel D. Pollard

Starring | Denzel Washington, Spike Lee, Wesley Snipes, Giancarlo Esposito

Cameras | ARRIFLEX 35 BL4 Camera

Lenses | Zeiss Super Speed Lenses

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