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Kodak Vision 800T 5289/7289 Neg. Film | 31 Titles

Kodak Vision 800T 5289/7289 Neg. Film 4.00/5 2 Votes

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Minority Report (2002)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 145 Minutes

Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn

Starring | Tom Cruise, Colin Farrell, Samantha Morton, Max von Sydow

Cameras | Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Lenses

CSI: Crime Scene Investigation (2000)

Television Series | 2D | Color | 1.78:1 (16x9) | 60 Minutes

| Cinematography by | Christian Sebaldt, Crescenzo G.P. Notarile, Frank Byers, Michael Barrett, Michael Slovis, Nathan Hope, Cort Fey, Jonathan West, Nelson Cragg, James L. Carter, Roy H. Wagner, David Stockton, Robert Gantz, Scott Galinsky, Ken Glassing, Matthew Jensen, Gale Tattersall, Gary B. Kibbe, Eliot Rockett, Christopher Faloona | Editing by | John Ganem, Alec Smight, Barrie Wise, Ian S. Tan, Augie Robles, Louis Bravo, Tom McQuade, Ray Daniels III, Lou Angelo, J. Benjamin Chulay, Augie Hess, Randy Jon Morgan, Claudia Finkle, Alex Mackie, Derek Degenhardt

Starring | William Petersen, Laurence Fishburne, Ted Danson

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Nikon - Nikkor Lenses, Panavision Primo Close Focus Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens

The Matrix (1999)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.39:1 | 136 Minutes

Directed by | Lana Wachowski, Lilly Wachowski | Cinematography by | Bill Pope | Editing by | Zach Staenberg

Starring | Keanu Reeves, Laurence Fishburne, Carrie-Anne Moss, Hugo Weaving

Cameras | Pan-Arri 435 Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Photo-Sonics Cameras

Lenses | Panavision Lenses, Panavision Primo Primes Spherical Lenses

The World Is Not Enough (1999)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 128 Minutes

Directed by | Michael Apted | Cinematography by | Adrian Biddle | Editing by | Jim Clark

Starring | Pierce Brosnan, Sophie Marceau, Robert Carlyle, Denise Richards

Cameras | Pan-Arri 435 Camera, Panavision Panaflex Gold Camera

Lenses | Panavision C Series Anamorphic Lenses

Titus (1999)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 162 Minutes

Directed by | Julie Taymor | Cinematography by | Luciano Tovoli | Editing by | Françoise Bonnot

Starring | Anthony Hopkins, Jessica Lange, Osheen Jones, Dario D'Ambrosi

Cameras | ARRIFLEX 35 BL Camera, ARRIFLEX 535 Camera

Lenses | Zeiss Lenses

Amores Perros (2000)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 154 Minutes

Directed by | Alejandro G. Iñárritu | Cinematography by | Rodrigo Prieto | Editing by | Luis Carballar, Alejandro G. Iñárritu, Fernando Pérez Unda

Starring | Emilio Echevarría, Gael García Bernal, Goya Toledo, Álvaro Guerrero

Cameras | Moviecam Superlight Camera

Lenses | Angenieux HR Zoom Lenses, Zeiss Super Speed Lenses

Natural Born Killers (1994)

Motion Picture | 2D | Black & White, Color | 1.85:1 | 118 Minutes

Directed by | Oliver Stone | Cinematography by | Robert Richardson | Editing by | Brian Berdan, Hank Corwin

Starring | Woody Harrelson, Juliette Lewis, Tom Sizemore, Rodney Dangerfield

Cameras | Panavision Cameras

Lenses | Panavision Lenses

102 Dalmatians (2000)

Motion Picture | 2D | Color | 1.85:1 | 100 Minutes

Directed by | Kevin Lima | Cinematography by | Adrian Biddle, Roger Pratt | Editing by | Gregory Perler

Starring | Glenn Close, Gérard Depardieu, Ioan Gruffudd, Alice Evans

A-List (2006)

Motion Picture | 2D | Color | 1.85:1 | 98 Minutes

Directed by | Shira-Lee Shalit | Cinematography by | John Lazear | Editing by | Annette Davey, Paul Frost, Tim Goodwin

Starring | Sally Kirkland, Damon Shalit, Daphne Zuniga, JoAnna Garcia Swisher

Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 IIC Camera, Bell & Howell Eyemo Camera, Cineflex Cameras

Lenses | Cooke Lenses

Kill Bill: Vol. 1 (2003)

Motion Picture | 2D | Black and White, Color | 2.35:1 | 111 Minutes

Kill Bill: Vol. 1 | ShotOnWhat?

Directed by | Quentin Tarantino | Cinematography by | Robert Richardson | Editing by | Sally Menke

Starring | Uma Thurman, David Carradine, Daryl Hannah, Michael Madsen

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses

The Mummy Returns (2001)

Motion Picture | 2D | Color | 2.35:1 | 130 Minutes

The Mummy Returns | ShotOnWhat?

Directed by | Stephen Sommers | Cinematography by | Adrian Biddle | Editing by | Bob Ducsay, Kelly Matsumoto

Starring | Brendan Fraser, Rachel Weisz, John Hannah, Arnold Vosloo

Cameras | Panavision Panaflex Millennium XL Camera

Lenses | Panavision C Series Anamorphic Lenses

25th Hour (2002)

Motion Picture | 2D | Color | 2.35:1 | 135 Minutes

25th Hour | ShotOnWhat?

Directed by | Spike Lee | Cinematography by | Rodrigo Prieto | Editing by | Barry Alexander Brown

Starring | Edward Norton, Barry Pepper, Philip Seymour Hoffman, Rosario Dawson

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Zeiss Ultra Prime Lenses

Morvern Callar (2002)

Motion Picture | 2D | Color | 1.85:1 | 97 Minutes

Morvern Callar | ShotOnWhat?

Directed by | Lynne Ramsay | Cinematography by | Alwin H. Küchler | Editing by | Lucia Zucchetti

Starring | Samantha Morton, Kathleen McDermott, Linda McGuire, Paul Popplewell

Cameras | Moviecam Compact Camera

The Million Dollar Hotel (2000)

Motion Picture | 2D | Color | 2.35:1 | 122 Minutes

The Million Dollar Hotel | ShotOnWhat?

Directed by | Wim Wenders | Cinematography by | Phedon Papamichael | Editing by | Tatiana S. Riegel

Starring | Jeremy Davies, Milla Jovovich, Mel Gibson, Jimmy Smits

Cameras | Panavision Cameras

Lenses | Panavision C Series Anamorphic Lenses

21 Grams (2003)

Motion Picture | 2D | Color | 1.85:1 | 124 Minutes

Directed by | Alejandro G. Iñárritu | Cinematography by | Rodrigo Prieto | Editing by | Stephen Mirrione

Starring | Sean Penn, Benicio Del Toro, Naomi Watts, Danny Huston

Cameras | Moviecam Superlight Camera

Lenses | Zeiss Ultra Prime Lenses

Narc (2002)

Motion Picture | 2D | Color | 1.85:1 | 105 Minutes

Directed by | Joe Carnahan | Cinematography by | Alex Nepomniaschy | Editing by | John Gilroy

Starring | Ray Liotta, Jason Patric, Chi McBride, Dan Leis

Cameras | ARRIFLEX 35 BL Camera, ARRIFLEX 35 IIC Camera, Moviecam Compact Camera

Lenses | Zeiss Super Speed Lenses

Shadow of the Vampire (2000)

Motion Picture | 2D | Black & White, Color | 2.39:1 | 92 Minutes

Directed by | E. Elias Merhige | Cinematography by | Lou Bogue | Editing by | Chris Wyatt

Starring | John Malkovich, Willem Dafoe, Udo Kier, Cary Elwes

Cameras | ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera

Lenses | Zeiss Super Speed Lenses

Billy Elliot (2000)

Motion Picture | 2D | Color | 1.85:1 | 110 Minutes

Directed by | Stephen Daldry | Cinematography by | Brian Tufano | Editing by | John Wilson

Starring | Jamie Bell, Julie Walters, Jean Heywood, Jamie Draven

Cameras | Aaton 35-III Camera, ARRIFLEX 35 BL4 Camera

Lenses | Zeiss Lenses

The Piano Teacher (2001)

Motion Picture | 2D | Color | 1.85:1 | 131 Minutes

Directed by | Michael Haneke | Cinematography by | Christian Berger | Editing by | Nadine Muse, Monika Willi

Starring | Isabelle Huppert, Annie Girardot, Benoît Magimel, Susanne Lothar

Cameras | Moviecam Compact Camera

Lenses | Cooke S4 Lenses, Cooke Varotal Lenses

We Were Soldiers (2002)

Motion Picture | 2D | Color | 2.39:1 | 138 Minutes

Directed by | Randall Wallace | Cinematography by | Dean Semler | Editing by | William Hoy

Starring | Mel Gibson, Madeleine Stowe, Greg Kinnear, Sam Elliott

Cameras | Panavision Panaflex Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

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